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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 184 171 it is the complementary color RGB 185 71 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 184 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 184 171 shade: RGB 75 184 166, RGB 92 202 185, RGB 109 220 204, RGB 126 238 223 and RGB 143 255 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 184 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 184 171 shade: RGB 70 184 171, RGB 53 166 152, RGB 36 148 133, RGB 19 130 114 and RGB 2 112 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 184 171 shade: RGB 70 184 171, RGB 70 184 140, RGB 70 184 109, RGB 70 184 78 and RGB 92 184 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 184 171 shade: RGB 70 184 171, RGB 70 167 184, RGB 70 136 184, RGB 70 105 184 and RGB 70 74 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 184 171 shade matches the following richer shades: RGB 70 184 171, RGB 49 205 187, RGB 28 226 203 and RGB 8 246 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 184 171 shade: RGB 70 184 171, RGB 90 164 155, RGB 111 143 139, RGB 132 122 124 and RGB 152 102 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 184 171 shade: RGB 70 184 110, RGB 70 184 140, RGB 70 184 171, RGB 70 167 184 and RGB 70 137 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 184 171 shade: RGB 47 125 116, RGB 58 154 143, RGB 70 184 171, RGB 100 196 185 and RGB 129 207 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 184 171 shade: RGB 70 184 171, RGB 79 70 184 and RGB 184 125 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 184 171 shade: RGB 70 184 171, RGB 171 70 184 and RGB 184 171 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 184 171 shade: RGB 70 184 171, RGB 79 70 184, RGB 184 70 83 and RGB 175 184 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 184 171 shade: RGB 70 184 171, RGB 114 70 184, RGB 184 70 83 and RGB 140 184 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

Complementary color

CMYK 0 / 62 / 55 / 27

HEX #B94754

RGB 185 71 84

HSL 353.16, 0.45%, 0.5%

LAB 46.26, 47.06, 16.77

 

CMYK 59 / 0 / 10 / 28

HEX #4BB8A6

RGB 75 184 166

HSL 170.09, 0.43%, 0.51%

LAB 68.41, -35.45, -0.16

 

CMYK 54 / 0 / 8 / 21

HEX #5CCAB9

RGB 92 202 185

HSL 170.73, 0.51%, 0.58%

LAB 74.84, -35.59, -1.07

 

CMYK 50 / 0 / 7 / 14

HEX #6DDCCC

RGB 109 220 204

HSL 171.35, 0.61%, 0.65%

LAB 81.18, -35.64, -1.9

 

CMYK 47 / 0 / 6 / 7

HEX #7EEEDF

RGB 126 238 223

HSL 171.96, 0.77%, 0.71%

LAB 87.44, -35.63, -2.67

 

CMYK 44 / 0 / 5 / 0

HEX #8FFFF2

RGB 143 255 242

HSL 173.04, 1%, 0.78%

LAB 93.35, -35.12, -3.81

 

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

CMYK 68 / 0 / 8 / 35

HEX #35A698

RGB 53 166 152

HSL 172.57, 0.52%, 0.43%

LAB 61.91, -34.64, -1.97

 

CMYK 76 / 0 / 10 / 42

HEX #249485

RGB 36 148 133

HSL 171.96, 0.61%, 0.36%

LAB 55.33, -33.97, -0.88

 

CMYK 85 / 0 / 12 / 49

HEX #138272

RGB 19 130 114

HSL 171.35, 0.74%, 0.29%

LAB 48.66, -32.93, 0.37

 

CMYK 98 / 0 / 15 / 56

HEX #02705F

RGB 2 112 95

HSL 170.73, 0.96%, 0.22%

LAB 41.89, -31.45, 1.81

 

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

CMYK 62 / 0 / 24 / 28

HEX #46B88C

RGB 70 184 140

HSL 156.84, 0.45%, 0.5%

LAB 67.63, -42.71, 12.97

 

CMYK 62 / 0 / 41 / 28

HEX #46B86D

RGB 70 184 109

HSL 140.53, 0.45%, 0.5%

LAB 67.04, -48.97, 28.79

 

CMYK 62 / 0 / 58 / 28

HEX #46B84E

RGB 70 184 78

HSL 124.21, 0.45%, 0.5%

LAB 66.62, -53.66, 43.78

 

CMYK 50 / 0 / 62 / 28

HEX #5CB846

RGB 92 184 70

HSL 108.42, 0.45%, 0.5%

LAB 67.28, -48.91, 48.38

 

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

CMYK 62 / 9 / 0 / 28

HEX #46A7B8

RGB 70 167 184

HSL 188.95, 0.45%, 0.5%

LAB 63.67, -23.07, -17.23

 

CMYK 62 / 26 / 0 / 28

HEX #4688B8

RGB 70 136 184

HSL 205.26, 0.45%, 0.5%

LAB 54.42, -6.22, -31.45

 

CMYK 62 / 43 / 0 / 28

HEX #4669B8

RGB 70 105 184

HSL 221.58, 0.45%, 0.5%

LAB 45.45, 12.52, -45.59

 

CMYK 62 / 60 / 0 / 28

HEX #464AB8

RGB 70 74 184

HSL 237.89, 0.45%, 0.5%

LAB 37.23, 32.27, -58.84

 

