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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 98 214 it is the complementary color RGB 184 157 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 98 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 98 214 shade: RGB 76 98 209, RGB 93 116 228, RGB 110 134 247, RGB 127 152 255 and RGB 144 170 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 98 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 98 214 shade: RGB 71 98 214, RGB 54 80 195, RGB 37 62 176, RGB 20 44 157 and RGB 3 26 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 98 214 shade: RGB 70 98 214, RGB 82 70 214, RGB 121 70 214, RGB 160 70 214 and RGB 198 70 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 98 214 shade: RGB 70 98 214 and RGB 70 70 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 98 214 shade matches the following richer shades: RGB 70 98 214, RGB 52 86 232 and RGB 34 75 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 98 214 shade: RGB 70 98 214, RGB 89 109 196, RGB 107 120 178, RGB 125 132 160 and RGB 143 143 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 98 214 shade: RGB 70 176 214, RGB 70 138 214, RGB 70 99 214, RGB 80 70 214 and RGB 118 70 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 98 214 shade: RGB 36 61 166, RGB 43 73 200, RGB 70 98 214, RGB 104 126 222 and RGB 138 155 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 98 214 shade: RGB 71 98 214, RGB 214 70 214 and RGB 157 214 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 98 214 shade: RGB 71 98 214, RGB 214 70 99 and RGB 99 214 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 98 214 shade: RGB 71 98 214, RGB 214 70 214, RGB 214 185 70 and RGB 70 214 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 98 214 shade: RGB 71 98 214, RGB 214 70 171, RGB 214 185 70 and RGB 70 214 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 54 / 0 / 16

HEX #4762D6

RGB 71 98 214

HSL 228.67, 0.64%, 0.56%

LAB 45.54, 27.63, -62.73

 

Complementary color

CMYK 0 / 15 / 78 / 28

HEX #B89D29

RGB 184 157 41

HSL 48.67, 0.64%, 0.44%

LAB 65.33, -1.91, 59.91

 

CMYK 64 / 53 / 0 / 18

HEX #4C62D1

RGB 76 98 209

HSL 230.08, 0.59%, 0.56%

LAB 45.46, 26.69, -59.98

 

CMYK 59 / 49 / 0 / 11

HEX #5D74E4

RGB 93 116 228

HSL 229.78, 0.71%, 0.63%

LAB 52.31, 24.91, -59.67

 

CMYK 55 / 46 / 0 / 3

HEX #6E86F7

RGB 110 134 247

HSL 229.49, 0.9%, 0.7%

LAB 59.05, 23.42, -59.37

 

CMYK 50 / 40 / 0 / 0

HEX #7F98FF

RGB 127 152 255

HSL 228.28, 1%, 0.75%

LAB 65.11, 18.82, -54.04

 

CMYK 44 / 33 / 0 / 0

HEX #90AAFF

RGB 144 170 255

HSL 225.95, 1%, 0.78%

LAB 70.8, 12.43, -44.99

 

CMYK 67 / 54 / 0 / 16

HEX #4762D6

RGB 71 98 214

HSL 228.67, 0.64%, 0.56%

LAB 45.54, 27.63, -62.73

 

CMYK 72 / 59 / 0 / 24

HEX #3650C3

RGB 54 80 195

HSL 228.94, 0.57%, 0.49%

LAB 38.66, 29.96, -62.99

 

CMYK 79 / 65 / 0 / 31

HEX #253EB0

RGB 37 62 176

HSL 229.21, 0.65%, 0.42%

LAB 31.75, 32.75, -63.12

 

CMYK 87 / 72 / 0 / 38

HEX #142C9D

RGB 20 44 157

HSL 229.49, 0.77%, 0.35%

LAB 24.9, 35.98, -62.95

 

CMYK 98 / 81 / 0 / 46

HEX #031A8A

RGB 3 26 138

HSL 229.78, 0.96%, 0.28%

LAB 18.33, 39.28, -62.09

 

