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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 186 73 it is the complementary color RGB 184 69 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 186 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 186 73 shade: RGB 76 186 68, RGB 93 204 87, RGB 110 222 106, RGB 127 240 125 and RGB 144 255 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 186 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 186 73 shade: RGB 71 186 73, RGB 54 168 54, RGB 37 150 35, RGB 20 132 16 and RGB 3 114 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 186 73 shade: RGB 70 184 72, RGB 99 184 70, RGB 130 184 70, RGB 160 184 70 and RGB 184 177 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 186 73 shade: RGB 70 184 72, RGB 70 184 103, RGB 70 184 134, RGB 70 184 164 and RGB 70 173 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 186 73 shade matches the following richer shades: RGB 70 184 72, RGB 49 205 52, RGB 28 226 32 and RGB 8 246 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 186 73 shade: RGB 70 184 72, RGB 90 164 92, RGB 111 143 111, RGB 132 122 131 and RGB 152 102 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 186 73 shade: RGB 129 184 70, RGB 98 184 70, RGB 70 184 72, RGB 70 184 102 and RGB 70 184 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 186 73 shade: RGB 47 125 48, RGB 58 154 60, RGB 70 184 72, RGB 100 196 101 and RGB 129 207 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 186 73 shade: RGB 71 186 73, RGB 70 160 184 and RGB 184 70 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 186 73 shade: RGB 71 186 73, RGB 72 70 184 and RGB 184 72 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 186 73 shade: RGB 71 186 73, RGB 70 160 184, RGB 184 70 182 and RGB 184 94 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 186 73 shade: RGB 71 186 73, RGB 70 125 184, RGB 184 70 182 and RGB 184 129 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 61 / 27

HEX #47BA49

RGB 71 186 73

HSL 121.04, 0.45%, 0.5%

LAB 67.23, -54.76, 46.8

 

Complementary color

CMYK 0 / 63 / 1 / 28

HEX #B845B6

RGB 184 69 182

HSL 301.04, 0.45%, 0.5%

LAB 49.28, 60.32, -37.62

 

CMYK 59 / 0 / 63 / 27

HEX #4CBA44

RGB 76 186 68

HSL 115.93, 0.46%, 0.5%

LAB 67.33, -54.14, 49.17

 

CMYK 54 / 0 / 57 / 20

HEX #5DCC57

RGB 93 204 87

HSL 116.92, 0.53%, 0.57%

LAB 73.68, -54.53, 48.05

 

CMYK 50 / 0 / 52 / 13

HEX #6EDE6A

RGB 110 222 106

HSL 117.93, 0.64%, 0.64%

LAB 79.95, -54.69, 46.83

 

CMYK 47 / 0 / 48 / 6

HEX #7FF07D

RGB 127 240 125

HSL 118.96, 0.79%, 0.72%

LAB 86.16, -54.7, 45.58

 

CMYK 44 / 0 / 44 / 0

HEX #90FF90

RGB 144 255 144

HSL 120, 1%, 0.78%

LAB 91.44, -53.41, 43.25

 

CMYK 62 / 0 / 61 / 27

HEX #47BA49

RGB 71 186 73

HSL 121.04, 0.45%, 0.5%

LAB 67.23, -54.76, 46.8

 

CMYK 68 / 0 / 68 / 34

HEX #36A836

RGB 54 168 54

HSL 120, 0.51%, 0.44%

LAB 60.83, -54, 47.85

 

CMYK 75 / 0 / 77 / 41

HEX #259623

RGB 37 150 35

HSL 118.96, 0.62%, 0.36%

LAB 54.37, -52.69, 48.45

 

CMYK 85 / 0 / 88 / 48

HEX #148410

RGB 20 132 16

HSL 117.93, 0.78%, 0.29%

LAB 47.87, -50.52, 48.03

 

CMYK 97 / 0 / 100 / 55

HEX #037200

RGB 3 114 0

HSL 118.42, 1%, 0.22%

LAB 41.3, -47.3, 45.96

 

CMYK 62 / 0 / 61 / 28

HEX #46B848

RGB 70 184 72

HSL 121.05, 0.45%, 0.5%

LAB 66.56, -54.37, 46.48

 

