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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 48 54 it is the complementary color RGB 184 207 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 48 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 48 54 shade: RGB 76 48 49, RGB 93 66 68, RGB 110 84 87, RGB 127 102 106 and RGB 144 120 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 48 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 48 54 shade: RGB 71 48 54, RGB 54 30 35, RGB 37 12 16, RGB 20 0 0 and RGB 3 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 48 54 shade: RGB 69 47 53 and RGB 69 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 48 54 shade: RGB 69 47 53, RGB 69 47 59, RGB 69 47 65, RGB 68 47 69 and RGB 62 47 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 48 54 shade matches the following richer shades: RGB 69 47 53, RGB 79 38 48, RGB 88 28 44, RGB 98 19 39 and RGB 107 9 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 48 54 shade: RGB 69 47 53, RGB 60 56 57, RGB 50 66 62, RGB 41 75 66 and RGB 31 85 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 48 54 shade: RGB 69 47 65, RGB 69 47 59, RGB 69 47 53, RGB 69 47 47 and RGB 69 53 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 48 54 shade: RGB 20 14 15, RGB 45 30 34, RGB 69 47 53, RGB 94 64 72 and RGB 118 80 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 48 54 shade: RGB 71 48 54, RGB 69 68 47 and RGB 47 62 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 48 54 shade: RGB 71 48 54, RGB 53 69 47 and RGB 47 53 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 48 54 shade: RGB 71 48 54, RGB 69 68 47, RGB 47 69 63 and RGB 47 48 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 48 54 shade: RGB 71 48 54, RGB 64 69 47, RGB 47 69 63 and RGB 52 47 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 24 / 72

HEX #473036

RGB 71 48 54

HSL 344.35, 0.19%, 0.23%

LAB 22.72, 11.55, 0.39

 

Complementary color

CMYK 11 / 0 / 3 / 19

HEX #B8CFC9

RGB 184 207 201

HSL 164.35, 0.19%, 0.77%

LAB 81.31, -8.87, 0.35

 

CMYK 0 / 37 / 36 / 70

HEX #4C3031

RGB 76 48 49

HSL 357.86, 0.23%, 0.24%

LAB 23.24, 12.95, 4.61

 

CMYK 0 / 29 / 27 / 64

HEX #5D4244

RGB 93 66 68

HSL 355.56, 0.17%, 0.31%

LAB 30.98, 12.04, 3.41

 

CMYK 0 / 24 / 21 / 57

HEX #6E5457

RGB 110 84 87

HSL 353.08, 0.13%, 0.38%

LAB 38.45, 11.3, 2.41

 

CMYK 0 / 20 / 17 / 50

HEX #7F666A

RGB 127 102 106

HSL 350.4, 0.11%, 0.45%

LAB 45.71, 10.69, 1.54

 

CMYK 0 / 17 / 13 / 44

HEX #90787D

RGB 144 120 125

HSL 347.5, 0.1%, 0.52%

LAB 52.78, 10.17, 0.74

 

CMYK 0 / 32 / 24 / 72

HEX #473036

RGB 71 48 54

HSL 344.35, 0.19%, 0.23%

LAB 22.72, 11.55, 0.39

 

CMYK 0 / 44 / 35 / 79

HEX #361E23

RGB 54 30 35

HSL 347.5, 0.29%, 0.16%

LAB 14.59, 12.53, 1.57

 

CMYK 0 / 68 / 57 / 85

HEX #250C10

RGB 37 12 16

HSL 350.4, 0.51%, 0.1%

LAB 6.27, 13.15, 2.62

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 32 / 23 / 73

HEX #452F35

RGB 69 47 53

HSL 343.64, 0.19%, 0.23%

LAB 22.14, 11.14, 0.19

 

CMYK 0 / 32 / 32 / 73

HEX #452F2F

RGB 69 47 47

HSL 0, 0.19%, 0.23%

LAB 21.96, 10.08, 4.01

 

