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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 231 48 it is the complementary color RGB 185 24 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 231 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 231 48 shade: RGB 75 231 43, RGB 92 249 62, RGB 109 255 81, RGB 126 255 100 and RGB 143 255 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 231 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 231 48 shade: RGB 70 231 48, RGB 53 213 29, RGB 36 195 10, RGB 19 177 0 and RGB 2 159 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 231 48 shade: RGB 71 230 49, RGB 120 230 49, RGB 169 230 49, RGB 218 230 49 and RGB 230 194 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 231 48 shade: RGB 71 230 49, RGB 49 230 76, RGB 49 230 125, RGB 49 230 174 and RGB 49 230 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 231 48 shade matches the following richer shades: RGB 71 230 49 and RGB 57 249 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 231 48 shade: RGB 71 230 49, RGB 85 212 68, RGB 99 193 86, RGB 113 175 105 and RGB 127 156 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 231 48 shade: RGB 170 230 49, RGB 122 230 49, RGB 73 230 49, RGB 49 230 73 and RGB 49 230 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 231 48 shade: RGB 39 177 20, RGB 47 214 25, RGB 71 230 49, RGB 104 235 86 and RGB 137 239 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 231 48 shade: RGB 70 231 48, RGB 49 218 230 and RGB 230 49 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 231 48 shade: RGB 70 231 48, RGB 49 73 230 and RGB 230 49 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 231 48 shade: RGB 70 231 48, RGB 49 218 230, RGB 206 49 230 and RGB 230 61 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 231 48 shade: RGB 70 231 48, RGB 49 164 230, RGB 206 49 230 and RGB 230 116 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 79 / 9

HEX #46E730

RGB 70 231 48

HSL 112.79, 0.79%, 0.55%

LAB 81.11, -72.06, 70.35

 

Complementary color

CMYK 11 / 88 / 0 / 19

HEX #B918CF

RGB 185 24 207

HSL 292.79, 0.79%, 0.45%

LAB 46.27, 77.94, -56.92

 

CMYK 68 / 0 / 81 / 9

HEX #4BE72B

RGB 75 231 43

HSL 109.79, 0.8%, 0.54%

LAB 81.19, -71.42, 71.8

 

CMYK 63 / 0 / 75 / 2

HEX #5CF93E

RGB 92 249 62

HSL 110.37, 0.94%, 0.61%

LAB 87.18, -72.69, 72.19

 

CMYK 57 / 0 / 68 / 0

HEX #6DFF51

RGB 109 255 81

HSL 110.34, 1%, 0.66%

LAB 89.56, -69.54, 68.25

 

CMYK 51 / 0 / 61 / 0

HEX #7EFF64

RGB 126 255 100

HSL 109.94, 1%, 0.7%

LAB 90.26, -63.59, 61.67

 

CMYK 44 / 0 / 53 / 0

HEX #8FFF77

RGB 143 255 119

HSL 109.41, 1%, 0.73%

LAB 91.09, -56.87, 54.53

 

CMYK 70 / 0 / 79 / 9

HEX #46E730

RGB 70 231 48

HSL 112.79, 0.79%, 0.55%

LAB 81.11, -72.06, 70.35

 

CMYK 75 / 0 / 86 / 16

HEX #35D51D

RGB 53 213 29

HSL 112.17, 0.76%, 0.47%

LAB 75.1, -70.25, 69.41

 

CMYK 82 / 0 / 95 / 24

HEX #24C30A

RGB 36 195 10

HSL 111.57, 0.9%, 0.4%

LAB 69.06, -67.77, 67.2

 

CMYK 89 / 0 / 100 / 31

HEX #13B100

RGB 19 177 0

HSL 113.56, 1%, 0.35%

LAB 63, -64.48, 63.39

 

CMYK 99 / 0 / 100 / 38

HEX #029F00

RGB 2 159 0

HSL 119.25, 1%, 0.31%

LAB 56.89, -60.43, 58.45

 

