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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 46 43 it is the complementary color RGB 184 209 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 46 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 46 43 shade: RGB 76 46 38, RGB 93 64 57, RGB 110 82 76, RGB 127 100 95 and RGB 144 118 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 46 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 46 43 shade: RGB 71 46 43, RGB 54 28 24, RGB 37 10 5, RGB 20 0 0 and RGB 3 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 46 43 shade: RGB 70 45 42 and RGB 70 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 46 43 shade: RGB 70 45 42, RGB 70 52 42, RGB 70 60 42, RGB 70 67 42 and RGB 64 70 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 46 43 shade matches the following richer shades: RGB 70 45 42, RGB 79 37 32, RGB 88 30 23, RGB 97 23 14 and RGB 106 16 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 46 43 shade: RGB 70 45 42, RGB 61 52 51, RGB 51 59 60, RGB 42 66 69 and RGB 33 73 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 46 43 shade: RGB 70 42 54, RGB 70 42 46, RGB 70 44 42, RGB 70 52 42 and RGB 70 59 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 46 43 shade: RGB 18 11 11, RGB 44 28 26, RGB 70 45 42, RGB 95 61 57 and RGB 121 78 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 46 43 shade: RGB 71 46 43, RGB 61 70 42 and RGB 42 50 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 46 43 shade: RGB 71 46 43, RGB 42 70 44 and RGB 44 42 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 46 43 shade: RGB 71 46 43, RGB 61 70 42, RGB 42 67 70 and RGB 50 42 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 46 43 shade: RGB 71 46 43, RGB 53 70 42, RGB 42 67 70 and RGB 58 42 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 39 / 72

HEX #472E2B

RGB 71 46 43

HSL 6.43, 0.25%, 0.22%

LAB 21.83, 11.03, 6.59

 

Complementary color

CMYK 13 / 1 / 0 / 17

HEX #B8D1D4

RGB 184 209 212

HSL 186.43, 0.25%, 0.78%

LAB 82.13, -7.72, -4.32

 

CMYK 0 / 39 / 50 / 70

HEX #4C2E26

RGB 76 46 38

HSL 12.63, 0.33%, 0.22%

LAB 22.41, 12.7, 10.88

 

CMYK 0 / 31 / 39 / 64

HEX #5D4039

RGB 93 64 57

HSL 11.67, 0.24%, 0.29%

LAB 30.13, 11.6, 9.32

 

CMYK 0 / 25 / 31 / 57

HEX #6E524C

RGB 110 82 76

HSL 10.59, 0.18%, 0.36%

LAB 37.61, 10.74, 8.05

 

CMYK 0 / 21 / 25 / 50

HEX #7F645F

RGB 127 100 95

HSL 9.37, 0.14%, 0.44%

LAB 44.88, 10.04, 6.97

 

CMYK 0 / 18 / 21 / 44

HEX #907672

RGB 144 118 114

HSL 8, 0.12%, 0.51%

LAB 51.95, 9.46, 6

 

CMYK 0 / 35 / 39 / 72

HEX #472E2B

RGB 71 46 43

HSL 6.43, 0.25%, 0.22%

LAB 21.83, 11.03, 6.59

 

CMYK 0 / 48 / 56 / 79

HEX #361C18

RGB 54 28 24

HSL 8, 0.38%, 0.15%

LAB 13.71, 12.26, 8.29

 

CMYK 0 / 73 / 86 / 85

HEX #250A05

RGB 37 10 5

HSL 9.38, 0.76%, 0.08%

LAB 5.61, 12.58, 6.59

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 36 / 40 / 73

HEX #462D2A

RGB 70 45 42

HSL 6.43, 0.25%, 0.22%

LAB 21.38, 11.07, 6.62

 

CMYK 0 / 40 / 40 / 73

HEX #462A2A

RGB 70 42 42

HSL 0, 0.25%, 0.22%

LAB 20.54, 13.05, 5.44

 

