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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 176 16 it is the complementary color RGB 184 79 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 176 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 176 16 shade: RGB 76 176 11, RGB 93 194 30, RGB 110 212 49, RGB 127 230 68 and RGB 144 248 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 176 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 176 16 shade: RGB 71 176 16, RGB 54 158 0, RGB 37 140 0, RGB 20 122 0 and RGB 3 104 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 176 16 shade: RGB 71 177 16, RGB 115 177 16, RGB 158 177 16, RGB 177 152 16 and RGB 177 109 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 176 16 shade: RGB 71 177 16, RGB 28 177 16, RGB 16 177 47, RGB 16 177 91 and RGB 16 177 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 176 16 shade matches the following richer shades: RGB 71 177 16 and RGB 66 193 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 176 16 shade: RGB 71 177 16, RGB 76 161 32, RGB 81 145 47, RGB 86 130 63 and RGB 91 114 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 176 16 shade: RGB 158 177 16, RGB 115 177 16, RGB 72 177 16, RGB 29 177 16 and RGB 16 177 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 176 16 shade: RGB 41 101 9, RGB 56 139 12, RGB 71 177 16, RGB 87 215 19 and RGB 107 235 41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 176 16 shade: RGB 71 176 16, RGB 16 177 153 and RGB 177 16 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 176 16 shade: RGB 71 176 16, RGB 16 72 177 and RGB 177 16 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 176 16 shade: RGB 71 176 16, RGB 16 177 153, RGB 121 16 177 and RGB 177 16 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 176 16 shade: RGB 71 176 16, RGB 16 153 177, RGB 121 16 177 and RGB 177 40 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 91 / 31

HEX #47B010

RGB 71 176 16

HSL 99.38, 0.83%, 0.38%

LAB 63.69, -55.23, 62.2

 

Complementary color

CMYK 23 / 67 / 0 / 6

HEX #B84FEF

RGB 184 79 239

HSL 279.38, 0.83%, 0.62%

LAB 54.04, 66.9, -62.59

 

CMYK 57 / 0 / 94 / 31

HEX #4CB00B

RGB 76 176 11

HSL 96.36, 0.88%, 0.37%

LAB 63.84, -54.05, 63.14

 

CMYK 52 / 0 / 85 / 24

HEX #5DC21E

RGB 93 194 30

HSL 96.95, 0.73%, 0.44%

LAB 70.18, -55.26, 65.25

 

CMYK 48 / 0 / 77 / 17

HEX #6ED431

RGB 110 212 49

HSL 97.55, 0.65%, 0.51%

LAB 76.45, -56.07, 66.06

 

CMYK 45 / 0 / 70 / 10

HEX #7FE644

RGB 127 230 68

HSL 98.15, 0.76%, 0.58%

LAB 82.66, -56.61, 66.04

 

CMYK 42 / 0 / 65 / 3

HEX #90F857

RGB 144 248 87

HSL 98.76, 0.92%, 0.66%

LAB 88.81, -56.95, 65.54

 

CMYK 60 / 0 / 91 / 31

HEX #47B010

RGB 71 176 16

HSL 99.38, 0.83%, 0.38%

LAB 63.69, -55.23, 62.2

 

CMYK 66 / 0 / 100 / 38

HEX #369E00

RGB 54 158 0

HSL 99.49, 1%, 0.31%

LAB 57.31, -53.51, 59.1

 

CMYK 74 / 0 / 100 / 45

HEX #258C00

RGB 37 140 0

HSL 104.14, 1%, 0.27%

LAB 50.86, -51.05, 53.81

 

CMYK 84 / 0 / 100 / 52

HEX #147A00

RGB 20 122 0

HSL 110.16, 1%, 0.24%

LAB 44.33, -48.01, 48.46

 

CMYK 97 / 0 / 100 / 59

HEX #036800

RGB 3 104 0

HSL 118.27, 1%, 0.2%

LAB 37.7, -44.26, 43.07

 

