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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 212 126 it is the complementary color RGB 185 43 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 212 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 212 126 shade: RGB 75 212 121, RGB 92 230 140, RGB 109 248 159, RGB 126 255 178 and RGB 143 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 212 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 212 126 shade: RGB 70 212 126, RGB 53 194 107, RGB 36 176 88, RGB 19 158 69 and RGB 2 140 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 212 126 shade: RGB 69 211 125, RGB 69 211 86, RGB 89 211 69, RGB 128 211 69 and RGB 166 211 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 212 126 shade: RGB 69 211 125, RGB 69 211 163, RGB 69 211 201, RGB 69 182 211 and RGB 69 144 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 212 126 shade matches the following richer shades: RGB 69 211 125, RGB 50 229 121 and RGB 31 248 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 212 126 shade: RGB 69 211 125, RGB 87 192 129, RGB 106 174 133, RGB 124 155 136 and RGB 143 137 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 212 126 shade: RGB 90 211 69, RGB 69 211 85, RGB 69 211 123, RGB 69 211 161 and RGB 69 211 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 212 126 shade: RGB 37 160 86, RGB 45 193 103, RGB 69 211 125, RGB 102 219 148 and RGB 135 227 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 212 126 shade: RGB 70 212 126, RGB 69 128 211 and RGB 211 69 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 212 126 shade: RGB 70 212 126, RGB 123 69 211 and RGB 211 123 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 212 126 shade: RGB 70 212 126, RGB 69 128 211, RGB 211 69 156 and RGB 211 152 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 212 126 shade: RGB 70 212 126, RGB 69 85 211, RGB 211 69 156 and RGB 211 194 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 41 / 17

HEX #46D47E

RGB 70 212 126

HSL 143.66, 0.62%, 0.55%

LAB 76.01, -56.77, 31.75

 

Complementary color

CMYK 0 / 77 / 30 / 27

HEX #B92B81

RGB 185 43 129

HSL 323.66, 0.62%, 0.45%

LAB 43.69, 62.35, -14.6

 

CMYK 65 / 0 / 43 / 17

HEX #4BD479

RGB 75 212 121

HSL 140.15, 0.61%, 0.56%

LAB 76.05, -56.71, 34.37

 

CMYK 60 / 0 / 39 / 10

HEX #5CE68C

RGB 92 230 140

HSL 140.87, 0.73%, 0.63%

LAB 82.25, -56.96, 32.96

 

CMYK 56 / 0 / 36 / 3

HEX #6DF89F

RGB 109 248 159

HSL 141.58, 0.91%, 0.7%

LAB 88.39, -57.04, 31.64

 

CMYK 51 / 0 / 30 / 0

HEX #7EFFB2

RGB 126 255 178

HSL 144.19, 1%, 0.75%

LAB 91.31, -52.56, 26.09

 

CMYK 44 / 0 / 23 / 0

HEX #8FFFC5

RGB 143 255 197

HSL 148.93, 1%, 0.78%

LAB 92.31, -44.78, 17.88

 

CMYK 67 / 0 / 41 / 17

HEX #46D47E

RGB 70 212 126

HSL 143.66, 0.62%, 0.55%

LAB 76.01, -56.77, 31.75

 

CMYK 73 / 0 / 45 / 24

HEX #35C26B

RGB 53 194 107

HSL 142.98, 0.57%, 0.48%

LAB 69.75, -56.2, 33.27

 

CMYK 80 / 0 / 50 / 31

HEX #24B058

RGB 36 176 88

HSL 142.29, 0.66%, 0.42%

LAB 63.45, -55.25, 34.89

 

CMYK 88 / 0 / 56 / 38

HEX #139E45

RGB 19 158 69

HSL 141.58, 0.79%, 0.35%

LAB 57.1, -53.75, 36.57

 

CMYK 99 / 0 / 64 / 45

HEX #028C32

RGB 2 140 50

HSL 140.87, 0.97%, 0.28%

LAB 50.69, -51.57, 38.2

 

CMYK 67 / 0 / 41 / 17

HEX #45D37D

RGB 69 211 125

HSL 143.66, 0.62%, 0.55%

LAB 75.66, -56.74, 31.81

 

