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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 218 207 it is the complementary color RGB 184 37 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 218 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 218 207 shade: RGB 76 218 202, RGB 93 236 221, RGB 110 254 240, RGB 127 255 255 and RGB 144 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 218 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 218 207 shade: RGB 71 218 207, RGB 54 200 188, RGB 37 182 169, RGB 20 164 150 and RGB 3 146 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 218 207 shade: RGB 71 218 207, RGB 71 218 168, RGB 71 218 128, RGB 71 218 88 and RGB 94 218 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 218 207 shade: RGB 71 218 207, RGB 71 190 218, RGB 71 150 218, RGB 71 110 218 and RGB 71 71 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 218 207 shade matches the following richer shades: RGB 71 218 207, RGB 54 236 222 and RGB 36 254 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 218 207 shade: RGB 71 218 207, RGB 89 201 192, RGB 107 183 177, RGB 125 165 162 and RGB 142 147 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 218 207 shade: RGB 71 218 128, RGB 71 218 167, RGB 71 218 206, RGB 71 191 218 and RGB 71 152 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 218 207 shade: RGB 34 173 163, RGB 41 208 195, RGB 71 218 207, RGB 106 225 216 and RGB 140 232 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 218 207 shade: RGB 71 218 207, RGB 89 71 218 and RGB 218 147 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 218 207 shade: RGB 71 218 207, RGB 206 71 218 and RGB 218 206 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 218 207 shade: RGB 71 218 207, RGB 89 71 218, RGB 218 71 84 and RGB 201 218 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 218 207 shade: RGB 71 218 207, RGB 133 71 218, RGB 218 71 84 and RGB 157 218 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 5 / 15

HEX #47DACF

RGB 71 218 207

HSL 175.51, 0.67%, 0.57%

LAB 79.61, -40.77, -5.94

 

Complementary color

CMYK 0 / 80 / 74 / 28

HEX #B82530

RGB 184 37 48

HSL 355.51, 0.67%, 0.43%

LAB 40.78, 57.35, 31.66

 

CMYK 65 / 0 / 7 / 15

HEX #4CDACA

RGB 76 218 202

HSL 173.24, 0.66%, 0.58%

LAB 79.58, -41.36, -3.29

 

CMYK 61 / 0 / 6 / 7

HEX #5DECDD

RGB 93 236 221

HSL 173.71, 0.79%, 0.65%

LAB 85.78, -41.73, -4.19

 

CMYK 57 / 0 / 6 / 0

HEX #6EFEF0

RGB 110 254 240

HSL 174.17, 0.99%, 0.71%

LAB 91.9, -41.98, -5.03

 

CMYK 50 / 0 / 0 / 0

HEX #7FFFFF

RGB 127 255 255

HSL 180, 1%, 0.75%

LAB 93.12, -35.43, -10.93

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 67 / 0 / 5 / 15

HEX #47DACF

RGB 71 218 207

HSL 175.51, 0.67%, 0.57%

LAB 79.61, -40.77, -5.94

 

CMYK 73 / 0 / 6 / 22

HEX #36C8BC

RGB 54 200 188

HSL 175.07, 0.57%, 0.5%

LAB 73.37, -40.09, -4.97

 

CMYK 80 / 0 / 7 / 29

HEX #25B6A9

RGB 37 182 169

HSL 174.62, 0.66%, 0.43%

LAB 67.06, -39.16, -3.89

 

CMYK 88 / 0 / 9 / 36

HEX #14A496

RGB 20 164 150

HSL 174.17, 0.78%, 0.36%

LAB 60.69, -37.87, -2.69

 

CMYK 98 / 0 / 10 / 43

HEX #039283

RGB 3 146 131

HSL 173.71, 0.96%, 0.29%

LAB 54.26, -36.19, -1.34

 

CMYK 67 / 0 / 5 / 15

HEX #47DACF

RGB 71 218 207

HSL 175.51, 0.67%, 0.57%

LAB 79.61, -40.77, -5.94

 

