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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 204 2 it is the complementary color RGB 185 51 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 204 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 204 2 shade: RGB 75 204 0, RGB 92 222 16, RGB 109 240 35, RGB 126 255 54 and RGB 143 255 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 204 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 204 2 shade: RGB 70 204 2, RGB 53 186 0, RGB 36 168 0, RGB 19 150 0 and RGB 2 132 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 204 2 shade: RGB 69 201 2, RGB 123 201 2, RGB 177 201 2, RGB 201 172 2 and RGB 201 118 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 204 2 shade: RGB 69 201 2, RGB 15 201 2, RGB 2 201 42, RGB 2 201 96 and RGB 2 201 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 204 2 shade matches the following richer shades: RGB 69 201 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 204 2 shade: RGB 69 201 2, RGB 74 185 18, RGB 80 168 35, RGB 85 152 51 and RGB 90 135 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 204 2 shade: RGB 178 201 2, RGB 125 201 2, RGB 72 201 2, RGB 18 201 2 and RGB 2 201 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 204 2 shade: RGB 41 120 1, RGB 55 161 1, RGB 69 201 2, RGB 83 242 2 and RGB 107 252 33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 204 2 shade: RGB 70 204 2, RGB 2 201 171 and RGB 201 2 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 204 2 shade: RGB 70 204 2, RGB 2 72 201 and RGB 201 2 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 204 2 shade: RGB 70 204 2, RGB 2 201 171, RGB 131 2 201 and RGB 201 2 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 204 2 shade: RGB 70 204 2, RGB 2 171 201, RGB 131 2 201 and RGB 201 32 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 99 / 20

HEX #46CC02

RGB 70 204 2

HSL 99.8, 0.98%, 0.4%

LAB 72.56, -65.11, 71.16

 

Complementary color

CMYK 27 / 80 / 0 / 1

HEX #B933FD

RGB 185 51 253

HSL 279.8, 0.98%, 0.6%

LAB 51.58, 80, -74.39

 

CMYK 63 / 0 / 100 / 20

HEX #4BCC00

RGB 75 204 0

HSL 97.94, 1%, 0.4%

LAB 72.68, -64.06, 71.53

 

CMYK 59 / 0 / 93 / 13

HEX #5CDE10

RGB 92 222 16

HSL 97.86, 0.87%, 0.47%

LAB 78.78, -65.76, 75.01

 

CMYK 55 / 0 / 85 / 6

HEX #6DF023

RGB 109 240 35

HSL 98.34, 0.87%, 0.54%

LAB 84.84, -67.05, 77.23

 

CMYK 51 / 0 / 79 / 0

HEX #7EFF36

RGB 126 255 54

HSL 98.51, 1%, 0.61%

LAB 89.96, -66.95, 77.53

 

CMYK 44 / 0 / 71 / 0

HEX #8FFF49

RGB 143 255 73

HSL 96.92, 1%, 0.64%

LAB 90.71, -60.97, 72.64

 

CMYK 66 / 0 / 99 / 20

HEX #46CC02

RGB 70 204 2

HSL 99.8, 0.98%, 0.4%

LAB 72.56, -65.11, 71.16

 

CMYK 72 / 0 / 100 / 27

HEX #35BA00

RGB 53 186 0

HSL 102.9, 1%, 0.36%

LAB 66.42, -62.78, 66.34

 

CMYK 79 / 0 / 100 / 34

HEX #24A800

RGB 36 168 0

HSL 107.14, 1%, 0.33%

LAB 60.23, -60.01, 61.27

 

CMYK 87 / 0 / 100 / 41

HEX #139600

RGB 19 150 0

HSL 112.4, 1%, 0.29%

LAB 53.98, -56.67, 56.17

 

CMYK 98 / 0 / 100 / 48

HEX #028400

RGB 2 132 0

HSL 119.09, 1%, 0.26%

LAB 47.64, -52.71, 51.04

 

