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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 255 83 it is the complementary color RGB 185 0 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 255 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 255 83 shade: RGB 75 255 78, RGB 92 255 97, RGB 109 255 116, RGB 126 255 135 and RGB 143 255 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 255 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 255 83 shade: RGB 70 255 83, RGB 53 237 64, RGB 36 219 45, RGB 19 201 26 and RGB 2 183 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 255 83 shade: RGB 71 255 84, RGB 107 255 71, RGB 157 255 71, RGB 207 255 71 and RGB 255 253 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 255 83 shade: RGB 71 255 84, RGB 71 255 133, RGB 71 255 183, RGB 71 255 232 and RGB 71 227 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 255 83 shade matches the following richer shades: RGB 71 255 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 255 83 shade: RGB 71 255 84, RGB 86 240 97, RGB 101 225 109, RGB 115 210 122 and RGB 130 195 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 255 83 shade: RGB 157 255 71, RGB 108 255 71, RGB 71 255 83, RGB 71 255 132 and RGB 71 255 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 255 83 shade: RGB 0 243 17, RGB 30 255 45, RGB 71 255 84, RGB 112 255 122 and RGB 153 255 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 255 83 shade: RGB 70 255 83, RGB 71 206 255 and RGB 255 71 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 255 83 shade: RGB 70 255 83, RGB 83 71 255 and RGB 255 83 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 255 83 shade: RGB 70 255 83, RGB 71 206 255, RGB 255 71 242 and RGB 255 120 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 255 83 shade: RGB 70 255 83, RGB 71 150 255, RGB 255 71 242 and RGB 255 175 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 67 / 0

HEX #46FF53

RGB 70 255 83

HSL 124.22, 1%, 0.64%

LAB 88.66, -76.91, 66.27

 

Complementary color

CMYK 0 / 100 / 7 / 27

HEX #B900AC

RGB 185 0 172

HSL 304.22, 1%, 0.36%

LAB 43.2, 75.34, -41.35

 

CMYK 71 / 0 / 69 / 0

HEX #4BFF4E

RGB 75 255 78

HSL 121, 1%, 0.65%

LAB 88.72, -76.56, 68.2

 

CMYK 64 / 0 / 62 / 0

HEX #5CFF61

RGB 92 255 97

HSL 121.84, 1%, 0.68%

LAB 89.23, -71.75, 61.49

 

CMYK 57 / 0 / 55 / 0

HEX #6DFF74

RGB 109 255 116

HSL 122.88, 1%, 0.71%

LAB 89.87, -66.03, 54.14

 

CMYK 51 / 0 / 47 / 0

HEX #7EFF87

RGB 126 255 135

HSL 124.19, 1%, 0.75%

LAB 90.65, -59.48, 46.41

 

CMYK 44 / 0 / 40 / 0

HEX #8FFF9A

RGB 143 255 154

HSL 125.89, 1%, 0.78%

LAB 91.55, -52.23, 38.5

 

CMYK 73 / 0 / 67 / 0

HEX #46FF53

RGB 70 255 83

HSL 124.22, 1%, 0.64%

LAB 88.66, -76.91, 66.27

 

CMYK 78 / 0 / 73 / 7

HEX #35ED40

RGB 53 237 64

HSL 123.59, 0.84%, 0.57%

LAB 82.75, -75.38, 66.88

 

CMYK 84 / 0 / 79 / 14

HEX #24DB2D

RGB 36 219 45

HSL 122.95, 0.72%, 0.5%

LAB 76.82, -73.3, 66.96

 

CMYK 91 / 0 / 87 / 21

HEX #13C91A

RGB 19 201 26

HSL 122.31, 0.83%, 0.43%

LAB 70.86, -70.5, 66.15

 

CMYK 99 / 0 / 96 / 28

HEX #02B707

RGB 2 183 7

HSL 121.66, 0.98%, 0.36%

LAB 64.88, -66.92, 63.99

 