CMYK 67 / 0 / 59 / 17

HEX #45D356

RGB 69 211 86

HSL 127.18, 0.62%, 0.55%

LAB 75.16, -62.5, 50.05

 

CMYK 58 / 0 / 67 / 17

HEX #59D345

RGB 89 211 69

HSL 111.55, 0.62%, 0.55%

LAB 75.54, -59.95, 57.82

 

CMYK 39 / 0 / 67 / 17

HEX #80D345

RGB 128 211 69

HSL 95.07, 0.62%, 0.55%

LAB 77.05, -48.68, 59.87

 

CMYK 21 / 0 / 67 / 17

HEX #A6D345

RGB 166 211 69

HSL 79.01, 0.62%, 0.55%

LAB 79.11, -34.98, 62.67

 

CMYK 67 / 0 / 41 / 17

HEX #45D37D

RGB 69 211 125

HSL 143.66, 0.62%, 0.55%

LAB 75.66, -56.74, 31.81

 

CMYK 67 / 0 / 23 / 17

HEX #45D3A3

RGB 69 211 163

HSL 159.72, 0.62%, 0.55%

LAB 76.37, -49.03, 12.88

 

CMYK 67 / 0 / 5 / 17

HEX #45D3C9

RGB 69 211 201

HSL 175.77, 0.62%, 0.55%

LAB 77.32, -39.52, -6.1

 

CMYK 67 / 14 / 0 / 17

HEX #45B6D3

RGB 69 182 211

HSL 192.25, 0.62%, 0.55%

LAB 69.06, -22.68, -23.97

 

CMYK 67 / 32 / 0 / 17

HEX #4590D3

RGB 69 144 211

HSL 208.31, 0.62%, 0.55%

LAB 57.96, -1.94, -41.2

 

CMYK 67 / 0 / 41 / 17

HEX #45D37D

RGB 69 211 125

HSL 143.66, 0.62%, 0.55%

LAB 75.66, -56.74, 31.81

 

CMYK 78 / 0 / 47 / 10

HEX #32E579

RGB 50 229 121

HSL 143.8, 0.77%, 0.55%

LAB 80.79, -66.55, 40.35

 

CMYK 88 / 0 / 53 / 3

HEX #1FF875

RGB 31 248 117

HSL 143.78, 0.94%, 0.55%

LAB 86.36, -75, 49.11

 

CMYK 67 / 0 / 41 / 17

HEX #45D37D

RGB 69 211 125

HSL 143.66, 0.62%, 0.55%

LAB 75.66, -56.74, 31.81

 

CMYK 55 / 0 / 33 / 25

HEX #57C081

RGB 87 192 129

HSL 144, 0.45%, 0.55%

LAB 70.39, -44.75, 22.79

 

CMYK 39 / 0 / 24 / 32

HEX #6AAE85

RGB 106 174 133

HSL 143.82, 0.3%, 0.55%

LAB 65.77, -30.77, 14.38

 

CMYK 20 / 0 / 12 / 39

HEX #7C9B88

RGB 124 155 136

HSL 143.23, 0.13%, 0.55%

LAB 61.23, -14.76, 6.42

 

CMYK 0 / 4 / 2 / 44

HEX #8F898C

RGB 143 137 140

HSL 330, 0.03%, 0.55%

LAB 57.68, 2.81, -0.81

 

CMYK 57 / 0 / 67 / 17

HEX #5AD345

RGB 90 211 69

HSL 111.13, 0.62%, 0.55%

LAB 75.57, -59.71, 57.86

 

CMYK 67 / 0 / 60 / 17

HEX #45D355

RGB 69 211 85

HSL 126.76, 0.62%, 0.55%

LAB 75.15, -62.62, 50.49

 

CMYK 67 / 0 / 42 / 17

HEX #45D37B

RGB 69 211 123

HSL 142.82, 0.62%, 0.55%

LAB 75.63, -57.09, 32.79

 

CMYK 67 / 0 / 24 / 17

HEX #45D3A1

RGB 69 211 161

HSL 158.87, 0.62%, 0.55%

LAB 76.33, -49.48, 13.89

 