CMYK 67 / 0 / 23 / 15

HEX #47DAA8

RGB 71 218 168

HSL 159.59, 0.67%, 0.57%

LAB 78.64, -50.45, 13.43

 

CMYK 67 / 0 / 41 / 15

HEX #47DA80

RGB 71 218 128

HSL 143.27, 0.67%, 0.57%

LAB 77.9, -58.48, 33.22

 

CMYK 67 / 0 / 60 / 15

HEX #47DA58

RGB 71 218 88

HSL 126.94, 0.67%, 0.57%

LAB 77.39, -64.29, 51.76

 

CMYK 57 / 0 / 67 / 15

HEX #5EDA47

RGB 94 218 71

HSL 110.61, 0.67%, 0.57%

LAB 77.86, -61.05, 59.55

 

CMYK 67 / 0 / 5 / 15

HEX #47DACF

RGB 71 218 207

HSL 175.51, 0.67%, 0.57%

LAB 79.61, -40.77, -5.94

 

CMYK 67 / 13 / 0 / 15

HEX #47BEDA

RGB 71 190 218

HSL 191.43, 0.67%, 0.57%

LAB 71.71, -24.29, -23.74

 

CMYK 67 / 31 / 0 / 15

HEX #4796DA

RGB 71 150 218

HSL 207.76, 0.67%, 0.57%

LAB 60.08, -2.7, -41.76

 

CMYK 67 / 50 / 0 / 15

HEX #476EDA

RGB 71 110 218

HSL 224.08, 0.67%, 0.57%

LAB 48.95, 21.49, -59.49

 

CMYK 67 / 67 / 0 / 15

HEX #4747DA

RGB 71 71 218

HSL 240, 0.67%, 0.57%

LAB 39.43, 45.58, -74.98

 

CMYK 67 / 0 / 5 / 15

HEX #47DACF

RGB 71 218 207

HSL 175.51, 0.67%, 0.57%

LAB 79.61, -40.77, -5.94

 

CMYK 77 / 0 / 6 / 7

HEX #36ECDE

RGB 54 236 222

HSL 175.38, 0.83%, 0.57%

LAB 85.02, -46.6, -5.92

 

CMYK 86 / 0 / 7 / 0

HEX #24FEED

RGB 36 254 237

HSL 175.32, 0.99%, 0.57%

LAB 90.49, -51.52, -5.7

 

CMYK 67 / 0 / 5 / 15

HEX #47DACF

RGB 71 218 207

HSL 175.51, 0.67%, 0.57%

LAB 79.61, -40.77, -5.94

 

CMYK 56 / 0 / 4 / 21

HEX #59C9C0

RGB 89 201 192

HSL 175.18, 0.51%, 0.57%

LAB 74.64, -33.94, -5.16

 

CMYK 42 / 0 / 3 / 28

HEX #6BB7B1

RGB 107 183 177

HSL 175.26, 0.35%, 0.57%

LAB 69.59, -24.99, -4.35

 

CMYK 24 / 0 / 2 / 35

HEX #7DA5A2

RGB 125 165 162

HSL 175.5, 0.18%, 0.57%

LAB 64.87, -14.16, -2.88

 

CMYK 3 / 0 / 0 / 42

HEX #8E9393

RGB 142 147 147

HSL 180, 0.02%, 0.57%

LAB 60.54, -1.81, -0.64

 

CMYK 67 / 0 / 41 / 15

HEX #47DA80

RGB 71 218 128

HSL 143.27, 0.67%, 0.57%

LAB 77.9, -58.48, 33.22

 

CMYK 67 / 0 / 23 / 15

HEX #47DAA7

RGB 71 218 167

HSL 159.18, 0.67%, 0.57%

LAB 78.62, -50.68, 13.93

 

CMYK 67 / 0 / 6 / 15

HEX #47DACE

RGB 71 218 206

HSL 175.1, 0.67%, 0.57%

LAB 79.58, -41.04, -5.44

 

CMYK 67 / 12 / 0 / 15

HEX #47BFDA

RGB 71 191 218

HSL 191.02, 0.67%, 0.57%

LAB 72, -24.79, -23.29

 