CMYK 66 / 0 / 99 / 21

HEX #45C902

RGB 69 201 2

HSL 99.8, 0.98%, 0.4%

LAB 71.58, -64.36, 70.38

 

CMYK 39 / 0 / 99 / 21

HEX #7BC902

RGB 123 201 2

HSL 83.52, 0.98%, 0.4%

LAB 73.54, -49.08, 72.75

 

CMYK 12 / 0 / 99 / 21

HEX #B1C902

RGB 177 201 2

HSL 67.24, 0.98%, 0.4%

LAB 76.75, -28.17, 76.62

 

CMYK 0 / 14 / 99 / 21

HEX #C9AC02

RGB 201 172 2

HSL 51.26, 0.98%, 0.4%

LAB 70.82, -3.15, 73.15

 

CMYK 0 / 41 / 99 / 21

HEX #C97602

RGB 201 118 2

HSL 34.97, 0.98%, 0.4%

LAB 57.44, 26.04, 63.99

 

CMYK 66 / 0 / 99 / 21

HEX #45C902

RGB 69 201 2

HSL 99.8, 0.98%, 0.4%

LAB 71.58, -64.36, 70.38

 

CMYK 93 / 0 / 99 / 21

HEX #0FC902

RGB 15 201 2

HSL 116.08, 0.98%, 0.4%

LAB 70.79, -71.36, 69.4

 

CMYK 99 / 0 / 79 / 21

HEX #02C92A

RGB 2 201 42

HSL 132.06, 0.98%, 0.4%

LAB 70.84, -70.46, 62.07

 

CMYK 99 / 0 / 52 / 21

HEX #02C960

RGB 2 201 96

HSL 148.34, 0.98%, 0.4%

LAB 71.3, -64.63, 40.59

 

CMYK 99 / 0 / 25 / 21

HEX #02C996

RGB 2 201 150

HSL 164.62, 0.98%, 0.4%

LAB 72.22, -53.96, 13.87

 

CMYK 66 / 0 / 99 / 21

HEX #45C902

RGB 69 201 2

HSL 99.8, 0.98%, 0.4%

LAB 71.58, -64.36, 70.38

 

CMYK 66 / 0 / 99 / 21

HEX #45C902

RGB 69 201 2

HSL 99.8, 0.98%, 0.4%

LAB 71.58, -64.36, 70.38

 

CMYK 60 / 0 / 90 / 27

HEX #4AB912

RGB 74 185 18

HSL 99.88, 0.82%, 0.4%

LAB 66.67, -57.55, 64.41

 

CMYK 52 / 0 / 79 / 34

HEX #50A823

RGB 80 168 35

HSL 99.7, 0.66%, 0.4%

LAB 61.51, -49.02, 55.79

 

CMYK 44 / 0 / 66 / 40

HEX #559833

RGB 85 152 51

HSL 99.8, 0.5%, 0.4%

LAB 56.71, -39.81, 45

 

CMYK 33 / 0 / 50 / 47

HEX #5A8744

RGB 90 135 68

HSL 100.3, 0.33%, 0.4%

LAB 51.75, -28.43, 31.06

 

CMYK 11 / 0 / 99 / 21

HEX #B2C902

RGB 178 201 2

HSL 66.93, 0.98%, 0.4%

LAB 76.83, -27.75, 76.7

 

CMYK 38 / 0 / 99 / 21

HEX #7DC902

RGB 125 201 2

HSL 82.91, 0.98%, 0.4%

LAB 73.63, -48.38, 72.87

 

CMYK 64 / 0 / 99 / 21

HEX #48C902

RGB 72 201 2

HSL 98.89, 0.98%, 0.4%

LAB 71.66, -63.72, 70.47

 

CMYK 91 / 0 / 99 / 21

HEX #12C902

RGB 18 201 2

HSL 115.18, 0.98%, 0.4%

LAB 70.81, -71.19, 69.43

 

CMYK 99 / 0 / 81 / 21

HEX #02C926

RGB 2 201 38

HSL 130.85, 0.98%, 0.4%

LAB 70.82, -70.7, 63.2

 