CMYK 0 / 36 / 40 / 73

HEX #462D2A

RGB 70 45 42

HSL 6.43, 0.25%, 0.22%

LAB 21.38, 11.07, 6.62

 

CMYK 0 / 26 / 40 / 73

HEX #46342A

RGB 70 52 42

HSL 21.43, 0.25%, 0.22%

LAB 23.42, 6.45, 9.45

 

CMYK 0 / 14 / 40 / 73

HEX #463C2A

RGB 70 60 42

HSL 38.57, 0.25%, 0.22%

LAB 25.87, 1.22, 12.75

 

CMYK 0 / 4 / 40 / 73

HEX #46432A

RGB 70 67 42

HSL 53.57, 0.25%, 0.22%

LAB 28.07, -3.23, 15.66

 

CMYK 9 / 0 / 40 / 73

HEX #40462A

RGB 64 70 42

HSL 72.86, 0.25%, 0.22%

LAB 28.48, -7.9, 16.08

 

CMYK 0 / 36 / 40 / 73

HEX #462D2A

RGB 70 45 42

HSL 6.43, 0.25%, 0.22%

LAB 21.38, 11.07, 6.62

 

CMYK 0 / 53 / 59 / 69

HEX #4F2520

RGB 79 37 32

HSL 6.38, 0.42%, 0.22%

LAB 20.4, 19.12, 12.34

 

CMYK 0 / 66 / 74 / 65

HEX #581E17

RGB 88 30 23

HSL 6.46, 0.59%, 0.22%

LAB 20.3, 26.31, 18.61

 

CMYK 0 / 76 / 86 / 62

HEX #61170E

RGB 97 23 14

HSL 6.51, 0.75%, 0.22%

LAB 20.77, 32.7, 25.09

 

CMYK 0 / 85 / 95 / 58

HEX #6A1005

RGB 106 16 5

HSL 6.53, 0.91%, 0.22%

LAB 21.75, 38.1, 30.57

 

CMYK 0 / 36 / 40 / 73

HEX #462D2A

RGB 70 45 42

HSL 6.43, 0.25%, 0.22%

LAB 21.38, 11.07, 6.62

 

CMYK 0 / 15 / 16 / 76

HEX #3D3433

RGB 61 52 51

HSL 6, 0.09%, 0.22%

LAB 22.61, 3.8, 2.1

 

CMYK 15 / 2 / 0 / 76

HEX #333B3C

RGB 51 59 60

HSL 186.67, 0.08%, 0.22%

LAB 24.19, -3.08, -1.76

 

CMYK 39 / 4 / 0 / 73

HEX #2A4245

RGB 42 66 69

HSL 186.67, 0.24%, 0.22%

LAB 26.21, -8.36, -4.78

 

CMYK 58 / 6 / 0 / 69

HEX #21494E

RGB 33 73 78

HSL 186.67, 0.41%, 0.22%

LAB 28.48, -12.4, -7.3

 

CMYK 0 / 40 / 23 / 73

HEX #462A36

RGB 70 42 54

HSL 334.29, 0.25%, 0.22%

LAB 20.92, 15.06, -2.27

 

CMYK 0 / 40 / 34 / 73

HEX #462A2E

RGB 70 42 46

HSL 351.43, 0.25%, 0.22%

LAB 20.66, 13.67, 2.85

 

CMYK 0 / 37 / 40 / 73

HEX #462C2A

RGB 70 44 42

HSL 4.29, 0.25%, 0.22%

LAB 21.1, 11.73, 6.23

 

CMYK 0 / 26 / 40 / 73

HEX #46342A

RGB 70 52 42

HSL 21.43, 0.25%, 0.22%

LAB 23.42, 6.45, 9.45

 

CMYK 0 / 16 / 40 / 73

HEX #463B2A

RGB 70 59 42

HSL 36.43, 0.25%, 0.22%

LAB 25.55, 1.87, 12.33

 