CMYK 67 / 30 / 0 / 15

HEX #4798DA

RGB 71 152 218

HSL 206.94, 0.67%, 0.57%

LAB 60.66, -3.85, -40.86

 

CMYK 80 / 0 / 6 / 32

HEX #22ADA3

RGB 34 173 163

HSL 175.68, 0.67%, 0.41%

LAB 64.06, -37.08, -5

 

CMYK 80 / 0 / 6 / 18

HEX #29D0C3

RGB 41 208 195

HSL 175.33, 0.67%, 0.49%

LAB 75.78, -43.03, -5.22

 

CMYK 67 / 0 / 5 / 15

HEX #47DACF

RGB 71 218 207

HSL 175.51, 0.67%, 0.57%

LAB 79.61, -40.77, -5.94

 

CMYK 53 / 0 / 4 / 12

HEX #6AE1D8

RGB 106 225 216

HSL 175.46, 0.66%, 0.65%

LAB 82.85, -35.6, -5.83

 

CMYK 40 / 0 / 3 / 9

HEX #8CE8E1

RGB 140 232 225

HSL 175.43, 0.67%, 0.73%

LAB 86.37, -29.02, -5.24

 

CMYK 67 / 0 / 5 / 15

HEX #47DACF

RGB 71 218 207

HSL 175.51, 0.67%, 0.57%

LAB 79.61, -40.77, -5.94

 

CMYK 59 / 67 / 0 / 15

HEX #5947DA

RGB 89 71 218

HSL 247.35, 0.67%, 0.57%

LAB 40.72, 48, -72.81

 

CMYK 0 / 33 / 67 / 15

HEX #DA9347

RGB 218 147 71

HSL 31.02, 0.67%, 0.57%

LAB 66.69, 19.76, 49.94

 

CMYK 67 / 0 / 5 / 15

HEX #47DACF

RGB 71 218 207

HSL 175.51, 0.67%, 0.57%

LAB 79.61, -40.77, -5.94

 

CMYK 6 / 67 / 0 / 15

HEX #CE47DA

RGB 206 71 218

HSL 295.1, 0.67%, 0.57%

LAB 54.75, 70.86, -49.45

 

CMYK 0 / 6 / 67 / 15

HEX #DACE47

RGB 218 206 71

HSL 55.1, 0.67%, 0.57%

LAB 81.57, -11.29, 65.62

 

CMYK 67 / 0 / 5 / 15

HEX #47DACF

RGB 71 218 207

HSL 175.51, 0.67%, 0.57%

LAB 79.61, -40.77, -5.94

 

CMYK 59 / 67 / 0 / 15

HEX #5947DA

RGB 89 71 218

HSL 247.35, 0.67%, 0.57%

LAB 40.72, 48, -72.81

 

CMYK 0 / 67 / 61 / 15

HEX #DA4754

RGB 218 71 84

HSL 354.69, 0.67%, 0.57%

LAB 51.9, 57.94, 25.26

 

CMYK 8 / 0 / 67 / 15

HEX #C9DA47

RGB 201 218 71

HSL 66.94, 0.67%, 0.57%

LAB 83.45, -24.24, 67.1

 

CMYK 67 / 0 / 5 / 15

HEX #47DACF

RGB 71 218 207

HSL 175.51, 0.67%, 0.57%

LAB 79.61, -40.77, -5.94

 

CMYK 39 / 67 / 0 / 15

HEX #8547DA

RGB 133 71 218

HSL 265.31, 0.67%, 0.57%

LAB 45.02, 55.55, -65.62

 

CMYK 0 / 67 / 61 / 15

HEX #DA4754

RGB 218 71 84

HSL 354.69, 0.67%, 0.57%

LAB 51.9, 57.94, 25.26

 

CMYK 28 / 0 / 67 / 15

HEX #9DDA47

RGB 157 218 71

HSL 84.9, 0.67%, 0.57%

LAB 80.61, -41.37, 63.28

 

Description

Color code: RGB 71 218 207 | qconv.com Color code: RGB 71 218 207 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 218 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 218 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 5 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 5% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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