CMYK 66 / 0 / 99 / 53

HEX #297801

RGB 41 120 1

HSL 99.83, 0.98%, 0.24%

LAB 44.1, -43.29, 48.25

 

CMYK 66 / 0 / 99 / 37

HEX #37A101

RGB 55 161 1

HSL 99.75, 0.99%, 0.32%

LAB 58.32, -54.27, 59.77

 

CMYK 66 / 0 / 99 / 21

HEX #45C902

RGB 69 201 2

HSL 99.8, 0.98%, 0.4%

LAB 71.58, -64.36, 70.38

 

CMYK 66 / 0 / 99 / 5

HEX #53F202

RGB 83 242 2

HSL 99.75, 0.98%, 0.48%

LAB 84.66, -74.38, 80.95

 

CMYK 58 / 0 / 87 / 1

HEX #6BFC21

RGB 107 252 33

HSL 99.73, 0.97%, 0.56%

LAB 88.38, -71.66, 80.65

 

CMYK 66 / 0 / 99 / 20

HEX #46CC02

RGB 70 204 2

HSL 99.8, 0.98%, 0.4%

LAB 72.56, -65.11, 71.16

 

CMYK 99 / 0 / 15 / 21

HEX #02C9AB

RGB 2 201 171

HSL 170.95, 0.98%, 0.4%

LAB 72.71, -48.65, 3.24

 

CMYK 0 / 99 / 25 / 21

HEX #C90297

RGB 201 2 151

HSL 315.08, 0.98%, 0.4%

LAB 45.21, 75.42, -25.39

 

CMYK 66 / 0 / 99 / 20

HEX #46CC02

RGB 70 204 2

HSL 99.8, 0.98%, 0.4%

LAB 72.56, -65.11, 71.16

 

CMYK 99 / 64 / 0 / 21

HEX #0248C9

RGB 2 72 201

HSL 218.89, 0.98%, 0.4%

LAB 35.72, 33.91, -71.34

 

CMYK 0 / 99 / 64 / 21

HEX #C90248

RGB 201 2 72

HSL 338.89, 0.98%, 0.4%

LAB 42.66, 68.72, 19.9

 

CMYK 66 / 0 / 99 / 20

HEX #46CC02

RGB 70 204 2

HSL 99.8, 0.98%, 0.4%

LAB 72.56, -65.11, 71.16

 

CMYK 99 / 0 / 15 / 21

HEX #02C9AB

RGB 2 201 171

HSL 170.95, 0.98%, 0.4%

LAB 72.71, -48.65, 3.24

 

CMYK 35 / 99 / 0 / 21

HEX #8302C9

RGB 131 2 201

HSL 278.89, 0.98%, 0.4%

LAB 36.15, 72.24, -70.29

 

CMYK 0 / 99 / 84 / 21

HEX #C90220

RGB 201 2 32

HSL 350.95, 0.98%, 0.4%

LAB 42.1, 67.21, 43.27

 

CMYK 66 / 0 / 99 / 20

HEX #46CC02

RGB 70 204 2

HSL 99.8, 0.98%, 0.4%

LAB 72.56, -65.11, 71.16

 

CMYK 99 / 15 / 0 / 21

HEX #02ABC9

RGB 2 171 201

HSL 189.05, 0.98%, 0.4%

LAB 64.45, -25.84, -25.6

 

CMYK 35 / 99 / 0 / 21

HEX #8302C9

RGB 131 2 201

HSL 278.89, 0.98%, 0.4%

LAB 36.15, 72.24, -70.29

 

CMYK 0 / 84 / 99 / 21

HEX #C92002

RGB 201 32 2

HSL 9.05, 0.98%, 0.4%

LAB 43.44, 62.5, 56.11

 

Description

Color code: RGB 70 204 2 | qconv.com Color code: RGB 70 204 2 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 204 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 204 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 99 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 99% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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