CMYK 69 / 0 / 79 / 10

HEX #47E631

RGB 71 230 49

HSL 112.71, 0.78%, 0.55%

LAB 80.82, -71.52, 69.81

 

CMYK 48 / 0 / 79 / 10

HEX #78E631

RGB 120 230 49

HSL 96.46, 0.78%, 0.55%

LAB 82.28, -59.85, 71.69

 

CMYK 27 / 0 / 79 / 10

HEX #A9E631

RGB 169 230 49

HSL 80.22, 0.78%, 0.55%

LAB 84.61, -43.36, 74.69

 

CMYK 5 / 0 / 79 / 10

HEX #DAE631

RGB 218 230 49

HSL 63.98, 0.78%, 0.55%

LAB 87.83, -24.04, 78.79

 

CMYK 0 / 16 / 79 / 10

HEX #E6C231

RGB 230 194 49

HSL 48.07, 0.78%, 0.55%

LAB 79.4, -1.02, 71.69

 

CMYK 69 / 0 / 79 / 10

HEX #47E631

RGB 71 230 49

HSL 112.71, 0.78%, 0.55%

LAB 80.82, -71.52, 69.81

 

CMYK 79 / 0 / 67 / 10

HEX #31E64C

RGB 49 230 76

HSL 128.95, 0.78%, 0.55%

LAB 80.61, -72.74, 60.24

 

CMYK 79 / 0 / 46 / 10

HEX #31E67D

RGB 49 230 125

HSL 145.19, 0.78%, 0.55%

LAB 81.14, -66.35, 38.83

 

CMYK 79 / 0 / 24 / 10

HEX #31E6AE

RGB 49 230 174

HSL 161.44, 0.78%, 0.55%

LAB 82, -56.67, 14.95

 

CMYK 79 / 0 / 3 / 10

HEX #31E6DF

RGB 49 230 223

HSL 177.68, 0.78%, 0.55%

LAB 83.22, -44.18, -9.13

 

CMYK 69 / 0 / 79 / 10

HEX #47E631

RGB 71 230 49

HSL 112.71, 0.78%, 0.55%

LAB 80.82, -71.52, 69.81

 

CMYK 77 / 0 / 88 / 2

HEX #39F91F

RGB 57 249 31

HSL 112.84, 0.95%, 0.55%

LAB 86.37, -80.1, 78.84

 

CMYK 69 / 0 / 79 / 10

HEX #47E631

RGB 71 230 49

HSL 112.71, 0.78%, 0.55%

LAB 80.82, -71.52, 69.81

 

CMYK 60 / 0 / 68 / 17

HEX #55D444

RGB 85 212 68

HSL 112.92, 0.63%, 0.55%

LAB 75.72, -61.34, 58.37

 

CMYK 49 / 0 / 55 / 24

HEX #63C156

RGB 99 193 86

HSL 112.71, 0.46%, 0.55%

LAB 70.5, -48.71, 44.84

 

CMYK 35 / 0 / 40 / 31

HEX #71AF69

RGB 113 175 105

HSL 113.14, 0.3%, 0.55%

LAB 65.9, -33.97, 29.72

 

CMYK 19 / 0 / 21 / 39

HEX #7F9C7B

RGB 127 156 123

HSL 112.73, 0.14%, 0.55%

LAB 61.41, -16.69, 14.01

 

CMYK 26 / 0 / 79 / 10

HEX #AAE631

RGB 170 230 49

HSL 79.89, 0.78%, 0.55%

LAB 84.67, -42.99, 74.77

 

CMYK 47 / 0 / 79 / 10

HEX #7AE631

RGB 122 230 49

HSL 95.8, 0.78%, 0.55%

LAB 82.35, -59.26, 71.79

 

CMYK 68 / 0 / 79 / 10

HEX #49E631

RGB 73 230 49

HSL 112.04, 0.78%, 0.55%

LAB 80.87, -71.16, 69.86

 

CMYK 79 / 0 / 68 / 10

HEX #31E649

RGB 49 230 73

HSL 127.96, 0.78%, 0.55%

LAB 80.59, -73.02, 61.38

 

