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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 46 146 it is the complementary color RGB 184 209 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 46 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 46 146 shade: RGB 76 46 141, RGB 93 64 160, RGB 110 82 179, RGB 127 100 198 and RGB 144 118 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 46 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 46 146 shade: RGB 71 46 146, RGB 54 28 127, RGB 37 10 108, RGB 20 0 89 and RGB 3 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 46 146 shade: RGB 71 46 147, RGB 98 46 147, RGB 126 46 147, RGB 147 46 141 and RGB 147 46 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 46 146 shade: RGB 71 46 147 and RGB 46 46 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 46 146 shade matches the following richer shades: RGB 71 46 147, RGB 63 30 162 and RGB 56 15 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 46 146 shade: RGB 71 46 147, RGB 79 62 131, RGB 87 77 115, RGB 95 93 100 and RGB 103 109 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 46 146 shade: RGB 46 75 147, RGB 46 48 147, RGB 71 46 147, RGB 98 46 147 and RGB 125 46 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 46 146 shade: RGB 41 26 84, RGB 56 36 115, RGB 71 46 147, RGB 86 56 178 and RGB 107 77 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 46 146 shade: RGB 71 46 146, RGB 147 46 101 and RGB 61 147 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 46 146 shade: RGB 71 46 146, RGB 147 71 46 and RGB 46 147 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 46 146 shade: RGB 71 46 146, RGB 147 46 101, RGB 122 147 46 and RGB 46 147 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 46 146 shade: RGB 71 46 146, RGB 147 46 71, RGB 122 147 46 and RGB 46 147 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 68 / 0 / 43

HEX #472E92

RGB 71 46 146

HSL 255, 0.52%, 0.38%

LAB 27.76, 37.26, -51.38

 

Complementary color

CMYK 12 / 0 / 48 / 18

HEX #B8D16D

RGB 184 209 109

HSL 75, 0.52%, 0.62%

LAB 80.12, -23.67, 46.51

 

CMYK 46 / 67 / 0 / 45

HEX #4C2E8D

RGB 76 46 141

HSL 258.95, 0.51%, 0.37%

LAB 27.88, 36.75, -48.07

 

CMYK 42 / 60 / 0 / 37

HEX #5D40A0

RGB 93 64 160

HSL 258.13, 0.43%, 0.44%

LAB 35.07, 35.45, -47.95

 

CMYK 39 / 54 / 0 / 30

HEX #6E52B3

RGB 110 82 179

HSL 257.32, 0.39%, 0.51%

LAB 42.16, 34.21, -47.76

 

CMYK 36 / 49 / 0 / 22

HEX #7F64C6

RGB 127 100 198

HSL 256.53, 0.46%, 0.58%

LAB 49.13, 33.08, -47.56

 

CMYK 34 / 46 / 0 / 15

HEX #9076D9

RGB 144 118 217

HSL 255.76, 0.57%, 0.66%

LAB 55.98, 32.06, -47.39

 

CMYK 51 / 68 / 0 / 43

HEX #472E92

RGB 71 46 146

HSL 255, 0.52%, 0.38%

LAB 27.76, 37.26, -51.38

 

CMYK 57 / 78 / 0 / 50

HEX #361C7F

RGB 54 28 127

HSL 255.76, 0.64%, 0.3%

LAB 20.62, 38.62, -51.26

 

CMYK 66 / 91 / 0 / 58

HEX #250A6C

RGB 37 10 108

HSL 256.53, 0.83%, 0.23%

LAB 13.79, 39.19, -50.37

 

CMYK 78 / 100 / 0 / 65

HEX #140059

RGB 20 0 89

HSL 253.48, 1%, 0.17%

LAB 7.86, 37.28, -47.6

 

CMYK 96 / 100 / 0 / 73

HEX #030046

RGB 3 0 70

HSL 242.57, 1%, 0.14%

LAB 4.17, 27.62, -40.58

 