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

CMYK 76 / 0 / 9 / 20

HEX #31CDBB

RGB 49 205 187

HSL 173.08, 0.61%, 0.5%

LAB 74.76, -43.14, -2.38

 

CMYK 88 / 0 / 10 / 11

HEX #1CE2CB

RGB 28 226 203

HSL 173.03, 0.78%, 0.5%

LAB 81.26, -49.44, -1.44

 

CMYK 97 / 0 / 11 / 4

HEX #08F6DB

RGB 8 246 219

HSL 173.19, 0.94%, 0.5%

LAB 87.52, -54.1, -0.71

 

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

CMYK 45 / 0 / 5 / 36

HEX #5AA49B

RGB 90 164 155

HSL 172.7, 0.29%, 0.5%

LAB 62.58, -25.32, -2.52

 

CMYK 22 / 0 / 3 / 44

HEX #6F8F8B

RGB 111 143 139

HSL 172.5, 0.13%, 0.5%

LAB 56.97, -12.06, -1.56

 

CMYK 0 / 8 / 6 / 48

HEX #847A7C

RGB 132 122 124

HSL 348, 0.04%, 0.5%

LAB 52.15, 4.2, 0.28

 

CMYK 0 / 33 / 29 / 40

HEX #98666C

RGB 152 102 108

HSL 352.8, 0.2%, 0.5%

LAB 48.59, 21.01, 4.85

 

CMYK 62 / 0 / 40 / 28

HEX #46B86E

RGB 70 184 110

HSL 141.05, 0.45%, 0.5%

LAB 67.06, -48.79, 28.29

 

CMYK 62 / 0 / 24 / 28

HEX #46B88C

RGB 70 184 140

HSL 156.84, 0.45%, 0.5%

LAB 67.63, -42.71, 12.97

 

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

CMYK 62 / 9 / 0 / 28

HEX #46A7B8

RGB 70 167 184

HSL 188.95, 0.45%, 0.5%

LAB 63.67, -23.07, -17.23

 

CMYK 62 / 26 / 0 / 28

HEX #4689B8

RGB 70 137 184

HSL 204.74, 0.45%, 0.5%

LAB 54.71, -6.8, -30.99

 

CMYK 62 / 0 / 7 / 51

HEX #2F7D74

RGB 47 125 116

HSL 173.08, 0.45%, 0.34%

LAB 47.67, -25.99, -2.19

 

CMYK 62 / 0 / 7 / 40

HEX #3A9A8F

RGB 58 154 143

HSL 173.13, 0.45%, 0.42%

LAB 58.03, -30.6, -2.56

 

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

CMYK 49 / 0 / 6 / 23

HEX #64C4B9

RGB 100 196 185

HSL 173.13, 0.45%, 0.58%

LAB 73.35, -31.04, -3.22

 

CMYK 38 / 0 / 4 / 19

HEX #81CFC6

RGB 129 207 198

HSL 173.08, 0.45%, 0.66%

LAB 78.09, -26.07, -3.13

 

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

CMYK 57 / 62 / 0 / 28

HEX #4F46B8

RGB 79 70 184

HSL 244.74, 0.45%, 0.5%

LAB 36.94, 36.3, -59.28

 

CMYK 0 / 32 / 62 / 28

HEX #B87D46

RGB 184 125 70

HSL 28.95, 0.45%, 0.5%

LAB 57.37, 17.27, 38.76

 

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

CMYK 7 / 62 / 0 / 28

HEX #AB46B8

RGB 171 70 184

HSL 293.16, 0.45%, 0.5%

LAB 47.62, 57.01, -41.54

 

CMYK 0 / 7 / 62 / 28

HEX #B8AB46

RGB 184 171 70

HSL 53.16, 0.45%, 0.5%

LAB 69.3, -7.8, 52.25

 

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

CMYK 57 / 62 / 0 / 28

HEX #4F46B8

RGB 79 70 184

HSL 244.74, 0.45%, 0.5%

LAB 36.94, 36.3, -59.28

 

CMYK 0 / 62 / 55 / 28

HEX #B84653

RGB 184 70 83

HSL 353.16, 0.45%, 0.5%

LAB 45.9, 47.09, 16.86

 

CMYK 5 / 0 / 62 / 28

HEX #AFB846

RGB 175 184 70

HSL 64.74, 0.45%, 0.5%

LAB 72.12, -18.31, 55.09

 

CMYK 62 / 0 / 7 / 28

HEX #46B8AB

RGB 70 184 171

HSL 173.16, 0.45%, 0.5%

LAB 68.4, -35.06, -2.94

 

CMYK 38 / 62 / 0 / 28

HEX #7246B8

RGB 114 70 184

HSL 263.16, 0.45%, 0.5%

LAB 40.28, 43.39, -53.71

 

CMYK 0 / 62 / 55 / 28

HEX #B84653

RGB 184 70 83

HSL 353.16, 0.45%, 0.5%

LAB 45.9, 47.09, 16.86

 

CMYK 24 / 0 / 62 / 28

HEX #8CB846

RGB 140 184 70

HSL 83.16, 0.45%, 0.5%

LAB 69.68, -32.47, 51.73

 

Description

Color code: RGB 70 184 171 | qconv.com Color code: RGB 70 184 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 184 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 184 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 7 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 7% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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