CMYK 60 / 0 / 91 / 31

HEX #47B110

RGB 71 177 16

HSL 99.5, 0.83%, 0.38%

LAB 64.02, -55.58, 62.47

 

CMYK 35 / 0 / 91 / 31

HEX #73B110

RGB 115 177 16

HSL 83.11, 0.83%, 0.38%

LAB 65.85, -41.73, 64.74

 

CMYK 11 / 0 / 91 / 31

HEX #9EB110

RGB 158 177 16

HSL 67.08, 0.83%, 0.38%

LAB 68.57, -24.41, 68.08

 

CMYK 0 / 14 / 91 / 31

HEX #B19810

RGB 177 152 16

HSL 50.68, 0.83%, 0.38%

LAB 63.21, -3.08, 64.55

 

CMYK 0 / 38 / 91 / 31

HEX #B16D10

RGB 177 109 16

HSL 34.66, 0.83%, 0.38%

LAB 52.2, 20.72, 56.1

 

CMYK 60 / 0 / 91 / 31

HEX #47B110

RGB 71 177 16

HSL 99.5, 0.83%, 0.38%

LAB 64.02, -55.58, 62.47

 

CMYK 84 / 0 / 91 / 31

HEX #1CB110

RGB 28 177 16

HSL 115.53, 0.83%, 0.38%

LAB 63.12, -63.26, 61.35

 

CMYK 91 / 0 / 73 / 31

HEX #10B12F

RGB 16 177 47

HSL 131.55, 0.83%, 0.38%

LAB 63.14, -62.5, 52.85

 

CMYK 91 / 0 / 49 / 31

HEX #10B15B

RGB 16 177 91

HSL 147.95, 0.83%, 0.38%

LAB 63.6, -56.9, 33.5

 

CMYK 91 / 0 / 24 / 31

HEX #10B186

RGB 16 177 134

HSL 163.98, 0.83%, 0.38%

LAB 64.38, -47.91, 11.54

 

CMYK 60 / 0 / 91 / 31

HEX #47B110

RGB 71 177 16

HSL 99.5, 0.83%, 0.38%

LAB 64.02, -55.58, 62.47

 

CMYK 66 / 0 / 100 / 24

HEX #42C100

RGB 66 193 0

HSL 99.48, 1%, 0.38%

LAB 68.97, -62.45, 68.48

 

CMYK 60 / 0 / 91 / 31

HEX #47B110

RGB 71 177 16

HSL 99.5, 0.83%, 0.38%

LAB 64.02, -55.58, 62.47

 

CMYK 53 / 0 / 80 / 37

HEX #4CA120

RGB 76 161 32

HSL 99.53, 0.67%, 0.38%

LAB 59.09, -47.69, 54.39

 

CMYK 44 / 0 / 68 / 43

HEX #51912F

RGB 81 145 47

HSL 99.18, 0.51%, 0.38%

LAB 54.24, -38.52, 44.02

 

CMYK 34 / 0 / 52 / 49

HEX #56823F

RGB 86 130 63

HSL 99.4, 0.35%, 0.38%

LAB 49.86, -28.15, 31.33

 

CMYK 20 / 0 / 31 / 55

HEX #5B724F

RGB 91 114 79

HSL 99.43, 0.18%, 0.38%

LAB 45.39, -15.59, 16.71

 

CMYK 11 / 0 / 91 / 31

HEX #9EB110

RGB 158 177 16

HSL 67.08, 0.83%, 0.38%

LAB 68.57, -24.41, 68.08

 

CMYK 35 / 0 / 91 / 31

HEX #73B110

RGB 115 177 16

HSL 83.11, 0.83%, 0.38%

LAB 65.85, -41.73, 64.74

 

CMYK 59 / 0 / 91 / 31

HEX #48B110

RGB 72 177 16

HSL 99.13, 0.83%, 0.38%

LAB 64.05, -55.33, 62.51

 

CMYK 84 / 0 / 91 / 31

HEX #1DB110

RGB 29 177 16

HSL 115.16, 0.83%, 0.38%

LAB 63.13, -63.16, 61.37

 

