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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 42 47 it is the complementary color RGB 184 213 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 42 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 42 47 shade: RGB 76 42 42, RGB 93 60 61, RGB 110 78 80, RGB 127 96 99 and RGB 144 114 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 42 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 42 47 shade: RGB 71 42 47, RGB 54 24 28, RGB 37 6 9, RGB 20 0 0 and RGB 3 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 42 47 shade: RGB 70 41 46 and RGB 70 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 42 47 shade: RGB 70 41 46, RGB 70 41 54, RGB 70 41 62, RGB 70 41 70 and RGB 63 41 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 42 47 shade matches the following richer shades: RGB 70 41 46, RGB 79 32 40, RGB 88 23 34, RGB 97 14 28 and RGB 106 5 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 42 47 shade: RGB 70 41 46, RGB 61 50 52, RGB 52 59 58, RGB 43 68 64 and RGB 34 77 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 42 47 shade: RGB 70 41 62, RGB 70 41 54, RGB 70 41 46, RGB 70 43 41 and RGB 70 51 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 42 47 shade: RGB 18 10 12, RGB 44 26 29, RGB 70 41 46, RGB 96 56 63 and RGB 122 72 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 42 47 shade: RGB 71 42 47, RGB 70 70 41 and RGB 41 58 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 42 47 shade: RGB 71 42 47, RGB 46 70 41 and RGB 41 46 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 42 47 shade: RGB 71 42 47, RGB 70 70 41, RGB 41 70 65 and RGB 42 41 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 42 47 shade: RGB 71 42 47, RGB 61 70 41, RGB 41 70 65 and RGB 50 41 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 34 / 72

HEX #472A2F

RGB 71 42 47

HSL 349.66, 0.26%, 0.22%

LAB 20.83, 14.29, 2.43

 

Complementary color

CMYK 14 / 0 / 2 / 16

HEX #B8D5D0

RGB 184 213 208

HSL 169.66, 0.26%, 0.78%

LAB 83.09, -10.59, -0.79

 

CMYK 0 / 45 / 45 / 70

HEX #4C2A2A

RGB 76 42 42

HSL 0, 0.29%, 0.23%

LAB 21.43, 15.8, 6.82

 

CMYK 0 / 35 / 34 / 64

HEX #5D3C3D

RGB 93 60 61

HSL 358.18, 0.22%, 0.3%

LAB 29.15, 14.7, 5.35

 

CMYK 0 / 29 / 27 / 57

HEX #6E4E50

RGB 110 78 80

HSL 356.25, 0.17%, 0.37%

LAB 36.64, 13.81, 4.17

 

CMYK 0 / 24 / 22 / 50

HEX #7F6063

RGB 127 96 99

HSL 354.19, 0.14%, 0.44%

LAB 43.91, 13.07, 3.17

 

CMYK 0 / 21 / 18 / 44

HEX #907276

RGB 144 114 118

HSL 352, 0.12%, 0.51%

LAB 51, 12.45, 2.28

 

CMYK 0 / 41 / 34 / 72

HEX #472A2F

RGB 71 42 47

HSL 349.66, 0.26%, 0.22%

LAB 20.83, 14.29, 2.43

 

CMYK 0 / 56 / 48 / 79

HEX #36181C

RGB 54 24 28

HSL 352, 0.38%, 0.15%

LAB 12.74, 15.46, 4.04

 

CMYK 0 / 84 / 76 / 85

HEX #250609

RGB 37 6 9

HSL 354.19, 0.72%, 0.08%

LAB 4.91, 14.77, 3.93

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 41 / 34 / 73

HEX #46292E

RGB 70 41 46

HSL 349.66, 0.26%, 0.22%

LAB 20.38, 14.33, 2.46

 

CMYK 0 / 41 / 41 / 73

HEX #462929

RGB 70 41 41

HSL 0, 0.26%, 0.22%

LAB 20.24, 13.56, 5.7

 

CMYK 0 / 41 / 34 / 73

HEX #46292E

RGB 70 41 46

HSL 349.66, 0.26%, 0.22%

LAB 20.38, 14.33, 2.46

 

CMYK 0 / 41 / 23 / 73

HEX #462936

RGB 70 41 54

HSL 333.1, 0.26%, 0.22%

LAB 20.65, 15.71, -2.67

 

CMYK 0 / 41 / 11 / 73

HEX #46293E

RGB 70 41 62

HSL 316.55, 0.26%, 0.22%

LAB 20.96, 17.27, -7.7

 

CMYK 0 / 41 / 0 / 73

HEX #462946

RGB 70 41 70

HSL 300, 0.26%, 0.22%

LAB 21.32, 19, -12.61

 

CMYK 10 / 41 / 0 / 73

HEX #3F2946

RGB 63 41 70

HSL 285.52, 0.26%, 0.22%

LAB 20.38, 16.35, -14.14

 

CMYK 0 / 41 / 34 / 73

HEX #46292E

RGB 70 41 46

HSL 349.66, 0.26%, 0.22%

LAB 20.38, 14.33, 2.46

 

CMYK 0 / 59 / 49 / 69

HEX #4F2028

RGB 79 32 40

HSL 349.79, 0.42%, 0.22%

LAB 19.43, 23, 5.48

 

CMYK 0 / 74 / 61 / 65

HEX #581722

RGB 88 23 34

HSL 349.85, 0.59%, 0.22%

LAB 19.24, 30.59, 9.7

 

CMYK 0 / 86 / 71 / 62

HEX #610E1C

RGB 97 14 28

HSL 349.88, 0.75%, 0.22%

LAB 19.8, 36.67, 15.02

 

CMYK 0 / 95 / 79 / 58

HEX #6A0516

RGB 106 5 22

HSL 349.9, 0.91%, 0.22%

LAB 20.94, 41.41, 21.01

 