CMYK 52 / 69 / 0 / 42

HEX #472E93

RGB 71 46 147

HSL 254.85, 0.52%, 0.38%

LAB 27.85, 37.56, -51.86

 

CMYK 33 / 69 / 0 / 42

HEX #622E93

RGB 98 46 147

HSL 270.89, 0.52%, 0.38%

LAB 31.01, 43.07, -46.57

 

CMYK 14 / 69 / 0 / 42

HEX #7E2E93

RGB 126 46 147

HSL 287.52, 0.52%, 0.38%

LAB 35, 49.47, -39.95

 

CMYK 0 / 69 / 4 / 42

HEX #932E8D

RGB 147 46 141

HSL 303.56, 0.52%, 0.38%

LAB 37.99, 53.46, -31.33

 

CMYK 0 / 69 / 22 / 42

HEX #932E72

RGB 147 46 114

HSL 319.6, 0.52%, 0.38%

LAB 36.69, 49.23, -16.6

 

CMYK 52 / 69 / 0 / 42

HEX #472E93

RGB 71 46 147

HSL 254.85, 0.52%, 0.38%

LAB 27.85, 37.56, -51.86

 

CMYK 69 / 69 / 0 / 42

HEX #2E2E93

RGB 46 46 147

HSL 240, 0.52%, 0.38%

LAB 25.69, 33.53, -55.48

 

CMYK 52 / 69 / 0 / 42

HEX #472E93

RGB 71 46 147

HSL 254.85, 0.52%, 0.38%

LAB 27.85, 37.56, -51.86

 

CMYK 61 / 81 / 0 / 36

HEX #3F1EA2

RGB 63 30 162

HSL 255, 0.69%, 0.38%

LAB 25.55, 49.12, -64.84

 

CMYK 69 / 92 / 0 / 30

HEX #380FB2

RGB 56 15 178

HSL 255.09, 0.84%, 0.38%

LAB 24.94, 58.28, -75.52

 

CMYK 52 / 69 / 0 / 42

HEX #472E93

RGB 71 46 147

HSL 254.85, 0.52%, 0.38%

LAB 27.85, 37.56, -51.86

 

CMYK 40 / 53 / 0 / 49

HEX #4F3E83

RGB 79 62 131

HSL 254.78, 0.36%, 0.38%

LAB 31.22, 24.72, -36.47

 

CMYK 24 / 33 / 0 / 55

HEX #574D73

RGB 87 77 115

HSL 255.79, 0.2%, 0.38%

LAB 35.15, 13.03, -20.27

 

CMYK 5 / 7 / 0 / 61

HEX #5F5D64

RGB 95 93 100

HSL 257.14, 0.04%, 0.38%

LAB 39.88, 2.29, -3.72

 

CMYK 6 / 0 / 23 / 57

HEX #676D54

RGB 103 109 84

HSL 74.4, 0.13%, 0.38%

LAB 44.89, -7.08, 13.23

 

CMYK 69 / 49 / 0 / 42

HEX #2E4B93

RGB 46 75 147

HSL 222.77, 0.52%, 0.38%

LAB 33.39, 14.23, -42.96

 

CMYK 69 / 67 / 0 / 42

HEX #2E3093

RGB 46 48 147

HSL 238.81, 0.52%, 0.38%

LAB 26.16, 32.25, -54.7

 

CMYK 52 / 69 / 0 / 42

HEX #472E93

RGB 71 46 147

HSL 254.85, 0.52%, 0.38%

LAB 27.85, 37.56, -51.86

 

CMYK 33 / 69 / 0 / 42

HEX #622E93

RGB 98 46 147

HSL 270.89, 0.52%, 0.38%

LAB 31.01, 43.07, -46.57

 

CMYK 15 / 69 / 0 / 42

HEX #7D2E93

RGB 125 46 147

HSL 286.93, 0.52%, 0.38%

LAB 34.84, 49.24, -40.21

 

