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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 70 22 it is the complementary color RGB 184 185 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 70 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 70 22 shade: RGB 76 70 17, RGB 93 88 36, RGB 110 106 55, RGB 127 124 74 and RGB 144 142 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 70 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 70 22 shade: RGB 71 70 22, RGB 54 52 3, RGB 37 34 0, RGB 20 16 0 and RGB 3 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 70 22 shade: RGB 70 69 21, RGB 70 56 21, RGB 70 42 21, RGB 70 29 21 and RGB 70 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 70 22 shade: RGB 70 69 21, RGB 58 70 21, RGB 44 70 21, RGB 31 70 21 and RGB 21 70 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 70 22 shade matches the following richer shades: RGB 70 69 21, RGB 77 76 14 and RGB 85 83 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 70 22 shade: RGB 70 69 21, RGB 62 62 28, RGB 55 54 36, RGB 47 47 43 and RGB 40 40 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 70 22 shade: RGB 70 42 21, RGB 70 55 21, RGB 70 68 21, RGB 58 70 21 and RGB 45 70 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 70 22 shade: RGB 7 7 2, RGB 38 38 11, RGB 70 69 21, RGB 101 100 31 and RGB 133 131 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 70 22 shade: RGB 71 70 22, RGB 21 70 29 and RGB 49 21 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 70 22 shade: RGB 71 70 22, RGB 21 70 68 and RGB 68 21 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 70 22 shade: RGB 71 70 22, RGB 21 70 29, RGB 21 23 70 and RGB 70 21 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 70 22 shade: RGB 71 70 22, RGB 21 70 44, RGB 21 23 70 and RGB 70 21 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 69 / 72

HEX #474616

RGB 71 70 22

HSL 58.78, 0.53%, 0.18%

LAB 28.84, -6.78, 28.19

 

Complementary color

CMYK 21 / 21 / 0 / 9

HEX #B8B9E9

RGB 184 185 233

HSL 238.78, 0.53%, 0.82%

LAB 76.54, 9.6, -23.99

 

CMYK 0 / 8 / 78 / 70

HEX #4C4611

RGB 76 70 17

HSL 53.9, 0.63%, 0.18%

LAB 29.3, -4.6, 31.23

 

CMYK 0 / 5 / 61 / 64

HEX #5D5824

RGB 93 88 36

HSL 54.74, 0.44%, 0.25%

LAB 36.81, -5.59, 30.3

 

CMYK 0 / 4 / 50 / 57

HEX #6E6A37

RGB 110 106 55

HSL 55.64, 0.33%, 0.32%

LAB 44.09, -6.27, 29

 

CMYK 0 / 2 / 42 / 50

HEX #7F7C4A

RGB 127 124 74

HSL 56.6, 0.26%, 0.39%

LAB 51.18, -6.76, 27.68

 

CMYK 0 / 1 / 35 / 44

HEX #908E5D

RGB 144 142 93

HSL 57.65, 0.22%, 0.46%

LAB 58.1, -7.14, 26.41

 

CMYK 0 / 1 / 69 / 72

HEX #474616

RGB 71 70 22

HSL 58.78, 0.53%, 0.18%

LAB 28.84, -6.78, 28.19

 

CMYK 0 / 4 / 94 / 79

HEX #363403

RGB 54 52 3

HSL 57.65, 0.89%, 0.11%

LAB 21.01, -5.72, 28.11

 

CMYK 0 / 8 / 100 / 85

HEX #252200

RGB 37 34 0

HSL 55.14, 1%, 0.07%

LAB 12.84, -3.69, 18.91

 

CMYK 0 / 20 / 100 / 92

HEX #141000

RGB 20 16 0

HSL 48, 1%, 0.04%

LAB 4.69, -0.81, 7.01

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 1 / 70 / 73

HEX #464515

RGB 70 69 21

HSL 58.78, 0.54%, 0.18%

LAB 28.41, -6.76, 28.2

 