CMYK 0 / 32 / 23 / 73

HEX #452F35

RGB 69 47 53

HSL 343.64, 0.19%, 0.23%

LAB 22.14, 11.14, 0.19

 

CMYK 0 / 32 / 14 / 73

HEX #452F3B

RGB 69 47 59

HSL 327.27, 0.19%, 0.23%

LAB 22.35, 12.3, -3.59

 

CMYK 0 / 32 / 6 / 73

HEX #452F41

RGB 69 47 65

HSL 310.91, 0.19%, 0.23%

LAB 22.58, 13.56, -7.31

 

CMYK 1 / 32 / 0 / 73

HEX #442F45

RGB 68 47 69

HSL 297.27, 0.19%, 0.23%

LAB 22.62, 14.06, -9.96

 

CMYK 10 / 32 / 0 / 73

HEX #3E2F45

RGB 62 47 69

HSL 280.91, 0.19%, 0.23%

LAB 21.9, 11.68, -11.14

 

CMYK 0 / 32 / 23 / 73

HEX #452F35

RGB 69 47 53

HSL 343.64, 0.19%, 0.23%

LAB 22.14, 11.14, 0.19

 

CMYK 0 / 52 / 39 / 69

HEX #4F2630

RGB 79 38 48

HSL 345.37, 0.35%, 0.23%

LAB 21.06, 20.47, 2.24

 

CMYK 0 / 68 / 50 / 65

HEX #581C2C

RGB 88 28 44

HSL 344, 0.52%, 0.23%

LAB 20.39, 29.17, 4.27

 

CMYK 0 / 81 / 60 / 62

HEX #621327

RGB 98 19 39

HSL 344.81, 0.68%, 0.23%

LAB 20.86, 36.09, 8.74

 

CMYK 0 / 92 / 67 / 58

HEX #6B0923

RGB 107 9 35

HSL 344.08, 0.84%, 0.23%

LAB 21.74, 41.44, 13.06

 

CMYK 0 / 32 / 23 / 73

HEX #452F35

RGB 69 47 53

HSL 343.64, 0.19%, 0.23%

LAB 22.14, 11.14, 0.19

 

CMYK 0 / 7 / 5 / 76

HEX #3C3839

RGB 60 56 57

HSL 345, 0.03%, 0.23%

LAB 23.95, 1.96, -0

 

CMYK 24 / 0 / 6 / 74

HEX #32423E

RGB 50 66 62

HSL 165, 0.14%, 0.23%

LAB 26.51, -7.42, 0.32

 

CMYK 45 / 0 / 12 / 71

HEX #294B42

RGB 41 75 66

HSL 164.12, 0.29%, 0.23%

LAB 29.15, -14.9, 1.49

 

CMYK 64 / 0 / 16 / 67

HEX #1F5547

RGB 31 85 71

HSL 164.44, 0.47%, 0.23%

LAB 32.35, -21.69, 2.88

 

CMYK 0 / 32 / 6 / 73

HEX #452F41

RGB 69 47 65

HSL 310.91, 0.19%, 0.23%

LAB 22.58, 13.56, -7.31

 

CMYK 0 / 32 / 14 / 73

HEX #452F3B

RGB 69 47 59

HSL 327.27, 0.19%, 0.23%

LAB 22.35, 12.3, -3.59

 

CMYK 0 / 32 / 23 / 73

HEX #452F35

RGB 69 47 53

HSL 343.64, 0.19%, 0.23%

LAB 22.14, 11.14, 0.19

 

CMYK 0 / 32 / 32 / 73

HEX #452F2F

RGB 69 47 47

HSL 0, 0.19%, 0.23%

LAB 21.96, 10.08, 4.01

 

CMYK 0 / 23 / 32 / 73

HEX #45352F

RGB 69 53 47

HSL 16.36, 0.19%, 0.23%

LAB 23.73, 6.1, 6.51

 

