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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 209 74 it is the complementary color RGB 185 46 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 209 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 209 74 shade: RGB 75 209 69, RGB 92 227 88, RGB 109 245 107, RGB 126 255 126 and RGB 143 255 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 209 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 209 74 shade: RGB 70 209 74, RGB 53 191 55, RGB 36 173 36, RGB 19 155 17 and RGB 2 137 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 209 74 shade: RGB 71 209 75, RGB 104 209 71, RGB 141 209 71, RGB 178 209 71 and RGB 209 202 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 209 74 shade: RGB 71 209 75, RGB 71 209 112, RGB 71 209 149, RGB 71 209 186 and RGB 71 194 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 209 74 shade matches the following richer shades: RGB 71 209 75, RGB 52 227 57 and RGB 34 246 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 209 74 shade: RGB 71 209 75, RGB 89 190 92, RGB 108 171 110, RGB 127 153 127 and RGB 145 134 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 209 74 shade: RGB 142 209 71, RGB 105 209 71, RGB 71 209 73, RGB 71 209 110 and RGB 71 209 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 209 74 shade: RGB 39 158 43, RGB 47 191 51, RGB 71 209 75, RGB 104 217 107 and RGB 137 225 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 209 74 shade: RGB 70 209 74, RGB 71 179 209 and RGB 209 71 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 209 74 shade: RGB 70 209 74, RGB 73 71 209 and RGB 209 73 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 209 74 shade: RGB 70 209 74, RGB 71 179 209, RGB 209 71 206 and RGB 209 101 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 209 74 shade: RGB 70 209 74, RGB 71 137 209, RGB 209 71 206 and RGB 209 142 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 65 / 18

HEX #46D14A

RGB 70 209 74

HSL 121.73, 0.6%, 0.55%

LAB 74.44, -62.94, 54.45

 

Complementary color

CMYK 0 / 75 / 2 / 27

HEX #B92EB5

RGB 185 46 181

HSL 301.73, 0.6%, 0.45%

LAB 46.45, 68.67, -41.5

 

CMYK 64 / 0 / 67 / 18

HEX #4BD145

RGB 75 209 69

HSL 117.43, 0.6%, 0.55%

LAB 74.53, -62.42, 56.61

 

CMYK 59 / 0 / 61 / 11

HEX #5CE358

RGB 92 227 88

HSL 118.27, 0.71%, 0.62%

LAB 80.69, -63.09, 55.66

 

CMYK 56 / 0 / 56 / 4

HEX #6DF56B

RGB 109 245 107

HSL 119.13, 0.87%, 0.69%

LAB 86.81, -63.48, 54.54

 

CMYK 51 / 0 / 51 / 0

HEX #7EFF7E

RGB 126 255 126

HSL 120, 1%, 0.75%

LAB 90.53, -60.67, 50.49

 

CMYK 44 / 0 / 43 / 0

HEX #8FFF91

RGB 143 255 145

HSL 121.07, 1%, 0.78%

LAB 91.42, -53.54, 42.73

 

CMYK 67 / 0 / 65 / 18

HEX #46D14A

RGB 70 209 74

HSL 121.73, 0.6%, 0.55%

LAB 74.44, -62.94, 54.45

 

CMYK 72 / 0 / 71 / 25

HEX #35BF37

RGB 53 191 55

HSL 120.87, 0.57%, 0.48%

LAB 68.24, -61.84, 55.27

 

CMYK 79 / 0 / 79 / 32

HEX #24AD24

RGB 36 173 36

HSL 120, 0.66%, 0.41%

LAB 61.99, -60.14, 55.54

 

CMYK 88 / 0 / 89 / 39

HEX #139B11

RGB 19 155 17

HSL 119.13, 0.8%, 0.34%

LAB 55.71, -57.62, 54.73

 

CMYK 99 / 0 / 100 / 46

HEX #028900

RGB 2 137 0

HSL 119.12, 1%, 0.27%

LAB 49.38, -54.16, 52.43

 

CMYK 66 / 0 / 64 / 18

HEX #47D14B

RGB 71 209 75

HSL 121.74, 0.6%, 0.55%

LAB 74.48, -62.65, 54.07

 

