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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 34 40 it is the complementary color RGB 185 221 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 34 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 34 40 shade: RGB 75 34 35, RGB 92 52 54, RGB 109 70 73, RGB 126 88 92 and RGB 143 106 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 34 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 34 40 shade: RGB 70 34 40, RGB 53 16 21, RGB 36 0 2, RGB 19 0 0 and RGB 2 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 34 40 shade: RGB 68 33 39 and RGB 68 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 34 40 shade: RGB 68 33 39, RGB 68 33 48, RGB 68 33 58, RGB 68 33 67 and RGB 60 33 68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 34 40 shade matches the following richer shades: RGB 68 33 39, RGB 77 24 33, RGB 85 16 28, RGB 93 8 22 and RGB 101 0 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 34 40 shade: RGB 68 33 39, RGB 60 41 44, RGB 52 49 50, RGB 44 57 55 and RGB 35 66 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 34 40 shade: RGB 68 33 58, RGB 68 33 48, RGB 68 33 39, RGB 68 36 33 and RGB 68 46 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 34 40 shade: RGB 13 6 7, RGB 41 19 23, RGB 68 33 39, RGB 96 46 54 and RGB 124 59 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 34 40 shade: RGB 70 34 40, RGB 67 68 33 and RGB 33 53 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 34 40 shade: RGB 70 34 40, RGB 39 68 33 and RGB 33 39 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 34 40 shade: RGB 70 34 40, RGB 67 68 33, RGB 33 68 62 and RGB 34 33 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 34 40 shade: RGB 70 34 40, RGB 56 68 33, RGB 33 68 62 and RGB 45 33 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 43 / 73

HEX #462228

RGB 70 34 40

HSL 350, 0.35%, 0.2%

LAB 18.36, 17.93, 3.75

 

Complementary color

CMYK 16 / 0 / 3 / 13

HEX #B9DDD7

RGB 185 221 215

HSL 170, 0.35%, 0.8%

LAB 85.47, -12.96, -1.01

 

CMYK 0 / 55 / 53 / 71

HEX #4B2223

RGB 75 34 35

HSL 358.54, 0.38%, 0.21%

LAB 19.06, 19.5, 8.36

 

CMYK 0 / 43 / 41 / 64

HEX #5C3436

RGB 92 52 54

HSL 357, 0.28%, 0.28%

LAB 26.73, 18.26, 6.51

 

CMYK 0 / 36 / 33 / 57

HEX #6D4649

RGB 109 70 73

HSL 355.38, 0.22%, 0.35%

LAB 34.22, 17.2, 5.12

 

CMYK 0 / 30 / 27 / 51

HEX #7E585C

RGB 126 88 92

HSL 353.68, 0.18%, 0.42%

LAB 41.51, 16.32, 3.97

 

CMYK 0 / 26 / 22 / 44

HEX #8F6A6F

RGB 143 106 111

HSL 351.89, 0.15%, 0.49%

LAB 48.63, 15.56, 2.99

 

CMYK 0 / 51 / 43 / 73

HEX #462228

RGB 70 34 40

HSL 350, 0.35%, 0.2%

LAB 18.36, 17.93, 3.75

 

CMYK 0 / 70 / 60 / 79

HEX #351015

RGB 53 16 21

HSL 351.89, 0.54%, 0.14%

LAB 10.42, 19.12, 5.91

 

CMYK 0 / 100 / 94 / 86

HEX #240002

RGB 36 0 2

HSL 356.67, 1%, 0.07%

LAB 3.43, 15.48, 4.6

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 51 / 43 / 73

HEX #442127

RGB 68 33 39

HSL 349.71, 0.35%, 0.2%

LAB 17.75, 17.54, 3.54

 

CMYK 0 / 51 / 51 / 73

HEX #442121

RGB 68 33 33

HSL 0, 0.35%, 0.2%

LAB 17.58, 16.74, 7.54

 

CMYK 0 / 51 / 43 / 73

HEX #442127

RGB 68 33 39

HSL 349.71, 0.35%, 0.2%

LAB 17.75, 17.54, 3.54

 

CMYK 0 / 51 / 29 / 73

HEX #442130

RGB 68 33 48

HSL 334.29, 0.35%, 0.2%

LAB 18.05, 18.95, -2.37

 

CMYK 0 / 51 / 15 / 73

HEX #44213A

RGB 68 33 58

HSL 317.14, 0.35%, 0.2%

LAB 18.46, 20.78, -8.77

 

CMYK 0 / 51 / 1 / 73

HEX #442143

RGB 68 33 67

HSL 301.71, 0.35%, 0.2%

LAB 18.89, 22.65, -14.34

 

CMYK 12 / 51 / 0 / 73

HEX #3C2144

RGB 60 33 68

HSL 286.29, 0.35%, 0.2%

LAB 17.76, 20.03, -16.88

 

CMYK 0 / 51 / 43 / 73

HEX #442127

RGB 68 33 39

HSL 349.71, 0.35%, 0.2%

LAB 17.75, 17.54, 3.54

 

CMYK 0 / 69 / 57 / 70

HEX #4D1821

RGB 77 24 33

HSL 349.81, 0.52%, 0.2%

LAB 17.18, 25.84, 7.25

 

CMYK 0 / 81 / 67 / 67

HEX #55101C

RGB 85 16 28

HSL 349.57, 0.68%, 0.2%

LAB 17.39, 32, 11.39

 

CMYK 0 / 91 / 76 / 64

HEX #5D0816

RGB 93 8 22

HSL 350.12, 0.84%, 0.2%

LAB 18.18, 36.78, 17.01

 

