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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 223 75 it is the complementary color RGB 184 32 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 223 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 223 75 shade: RGB 76 223 70, RGB 93 241 89, RGB 110 255 108, RGB 127 255 127 and RGB 144 255 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 223 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 223 75 shade: RGB 71 223 75, RGB 54 205 56, RGB 37 187 37, RGB 20 169 18 and RGB 3 151 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 223 75 shade: RGB 72 222 76, RGB 109 222 72, RGB 149 222 72, RGB 190 222 72 and RGB 222 215 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 223 75 shade: RGB 72 222 76, RGB 72 222 117, RGB 72 222 157, RGB 72 222 198 and RGB 72 207 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 223 75 shade matches the following richer shades: RGB 72 222 76 and RGB 55 240 60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 223 75 shade: RGB 72 222 76, RGB 90 205 93, RGB 107 188 109, RGB 124 170 126 and RGB 142 153 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 223 75 shade: RGB 150 222 72, RGB 110 222 72, RGB 72 222 75, RGB 72 222 115 and RGB 72 222 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 223 75 shade: RGB 31 181 35, RGB 38 216 42, RGB 72 222 76, RGB 108 229 111 and RGB 143 235 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 223 75 shade: RGB 71 223 75, RGB 72 190 222 and RGB 222 72 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 223 75 shade: RGB 71 223 75, RGB 75 72 222 and RGB 222 75 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 223 75 shade: RGB 71 223 75, RGB 72 190 222, RGB 222 72 220 and RGB 222 105 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 223 75 shade: RGB 71 223 75, RGB 72 145 222, RGB 222 72 220 and RGB 222 150 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 66 / 13

HEX #47DF4B

RGB 71 223 75

HSL 121.58, 0.7%, 0.58%

LAB 78.82, -67.32, 58.82

 

Complementary color

CMYK 0 / 83 / 2 / 28

HEX #B820B4

RGB 184 32 180

HSL 301.58, 0.7%, 0.42%

LAB 44.97, 71.95, -43.28

 

CMYK 66 / 0 / 69 / 13

HEX #4CDF46

RGB 76 223 70

HSL 117.65, 0.71%, 0.57%

LAB 78.9, -66.83, 60.89

 

CMYK 61 / 0 / 63 / 5

HEX #5DF159

RGB 93 241 89

HSL 118.42, 0.84%, 0.65%

LAB 84.98, -67.63, 60.04

 

CMYK 57 / 0 / 58 / 0

HEX #6EFF6C

RGB 110 255 108

HSL 119.18, 1%, 0.71%

LAB 89.82, -66.72, 57.62

 

CMYK 50 / 0 / 50 / 0

HEX #7FFF7F

RGB 127 255 127

HSL 120, 1%, 0.75%

LAB 90.58, -60.28, 50.1

 

CMYK 44 / 0 / 43 / 0

HEX #90FF92

RGB 144 255 146

HSL 121.08, 1%, 0.78%

LAB 91.47, -53.12, 42.32

 

CMYK 68 / 0 / 66 / 13

HEX #47DF4B

RGB 71 223 75

HSL 121.58, 0.7%, 0.58%

LAB 78.82, -67.32, 58.82

 

CMYK 74 / 0 / 73 / 20

HEX #36CD38

RGB 54 205 56

HSL 120.79, 0.6%, 0.51%

LAB 72.72, -66.07, 59.51

 

CMYK 80 / 0 / 80 / 27

HEX #25BB25

RGB 37 187 37

HSL 120, 0.67%, 0.44%

LAB 66.57, -64.24, 59.6

 

CMYK 88 / 0 / 89 / 34

HEX #14A912

RGB 20 169 18

HSL 119.21, 0.81%, 0.37%

LAB 60.4, -61.61, 58.62

 

CMYK 98 / 0 / 100 / 41

HEX #039700

RGB 3 151 0

HSL 118.81, 1%, 0.3%

LAB 54.19, -58.11, 56.29

 

CMYK 68 / 0 / 66 / 13

HEX #48DE4C

RGB 72 222 76

HSL 121.6, 0.69%, 0.58%

LAB 78.54, -66.72, 58.13

 

