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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 122 50 it is the complementary color RGB 184 133 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 122 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 122 50 shade: RGB 76 122 45, RGB 93 140 64, RGB 110 158 83, RGB 127 176 102 and RGB 144 194 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 122 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 122 50 shade: RGB 71 122 50, RGB 54 104 31, RGB 37 86 12, RGB 20 68 0 and RGB 3 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 122 50 shade: RGB 71 123 50, RGB 91 123 50, RGB 110 123 50, RGB 123 115 50 and RGB 123 96 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 122 50 shade: RGB 71 123 50, RGB 51 123 50, RGB 50 123 68, RGB 50 123 87 and RGB 50 123 107

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 122 50 shade matches the following richer shades: RGB 71 123 50, RGB 65 137 36, RGB 59 151 22 and RGB 53 165 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 122 50 shade: RGB 71 123 50, RGB 77 109 64, RGB 83 95 78, RGB 89 81 92 and RGB 94 67 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 122 50 shade: RGB 110 123 50, RGB 91 123 50, RGB 72 123 50, RGB 52 123 50 and RGB 50 123 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 122 50 shade: RGB 37 64 26, RGB 54 93 38, RGB 71 123 50, RGB 88 152 62 and RGB 105 181 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 122 50 shade: RGB 71 122 50, RGB 50 123 115 and RGB 123 50 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 122 50 shade: RGB 71 122 50, RGB 50 72 123 and RGB 123 50 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 122 50 shade: RGB 71 122 50, RGB 50 123 115, RGB 101 50 123 and RGB 123 50 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 122 50 shade: RGB 71 122 50, RGB 50 108 123, RGB 101 50 123 and RGB 123 64 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 59 / 52

HEX #477A32

RGB 71 122 50

HSL 102.5, 0.42%, 0.34%

LAB 46.3, -31.43, 33.6

 

Complementary color

CMYK 10 / 35 / 0 / 20

HEX #B885CD

RGB 184 133 205

HSL 282.5, 0.42%, 0.66%

LAB 62.82, 32.35, -29.65

 

CMYK 38 / 0 / 63 / 52

HEX #4C7A2D

RGB 76 122 45

HSL 95.84, 0.46%, 0.33%

LAB 46.51, -30.17, 36.37

 

CMYK 34 / 0 / 54 / 45

HEX #5D8C40

RGB 93 140 64

HSL 97.11, 0.37%, 0.4%

LAB 53.44, -30.22, 35.23

 

CMYK 30 / 0 / 47 / 38

HEX #6E9E53

RGB 110 158 83

HSL 98.4, 0.31%, 0.47%

LAB 60.24, -30.16, 33.99

 

CMYK 28 / 0 / 42 / 31

HEX #7FB066

RGB 127 176 102

HSL 99.73, 0.32%, 0.55%

LAB 66.92, -30.04, 32.76

 

CMYK 26 / 0 / 38 / 24

HEX #90C279

RGB 144 194 121

HSL 101.1, 0.37%, 0.62%

LAB 73.48, -29.89, 31.57

 

CMYK 42 / 0 / 59 / 52

HEX #477A32

RGB 71 122 50

HSL 102.5, 0.42%, 0.34%

LAB 46.3, -31.43, 33.6

 

CMYK 48 / 0 / 70 / 59

HEX #36681F

RGB 54 104 31

HSL 101.1, 0.54%, 0.26%

LAB 39.21, -31.25, 34.63

 

CMYK 57 / 0 / 86 / 66

HEX #25560C

RGB 37 86 12

HSL 99.73, 0.76%, 0.19%

LAB 31.98, -30.64, 34.84

 

CMYK 71 / 0 / 100 / 73

HEX #144400

RGB 20 68 0

HSL 102.35, 1%, 0.13%

LAB 24.59, -29.16, 32.34

 

CMYK 94 / 0 / 100 / 80

HEX #033200

RGB 3 50 0

HSL 116.4, 1%, 0.1%

LAB 16.99, -26.49, 23.83

 

CMYK 42 / 0 / 59 / 52

HEX #477B32

RGB 71 123 50

HSL 102.74, 0.42%, 0.34%

LAB 46.63, -31.89, 33.98

 