CMYK 0 / 20 / 70 / 73

HEX #463815

RGB 70 56 21

HSL 42.86, 0.54%, 0.18%

LAB 24.27, 1.41, 23.7

 

CMYK 0 / 40 / 70 / 73

HEX #462A15

RGB 70 42 21

HSL 25.71, 0.54%, 0.18%

LAB 20.09, 10.6, 18.9

 

CMYK 0 / 59 / 70 / 73

HEX #461D15

RGB 70 29 21

HSL 9.8, 0.54%, 0.18%

LAB 16.67, 18.92, 14.77

 

CMYK 0 / 70 / 70 / 73

HEX #461515

RGB 70 21 21

HSL 0, 0.54%, 0.18%

LAB 14.91, 23.52, 12.55

 

CMYK 0 / 1 / 70 / 73

HEX #464515

RGB 70 69 21

HSL 58.78, 0.54%, 0.18%

LAB 28.41, -6.76, 28.2

 

CMYK 17 / 0 / 70 / 73

HEX #3A4615

RGB 58 70 21

HSL 74.69, 0.54%, 0.18%

LAB 27.67, -13.28, 27.08

 

CMYK 37 / 0 / 70 / 73

HEX #2C4615

RGB 44 70 21

HSL 91.84, 0.54%, 0.18%

LAB 26.65, -19.66, 25.68

 

CMYK 56 / 0 / 70 / 73

HEX #1F4615

RGB 31 70 21

HSL 107.76, 0.54%, 0.18%

LAB 25.94, -24.7, 24.69

 

CMYK 70 / 0 / 66 / 73

HEX #154618

RGB 21 70 24

HSL 123.67, 0.54%, 0.18%

LAB 25.58, -27.34, 22.57

 

CMYK 0 / 1 / 70 / 73

HEX #464515

RGB 70 69 21

HSL 58.78, 0.54%, 0.18%

LAB 28.41, -6.76, 28.2

 

CMYK 0 / 1 / 82 / 70

HEX #4D4C0E

RGB 77 76 14

HSL 59.05, 0.69%, 0.18%

LAB 31.3, -7.88, 34.45

 

CMYK 0 / 2 / 93 / 67

HEX #555306

RGB 85 83 6

HSL 58.48, 0.87%, 0.18%

LAB 34.25, -8.31, 40.02

 

CMYK 0 / 1 / 70 / 73

HEX #464515

RGB 70 69 21

HSL 58.78, 0.54%, 0.18%

LAB 28.41, -6.76, 28.2

 

CMYK 0 / 0 / 55 / 76

HEX #3E3E1C

RGB 62 62 28

HSL 60, 0.38%, 0.18%

LAB 25.42, -5.81, 20.74

 

CMYK 0 / 2 / 35 / 78

HEX #373624

RGB 55 54 36

HSL 56.84, 0.21%, 0.18%

LAB 22.22, -3.09, 11.51

 

CMYK 0 / 0 / 9 / 82

HEX #2F2F2B

RGB 47 47 43

HSL 60, 0.04%, 0.18%

LAB 19.27, -0.91, 2.57

 

CMYK 22 / 22 / 0 / 80

HEX #282833

RGB 40 40 51

HSL 240, 0.12%, 0.18%

LAB 16.54, 2.9, -7.12

 

CMYK 0 / 40 / 70 / 73

HEX #462A15

RGB 70 42 21

HSL 25.71, 0.54%, 0.18%

LAB 20.09, 10.6, 18.9

 

CMYK 0 / 21 / 70 / 73

HEX #463715

RGB 70 55 21

HSL 41.63, 0.54%, 0.18%

LAB 23.96, 2.06, 23.35

 

CMYK 0 / 3 / 70 / 73

HEX #464415

RGB 70 68 21

HSL 57.55, 0.54%, 0.18%

LAB 28.09, -6.15, 27.86

 

CMYK 17 / 0 / 70 / 73

HEX #3A4615

RGB 58 70 21

HSL 74.69, 0.54%, 0.18%

LAB 27.67, -13.28, 27.08

 