CMYK 51 / 0 / 68 / 13

HEX #6DDE48

RGB 109 222 72

HSL 105.2, 0.69%, 0.58%

LAB 79.59, -58.5, 61.15

 

CMYK 33 / 0 / 68 / 13

HEX #95DE48

RGB 149 222 72

HSL 89.2, 0.69%, 0.58%

LAB 81.35, -45.89, 63.53

 

CMYK 14 / 0 / 68 / 13

HEX #BEDE48

RGB 190 222 72

HSL 72.8, 0.69%, 0.58%

LAB 83.79, -30.5, 66.81

 

CMYK 0 / 3 / 68 / 13

HEX #DED748

RGB 222 215 72

HSL 57.2, 0.69%, 0.58%

LAB 84.28, -14.07, 68.08

 

CMYK 68 / 0 / 66 / 13

HEX #48DE4C

RGB 72 222 76

HSL 121.6, 0.69%, 0.58%

LAB 78.54, -66.72, 58.13

 

CMYK 68 / 0 / 47 / 13

HEX #48DE75

RGB 72 222 117

HSL 138, 0.69%, 0.58%

LAB 78.99, -61.57, 40.1

 

CMYK 68 / 0 / 29 / 13

HEX #48DE9D

RGB 72 222 157

HSL 154, 0.69%, 0.58%

LAB 79.64, -54.29, 20.62

 

CMYK 68 / 0 / 11 / 13

HEX #48DEC6

RGB 72 222 198

HSL 170.4, 0.69%, 0.58%

LAB 80.57, -44.75, 0.28

 

CMYK 68 / 7 / 0 / 13

HEX #48CFDE

RGB 72 207 222

HSL 186, 0.69%, 0.58%

LAB 76.85, -31.31, -18.1

 

CMYK 68 / 0 / 66 / 13

HEX #48DE4C

RGB 72 222 76

HSL 121.6, 0.69%, 0.58%

LAB 78.54, -66.72, 58.13

 

CMYK 77 / 0 / 75 / 6

HEX #37F03C

RGB 55 240 60

HSL 121.62, 0.86%, 0.58%

LAB 83.68, -76.3, 69.14

 

CMYK 68 / 0 / 66 / 13

HEX #48DE4C

RGB 72 222 76

HSL 121.6, 0.69%, 0.58%

LAB 78.54, -66.72, 58.13

 

CMYK 56 / 0 / 55 / 20

HEX #5ACD5D

RGB 90 205 93

HSL 121.57, 0.53%, 0.58%

LAB 73.95, -54.93, 45.57

 

CMYK 43 / 0 / 42 / 26

HEX #6BBC6D

RGB 107 188 109

HSL 121.48, 0.38%, 0.58%

LAB 69.61, -41.11, 32.39

 

CMYK 27 / 0 / 26 / 33

HEX #7CAA7E

RGB 124 170 126

HSL 122.61, 0.21%, 0.58%

LAB 65.39, -24.37, 17.84

 

CMYK 7 / 0 / 7 / 40

HEX #8E998E

RGB 142 153 142

HSL 120, 0.05%, 0.58%

LAB 62.07, -6.1, 4.42

 

CMYK 32 / 0 / 68 / 13

HEX #96DE48

RGB 150 222 72

HSL 88.8, 0.69%, 0.58%

LAB 81.4, -45.54, 63.6

 

CMYK 50 / 0 / 68 / 13

HEX #6EDE48

RGB 110 222 72

HSL 104.8, 0.69%, 0.58%

LAB 79.63, -58.23, 61.2

 

CMYK 68 / 0 / 66 / 13

HEX #48DE4B

RGB 72 222 75

HSL 121.2, 0.69%, 0.58%

LAB 78.54, -66.81, 58.52

 

CMYK 68 / 0 / 48 / 13

HEX #48DE73

RGB 72 222 115

HSL 137.2, 0.69%, 0.58%

LAB 78.96, -61.88, 41.05

 