CMYK 50 / 0 / 66 / 18

HEX #68D147

RGB 104 209 71

HSL 105.65, 0.6%, 0.55%

LAB 75.45, -55.09, 57.07

 

CMYK 33 / 0 / 66 / 18

HEX #8DD147

RGB 141 209 71

HSL 89.57, 0.6%, 0.55%

LAB 77.11, -43.23, 59.35

 

CMYK 15 / 0 / 66 / 18

HEX #B2D147

RGB 178 209 71

HSL 73.48, 0.6%, 0.55%

LAB 79.34, -29.21, 62.37

 

CMYK 0 / 3 / 66 / 18

HEX #D1CA47

RGB 209 202 71

HSL 56.96, 0.6%, 0.55%

LAB 79.76, -13.05, 63.53

 

CMYK 66 / 0 / 64 / 18

HEX #47D14B

RGB 71 209 75

HSL 121.74, 0.6%, 0.55%

LAB 74.48, -62.65, 54.07

 

CMYK 66 / 0 / 46 / 18

HEX #47D170

RGB 71 209 112

HSL 137.83, 0.6%, 0.55%

LAB 74.89, -57.82, 37.39

 

CMYK 66 / 0 / 29 / 18

HEX #47D195

RGB 71 209 149

HSL 153.91, 0.6%, 0.55%

LAB 75.52, -50.96, 19.13

 

CMYK 66 / 0 / 11 / 18

HEX #47D1BA

RGB 71 209 186

HSL 170, 0.6%, 0.55%

LAB 76.37, -42.29, 0.56

 

CMYK 66 / 7 / 0 / 18

HEX #47C2D1

RGB 71 194 209

HSL 186.52, 0.6%, 0.55%

LAB 72.58, -28.97, -17.52

 

CMYK 66 / 0 / 64 / 18

HEX #47D14B

RGB 71 209 75

HSL 121.74, 0.6%, 0.55%

LAB 74.48, -62.65, 54.07

 

CMYK 77 / 0 / 75 / 11

HEX #34E339

RGB 52 227 57

HSL 121.71, 0.76%, 0.55%

LAB 79.59, -73.04, 66.05

 

CMYK 86 / 0 / 84 / 4

HEX #22F628

RGB 34 246 40

HSL 121.7, 0.92%, 0.55%

LAB 85.2, -81.29, 75.92

 

CMYK 66 / 0 / 64 / 18

HEX #47D14B

RGB 71 209 75

HSL 121.74, 0.6%, 0.55%

LAB 74.48, -62.65, 54.07

 

CMYK 53 / 0 / 52 / 25

HEX #59BE5C

RGB 89 190 92

HSL 121.78, 0.44%, 0.55%

LAB 69.27, -49.49, 40.39

 

CMYK 37 / 0 / 36 / 33

HEX #6CAB6E

RGB 108 171 110

HSL 121.9, 0.27%, 0.55%

LAB 64.52, -32.96, 25.2

 

CMYK 17 / 0 / 17 / 40

HEX #7F997F

RGB 127 153 127

HSL 120, 0.11%, 0.55%

LAB 60.63, -14.38, 10.67

 

CMYK 0 / 8 / 0 / 43

HEX #918691

RGB 145 134 145

HSL 300, 0.05%, 0.55%

LAB 57.19, 6.23, -4.39

 

CMYK 32 / 0 / 66 / 18

HEX #8ED147

RGB 142 209 71

HSL 89.13, 0.6%, 0.55%

LAB 77.17, -42.87, 59.42

 

CMYK 50 / 0 / 66 / 18

HEX #69D147

RGB 105 209 71

HSL 105.22, 0.6%, 0.55%

LAB 75.49, -54.81, 57.13

 

CMYK 66 / 0 / 65 / 18

HEX #47D149

RGB 71 209 73

HSL 120.87, 0.6%, 0.55%

LAB 74.46, -62.85, 54.89

 

CMYK 66 / 0 / 47 / 18

HEX #47D16E

RGB 71 209 110

HSL 136.96, 0.6%, 0.55%

LAB 74.87, -58.13, 38.35

 