CMYK 72 / 0 / 67 / 0

HEX #47FF54

RGB 71 255 84

HSL 124.24, 1%, 0.64%

LAB 88.69, -76.66, 65.92

 

CMYK 58 / 0 / 72 / 0

HEX #6BFF47

RGB 107 255 71

HSL 108.26, 1%, 0.64%

LAB 89.44, -70.76, 71.64

 

CMYK 38 / 0 / 72 / 0

HEX #9DFF47

RGB 157 255 71

HSL 91.96, 1%, 0.64%

LAB 91.3, -56.72, 74.11

 

CMYK 19 / 0 / 72 / 0

HEX #CFFF47

RGB 207 255 71

HSL 75.65, 1%, 0.64%

LAB 93.99, -38.99, 77.65

 

CMYK 0 / 1 / 72 / 0

HEX #FFFD47

RGB 255 253 71

HSL 59.35, 1%, 0.64%

LAB 96.81, -19.11, 81.51

 

CMYK 72 / 0 / 67 / 0

HEX #47FF54

RGB 71 255 84

HSL 124.24, 1%, 0.64%

LAB 88.69, -76.66, 65.92

 

CMYK 72 / 0 / 48 / 0

HEX #47FF85

RGB 71 255 133

HSL 140.22, 1%, 0.64%

LAB 89.18, -70.76, 45.22

 

CMYK 72 / 0 / 28 / 0

HEX #47FFB7

RGB 71 255 183

HSL 156.52, 1%, 0.64%

LAB 89.99, -61.72, 21.5

 

CMYK 72 / 0 / 9 / 0

HEX #47FFE8

RGB 71 255 232

HSL 172.5, 1%, 0.64%

LAB 91.09, -50.26, -2.18

 

CMYK 72 / 11 / 0 / 0

HEX #47E3FF

RGB 71 227 255

HSL 189.13, 1%, 0.64%

LAB 83.7, -31.26, -25.27

 

CMYK 72 / 0 / 67 / 0

HEX #47FF54

RGB 71 255 84

HSL 124.24, 1%, 0.64%

LAB 88.69, -76.66, 65.92

 

CMYK 72 / 0 / 67 / 0

HEX #47FF54

RGB 71 255 84

HSL 124.24, 1%, 0.64%

LAB 88.69, -76.66, 65.92

 

CMYK 64 / 0 / 60 / 6

HEX #56F061

RGB 86 240 97

HSL 124.29, 0.84%, 0.64%

LAB 84.57, -67.89, 56.16

 

CMYK 55 / 0 / 52 / 12

HEX #65E16D

RGB 101 225 109

HSL 123.87, 0.67%, 0.64%

LAB 80.58, -57.75, 46.11

 

CMYK 45 / 0 / 42 / 18

HEX #73D27A

RGB 115 210 122

HSL 124.42, 0.51%, 0.64%

LAB 76.77, -46.21, 35.05

 

CMYK 33 / 0 / 31 / 24

HEX #82C387

RGB 130 195 135

HSL 124.62, 0.35%, 0.64%

LAB 73.24, -32.88, 23.77

 

CMYK 38 / 0 / 72 / 0

HEX #9DFF47

RGB 157 255 71

HSL 91.96, 1%, 0.64%

LAB 91.3, -56.72, 74.11

 

CMYK 58 / 0 / 72 / 0

HEX #6CFF47

RGB 108 255 71

HSL 107.93, 1%, 0.64%

LAB 89.47, -70.53, 71.68

 

CMYK 72 / 0 / 67 / 0

HEX #47FF53

RGB 71 255 83

HSL 123.91, 1%, 0.64%

LAB 88.68, -76.75, 66.29

 

CMYK 72 / 0 / 48 / 0

HEX #47FF84

RGB 71 255 132

HSL 139.89, 1%, 0.64%

LAB 89.17, -70.91, 45.68

 