CMYK 67 / 54 / 0 / 16

HEX #4662D6

RGB 70 98 214

HSL 228.33, 0.64%, 0.56%

LAB 45.49, 27.48, -62.81

 

CMYK 62 / 67 / 0 / 16

HEX #5246D6

RGB 82 70 214

HSL 245, 0.64%, 0.56%

LAB 39.63, 46.32, -72.32

 

CMYK 43 / 67 / 0 / 16

HEX #7946D6

RGB 121 70 214

HSL 261.25, 0.64%, 0.56%

LAB 43.21, 52.76, -66.32

 

CMYK 25 / 67 / 0 / 16

HEX #A046D6

RGB 160 70 214

HSL 277.5, 0.64%, 0.56%

LAB 47.89, 60.54, -58.52

 

CMYK 7 / 67 / 0 / 16

HEX #C646D6

RGB 198 70 214

HSL 293.33, 0.64%, 0.56%

LAB 53.21, 68.77, -49.7

 

CMYK 67 / 54 / 0 / 16

HEX #4662D6

RGB 70 98 214

HSL 228.33, 0.64%, 0.56%

LAB 45.49, 27.48, -62.81

 

CMYK 67 / 67 / 0 / 16

HEX #4646D6

RGB 70 70 214

HSL 240, 0.64%, 0.56%

LAB 38.79, 44.74, -73.73

 

CMYK 67 / 54 / 0 / 16

HEX #4662D6

RGB 70 98 214

HSL 228.33, 0.64%, 0.56%

LAB 45.49, 27.48, -62.81

 

CMYK 78 / 63 / 0 / 9

HEX #3456E8

RGB 52 86 232

HSL 228.67, 0.8%, 0.56%

LAB 43.08, 39.27, -77

 

CMYK 86 / 70 / 0 / 2

HEX #224BFA

RGB 34 75 250

HSL 228.61, 0.96%, 0.56%

LAB 41.65, 51.03, -89.5

 

CMYK 67 / 54 / 0 / 16

HEX #4662D6

RGB 70 98 214

HSL 228.33, 0.64%, 0.56%

LAB 45.49, 27.48, -62.81

 

CMYK 55 / 44 / 0 / 23

HEX #596DC4

RGB 89 109 196

HSL 228.79, 0.48%, 0.56%

LAB 48.32, 17.92, -47.89

 

CMYK 40 / 33 / 0 / 30

HEX #6B78B2

RGB 107 120 178

HSL 229.01, 0.32%, 0.56%

LAB 51.58, 10.09, -32.28

 

CMYK 22 / 18 / 0 / 37

HEX #7D84A0

RGB 125 132 160

HSL 228, 0.16%, 0.56%

LAB 55.48, 3.71, -15.76

 

CMYK 0 / 0 / 1 / 44

HEX #8F8F8D

RGB 143 143 141

HSL 60, 0.01%, 0.56%

LAB 59.35, -0.38, 1.05

 

CMYK 67 / 18 / 0 / 16

HEX #46B0D6

RGB 70 176 214

HSL 195.83, 0.64%, 0.56%

LAB 67.43, -18.48, -28.11

 

CMYK 67 / 36 / 0 / 16

HEX #468AD6

RGB 70 138 214

HSL 211.67, 0.64%, 0.56%

LAB 56.42, 2.78, -45.3

 

CMYK 67 / 54 / 0 / 16

HEX #4663D6

RGB 70 99 214

HSL 227.92, 0.64%, 0.56%

LAB 45.74, 26.85, -62.39

 

CMYK 63 / 67 / 0 / 16

HEX #5046D6

RGB 80 70 214

HSL 244.17, 0.64%, 0.56%

LAB 39.48, 46.04, -72.57

 

CMYK 45 / 67 / 0 / 16

HEX #7646D6

RGB 118 70 214

HSL 260, 0.64%, 0.56%

LAB 42.89, 52.2, -66.86

 