CMYK 26 / 0 / 59 / 52

HEX #5B7B32

RGB 91 123 50

HSL 86.3, 0.42%, 0.34%

LAB 47.78, -24.26, 35.61

 

CMYK 11 / 0 / 59 / 52

HEX #6E7B32

RGB 110 123 50

HSL 70.68, 0.42%, 0.34%

LAB 49.14, -16.18, 37.53

 

CMYK 0 / 7 / 59 / 52

HEX #7B7332

RGB 123 115 50

HSL 53.42, 0.42%, 0.34%

LAB 47.88, -5.91, 36.4

 

CMYK 0 / 22 / 59 / 52

HEX #7B6032

RGB 123 96 50

HSL 37.81, 0.42%, 0.34%

LAB 42.47, 5.1, 30.12

 

CMYK 42 / 0 / 59 / 52

HEX #477B32

RGB 71 123 50

HSL 102.74, 0.42%, 0.34%

LAB 46.63, -31.89, 33.98

 

CMYK 59 / 0 / 59 / 52

HEX #337B32

RGB 51 123 50

HSL 119.18, 0.42%, 0.34%

LAB 45.77, -38.16, 32.76

 

CMYK 59 / 0 / 45 / 52

HEX #327B44

RGB 50 123 68

HSL 134.79, 0.42%, 0.34%

LAB 45.99, -35.63, 23.4

 

CMYK 59 / 0 / 29 / 52

HEX #327B57

RGB 50 123 87

HSL 150.41, 0.42%, 0.34%

LAB 46.35, -31.8, 13.02

 

CMYK 59 / 0 / 13 / 52

HEX #327B6B

RGB 50 123 107

HSL 166.85, 0.42%, 0.34%

LAB 46.85, -26.86, 1.96

 

CMYK 42 / 0 / 59 / 52

HEX #477B32

RGB 71 123 50

HSL 102.74, 0.42%, 0.34%

LAB 46.63, -31.89, 33.98

 

CMYK 53 / 0 / 74 / 46

HEX #418924

RGB 65 137 36

HSL 102.77, 0.58%, 0.34%

LAB 50.85, -41.26, 44.81

 

CMYK 61 / 0 / 85 / 41

HEX #3B9716

RGB 59 151 22

HSL 102.79, 0.75%, 0.34%

LAB 55.2, -49.17, 53.42

 

CMYK 68 / 0 / 95 / 35

HEX #35A508

RGB 53 165 8

HSL 102.8, 0.91%, 0.34%

LAB 59.6, -55.87, 59.77

 

CMYK 42 / 0 / 59 / 52

HEX #477B32

RGB 71 123 50

HSL 102.74, 0.42%, 0.34%

LAB 46.63, -31.89, 33.98

 

CMYK 29 / 0 / 41 / 57

HEX #4D6D40

RGB 77 109 64

HSL 102.67, 0.26%, 0.34%

LAB 42.59, -20.87, 21.51

 

CMYK 13 / 0 / 18 / 63

HEX #535F4E

RGB 83 95 78

HSL 102.35, 0.1%, 0.34%

LAB 38.85, -8.24, 8.19

 

CMYK 3 / 12 / 0 / 64

HEX #59515C

RGB 89 81 92

HSL 283.64, 0.06%, 0.34%

LAB 35.56, 5.6, -5.22

 

CMYK 11 / 37 / 0 / 58

HEX #5E436A

RGB 94 67 106

HSL 281.54, 0.23%, 0.34%

LAB 32.78, 19.53, -18.23

 

CMYK 11 / 0 / 59 / 52

HEX #6E7B32

RGB 110 123 50

HSL 70.68, 0.42%, 0.34%

LAB 49.14, -16.18, 37.53

 

CMYK 26 / 0 / 59 / 52

HEX #5B7B32

RGB 91 123 50

HSL 86.3, 0.42%, 0.34%

LAB 47.78, -24.26, 35.61

 

CMYK 41 / 0 / 59 / 52

HEX #487B32

RGB 72 123 50

HSL 101.92, 0.42%, 0.34%

LAB 46.68, -31.54, 34.05

 