CMYK 72 / 0 / 29 / 0

HEX #47FFB5

RGB 71 255 181

HSL 155.87, 1%, 0.64%

LAB 89.95, -62.14, 22.47

 

CMYK 100 / 0 / 93 / 5

HEX #00F311

RGB 0 243 17

HSL 124.2, 1%, 0.48%

LAB 84.04, -82.82, 78.73

 

CMYK 88 / 0 / 82 / 0

HEX #1EFF2D

RGB 30 255 45

HSL 124, 1%, 0.56%

LAB 87.96, -83.79, 77.25

 

CMYK 72 / 0 / 67 / 0

HEX #47FF54

RGB 71 255 84

HSL 124.24, 1%, 0.64%

LAB 88.69, -76.66, 65.92

 

CMYK 56 / 0 / 52 / 0

HEX #70FF7A

RGB 112 255 122

HSL 124.2, 1%, 0.72%

LAB 90.03, -64.59, 51.62

 

CMYK 40 / 0 / 37 / 0

HEX #99FFA1

RGB 153 255 161

HSL 124.71, 1%, 0.8%

LAB 92.07, -48.34, 35.81

 

CMYK 73 / 0 / 67 / 0

HEX #46FF53

RGB 70 255 83

HSL 124.22, 1%, 0.64%

LAB 88.66, -76.91, 66.27

 

CMYK 72 / 19 / 0 / 0

HEX #47CEFF

RGB 71 206 255

HSL 195.98, 1%, 0.64%

LAB 77.7, -20.87, -34.48

 

CMYK 0 / 72 / 48 / 0

HEX #FF4784

RGB 255 71 132

HSL 340.11, 1%, 0.64%

LAB 59.37, 72.34, 8.12

 

CMYK 73 / 0 / 67 / 0

HEX #46FF53

RGB 70 255 83

HSL 124.22, 1%, 0.64%

LAB 88.66, -76.91, 66.27

 

CMYK 67 / 72 / 0 / 0

HEX #5347FF

RGB 83 71 255

HSL 243.91, 1%, 0.64%

LAB 43.6, 58.55, -88.99

 

CMYK 0 / 67 / 72 / 0

HEX #FF5347

RGB 255 83 71

HSL 3.91, 1%, 0.64%

LAB 59.8, 64.33, 43.73

 

CMYK 73 / 0 / 67 / 0

HEX #46FF53

RGB 70 255 83

HSL 124.22, 1%, 0.64%

LAB 88.66, -76.91, 66.27

 

CMYK 72 / 19 / 0 / 0

HEX #47CEFF

RGB 71 206 255

HSL 195.98, 1%, 0.64%

LAB 77.7, -20.87, -34.48

 

CMYK 0 / 72 / 5 / 0

HEX #FF47F2

RGB 255 71 242

HSL 304.24, 1%, 0.64%

LAB 63.49, 85.15, -48.59

 

CMYK 0 / 53 / 72 / 0

HEX #FF7847

RGB 255 120 71

HSL 15.98, 1%, 0.64%

LAB 65.86, 48.31, 50.44

 

CMYK 73 / 0 / 67 / 0

HEX #46FF53

RGB 70 255 83

HSL 124.22, 1%, 0.64%

LAB 88.66, -76.91, 66.27

 

CMYK 72 / 41 / 0 / 0

HEX #4796FF

RGB 71 150 255

HSL 214.24, 1%, 0.64%

LAB 61.97, 10.12, -59.19

 

CMYK 0 / 72 / 5 / 0

HEX #FF47F2

RGB 255 71 242

HSL 304.24, 1%, 0.64%

LAB 63.49, 85.15, -48.59

 

CMYK 0 / 31 / 72 / 0

HEX #FFAF47

RGB 255 175 71

HSL 33.91, 1%, 0.64%

LAB 77.5, 20.35, 62.66

 

Description

Color code: RGB 70 255 83 | qconv.com Color code: RGB 70 255 83 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 255 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 255 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 67 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 67% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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