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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 210 102 it is the complementary color RGB 185 45 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 210 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 210 102 shade: RGB 75 210 97, RGB 92 228 116, RGB 109 246 135, RGB 126 255 154 and RGB 143 255 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 210 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 210 102 shade: RGB 70 210 102, RGB 53 192 83, RGB 36 174 64, RGB 19 156 45 and RGB 2 138 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 210 102 shade: RGB 70 210 102, RGB 76 210 70, RGB 113 210 70, RGB 151 210 70 and RGB 189 210 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 210 102 shade: RGB 70 210 102, RGB 70 210 139, RGB 70 210 177, RGB 70 204 210 and RGB 70 167 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 210 102 shade matches the following richer shades: RGB 70 210 102, RGB 51 228 92 and RGB 33 247 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 210 102 shade: RGB 70 210 102, RGB 88 191 112, RGB 107 173 122, RGB 125 154 132 and RGB 144 135 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 210 102 shade: RGB 114 210 70, RGB 77 210 70, RGB 70 210 100, RGB 70 210 137 and RGB 70 210 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 210 102 shade: RGB 38 159 66, RGB 46 192 79, RGB 70 210 102, RGB 103 218 129 and RGB 136 226 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 210 102 shade: RGB 70 210 102, RGB 70 151 210 and RGB 210 70 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 210 102 shade: RGB 70 210 102, RGB 100 70 210 and RGB 210 100 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 210 102 shade: RGB 70 210 102, RGB 70 151 210, RGB 210 70 179 and RGB 210 128 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 210 102 shade: RGB 70 210 102, RGB 70 109 210, RGB 210 70 179 and RGB 210 170 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 51 / 18

HEX #46D266

RGB 70 210 102

HSL 133.71, 0.61%, 0.55%

LAB 75.05, -59.87, 42.48

 

Complementary color

CMYK 0 / 76 / 17 / 27

HEX #B92D99

RGB 185 45 153

HSL 313.71, 0.61%, 0.45%

LAB 44.93, 64.82, -27.26

 

CMYK 64 / 0 / 54 / 18

HEX #4BD261

RGB 75 210 97

HSL 129.78, 0.6%, 0.56%

LAB 75.11, -59.6, 44.97

 

CMYK 60 / 0 / 49 / 11

HEX #5CE474

RGB 92 228 116

HSL 130.59, 0.72%, 0.63%

LAB 81.3, -59.98, 43.6

 

CMYK 56 / 0 / 45 / 4

HEX #6DF687

RGB 109 246 135

HSL 131.39, 0.88%, 0.7%

LAB 87.44, -60.15, 42.25

 

CMYK 51 / 0 / 40 / 0

HEX #7EFF9A

RGB 126 255 154

HSL 133.02, 1%, 0.75%

LAB 90.91, -56.67, 37.55

 

CMYK 44 / 0 / 32 / 0

HEX #8FFFAD

RGB 143 255 173

HSL 136.07, 1%, 0.78%

LAB 91.85, -49.17, 29.45

 

CMYK 67 / 0 / 51 / 18

HEX #46D266

RGB 70 210 102

HSL 133.71, 0.61%, 0.55%

LAB 75.05, -59.87, 42.48

 

CMYK 72 / 0 / 57 / 25

HEX #35C053

RGB 53 192 83

HSL 132.95, 0.57%, 0.48%

LAB 68.81, -59.13, 43.92

 

CMYK 79 / 0 / 63 / 32

HEX #24AE40

RGB 36 174 64

HSL 132.17, 0.66%, 0.41%

LAB 62.52, -57.92, 45.29

 

CMYK 88 / 0 / 71 / 39

HEX #139C2D

RGB 19 156 45

HSL 131.39, 0.78%, 0.34%

LAB 56.19, -56.02, 46.43

 

CMYK 99 / 0 / 81 / 46

HEX #028A1A

RGB 2 138 26

HSL 130.59, 0.97%, 0.27%

LAB 49.82, -53.29, 46.92

 

CMYK 67 / 0 / 51 / 18

HEX #46D266

RGB 70 210 102

HSL 133.71, 0.61%, 0.55%

LAB 75.05, -59.87, 42.48

 