CMYK 46 / 0 / 62 / 28

HEX #63B846

RGB 99 184 70

HSL 104.74, 0.45%, 0.5%

LAB 67.56, -46.83, 48.78

 

CMYK 29 / 0 / 62 / 28

HEX #82B846

RGB 130 184 70

HSL 88.42, 0.45%, 0.5%

LAB 69.09, -36.26, 50.91

 

CMYK 13 / 0 / 62 / 28

HEX #A0B846

RGB 160 184 70

HSL 72.63, 0.45%, 0.5%

LAB 71.01, -24.52, 53.56

 

CMYK 0 / 4 / 62 / 28

HEX #B8B146

RGB 184 177 70

HSL 56.32, 0.45%, 0.5%

LAB 70.92, -10.93, 54.01

 

CMYK 62 / 0 / 61 / 28

HEX #46B848

RGB 70 184 72

HSL 121.05, 0.45%, 0.5%

LAB 66.56, -54.37, 46.48

 

CMYK 62 / 0 / 44 / 28

HEX #46B867

RGB 70 184 103

HSL 137.37, 0.45%, 0.5%

LAB 66.95, -50.01, 31.8

 

CMYK 62 / 0 / 27 / 28

HEX #46B886

RGB 70 184 134

HSL 153.68, 0.45%, 0.5%

LAB 67.5, -44.04, 16.05

 

CMYK 62 / 0 / 11 / 28

HEX #46B8A4

RGB 70 184 164

HSL 169.47, 0.45%, 0.5%

LAB 68.21, -36.9, 0.64

 

CMYK 62 / 6 / 0 / 28

HEX #46ADB8

RGB 70 173 184

HSL 185.79, 0.45%, 0.5%

LAB 65.48, -26.11, -14.5

 

CMYK 62 / 0 / 61 / 28

HEX #46B848

RGB 70 184 72

HSL 121.05, 0.45%, 0.5%

LAB 66.56, -54.37, 46.48

 

CMYK 76 / 0 / 75 / 20

HEX #31CD34

RGB 49 205 52

HSL 121.15, 0.61%, 0.5%

LAB 72.6, -67.13, 60.76

 

CMYK 88 / 0 / 86 / 11

HEX #1CE220

RGB 28 226 32

HSL 121.21, 0.78%, 0.5%

LAB 78.89, -76.58, 72.01

 

CMYK 97 / 0 / 95 / 4

HEX #08F60C

RGB 8 246 12

HSL 121.01, 0.94%, 0.5%

LAB 84.99, -83.45, 80.03

 

CMYK 62 / 0 / 61 / 28

HEX #46B848

RGB 70 184 72

HSL 121.05, 0.45%, 0.5%

LAB 66.56, -54.37, 46.48

 

CMYK 45 / 0 / 44 / 36

HEX #5AA45C

RGB 90 164 92

HSL 121.62, 0.29%, 0.5%

LAB 61.22, -38.33, 30.31

 

CMYK 22 / 0 / 22 / 44

HEX #6F8F6F

RGB 111 143 111

HSL 120, 0.13%, 0.5%

LAB 56.26, -17.85, 13.43

 

CMYK 0 / 8 / 1 / 48

HEX #847A83

RGB 132 122 131

HSL 306, 0.04%, 0.5%

LAB 52.36, 5.56, -3.52

 

CMYK 0 / 33 / 1 / 40

HEX #986697

RGB 152 102 151

HSL 301.2, 0.2%, 0.5%

LAB 49.99, 28.41, -18.64

 

CMYK 30 / 0 / 62 / 28

HEX #81B846

RGB 129 184 70

HSL 88.95, 0.45%, 0.5%

LAB 69.03, -36.63, 50.83

 

CMYK 47 / 0 / 62 / 28

HEX #62B846

RGB 98 184 70

HSL 105.26, 0.45%, 0.5%

LAB 67.52, -47.13, 48.72

 

CMYK 62 / 0 / 61 / 28

HEX #46B848

RGB 70 184 72

HSL 121.05, 0.45%, 0.5%

LAB 66.56, -54.37, 46.48

 