CMYK 58 / 0 / 59 / 52

HEX #347B32

RGB 52 123 50

HSL 118.36, 0.42%, 0.34%

LAB 45.81, -37.88, 32.82

 

CMYK 59 / 0 / 46 / 52

HEX #327B43

RGB 50 123 67

HSL 133.97, 0.42%, 0.34%

LAB 45.97, -35.81, 23.94

 

CMYK 42 / 0 / 59 / 75

HEX #25401A

RGB 37 64 26

HSL 102.63, 0.42%, 0.18%

LAB 24.11, -18.79, 19.88

 

CMYK 42 / 0 / 59 / 64

HEX #365D26

RGB 54 93 38

HSL 102.55, 0.42%, 0.26%

LAB 35.5, -25.32, 26.96

 

CMYK 42 / 0 / 59 / 52

HEX #477B32

RGB 71 123 50

HSL 102.74, 0.42%, 0.34%

LAB 46.63, -31.89, 33.98

 

CMYK 42 / 0 / 59 / 40

HEX #58983E

RGB 88 152 62

HSL 102.67, 0.42%, 0.42%

LAB 56.96, -37.69, 40.28

 

CMYK 42 / 0 / 59 / 29

HEX #69B54A

RGB 105 181 74

HSL 102.62, 0.42%, 0.5%

LAB 66.93, -43.28, 46.34

 

CMYK 42 / 0 / 59 / 52

HEX #477A32

RGB 71 122 50

HSL 102.5, 0.42%, 0.34%

LAB 46.3, -31.43, 33.6

 

CMYK 59 / 0 / 7 / 52

HEX #327B73

RGB 50 123 115

HSL 173.42, 0.42%, 0.34%

LAB 47.08, -24.66, -2.44

 

CMYK 0 / 59 / 18 / 52

HEX #7B3265

RGB 123 50 101

HSL 318.08, 0.42%, 0.34%

LAB 32.77, 38.21, -14.73

 

CMYK 42 / 0 / 59 / 52

HEX #477A32

RGB 71 122 50

HSL 102.5, 0.42%, 0.34%

LAB 46.3, -31.43, 33.6

 

CMYK 59 / 41 / 0 / 52

HEX #32487B

RGB 50 72 123

HSL 221.92, 0.42%, 0.34%

LAB 31.21, 8.13, -31.64

 

CMYK 0 / 59 / 41 / 52

HEX #7B3248

RGB 123 50 72

HSL 341.92, 0.42%, 0.34%

LAB 31.72, 34.08, 2.45

 

CMYK 42 / 0 / 59 / 52

HEX #477A32

RGB 71 122 50

HSL 102.5, 0.42%, 0.34%

LAB 46.3, -31.43, 33.6

 

CMYK 59 / 0 / 7 / 52

HEX #327B73

RGB 50 123 115

HSL 173.42, 0.42%, 0.34%

LAB 47.08, -24.66, -2.44

 

CMYK 18 / 59 / 0 / 52

HEX #65327B

RGB 101 50 123

HSL 281.92, 0.42%, 0.34%

LAB 30.59, 35.88, -32.33

 

CMYK 0 / 59 / 54 / 52

HEX #7B3239

RGB 123 50 57

HSL 354.25, 0.42%, 0.34%

LAB 31.32, 32.46, 11.67

 

CMYK 42 / 0 / 59 / 52

HEX #477A32

RGB 71 122 50

HSL 102.5, 0.42%, 0.34%

LAB 46.3, -31.43, 33.6

 

CMYK 59 / 12 / 0 / 52

HEX #326C7B

RGB 50 108 123

HSL 192.33, 0.42%, 0.34%

LAB 42.51, -14.18, -14.07

 

CMYK 18 / 59 / 0 / 52

HEX #65327B

RGB 101 50 123

HSL 281.92, 0.42%, 0.34%

LAB 30.59, 35.88, -32.33

 

CMYK 0 / 48 / 59 / 52

HEX #7B4032

RGB 123 64 50

HSL 11.51, 0.42%, 0.34%

LAB 34.21, 24.09, 19.94

 

Description

Color code: RGB 71 122 50 | qconv.com Color code: RGB 71 122 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 122 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 122 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 59 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 59% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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