CMYK 66 / 0 / 30 / 18

HEX #47D193

RGB 71 209 147

HSL 153.04, 0.6%, 0.55%

LAB 75.48, -51.38, 20.13

 

CMYK 75 / 0 / 73 / 38

HEX #279E2B

RGB 39 158 43

HSL 122.02, 0.6%, 0.39%

LAB 57.13, -54.36, 48.29

 

CMYK 75 / 0 / 73 / 25

HEX #2FBF33

RGB 47 191 51

HSL 121.67, 0.61%, 0.47%

LAB 68.1, -63.12, 56.57

 

CMYK 66 / 0 / 64 / 18

HEX #47D14B

RGB 71 209 75

HSL 121.74, 0.6%, 0.55%

LAB 74.48, -62.65, 54.07

 

CMYK 52 / 0 / 51 / 15

HEX #68D96B

RGB 104 217 107

HSL 121.59, 0.6%, 0.63%

LAB 78.25, -54.19, 44.23

 

CMYK 39 / 0 / 38 / 12

HEX #89E18B

RGB 137 225 139

HSL 121.36, 0.59%, 0.71%

LAB 82.4, -43.58, 33.97

 

CMYK 67 / 0 / 65 / 18

HEX #46D14A

RGB 70 209 74

HSL 121.73, 0.6%, 0.55%

LAB 74.44, -62.94, 54.45

 

CMYK 66 / 14 / 0 / 18

HEX #47B3D1

RGB 71 179 209

HSL 193.04, 0.6%, 0.55%

LAB 68.16, -21.45, -24.25

 

CMYK 0 / 66 / 41 / 18

HEX #D1477C

RGB 209 71 124

HSL 336.96, 0.6%, 0.55%

LAB 51.29, 58.48, 0.2

 

CMYK 67 / 0 / 65 / 18

HEX #46D14A

RGB 70 209 74

HSL 121.73, 0.6%, 0.55%

LAB 74.44, -62.94, 54.45

 

CMYK 65 / 66 / 0 / 18

HEX #4947D1

RGB 73 71 209

HSL 240.87, 0.6%, 0.55%

LAB 38.77, 42.89, -70.88

 

CMYK 0 / 65 / 66 / 18

HEX #D14947

RGB 209 73 71

HSL 0.87, 0.6%, 0.55%

LAB 50.42, 53.42, 30.71

 

CMYK 67 / 0 / 65 / 18

HEX #46D14A

RGB 70 209 74

HSL 121.73, 0.6%, 0.55%

LAB 74.44, -62.94, 54.45

 

CMYK 66 / 14 / 0 / 18

HEX #47B3D1

RGB 71 179 209

HSL 193.04, 0.6%, 0.55%

LAB 68.16, -21.45, -24.25

 

CMYK 0 / 66 / 1 / 18

HEX #D147CE

RGB 209 71 206

HSL 301.3, 0.6%, 0.55%

LAB 54.57, 69.53, -42.88

 

CMYK 0 / 52 / 66 / 18

HEX #D16547

RGB 209 101 71

HSL 13.04, 0.6%, 0.55%

LAB 55.4, 40.4, 36.72

 

CMYK 67 / 0 / 65 / 18

HEX #46D14A

RGB 70 209 74

HSL 121.73, 0.6%, 0.55%

LAB 74.44, -62.94, 54.45

 

CMYK 66 / 34 / 0 / 18

HEX #4789D1

RGB 71 137 209

HSL 211.3, 0.6%, 0.55%

LAB 55.92, 1.81, -43.28

 

CMYK 0 / 66 / 1 / 18

HEX #D147CE

RGB 209 71 206

HSL 301.3, 0.6%, 0.55%

LAB 54.57, 69.53, -42.88

 

CMYK 0 / 32 / 66 / 18

HEX #D18E47

RGB 209 142 71

HSL 30.87, 0.6%, 0.55%

LAB 64.45, 18.67, 47.15

 

Description

Color code: RGB 70 209 74 | qconv.com Color code: RGB 70 209 74 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 209 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 209 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 65 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 65% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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