CMYK 0 / 39 / 39 / 93

HEX #120B0B

RGB 18 11 11

HSL 0, 0.24%, 0.06%

LAB 3.54, 2.33, 0.82

 

CMYK 0 / 36 / 41 / 83

HEX #2C1C1A

RGB 44 28 26

HSL 6.67, 0.26%, 0.14%

LAB 12.23, 7.55, 4.54

 

CMYK 0 / 36 / 40 / 73

HEX #462D2A

RGB 70 45 42

HSL 6.43, 0.25%, 0.22%

LAB 21.38, 11.07, 6.62

 

CMYK 0 / 36 / 40 / 63

HEX #5F3D39

RGB 95 61 57

HSL 6.32, 0.25%, 0.3%

LAB 29.58, 14.38, 8.59

 

CMYK 0 / 36 / 40 / 53

HEX #794E49

RGB 121 78 73

HSL 6.25, 0.25%, 0.38%

LAB 37.83, 17.48, 10.43

 

CMYK 0 / 35 / 39 / 72

HEX #472E2B

RGB 71 46 43

HSL 6.43, 0.25%, 0.22%

LAB 21.83, 11.03, 6.59

 

CMYK 13 / 0 / 40 / 73

HEX #3D462A

RGB 61 70 42

HSL 79.29, 0.25%, 0.22%

LAB 28.22, -9.29, 15.69

 

CMYK 40 / 29 / 0 / 73

HEX #2A3246

RGB 42 50 70

HSL 222.86, 0.25%, 0.22%

LAB 20.89, 2.47, -13.54

 

CMYK 0 / 35 / 39 / 72

HEX #472E2B

RGB 71 46 43

HSL 6.43, 0.25%, 0.22%

LAB 21.83, 11.03, 6.59

 

CMYK 40 / 0 / 37 / 73

HEX #2A462C

RGB 42 70 44

HSL 124.29, 0.25%, 0.22%

LAB 26.89, -16.96, 12.43

 

CMYK 37 / 40 / 0 / 73

HEX #2C2A46

RGB 44 42 70

HSL 244.29, 0.25%, 0.22%

LAB 18.51, 8.76, -17.22

 

CMYK 0 / 35 / 39 / 72

HEX #472E2B

RGB 71 46 43

HSL 6.43, 0.25%, 0.22%

LAB 21.83, 11.03, 6.59

 

CMYK 13 / 0 / 40 / 73

HEX #3D462A

RGB 61 70 42

HSL 79.29, 0.25%, 0.22%

LAB 28.22, -9.29, 15.69

 

CMYK 40 / 4 / 0 / 73

HEX #2A4346

RGB 42 67 70

HSL 186.43, 0.25%, 0.22%

LAB 26.59, -8.68, -4.88

 

CMYK 29 / 40 / 0 / 73

HEX #322A46

RGB 50 42 70

HSL 257.14, 0.25%, 0.22%

LAB 19.12, 10.87, -16.21

 

CMYK 0 / 35 / 39 / 72

HEX #472E2B

RGB 71 46 43

HSL 6.43, 0.25%, 0.22%

LAB 21.83, 11.03, 6.59

 

CMYK 24 / 0 / 40 / 73

HEX #35462A

RGB 53 70 42

HSL 96.43, 0.25%, 0.22%

LAB 27.58, -12.85, 14.74

 

CMYK 40 / 4 / 0 / 73

HEX #2A4346

RGB 42 67 70

HSL 186.43, 0.25%, 0.22%

LAB 26.59, -8.68, -4.88

 

CMYK 17 / 40 / 0 / 73

HEX #3A2A46

RGB 58 42 70

HSL 274.29, 0.25%, 0.22%

LAB 20.03, 13.8, -14.73

 

Description

Color code: RGB 71 46 43 | qconv.com Color code: RGB 71 46 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 46 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 46 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 39 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 39% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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