CMYK 78 / 63 / 0 / 35

HEX #243DA6

RGB 36 61 166

HSL 228.46, 0.64%, 0.4%

LAB 30.56, 29.55, -59.08

 

CMYK 79 / 64 / 0 / 22

HEX #2B49C8

RGB 43 73 200

HSL 228.54, 0.65%, 0.48%

LAB 36.83, 35.09, -68.9

 

CMYK 67 / 54 / 0 / 16

HEX #4662D6

RGB 70 98 214

HSL 228.33, 0.64%, 0.56%

LAB 45.49, 27.48, -62.81

 

CMYK 53 / 43 / 0 / 13

HEX #687EDE

RGB 104 126 222

HSL 228.81, 0.64%, 0.64%

LAB 55.21, 19.08, -51.61

 

CMYK 40 / 32 / 0 / 10

HEX #8A9BE5

RGB 138 155 229

HSL 228.79, 0.64%, 0.72%

LAB 65.36, 12.23, -39.34

 

CMYK 67 / 54 / 0 / 16

HEX #4762D6

RGB 71 98 214

HSL 228.67, 0.64%, 0.56%

LAB 45.54, 27.63, -62.73

 

CMYK 0 / 67 / 0 / 16

HEX #D646D6

RGB 214 70 214

HSL 300, 0.64%, 0.56%

LAB 55.62, 72.33, -45.74

 

CMYK 27 / 0 / 67 / 16

HEX #9DD646

RGB 157 214 70

HSL 83.75, 0.64%, 0.56%

LAB 79.44, -39.67, 62.46

 

CMYK 67 / 54 / 0 / 16

HEX #4762D6

RGB 71 98 214

HSL 228.67, 0.64%, 0.56%

LAB 45.54, 27.63, -62.73

 

CMYK 0 / 67 / 54 / 16

HEX #D64663

RGB 214 70 99

HSL 347.92, 0.64%, 0.56%

LAB 51.36, 58.14, 15.46

 

CMYK 54 / 0 / 67 / 16

HEX #63D646

RGB 99 214 70

HSL 107.92, 0.64%, 0.56%

LAB 76.79, -58.41, 58.86

 

CMYK 67 / 54 / 0 / 16

HEX #4762D6

RGB 71 98 214

HSL 228.67, 0.64%, 0.56%

LAB 45.54, 27.63, -62.73

 

CMYK 0 / 67 / 0 / 16

HEX #D646D6

RGB 214 70 214

HSL 300, 0.64%, 0.56%

LAB 55.62, 72.33, -45.74

 

CMYK 0 / 14 / 67 / 16

HEX #D6B946

RGB 214 185 70

HSL 47.92, 0.64%, 0.56%

LAB 75.72, -2.26, 59.91

 

CMYK 67 / 0 / 67 / 16

HEX #46D646

RGB 70 214 70

HSL 120, 0.64%, 0.56%

LAB 75.97, -65.01, 57.73

 

CMYK 67 / 54 / 0 / 16

HEX #4762D6

RGB 71 98 214

HSL 228.67, 0.64%, 0.56%

LAB 45.54, 27.63, -62.73

 

CMYK 0 / 67 / 20 / 16

HEX #D646AB

RGB 214 70 171

HSL 317.92, 0.64%, 0.56%

LAB 53.62, 65.9, -24.08

 

CMYK 0 / 14 / 67 / 16

HEX #D6B946

RGB 214 185 70

HSL 47.92, 0.64%, 0.56%

LAB 75.72, -2.26, 59.91

 

CMYK 67 / 0 / 47 / 16

HEX #46D672

RGB 70 214 114

HSL 138.33, 0.64%, 0.56%

LAB 76.44, -59.51, 38.36

 

Description

Color code: RGB 71 98 214 | qconv.com Color code: RGB 71 98 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 98 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 98 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 54 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 54% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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