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Color name
RGB 71 49 52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 49 52 it is the complementary color RGB 184 206 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 49 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 49 52 shade: RGB 76 49 47, RGB 93 67 66, RGB 110 85 85, RGB 127 103 104 and RGB 144 121 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 49 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 49 52 shade: RGB 71 49 52, RGB 54 31 33, RGB 37 13 14, RGB 20 0 0 and RGB 3 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 49 52 shade: RGB 72 50 53 and RGB 72 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 49 52 shade: RGB 72 50 53, RGB 72 50 59, RGB 72 50 65, RGB 72 50 71 and RGB 67 50 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 49 52 shade matches the following richer shades: RGB 72 50 53, RGB 82 40 45, RGB 92 30 38, RGB 101 20 31 and RGB 111 10 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 49 52 shade: RGB 72 50 53, RGB 62 60 60, RGB 52 69 67, RGB 42 79 74 and RGB 32 89 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 49 52 shade: RGB 72 50 65, RGB 72 50 59, RGB 72 50 53, RGB 72 52 50 and RGB 72 58 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 49 52 shade: RGB 23 16 17, RGB 47 33 35, RGB 72 50 53, RGB 96 67 71 and RGB 120 84 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 49 52 shade: RGB 71 49 52, RGB 71 72 50 and RGB 50 62 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 49 52 shade: RGB 71 49 52, RGB 53 72 50 and RGB 50 53 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 49 52 shade: RGB 71 49 52, RGB 71 72 50, RGB 50 72 68 and RGB 51 50 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 49 52 shade: RGB 71 49 52, RGB 64 72 50, RGB 50 72 68 and RGB 57 50 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 27 / 72

HEX #473134

RGB 71 49 52

HSL 351.82, 0.18%, 0.24%

LAB 22.94, 10.53, 2.07

 

Complementary color

CMYK 11 / 0 / 1 / 19

HEX #B8CECB

RGB 184 206 203

HSL 171.82, 0.18%, 0.76%

LAB 81.1, -7.96, -1.04

 

CMYK 0 / 36 / 38 / 70

HEX #4C312F

RGB 76 49 47

HSL 4.14, 0.24%, 0.24%

LAB 23.47, 11.99, 6.28

 

CMYK 0 / 28 / 29 / 64

HEX #5D4342

RGB 93 67 66

HSL 2.22, 0.17%, 0.31%

LAB 31.2, 11.08, 5.02

 

CMYK 0 / 23 / 23 / 57

HEX #6E5555

RGB 110 85 85

HSL 0, 0.13%, 0.38%

LAB 38.67, 10.35, 3.97

 

CMYK 0 / 19 / 18 / 50

HEX #7F6768

RGB 127 103 104

HSL 357.5, 0.1%, 0.45%

LAB 45.92, 9.75, 3.05

 

CMYK 0 / 16 / 15 / 44

HEX #90797B

RGB 144 121 123

HSL 354.78, 0.09%, 0.52%

LAB 52.99, 9.24, 2.22

 

CMYK 0 / 31 / 27 / 72

HEX #473134

RGB 71 49 52

HSL 351.82, 0.18%, 0.24%

LAB 22.94, 10.53, 2.07

 

CMYK 0 / 43 / 39 / 79

HEX #361F21

RGB 54 31 33

HSL 354.78, 0.27%, 0.17%

LAB 14.81, 11.51, 3.33

 

CMYK 0 / 65 / 62 / 85

HEX #250D0E

RGB 37 13 14

HSL 357.5, 0.48%, 0.1%

LAB 6.44, 12.33, 3.93

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 31 / 26 / 72

HEX #483235

RGB 72 50 53

HSL 351.82, 0.18%, 0.24%

LAB 23.39, 10.49, 2.05

 

CMYK 0 / 31 / 31 / 72

HEX #483232

RGB 72 50 50

HSL 0, 0.18%, 0.24%

LAB 23.3, 9.98, 3.95

 

CMYK 0 / 31 / 26 / 72

HEX #483235

RGB 72 50 53

HSL 351.82, 0.18%, 0.24%

LAB 23.39, 10.49, 2.05

 

CMYK 0 / 31 / 18 / 72

HEX #48323B

RGB 72 50 59

HSL 335.45, 0.18%, 0.24%

LAB 23.59, 11.61, -1.72

 

CMYK 0 / 31 / 10 / 72

HEX #483241

RGB 72 50 65

HSL 319.09, 0.18%, 0.24%

LAB 23.81, 12.82, -5.43

 

CMYK 0 / 31 / 1 / 72

HEX #483247

RGB 72 50 71

HSL 302.73, 0.18%, 0.24%

LAB 24.04, 14.12, -9.1

 

CMYK 7 / 31 / 0 / 72

HEX #433248

RGB 67 50 72

HSL 286.36, 0.18%, 0.24%

LAB 23.48, 12.37, -10.69

 

CMYK 0 / 31 / 26 / 72

HEX #483235

RGB 72 50 53

HSL 351.82, 0.18%, 0.24%

LAB 23.39, 10.49, 2.05

 

CMYK 0 / 51 / 45 / 68

HEX #52282D

RGB 82 40 45

HSL 352.86, 0.34%, 0.24%

LAB 21.95, 20.11, 5.63

 

CMYK 0 / 67 / 59 / 64

HEX #5C1E26

RGB 92 30 38

HSL 352.26, 0.51%, 0.24%

LAB 21.37, 29.07, 9.93

 

CMYK 0 / 80 / 69 / 60

HEX #65141F

RGB 101 20 31

HSL 351.85, 0.67%, 0.24%

LAB 21.45, 36.14, 15.21

 

CMYK 0 / 91 / 78 / 56

HEX #6F0A18

RGB 111 10 24

HSL 351.68, 0.83%, 0.24%

LAB 22.52, 41.82, 21.77

 

