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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 183 80 it is the complementary color RGB 185 72 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 183 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 183 80 shade: RGB 75 183 75, RGB 92 201 94, RGB 109 219 113, RGB 126 237 132 and RGB 143 255 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 183 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 183 80 shade: RGB 70 183 80, RGB 53 165 61, RGB 36 147 42, RGB 19 129 23 and RGB 2 111 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 183 80 shade: RGB 70 184 80, RGB 90 184 70, RGB 121 184 70, RGB 152 184 70 and RGB 183 184 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 183 80 shade: RGB 70 184 80, RGB 70 184 111, RGB 70 184 142, RGB 70 184 173 and RGB 70 165 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 183 80 shade matches the following richer shades: RGB 70 184 80, RGB 49 205 63, RGB 28 226 46 and RGB 8 246 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 183 80 shade: RGB 70 184 80, RGB 90 164 97, RGB 111 143 114, RGB 132 122 131 and RGB 152 102 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 183 80 shade: RGB 121 184 70, RGB 91 184 70, RGB 70 184 79, RGB 70 184 110 and RGB 70 184 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 183 80 shade: RGB 47 125 54, RGB 58 154 67, RGB 70 184 80, RGB 100 196 108 and RGB 129 207 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 183 80 shade: RGB 70 183 80, RGB 70 152 184 and RGB 184 70 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 183 80 shade: RGB 70 183 80, RGB 79 70 184 and RGB 184 79 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 183 80 shade: RGB 70 183 80, RGB 70 152 184, RGB 184 70 175 and RGB 184 102 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 183 80 shade: RGB 70 183 80, RGB 70 117 184, RGB 184 70 175 and RGB 184 137 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 56 / 28

HEX #46B750

RGB 70 183 80

HSL 125.31, 0.45%, 0.5%

LAB 66.33, -53.03, 42.49

 

Complementary color

CMYK 0 / 61 / 5 / 27

HEX #B948AF

RGB 185 72 175

HSL 305.31, 0.45%, 0.5%

LAB 49.55, 58.13, -33.1

 

CMYK 59 / 0 / 59 / 28

HEX #4BB74B

RGB 75 183 75

HSL 120, 0.43%, 0.51%

LAB 66.42, -52.49, 44.99

 

CMYK 54 / 0 / 53 / 21

HEX #5CC95E

RGB 92 201 94

HSL 121.1, 0.5%, 0.57%

LAB 72.8, -52.77, 43.72

 

CMYK 50 / 0 / 48 / 14

HEX #6DDB71

RGB 109 219 113

HSL 122.18, 0.6%, 0.64%

LAB 79.1, -52.85, 42.43

 

CMYK 47 / 0 / 44 / 7

HEX #7EED84

RGB 126 237 132

HSL 123.24, 0.76%, 0.71%

LAB 85.34, -52.8, 41.16

 

CMYK 44 / 0 / 41 / 0

HEX #8FFF97

RGB 143 255 151

HSL 124.29, 1%, 0.78%

LAB 91.5, -52.68, 39.92

 

CMYK 62 / 0 / 56 / 28

HEX #46B750

RGB 70 183 80

HSL 125.31, 0.45%, 0.5%

LAB 66.33, -53.03, 42.49

 

CMYK 68 / 0 / 63 / 35

HEX #35A53D

RGB 53 165 61

HSL 124.29, 0.51%, 0.43%

LAB 59.89, -52.4, 43.76

 

CMYK 76 / 0 / 71 / 42

HEX #24932A

RGB 36 147 42

HSL 123.24, 0.61%, 0.36%

LAB 53.39, -51.25, 44.77

 

CMYK 85 / 0 / 82 / 49

HEX #138117

RGB 19 129 23

HSL 122.18, 0.74%, 0.29%

LAB 46.84, -49.29, 45.1

 

CMYK 98 / 0 / 96 / 56

HEX #026F04

RGB 2 111 4

HSL 121.1, 0.96%, 0.22%

LAB 40.23, -46.3, 44.08

 

CMYK 62 / 0 / 57 / 28

HEX #46B850

RGB 70 184 80

HSL 125.26, 0.45%, 0.5%

LAB 66.64, -53.4, 42.87

 

CMYK 51 / 0 / 62 / 28

HEX #5AB846

RGB 90 184 70

HSL 109.47, 0.45%, 0.5%

LAB 67.2, -49.49, 48.28

 

CMYK 34 / 0 / 62 / 28

HEX #79B846

RGB 121 184 70

HSL 93.16, 0.45%, 0.5%

LAB 68.6, -39.52, 50.22

 

CMYK 17 / 0 / 62 / 28

HEX #98B846

RGB 152 184 70

HSL 76.84, 0.45%, 0.5%

LAB 70.45, -27.75, 52.8

 

CMYK 1 / 0 / 62 / 28

HEX #B7B846

RGB 183 184 70

HSL 60.53, 0.45%, 0.5%

LAB 72.75, -14.95, 55.95

 

CMYK 62 / 0 / 57 / 28

HEX #46B850

RGB 70 184 80

HSL 125.26, 0.45%, 0.5%

LAB 66.64, -53.4, 42.87

 