CMYK 0 / 30 / 25 / 92

HEX #140E0F

RGB 20 14 15

HSL 350, 0.18%, 0.07%

LAB 4.49, 2.42, 0.31

 

CMYK 0 / 33 / 24 / 82

HEX #2D1E22

RGB 45 30 34

HSL 344, 0.2%, 0.15%

LAB 13.24, 8.1, 0.18

 

CMYK 0 / 32 / 23 / 73

HEX #452F35

RGB 69 47 53

HSL 343.64, 0.19%, 0.23%

LAB 22.14, 11.14, 0.19

 

CMYK 0 / 32 / 23 / 63

HEX #5E4048

RGB 94 64 72

HSL 344, 0.19%, 0.31%

LAB 30.67, 14.4, 0.4

 

CMYK 0 / 32 / 24 / 54

HEX #76505A

RGB 118 80 90

HSL 344.21, 0.19%, 0.39%

LAB 38.42, 17.54, 0.62

 

CMYK 0 / 32 / 24 / 72

HEX #473036

RGB 71 48 54

HSL 344.35, 0.19%, 0.23%

LAB 22.72, 11.55, 0.39

 

CMYK 0 / 1 / 32 / 73

HEX #45442F

RGB 69 68 47

HSL 57.27, 0.19%, 0.23%

LAB 28.39, -3.57, 12.91

 

CMYK 32 / 10 / 0 / 73

HEX #2F3E45

RGB 47 62 69

HSL 199.09, 0.19%, 0.23%

LAB 25.2, -4.1, -6.27

 

CMYK 0 / 32 / 24 / 72

HEX #473036

RGB 71 48 54

HSL 344.35, 0.19%, 0.23%

LAB 22.72, 11.55, 0.39

 

CMYK 23 / 0 / 32 / 73

HEX #35452F

RGB 53 69 47

HSL 103.64, 0.19%, 0.23%

LAB 27.35, -11.36, 11.27

 

CMYK 32 / 23 / 0 / 73

HEX #2F3545

RGB 47 53 69

HSL 223.64, 0.19%, 0.23%

LAB 22.23, 1.86, -10.76

 

CMYK 0 / 32 / 24 / 72

HEX #473036

RGB 71 48 54

HSL 344.35, 0.19%, 0.23%

LAB 22.72, 11.55, 0.39

 

CMYK 0 / 1 / 32 / 73

HEX #45442F

RGB 69 68 47

HSL 57.27, 0.19%, 0.23%

LAB 28.39, -3.57, 12.91

 

CMYK 32 / 0 / 9 / 73

HEX #2F453F

RGB 47 69 63

HSL 163.64, 0.19%, 0.23%

LAB 27.35, -10.12, 0.86

 

CMYK 32 / 30 / 0 / 73

HEX #2F3045

RGB 47 48 69

HSL 237.27, 0.19%, 0.23%

LAB 20.63, 5.3, -13.23

 

CMYK 0 / 32 / 24 / 72

HEX #473036

RGB 71 48 54

HSL 344.35, 0.19%, 0.23%

LAB 22.72, 11.55, 0.39

 

CMYK 7 / 0 / 32 / 73

HEX #40452F

RGB 64 69 47

HSL 73.64, 0.19%, 0.23%

LAB 28.25, -6.5, 12.64

 

CMYK 32 / 0 / 9 / 73

HEX #2F453F

RGB 47 69 63

HSL 163.64, 0.19%, 0.23%

LAB 27.35, -10.12, 0.86

 

CMYK 25 / 32 / 0 / 73

HEX #342F45

RGB 52 47 69

HSL 253.64, 0.19%, 0.23%

LAB 20.8, 7.83, -12.92

 

Description

Color code: RGB 71 48 54 | qconv.com Color code: RGB 71 48 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 48 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 48 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 24 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 24% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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