CMYK 36 / 0 / 70 / 73

HEX #2D4615

RGB 45 70 21

HSL 90.61, 0.54%, 0.18%

LAB 26.71, -19.24, 25.77

 

CMYK 0 / 0 / 71 / 97

HEX #070702

RGB 7 7 2

HSL 60, 0.56%, 0.02%

LAB 1.82, -0.7, 1.89

 

CMYK 0 / 0 / 71 / 85

HEX #26260B

RGB 38 38 11

HSL 60, 0.55%, 0.1%

LAB 14.53, -4.71, 16.66

 

CMYK 0 / 1 / 70 / 73

HEX #464515

RGB 70 69 21

HSL 58.78, 0.54%, 0.18%

LAB 28.41, -6.76, 28.2

 

CMYK 0 / 1 / 69 / 60

HEX #65641F

RGB 101 100 31

HSL 59.14, 0.53%, 0.26%

LAB 41.18, -9.1, 37.7

 

CMYK 0 / 2 / 70 / 48

HEX #858328

RGB 133 131 40

HSL 58.71, 0.54%, 0.34%

LAB 53.35, -10.9, 47.13

 

CMYK 0 / 1 / 69 / 72

HEX #474616

RGB 71 70 22

HSL 58.78, 0.53%, 0.18%

LAB 28.84, -6.78, 28.19

 

CMYK 70 / 0 / 59 / 73

HEX #15461D

RGB 21 70 29

HSL 129.8, 0.54%, 0.18%

LAB 25.65, -26.56, 19.82

 

CMYK 30 / 70 / 0 / 73

HEX #311546

RGB 49 21 70

HSL 274.29, 0.54%, 0.18%

LAB 13.42, 24.61, -25.26

 

CMYK 0 / 1 / 69 / 72

HEX #474616

RGB 71 70 22

HSL 58.78, 0.53%, 0.18%

LAB 28.84, -6.78, 28.19

 

CMYK 70 / 0 / 3 / 73

HEX #154644

RGB 21 70 68

HSL 177.55, 0.54%, 0.18%

LAB 26.61, -16.65, -3.64

 

CMYK 3 / 70 / 0 / 73

HEX #441546

RGB 68 21 70

HSL 297.55, 0.54%, 0.18%

LAB 16.54, 30.07, -20.1

 

CMYK 0 / 1 / 69 / 72

HEX #474616

RGB 71 70 22

HSL 58.78, 0.53%, 0.18%

LAB 28.84, -6.78, 28.19

 

CMYK 70 / 0 / 59 / 73

HEX #15461D

RGB 21 70 29

HSL 129.8, 0.54%, 0.18%

LAB 25.65, -26.56, 19.82

 

CMYK 70 / 67 / 0 / 73

HEX #151746

RGB 21 23 70

HSL 237.55, 0.54%, 0.18%

LAB 10.66, 16.37, -29.87

 

CMYK 0 / 70 / 11 / 73

HEX #46153E

RGB 70 21 62

HSL 309.8, 0.54%, 0.18%

LAB 16.44, 29.09, -14.66

 

CMYK 0 / 1 / 69 / 72

HEX #474616

RGB 71 70 22

HSL 58.78, 0.53%, 0.18%

LAB 28.84, -6.78, 28.19

 

CMYK 70 / 0 / 37 / 73

HEX #15462C

RGB 21 70 44

HSL 148.16, 0.54%, 0.18%

LAB 25.93, -23.51, 10.96

 

CMYK 70 / 67 / 0 / 73

HEX #151746

RGB 21 23 70

HSL 237.55, 0.54%, 0.18%

LAB 10.66, 16.37, -29.87

 

CMYK 0 / 70 / 33 / 73

HEX #46152F

RGB 70 21 47

HSL 328.16, 0.54%, 0.18%

LAB 15.71, 26.53, -5.11

 

Description

Color code: RGB 71 70 22 | qconv.com Color code: RGB 71 70 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 70 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 70 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 69 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 69% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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