CMYK 91 / 0 / 75 / 31

HEX #10B12D

RGB 16 177 45

HSL 130.81, 0.83%, 0.38%

LAB 63.13, -62.67, 53.56

 

CMYK 59 / 0 / 91 / 60

HEX #296509

RGB 41 101 9

HSL 99.13, 0.84%, 0.22%

LAB 37.48, -35.75, 40.75

 

CMYK 60 / 0 / 91 / 45

HEX #388B0C

RGB 56 139 12

HSL 99.21, 0.84%, 0.3%

LAB 51.07, -45.97, 52.03

 

CMYK 60 / 0 / 91 / 31

HEX #47B110

RGB 71 177 16

HSL 99.5, 0.83%, 0.38%

LAB 64.02, -55.58, 62.47

 

CMYK 60 / 0 / 91 / 16

HEX #57D713

RGB 87 215 19

HSL 99.18, 0.84%, 0.46%

LAB 76.48, -64.56, 72.64

 

CMYK 54 / 0 / 83 / 8

HEX #6BEB29

RGB 107 235 41

HSL 99.59, 0.83%, 0.54%

LAB 83.29, -65.62, 74.52

 

CMYK 60 / 0 / 91 / 31

HEX #47B010

RGB 71 176 16

HSL 99.38, 0.83%, 0.38%

LAB 63.69, -55.23, 62.2

 

CMYK 91 / 0 / 14 / 31

HEX #10B199

RGB 16 177 153

HSL 171.06, 0.83%, 0.38%

LAB 64.85, -42.95, 1.7

 

CMYK 0 / 91 / 23 / 31

HEX #B11089

RGB 177 16 137

HSL 314.91, 0.83%, 0.38%

LAB 40.45, 67.5, -24.63

 

CMYK 60 / 0 / 91 / 31

HEX #47B010

RGB 71 176 16

HSL 99.38, 0.83%, 0.38%

LAB 63.69, -55.23, 62.2

 

CMYK 91 / 59 / 0 / 31

HEX #1048B1

RGB 16 72 177

HSL 219.13, 0.83%, 0.38%

LAB 33.81, 24.94, -60.36

 

CMYK 0 / 91 / 59 / 31

HEX #B11048

RGB 177 16 72

HSL 339.13, 0.83%, 0.38%

LAB 38.17, 61.32, 13.02

 

CMYK 60 / 0 / 91 / 31

HEX #47B010

RGB 71 176 16

HSL 99.38, 0.83%, 0.38%

LAB 63.69, -55.23, 62.2

 

CMYK 91 / 0 / 14 / 31

HEX #10B199

RGB 16 177 153

HSL 171.06, 0.83%, 0.38%

LAB 64.85, -42.95, 1.7

 

CMYK 32 / 91 / 0 / 31

HEX #7910B1

RGB 121 16 177

HSL 279.13, 0.83%, 0.38%

LAB 33.16, 64.23, -61.09

 

CMYK 0 / 91 / 77 / 31

HEX #B11028

RGB 177 16 40

HSL 351.06, 0.83%, 0.38%

LAB 37.61, 59.73, 32.52

 

CMYK 60 / 0 / 91 / 31

HEX #47B010

RGB 71 176 16

HSL 99.38, 0.83%, 0.38%

LAB 63.69, -55.23, 62.2

 

CMYK 91 / 14 / 0 / 31

HEX #1099B1

RGB 16 153 177

HSL 188.94, 0.83%, 0.38%

LAB 58.1, -24.3, -21.87

 

CMYK 32 / 91 / 0 / 31

HEX #7910B1

RGB 121 16 177

HSL 279.13, 0.83%, 0.38%

LAB 33.16, 64.23, -61.09

 

CMYK 0 / 77 / 91 / 31

HEX #B12810

RGB 177 40 16

HSL 8.94, 0.83%, 0.38%

LAB 39.42, 53.41, 46.62

 

Description

Color code: RGB 71 176 16 | qconv.com Color code: RGB 71 176 16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 176 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 176 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 91 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 91% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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