CMYK 51 / 69 / 0 / 67

HEX #291A54

RGB 41 26 84

HSL 255.52, 0.53%, 0.22%

LAB 14.68, 23.71, -32.89

 

CMYK 51 / 69 / 0 / 55

HEX #382473

RGB 56 36 115

HSL 255.19, 0.52%, 0.3%

LAB 21.36, 30.67, -42.39

 

CMYK 52 / 69 / 0 / 42

HEX #472E93

RGB 71 46 147

HSL 254.85, 0.52%, 0.38%

LAB 27.85, 37.56, -51.86

 

CMYK 52 / 69 / 0 / 30

HEX #5638B2

RGB 86 56 178

HSL 254.75, 0.52%, 0.46%

LAB 34.03, 43.87, -60.44

 

CMYK 46 / 61 / 0 / 22

HEX #6B4DC6

RGB 107 77 198

HSL 254.88, 0.51%, 0.54%

LAB 42.02, 41.82, -59.1

 

CMYK 51 / 68 / 0 / 43

HEX #472E92

RGB 71 46 146

HSL 255, 0.52%, 0.38%

LAB 27.76, 37.26, -51.38

 

CMYK 0 / 69 / 31 / 42

HEX #932E65

RGB 147 46 101

HSL 327.33, 0.52%, 0.38%

LAB 36.17, 47.47, -9.18

 

CMYK 59 / 0 / 69 / 42

HEX #3D932E

RGB 61 147 46

HSL 111.09, 0.52%, 0.38%

LAB 54.09, -45.47, 44.04

 

CMYK 51 / 68 / 0 / 43

HEX #472E92

RGB 71 46 146

HSL 255, 0.52%, 0.38%

LAB 27.76, 37.26, -51.38

 

CMYK 0 / 52 / 69 / 42

HEX #93472E

RGB 147 71 46

HSL 14.85, 0.52%, 0.38%

LAB 39.42, 29.98, 29.57

 

CMYK 69 / 0 / 52 / 42

HEX #2E9347

RGB 46 147 71

HSL 134.85, 0.52%, 0.38%

LAB 53.92, -45.79, 31.79

 

CMYK 51 / 68 / 0 / 43

HEX #472E92

RGB 71 46 146

HSL 255, 0.52%, 0.38%

LAB 27.76, 37.26, -51.38

 

CMYK 0 / 69 / 31 / 42

HEX #932E65

RGB 147 46 101

HSL 327.33, 0.52%, 0.38%

LAB 36.17, 47.47, -9.18

 

CMYK 17 / 0 / 69 / 42

HEX #7A932E

RGB 122 147 46

HSL 74.85, 0.52%, 0.38%

LAB 57.27, -23.72, 48.37

 

CMYK 69 / 0 / 38 / 42

HEX #2E935B

RGB 46 147 91

HSL 146.73, 0.52%, 0.38%

LAB 54.24, -42.22, 21.44

 

CMYK 51 / 68 / 0 / 43

HEX #472E92

RGB 71 46 146

HSL 255, 0.52%, 0.38%

LAB 27.76, 37.26, -51.38

 

CMYK 0 / 69 / 52 / 42

HEX #932E47

RGB 147 46 71

HSL 345.15, 0.52%, 0.38%

LAB 35.23, 44.18, 8.67

 

CMYK 17 / 0 / 69 / 42

HEX #7A932E

RGB 122 147 46

HSL 74.85, 0.52%, 0.38%

LAB 57.27, -23.72, 48.37

 

CMYK 69 / 0 / 17 / 42

HEX #2E937A

RGB 46 147 122

HSL 165.15, 0.52%, 0.38%

LAB 54.92, -35.05, 4.87

 

Description

Color code: RGB 71 46 146 | qconv.com Color code: RGB 71 46 146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 46 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 46 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 68 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 68% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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