CMYK 0 / 31 / 26 / 72

HEX #483235

RGB 72 50 53

HSL 351.82, 0.18%, 0.24%

LAB 23.39, 10.49, 2.05

 

CMYK 0 / 3 / 3 / 76

HEX #3E3C3C

RGB 62 60 60

HSL 0, 0.02%, 0.24%

LAB 25.51, 0.86, 0.3

 

CMYK 25 / 0 / 3 / 73

HEX #344543

RGB 52 69 67

HSL 172.94, 0.14%, 0.24%

LAB 27.82, -7.24, -1.02

 

CMYK 47 / 0 / 6 / 69

HEX #2A4F4A

RGB 42 79 74

HSL 171.89, 0.31%, 0.24%

LAB 30.83, -14.66, -1.19

 

CMYK 64 / 0 / 9 / 65

HEX #205951

RGB 32 89 81

HSL 171.58, 0.47%, 0.24%

LAB 34.08, -20.68, -0.91

 

CMYK 0 / 31 / 10 / 72

HEX #483241

RGB 72 50 65

HSL 319.09, 0.18%, 0.24%

LAB 23.81, 12.82, -5.43

 

CMYK 0 / 31 / 18 / 72

HEX #48323B

RGB 72 50 59

HSL 335.45, 0.18%, 0.24%

LAB 23.59, 11.61, -1.72

 

CMYK 0 / 31 / 26 / 72

HEX #483235

RGB 72 50 53

HSL 351.82, 0.18%, 0.24%

LAB 23.39, 10.49, 2.05

 

CMYK 0 / 28 / 31 / 72

HEX #483432

RGB 72 52 50

HSL 5.45, 0.18%, 0.24%

LAB 23.88, 8.66, 4.77

 

CMYK 0 / 19 / 31 / 72

HEX #483A32

RGB 72 58 50

HSL 21.82, 0.18%, 0.24%

LAB 25.67, 4.72, 7.28

 

CMYK 0 / 30 / 26 / 91

HEX #171011

RGB 23 16 17

HSL 351.43, 0.18%, 0.08%

LAB 5.36, 3.11, 0.5

 

CMYK 0 / 30 / 26 / 82

HEX #2F2123

RGB 47 33 35

HSL 351.43, 0.18%, 0.16%

LAB 14.48, 7.12, 1.28

 

CMYK 0 / 31 / 26 / 72

HEX #483235

RGB 72 50 53

HSL 351.82, 0.18%, 0.24%

LAB 23.39, 10.49, 2.05

 

CMYK 0 / 30 / 26 / 62

HEX #604347

RGB 96 67 71

HSL 351.72, 0.18%, 0.32%

LAB 31.71, 13.2, 2.58

 

CMYK 0 / 30 / 26 / 53

HEX #785459

RGB 120 84 89

HSL 351.67, 0.18%, 0.4%

LAB 39.67, 15.78, 3.08

 

CMYK 0 / 31 / 27 / 72

HEX #473134

RGB 71 49 52

HSL 351.82, 0.18%, 0.24%

LAB 22.94, 10.53, 2.07

 

CMYK 1 / 0 / 31 / 72

HEX #474832

RGB 71 72 50

HSL 62.73, 0.18%, 0.24%

LAB 29.92, -4.65, 13.11

 

CMYK 31 / 14 / 0 / 72

HEX #323E48

RGB 50 62 72

HSL 207.27, 0.18%, 0.24%

LAB 25.54, -2.16, -7.72

 

CMYK 0 / 31 / 27 / 72

HEX #473134

RGB 71 49 52

HSL 351.82, 0.18%, 0.24%

LAB 22.94, 10.53, 2.07

 

CMYK 26 / 0 / 31 / 72

HEX #354832

RGB 53 72 50

HSL 111.82, 0.18%, 0.24%

LAB 28.44, -12.54, 10.84

 

CMYK 31 / 26 / 0 / 72

HEX #323548

RGB 50 53 72

HSL 231.82, 0.18%, 0.24%

LAB 22.63, 3.85, -12.15

 

CMYK 0 / 31 / 27 / 72

HEX #473134

RGB 71 49 52

HSL 351.82, 0.18%, 0.24%

LAB 22.94, 10.53, 2.07

 

CMYK 1 / 0 / 31 / 72

HEX #474832

RGB 71 72 50

HSL 62.73, 0.18%, 0.24%

LAB 29.92, -4.65, 13.11

 

CMYK 31 / 0 / 6 / 72

HEX #324844

RGB 50 72 68

HSL 169.09, 0.18%, 0.24%

LAB 28.72, -9.55, -0.37

 

CMYK 29 / 31 / 0 / 72

HEX #333248

RGB 51 50 72

HSL 242.73, 0.18%, 0.24%

LAB 21.77, 6.27, -13.45

 

CMYK 0 / 31 / 27 / 72

HEX #473134

RGB 71 49 52

HSL 351.82, 0.18%, 0.24%

LAB 22.94, 10.53, 2.07

 

CMYK 11 / 0 / 31 / 72

HEX #404832

RGB 64 72 50

HSL 81.82, 0.18%, 0.24%

LAB 29.3, -7.81, 12.16

 

CMYK 31 / 0 / 6 / 72

HEX #324844

RGB 50 72 68

HSL 169.09, 0.18%, 0.24%

LAB 28.72, -9.55, -0.37

 

CMYK 21 / 31 / 0 / 72

HEX #393248

RGB 57 50 72

HSL 259.09, 0.18%, 0.24%

LAB 22.37, 8.5, -12.48

 

Description

Color code: RGB 71 49 52 | qconv.com Color code: RGB 71 49 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 49 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 49 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 27 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 27% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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