CMYK 68 / 0 / 30 / 13

HEX #48DE9B

RGB 72 222 155

HSL 153.2, 0.69%, 0.58%

LAB 79.61, -54.71, 21.61

 

CMYK 83 / 0 / 81 / 29

HEX #1FB523

RGB 31 181 35

HSL 121.6, 0.71%, 0.42%

LAB 64.53, -63.26, 58.23

 

CMYK 82 / 0 / 81 / 15

HEX #26D82A

RGB 38 216 42

HSL 121.35, 0.7%, 0.5%

LAB 75.88, -72.4, 66.92

 

CMYK 68 / 0 / 66 / 13

HEX #48DE4C

RGB 72 222 76

HSL 121.6, 0.69%, 0.58%

LAB 78.54, -66.72, 58.13

 

CMYK 53 / 0 / 52 / 10

HEX #6CE56F

RGB 108 229 111

HSL 121.49, 0.7%, 0.66%

LAB 82.04, -57.27, 47

 

CMYK 39 / 0 / 38 / 8

HEX #8FEB91

RGB 143 235 145

HSL 121.3, 0.7%, 0.74%

LAB 85.66, -45.19, 35.27

 

CMYK 68 / 0 / 66 / 13

HEX #47DF4B

RGB 71 223 75

HSL 121.58, 0.7%, 0.58%

LAB 78.82, -67.32, 58.82

 

CMYK 68 / 14 / 0 / 13

HEX #48BEDE

RGB 72 190 222

HSL 192.8, 0.69%, 0.58%

LAB 71.88, -22.91, -25.66

 

CMYK 0 / 68 / 41 / 13

HEX #DE4882

RGB 222 72 130

HSL 336.8, 0.69%, 0.58%

LAB 53.79, 62.52, 0.53

 

CMYK 68 / 0 / 66 / 13

HEX #47DF4B

RGB 71 223 75

HSL 121.58, 0.7%, 0.58%

LAB 78.82, -67.32, 58.82

 

CMYK 66 / 68 / 0 / 13

HEX #4B48DE

RGB 75 72 222

HSL 241.2, 0.69%, 0.58%

LAB 40.25, 46.79, -75.9

 

CMYK 0 / 66 / 68 / 13

HEX #DE4B48

RGB 222 75 72

HSL 1.2, 0.69%, 0.58%

LAB 52.98, 56.94, 33.77

 

CMYK 68 / 0 / 66 / 13

HEX #47DF4B

RGB 71 223 75

HSL 121.58, 0.7%, 0.58%

LAB 78.82, -67.32, 58.82

 

CMYK 68 / 14 / 0 / 13

HEX #48BEDE

RGB 72 190 222

HSL 192.8, 0.69%, 0.58%

LAB 71.88, -22.91, -25.66

 

CMYK 0 / 68 / 1 / 13

HEX #DE48DC

RGB 222 72 220

HSL 300.8, 0.69%, 0.58%

LAB 57.4, 74.37, -46.24

 

CMYK 0 / 53 / 68 / 13

HEX #DE6948

RGB 222 105 72

HSL 13.2, 0.69%, 0.58%

LAB 58.13, 43.38, 39.88

 

CMYK 68 / 0 / 66 / 13

HEX #47DF4B

RGB 71 223 75

HSL 121.58, 0.7%, 0.58%

LAB 78.82, -67.32, 58.82

 

CMYK 68 / 35 / 0 / 13

HEX #4891DE

RGB 72 145 222

HSL 210.8, 0.69%, 0.58%

LAB 58.88, 1.73, -45.88

 

CMYK 0 / 68 / 1 / 13

HEX #DE48DC

RGB 222 72 220

HSL 300.8, 0.69%, 0.58%

LAB 57.4, 74.37, -46.24

 

CMYK 0 / 32 / 68 / 13

HEX #DE9648

RGB 222 150 72

HSL 31.2, 0.69%, 0.58%

LAB 67.88, 19.89, 50.9

 

Description

Color code: RGB 71 223 75 | qconv.com Color code: RGB 71 223 75 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 223 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 223 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 66 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 66% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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