CMYK 62 / 0 / 45 / 28

HEX #46B866

RGB 70 184 102

HSL 136.84, 0.45%, 0.5%

LAB 66.93, -50.17, 32.29

 

CMYK 62 / 0 / 28 / 28

HEX #46B885

RGB 70 184 133

HSL 153.16, 0.45%, 0.5%

LAB 67.48, -44.26, 16.56

 

CMYK 62 / 0 / 62 / 51

HEX #2F7D30

RGB 47 125 48

HSL 120.77, 0.45%, 0.34%

LAB 46.29, -40.27, 34.33

 

CMYK 62 / 0 / 61 / 40

HEX #3A9A3C

RGB 58 154 60

HSL 121.25, 0.45%, 0.42%

LAB 56.42, -47.38, 40.31

 

CMYK 62 / 0 / 61 / 28

HEX #46B848

RGB 70 184 72

HSL 121.05, 0.45%, 0.5%

LAB 66.56, -54.37, 46.48

 

CMYK 49 / 0 / 48 / 23

HEX #64C465

RGB 100 196 101

HSL 120.63, 0.45%, 0.58%

LAB 71.64, -47.69, 38.96

 

CMYK 38 / 0 / 37 / 19

HEX #81CF83

RGB 129 207 131

HSL 121.54, 0.45%, 0.66%

LAB 76.64, -39.34, 30.4

 

CMYK 62 / 0 / 61 / 27

HEX #47BA49

RGB 71 186 73

HSL 121.04, 0.45%, 0.5%

LAB 67.23, -54.76, 46.8

 

CMYK 62 / 13 / 0 / 28

HEX #46A0B8

RGB 70 160 184

HSL 192.63, 0.45%, 0.5%

LAB 61.57, -19.44, -20.42

 

CMYK 0 / 62 / 38 / 28

HEX #B84672

RGB 184 70 114

HSL 336.84, 0.45%, 0.5%

LAB 46.69, 50.11, -0.96

 

CMYK 62 / 0 / 61 / 27

HEX #47BA49

RGB 71 186 73

HSL 121.04, 0.45%, 0.5%

LAB 67.23, -54.76, 46.8

 

CMYK 61 / 62 / 0 / 28

HEX #4846B8

RGB 72 70 184

HSL 241.05, 0.45%, 0.5%

LAB 36.4, 35.1, -60.17

 

CMYK 0 / 61 / 62 / 28

HEX #B84846

RGB 184 72 70

HSL 1.05, 0.45%, 0.5%

LAB 46, 45.2, 24.84

 

CMYK 62 / 0 / 61 / 27

HEX #47BA49

RGB 71 186 73

HSL 121.04, 0.45%, 0.5%

LAB 67.23, -54.76, 46.8

 

CMYK 62 / 13 / 0 / 28

HEX #46A0B8

RGB 70 160 184

HSL 192.63, 0.45%, 0.5%

LAB 61.57, -19.44, -20.42

 

CMYK 0 / 62 / 1 / 28

HEX #B846B6

RGB 184 70 182

HSL 301.05, 0.45%, 0.5%

LAB 49.43, 59.9, -37.38

 

CMYK 0 / 49 / 62 / 28

HEX #B85E46

RGB 184 94 70

HSL 12.63, 0.45%, 0.5%

LAB 50.26, 34.22, 30.19

 

CMYK 62 / 0 / 61 / 27

HEX #47BA49

RGB 71 186 73

HSL 121.04, 0.45%, 0.5%

LAB 67.23, -54.76, 46.8

 

CMYK 62 / 32 / 0 / 28

HEX #467DB8

RGB 70 125 184

HSL 211.05, 0.45%, 0.5%

LAB 51.19, 0.23, -36.5

 

CMYK 0 / 62 / 1 / 28

HEX #B846B6

RGB 184 70 182

HSL 301.05, 0.45%, 0.5%

LAB 49.43, 59.9, -37.38

 

CMYK 0 / 30 / 62 / 28

HEX #B88146

RGB 184 129 70

HSL 31.05, 0.45%, 0.5%

LAB 58.35, 15.05, 39.91

 

Description

Color code: RGB 71 186 73 | qconv.com Color code: RGB 71 186 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 186 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 186 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 61 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 61% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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