CMYK 0 / 41 / 34 / 73

HEX #46292E

RGB 70 41 46

HSL 349.66, 0.26%, 0.22%

LAB 20.38, 14.33, 2.46

 

CMYK 0 / 18 / 15 / 76

HEX #3D3234

RGB 61 50 52

HSL 349.09, 0.1%, 0.22%

LAB 22.02, 5.34, 0.57

 

CMYK 12 / 0 / 2 / 77

HEX #343B3A

RGB 52 59 58

HSL 171.43, 0.06%, 0.22%

LAB 24.2, -3.17, -0.39

 

CMYK 37 / 0 / 6 / 73

HEX #2B4440

RGB 43 68 64

HSL 170.4, 0.23%, 0.22%

LAB 26.79, -10.67, -0.65

 

CMYK 56 / 0 / 9 / 70

HEX #224D46

RGB 34 77 70

HSL 170.23, 0.39%, 0.22%

LAB 29.64, -16.93, -0.42

 

CMYK 0 / 41 / 11 / 73

HEX #46293E

RGB 70 41 62

HSL 316.55, 0.26%, 0.22%

LAB 20.96, 17.27, -7.7

 

CMYK 0 / 41 / 23 / 73

HEX #462936

RGB 70 41 54

HSL 333.1, 0.26%, 0.22%

LAB 20.65, 15.71, -2.67

 

CMYK 0 / 41 / 34 / 73

HEX #46292E

RGB 70 41 46

HSL 349.66, 0.26%, 0.22%

LAB 20.38, 14.33, 2.46

 

CMYK 0 / 39 / 41 / 73

HEX #462B29

RGB 70 43 41

HSL 4.14, 0.26%, 0.22%

LAB 20.79, 12.24, 6.48

 

CMYK 0 / 27 / 41 / 73

HEX #463329

RGB 70 51 41

HSL 20.69, 0.26%, 0.22%

LAB 23.1, 6.96, 9.67

 

CMYK 0 / 44 / 33 / 93

HEX #120A0C

RGB 18 10 12

HSL 345, 0.29%, 0.05%

LAB 3.36, 2.89, 0.11

 

CMYK 0 / 41 / 34 / 83

HEX #2C1A1D

RGB 44 26 29

HSL 350, 0.26%, 0.14%

LAB 11.71, 9.5, 1.6

 

CMYK 0 / 41 / 34 / 73

HEX #46292E

RGB 70 41 46

HSL 349.66, 0.26%, 0.22%

LAB 20.38, 14.33, 2.46

 

CMYK 0 / 42 / 34 / 62

HEX #60383F

RGB 96 56 63

HSL 349.5, 0.26%, 0.3%

LAB 28.57, 18.79, 3.27

 

CMYK 0 / 41 / 34 / 52

HEX #7A4850

RGB 122 72 80

HSL 350.4, 0.26%, 0.38%

LAB 36.65, 22.42, 4.4

 

CMYK 0 / 41 / 34 / 72

HEX #472A2F

RGB 71 42 47

HSL 349.66, 0.26%, 0.22%

LAB 20.83, 14.29, 2.43

 

CMYK 0 / 0 / 41 / 73

HEX #464629

RGB 70 70 41

HSL 60, 0.26%, 0.22%

LAB 29.01, -5.23, 17.5

 

CMYK 41 / 17 / 0 / 73

HEX #293A46

RGB 41 58 70

HSL 204.83, 0.26%, 0.22%

LAB 23.47, -3.27, -9.58

 

CMYK 0 / 41 / 34 / 72

HEX #472A2F

RGB 71 42 47

HSL 349.66, 0.26%, 0.22%

LAB 20.83, 14.29, 2.43

 

CMYK 34 / 0 / 41 / 73

HEX #2E4629

RGB 46 70 41

HSL 109.66, 0.26%, 0.22%

LAB 27.08, -15.96, 14.61

 

CMYK 41 / 34 / 0 / 73

HEX #292E46

RGB 41 46 70

HSL 229.66, 0.26%, 0.22%

LAB 19.51, 4.92, -15.69

 

CMYK 0 / 41 / 34 / 72

HEX #472A2F

RGB 71 42 47

HSL 349.66, 0.26%, 0.22%

LAB 20.83, 14.29, 2.43

 

CMYK 0 / 0 / 41 / 73

HEX #464629

RGB 70 70 41

HSL 60, 0.26%, 0.22%

LAB 29.01, -5.23, 17.5

 

CMYK 41 / 0 / 7 / 73

HEX #294641

RGB 41 70 65

HSL 169.66, 0.26%, 0.22%

LAB 27.39, -12.26, -0.43

 

CMYK 40 / 41 / 0 / 73

HEX #2A2946

RGB 42 41 70

HSL 242.07, 0.26%, 0.22%

LAB 18.01, 8.8, -18.02

 

CMYK 0 / 41 / 34 / 72

HEX #472A2F

RGB 71 42 47

HSL 349.66, 0.26%, 0.22%

LAB 20.83, 14.29, 2.43

 

CMYK 13 / 0 / 41 / 73

HEX #3D4629

RGB 61 70 41

HSL 78.62, 0.26%, 0.22%

LAB 28.2, -9.44, 16.29

 

CMYK 41 / 0 / 7 / 73

HEX #294641

RGB 41 70 65

HSL 169.66, 0.26%, 0.22%

LAB 27.39, -12.26, -0.43

 

CMYK 29 / 41 / 0 / 73

HEX #322946

RGB 50 41 70

HSL 258.62, 0.26%, 0.22%

LAB 18.83, 11.57, -16.68

 

Description

Color code: RGB 71 42 47 | qconv.com Color code: RGB 71 42 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 42 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 42 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 34 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 34% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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