CMYK 0 / 100 / 83 / 60

HEX #650011

RGB 101 0 17

HSL 349.9, 1%, 0.2%

LAB 19.25, 41.06, 21.98

 

CMYK 0 / 51 / 43 / 73

HEX #442127

RGB 68 33 39

HSL 349.71, 0.35%, 0.2%

LAB 17.75, 17.54, 3.54

 

CMYK 0 / 32 / 27 / 76

HEX #3C292C

RGB 60 41 44

HSL 350.53, 0.19%, 0.2%

LAB 18.92, 9.42, 1.56

 

CMYK 0 / 6 / 4 / 80

HEX #343132

RGB 52 49 50

HSL 340, 0.03%, 0.2%

LAB 20.66, 1.56, -0.16

 

CMYK 23 / 0 / 4 / 78

HEX #2C3937

RGB 44 57 55

HSL 170.77, 0.13%, 0.2%

LAB 22.78, -5.87, -0.53

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 0 / 51 / 15 / 73

HEX #44213A

RGB 68 33 58

HSL 317.14, 0.35%, 0.2%

LAB 18.46, 20.78, -8.77

 

CMYK 0 / 51 / 29 / 73

HEX #442130

RGB 68 33 48

HSL 334.29, 0.35%, 0.2%

LAB 18.05, 18.95, -2.37

 

CMYK 0 / 51 / 43 / 73

HEX #442127

RGB 68 33 39

HSL 349.71, 0.35%, 0.2%

LAB 17.75, 17.54, 3.54

 

CMYK 0 / 47 / 51 / 73

HEX #442421

RGB 68 36 33

HSL 5.14, 0.35%, 0.2%

LAB 18.37, 14.8, 8.61

 

CMYK 0 / 32 / 51 / 73

HEX #442E21

RGB 68 46 33

HSL 22.29, 0.35%, 0.2%

LAB 21.18, 8.21, 12.39

 

CMYK 0 / 54 / 46 / 95

HEX #0D0607

RGB 13 6 7

HSL 351.43, 0.37%, 0.04%

LAB 2.09, 2.04, 0.29

 

CMYK 0 / 54 / 44 / 84

HEX #291317

RGB 41 19 23

HSL 349.09, 0.37%, 0.12%

LAB 8.98, 11.95, 2.12

 

CMYK 0 / 51 / 43 / 73

HEX #442127

RGB 68 33 39

HSL 349.71, 0.35%, 0.2%

LAB 17.75, 17.54, 3.54

 

CMYK 0 / 52 / 44 / 62

HEX #602E36

RGB 96 46 54

HSL 350.4, 0.35%, 0.28%

LAB 25.88, 23.59, 5.41

 

CMYK 0 / 52 / 44 / 51

HEX #7C3B46

RGB 124 59 70

HSL 349.85, 0.36%, 0.36%

LAB 33.68, 29.39, 6.57

 

CMYK 0 / 51 / 43 / 73

HEX #462228

RGB 70 34 40

HSL 350, 0.35%, 0.2%

LAB 18.36, 17.93, 3.75

 

CMYK 1 / 0 / 51 / 73

HEX #434421

RGB 67 68 33

HSL 61.71, 0.35%, 0.2%

LAB 27.95, -6.47, 20.94

 

CMYK 51 / 22 / 0 / 73

HEX #213544

RGB 33 53 68

HSL 205.71, 0.35%, 0.2%

LAB 21.16, -3.14, -11.82

 

CMYK 0 / 51 / 43 / 73

HEX #462228

RGB 70 34 40

HSL 350, 0.35%, 0.2%

LAB 18.36, 17.93, 3.75

 

CMYK 43 / 0 / 51 / 73

HEX #274421

RGB 39 68 33

HSL 109.71, 0.35%, 0.2%

LAB 25.79, -19.04, 17.79

 

CMYK 51 / 43 / 0 / 73

HEX #212744

RGB 33 39 68

HSL 229.71, 0.35%, 0.2%

LAB 16.46, 6.68, -19.13

 

CMYK 0 / 51 / 43 / 73

HEX #462228

RGB 70 34 40

HSL 350, 0.35%, 0.2%

LAB 18.36, 17.93, 3.75

 

CMYK 1 / 0 / 51 / 73

HEX #434421

RGB 67 68 33

HSL 61.71, 0.35%, 0.2%

LAB 27.95, -6.47, 20.94

 

CMYK 51 / 0 / 9 / 73

HEX #21443E

RGB 33 68 62

HSL 169.71, 0.35%, 0.2%

LAB 26.17, -14.43, -0.3

 

CMYK 50 / 51 / 0 / 73

HEX #222144

RGB 34 33 68

HSL 241.71, 0.35%, 0.2%

LAB 14.65, 11.38, -22

 

CMYK 0 / 51 / 43 / 73

HEX #462228

RGB 70 34 40

HSL 350, 0.35%, 0.2%

LAB 18.36, 17.93, 3.75

 

CMYK 18 / 0 / 51 / 73

HEX #384421

RGB 56 68 33

HSL 80.57, 0.35%, 0.2%

LAB 26.98, -11.72, 19.53

 

CMYK 51 / 0 / 9 / 73

HEX #21443E

RGB 33 68 62

HSL 169.71, 0.35%, 0.2%

LAB 26.17, -14.43, -0.3

 

CMYK 34 / 51 / 0 / 73

HEX #2D2144

RGB 45 33 68

HSL 260.57, 0.35%, 0.2%

LAB 15.81, 14.85, -20.08

 

Description

Color code: RGB 70 34 40 | qconv.com Color code: RGB 70 34 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 34 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 34 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 43 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 43% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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