CMYK 64 / 0 / 67 / 18

HEX #4CD246

RGB 76 210 70

HSL 117.43, 0.61%, 0.55%

LAB 74.87, -62.46, 56.59

 

CMYK 46 / 0 / 67 / 18

HEX #71D246

RGB 113 210 70

HSL 101.57, 0.61%, 0.55%

LAB 76.1, -52.94, 58.27

 

CMYK 28 / 0 / 67 / 18

HEX #97D246

RGB 151 210 70

HSL 85.29, 0.61%, 0.55%

LAB 77.94, -40.12, 60.78

 

CMYK 10 / 0 / 67 / 18

HEX #BDD246

RGB 189 210 70

HSL 69, 0.61%, 0.55%

LAB 80.38, -25.33, 64.07

 

CMYK 67 / 0 / 51 / 18

HEX #46D266

RGB 70 210 102

HSL 133.71, 0.61%, 0.55%

LAB 75.05, -59.87, 42.48

 

CMYK 67 / 0 / 34 / 18

HEX #46D28B

RGB 70 210 139

HSL 149.57, 0.61%, 0.55%

LAB 75.61, -53.57, 24.51

 

CMYK 67 / 0 / 16 / 18

HEX #46D2B1

RGB 70 210 177

HSL 165.86, 0.61%, 0.55%

LAB 76.42, -45.14, 5.46

 

CMYK 67 / 3 / 0 / 18

HEX #46CCD2

RGB 70 204 210

HSL 182.57, 0.61%, 0.55%

LAB 75.54, -33.64, -13.61

 

CMYK 67 / 20 / 0 / 18

HEX #46A7D2

RGB 70 167 210

HSL 198.43, 0.61%, 0.55%

LAB 64.64, -14.97, -30.22

 

CMYK 67 / 0 / 51 / 18

HEX #46D266

RGB 70 210 102

HSL 133.71, 0.61%, 0.55%

LAB 75.05, -59.87, 42.48

 

CMYK 78 / 0 / 60 / 11

HEX #33E45C

RGB 51 228 92

HSL 133.9, 0.77%, 0.55%

LAB 80.16, -70.16, 53.09

 

CMYK 87 / 0 / 67 / 3

HEX #21F752

RGB 33 247 82

HSL 133.74, 0.93%, 0.55%

LAB 85.73, -78.72, 63.37

 

CMYK 67 / 0 / 51 / 18

HEX #46D266

RGB 70 210 102

HSL 133.71, 0.61%, 0.55%

LAB 75.05, -59.87, 42.48

 

CMYK 54 / 0 / 41 / 25

HEX #58BF70

RGB 88 191 112

HSL 133.98, 0.45%, 0.55%

LAB 69.83, -47.13, 30.98

 

CMYK 38 / 0 / 29 / 32

HEX #6BAD7A

RGB 107 173 122

HSL 133.64, 0.29%, 0.55%

LAB 65.29, -32.11, 19.75

 

CMYK 19 / 0 / 14 / 40

HEX #7D9A84

RGB 125 154 132

HSL 134.48, 0.13%, 0.55%

LAB 60.9, -14.67, 8.23

 

CMYK 0 / 6 / 1 / 44

HEX #90878E

RGB 144 135 142

HSL 313.33, 0.04%, 0.55%

LAB 57.28, 4.7, -2.54

 

CMYK 46 / 0 / 67 / 18

HEX #72D246

RGB 114 210 70

HSL 101.14, 0.61%, 0.55%

LAB 76.14, -52.64, 58.33

 

CMYK 63 / 0 / 67 / 18

HEX #4DD246

RGB 77 210 70

HSL 117, 0.61%, 0.55%

LAB 74.9, -62.25, 56.63

 

CMYK 67 / 0 / 52 / 18

HEX #46D264

RGB 70 210 100

HSL 132.86, 0.61%, 0.55%

LAB 75.02, -60.15, 43.41

 

CMYK 67 / 0 / 35 / 18

HEX #46D289

RGB 70 210 137

HSL 148.71, 0.61%, 0.55%

LAB 75.58, -53.96, 25.51

 