CMYK 79 / 0 / 47 / 10

HEX #31E67A

RGB 49 230 122

HSL 144.2, 0.78%, 0.55%

LAB 81.1, -66.84, 40.25

 

CMYK 78 / 0 / 89 / 31

HEX #27B114

RGB 39 177 20

HSL 112.74, 0.8%, 0.39%

LAB 63.28, -61.77, 60.82

 

CMYK 78 / 0 / 88 / 16

HEX #2FD619

RGB 47 214 25

HSL 113.02, 0.79%, 0.47%

LAB 75.31, -71.53, 70.32

 

CMYK 69 / 0 / 79 / 10

HEX #47E631

RGB 71 230 49

HSL 112.71, 0.78%, 0.55%

LAB 80.82, -71.52, 69.81

 

CMYK 56 / 0 / 63 / 8

HEX #68EB56

RGB 104 235 86

HSL 112.75, 0.79%, 0.63%

LAB 83.46, -63.3, 59.69

 

CMYK 43 / 0 / 49 / 6

HEX #89EF7B

RGB 137 239 123

HSL 112.76, 0.78%, 0.71%

LAB 86.25, -51.72, 46.73

 

CMYK 70 / 0 / 79 / 9

HEX #46E730

RGB 70 231 48

HSL 112.79, 0.79%, 0.55%

LAB 81.11, -72.06, 70.35

 

CMYK 79 / 5 / 0 / 10

HEX #31DAE6

RGB 49 218 230

HSL 183.98, 0.78%, 0.55%

LAB 79.9, -36.75, -17.81

 

CMYK 0 / 79 / 37 / 10

HEX #E63192

RGB 230 49 146

HSL 327.85, 0.78%, 0.55%

LAB 53.05, 73.65, -9.94

 

CMYK 70 / 0 / 79 / 9

HEX #46E730

RGB 70 231 48

HSL 112.79, 0.79%, 0.55%

LAB 81.11, -72.06, 70.35

 

CMYK 79 / 68 / 0 / 10

HEX #3149E6

RGB 49 73 230

HSL 232.04, 0.78%, 0.55%

LAB 39.8, 46.25, -81.25

 

CMYK 0 / 79 / 68 / 10

HEX #E63149

RGB 230 49 73

HSL 352.04, 0.78%, 0.55%

LAB 51.27, 68.21, 31.43

 

CMYK 70 / 0 / 79 / 9

HEX #46E730

RGB 70 231 48

HSL 112.79, 0.79%, 0.55%

LAB 81.11, -72.06, 70.35

 

CMYK 79 / 5 / 0 / 10

HEX #31DAE6

RGB 49 218 230

HSL 183.98, 0.78%, 0.55%

LAB 79.9, -36.75, -17.81

 

CMYK 10 / 79 / 0 / 10

HEX #CE31E6

RGB 206 49 230

HSL 292.04, 0.78%, 0.55%

LAB 52.98, 79.94, -59.07

 

CMYK 0 / 73 / 79 / 10

HEX #E63D31

RGB 230 61 49

HSL 3.98, 0.78%, 0.55%

LAB 52.27, 63.64, 46.07

 

CMYK 70 / 0 / 79 / 9

HEX #46E730

RGB 70 231 48

HSL 112.79, 0.79%, 0.55%

LAB 81.11, -72.06, 70.35

 

CMYK 79 / 29 / 0 / 10

HEX #31A4E6

RGB 49 164 230

HSL 201.88, 0.78%, 0.55%

LAB 64.09, -9.3, -42.15

 

CMYK 10 / 79 / 0 / 10

HEX #CE31E6

RGB 206 49 230

HSL 292.04, 0.78%, 0.55%

LAB 52.98, 79.94, -59.07

 

CMYK 0 / 50 / 79 / 10

HEX #E67431

RGB 230 116 49

HSL 22.21, 0.78%, 0.55%

LAB 61.25, 39.94, 54.91

 

Description

Color code: RGB 70 231 48 | qconv.com Color code: RGB 70 231 48 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 231 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 231 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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