CMYK 67 / 0 / 6 / 17

HEX #45D3C7

RGB 69 211 199

HSL 174.93, 0.62%, 0.55%

LAB 77.27, -40.06, -5.11

 

CMYK 77 / 0 / 46 / 37

HEX #25A056

RGB 37 160 86

HSL 143.9, 0.62%, 0.39%

LAB 58.23, -49.69, 29.33

 

CMYK 77 / 0 / 47 / 24

HEX #2DC167

RGB 45 193 103

HSL 143.51, 0.62%, 0.47%

LAB 69.24, -57.65, 34.62

 

CMYK 67 / 0 / 41 / 17

HEX #45D37D

RGB 69 211 125

HSL 143.66, 0.62%, 0.55%

LAB 75.66, -56.74, 31.81

 

CMYK 53 / 0 / 32 / 14

HEX #66DB94

RGB 102 219 148

HSL 143.59, 0.62%, 0.63%

LAB 79.4, -48.92, 25.11

 

CMYK 41 / 0 / 25 / 11

HEX #87E3AB

RGB 135 227 171

HSL 143.48, 0.62%, 0.71%

LAB 83.46, -39.54, 18.91

 

CMYK 67 / 0 / 41 / 17

HEX #46D47E

RGB 70 212 126

HSL 143.66, 0.62%, 0.55%

LAB 76.01, -56.77, 31.75

 

CMYK 67 / 39 / 0 / 17

HEX #4580D3

RGB 69 128 211

HSL 215.07, 0.62%, 0.55%

LAB 53.39, 7.57, -48.42

 

CMYK 0 / 67 / 66 / 17

HEX #D34547

RGB 211 69 71

HSL 359.15, 0.62%, 0.55%

LAB 50.17, 55.71, 30.47

 

CMYK 67 / 0 / 41 / 17

HEX #46D47E

RGB 70 212 126

HSL 143.66, 0.62%, 0.55%

LAB 76.01, -56.77, 31.75

 

CMYK 42 / 67 / 0 / 17

HEX #7B45D3

RGB 123 69 211

HSL 262.82, 0.62%, 0.55%

LAB 43.02, 52.86, -64.91

 

CMYK 0 / 42 / 67 / 17

HEX #D37B45

RGB 211 123 69

HSL 22.82, 0.62%, 0.55%

LAB 60.29, 29.63, 43.53

 

CMYK 67 / 0 / 41 / 17

HEX #46D47E

RGB 70 212 126

HSL 143.66, 0.62%, 0.55%

LAB 76.01, -56.77, 31.75

 

CMYK 67 / 39 / 0 / 17

HEX #4580D3

RGB 69 128 211

HSL 215.07, 0.62%, 0.55%

LAB 53.39, 7.57, -48.42

 

CMYK 0 / 67 / 26 / 17

HEX #D3459C

RGB 211 69 156

HSL 323.24, 0.62%, 0.55%

LAB 52.4, 63.51, -17.17

 

CMYK 0 / 28 / 67 / 17

HEX #D39845

RGB 211 152 69

HSL 35.07, 0.62%, 0.55%

LAB 67.08, 13.98, 51.07

 

CMYK 67 / 0 / 41 / 17

HEX #46D47E

RGB 70 212 126

HSL 143.66, 0.62%, 0.55%

LAB 76.01, -56.77, 31.75

 

CMYK 67 / 60 / 0 / 17

HEX #4555D3

RGB 69 85 211

HSL 233.24, 0.62%, 0.55%

LAB 41.95, 34.47, -66.85

 

CMYK 0 / 67 / 26 / 17

HEX #D3459C

RGB 211 69 156

HSL 323.24, 0.62%, 0.55%

LAB 52.4, 63.51, -17.17

 

CMYK 0 / 8 / 67 / 17

HEX #D3C245

RGB 211 194 69

HSL 52.82, 0.62%, 0.55%

LAB 77.79, -8.25, 62.37

 

Description

Color code: RGB 70 212 126 | qconv.com Color code: RGB 70 212 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 212 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 212 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 41 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 41% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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