CMYK 67 / 0 / 17 / 18

HEX #46D2AF

RGB 70 210 175

HSL 165, 0.61%, 0.55%

LAB 76.37, -45.62, 6.47

 

CMYK 76 / 0 / 58 / 38

HEX #269F42

RGB 38 159 66

HSL 133.88, 0.61%, 0.39%

LAB 57.66, -52.3, 38.76

 

CMYK 76 / 0 / 59 / 25

HEX #2EC04F

RGB 46 192 79

HSL 133.56, 0.61%, 0.47%

LAB 68.64, -60.7, 45.54

 

CMYK 67 / 0 / 51 / 18

HEX #46D266

RGB 70 210 102

HSL 133.71, 0.61%, 0.55%

LAB 75.05, -59.87, 42.48

 

CMYK 53 / 0 / 41 / 15

HEX #67DA81

RGB 103 218 129

HSL 133.57, 0.61%, 0.63%

LAB 78.82, -51.59, 34.08

 

CMYK 40 / 0 / 31 / 11

HEX #88E29D

RGB 136 226 157

HSL 134, 0.61%, 0.71%

LAB 82.95, -41.36, 25.49

 

CMYK 67 / 0 / 51 / 18

HEX #46D266

RGB 70 210 102

HSL 133.71, 0.61%, 0.55%

LAB 75.05, -59.87, 42.48

 

CMYK 67 / 28 / 0 / 18

HEX #4697D2

RGB 70 151 210

HSL 205.29, 0.61%, 0.55%

LAB 59.97, -6.13, -37.48

 

CMYK 0 / 67 / 55 / 18

HEX #D2465F

RGB 210 70 95

HSL 349.29, 0.61%, 0.55%

LAB 50.58, 56.58, 16.69

 

CMYK 67 / 0 / 51 / 18

HEX #46D266

RGB 70 210 102

HSL 133.71, 0.61%, 0.55%

LAB 75.05, -59.87, 42.48

 

CMYK 52 / 67 / 0 / 18

HEX #6446D2

RGB 100 70 210

HSL 252.86, 0.61%, 0.55%

LAB 40.8, 47.91, -68.04

 

CMYK 0 / 52 / 67 / 18

HEX #D26446

RGB 210 100 70

HSL 12.86, 0.61%, 0.55%

LAB 55.34, 41.22, 37.24

 

CMYK 67 / 0 / 51 / 18

HEX #46D266

RGB 70 210 102

HSL 133.71, 0.61%, 0.55%

LAB 75.05, -59.87, 42.48

 

CMYK 67 / 28 / 0 / 18

HEX #4697D2

RGB 70 151 210

HSL 205.29, 0.61%, 0.55%

LAB 59.97, -6.13, -37.48

 

CMYK 0 / 67 / 15 / 18

HEX #D246B3

RGB 210 70 179

HSL 313.29, 0.61%, 0.55%

LAB 53.32, 65.99, -29.27

 

CMYK 0 / 39 / 67 / 18

HEX #D28046

RGB 210 128 70

HSL 24.86, 0.61%, 0.55%

LAB 61.29, 26.6, 44.13

 

CMYK 67 / 0 / 51 / 18

HEX #46D266

RGB 70 210 102

HSL 133.71, 0.61%, 0.55%

LAB 75.05, -59.87, 42.48

 

CMYK 67 / 48 / 0 / 18

HEX #466DD2

RGB 70 109 210

HSL 223.29, 0.61%, 0.55%

LAB 48.12, 19.14, -56.27

 

CMYK 0 / 67 / 15 / 18

HEX #D246B3

RGB 210 70 179

HSL 313.29, 0.61%, 0.55%

LAB 53.32, 65.99, -29.27

 

CMYK 0 / 19 / 67 / 18

HEX #D2AA46

RGB 210 170 70

HSL 42.86, 0.61%, 0.55%

LAB 71.48, 3.94, 55.33

 

Description

Color code: RGB 70 210 102 | qconv.com Color code: RGB 70 210 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 210 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 210 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 51 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 51% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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