CMYK 62 / 0 / 40 / 28

HEX #46B86F

RGB 70 184 111

HSL 141.58, 0.45%, 0.5%

LAB 67.07, -48.61, 27.79

 

CMYK 62 / 0 / 23 / 28

HEX #46B88E

RGB 70 184 142

HSL 157.89, 0.45%, 0.5%

LAB 67.68, -42.26, 11.94

 

CMYK 62 / 0 / 6 / 28

HEX #46B8AD

RGB 70 184 173

HSL 174.21, 0.45%, 0.5%

LAB 68.46, -34.52, -3.96

 

CMYK 62 / 10 / 0 / 28

HEX #46A5B8

RGB 70 165 184

HSL 190, 0.45%, 0.5%

LAB 63.07, -22.04, -18.14

 

CMYK 62 / 0 / 57 / 28

HEX #46B850

RGB 70 184 80

HSL 125.26, 0.45%, 0.5%

LAB 66.64, -53.4, 42.87

 

CMYK 76 / 0 / 69 / 20

HEX #31CD3F

RGB 49 205 63

HSL 125.38, 0.61%, 0.5%

LAB 72.68, -66.22, 56.84

 

CMYK 88 / 0 / 80 / 11

HEX #1CE22E

RGB 28 226 46

HSL 125.45, 0.78%, 0.5%

LAB 78.95, -75.9, 68.66

 

CMYK 97 / 0 / 88 / 4

HEX #08F61D

RGB 8 246 29

HSL 125.29, 0.94%, 0.5%

LAB 85.02, -83.04, 77.87

 

CMYK 62 / 0 / 57 / 28

HEX #46B850

RGB 70 184 80

HSL 125.26, 0.45%, 0.5%

LAB 66.64, -53.4, 42.87

 

CMYK 45 / 0 / 41 / 36

HEX #5AA461

RGB 90 164 97

HSL 125.68, 0.29%, 0.5%

LAB 61.3, -37.53, 27.76

 

CMYK 22 / 0 / 20 / 44

HEX #6F8F72

RGB 111 143 114

HSL 125.63, 0.13%, 0.5%

LAB 56.33, -17.28, 11.82

 

CMYK 0 / 8 / 1 / 48

HEX #847A83

RGB 132 122 131

HSL 306, 0.04%, 0.5%

LAB 52.36, 5.56, -3.52

 

CMYK 0 / 33 / 3 / 40

HEX #986694

RGB 152 102 148

HSL 304.8, 0.2%, 0.5%

LAB 49.88, 27.83, -17.05

 

CMYK 34 / 0 / 62 / 28

HEX #79B846

RGB 121 184 70

HSL 93.16, 0.45%, 0.5%

LAB 68.6, -39.52, 50.22

 

CMYK 51 / 0 / 62 / 28

HEX #5BB846

RGB 91 184 70

HSL 108.95, 0.45%, 0.5%

LAB 67.24, -49.2, 48.33

 

CMYK 62 / 0 / 57 / 28

HEX #46B84F

RGB 70 184 79

HSL 124.74, 0.45%, 0.5%

LAB 66.63, -53.53, 43.33

 

CMYK 62 / 0 / 40 / 28

HEX #46B86E

RGB 70 184 110

HSL 141.05, 0.45%, 0.5%

LAB 67.06, -48.79, 28.29

 

CMYK 62 / 0 / 24 / 28

HEX #46B88C

RGB 70 184 140

HSL 156.84, 0.45%, 0.5%

LAB 67.63, -42.71, 12.97

 

CMYK 62 / 0 / 57 / 51

HEX #2F7D36

RGB 47 125 54

HSL 125.38, 0.45%, 0.34%

LAB 46.36, -39.47, 31.39

 

CMYK 62 / 0 / 56 / 40

HEX #3A9A43

RGB 58 154 67

HSL 125.63, 0.45%, 0.42%

LAB 56.5, -46.49, 37.02

 

CMYK 62 / 0 / 57 / 28

HEX #46B850

RGB 70 184 80

HSL 125.26, 0.45%, 0.5%

LAB 66.64, -53.4, 42.87

 

CMYK 49 / 0 / 45 / 23

HEX #64C46C

RGB 100 196 108

HSL 125, 0.45%, 0.58%

LAB 71.74, -46.68, 35.58

 

CMYK 38 / 0 / 34 / 19

HEX #81CF88

RGB 129 207 136

HSL 125.38, 0.45%, 0.66%

LAB 76.72, -38.54, 27.92

 

CMYK 62 / 0 / 56 / 28

HEX #46B750

RGB 70 183 80

HSL 125.31, 0.45%, 0.5%

LAB 66.33, -53.03, 42.49

 

CMYK 62 / 17 / 0 / 28

HEX #4698B8

RGB 70 152 184

HSL 196.84, 0.45%, 0.5%

LAB 59.18, -15.17, -24.09

 

CMYK 0 / 62 / 42 / 28

HEX #B8466A

RGB 184 70 106

HSL 341.05, 0.45%, 0.5%

LAB 46.46, 49.24, 3.59

 

CMYK 62 / 0 / 56 / 28

HEX #46B750

RGB 70 183 80

HSL 125.31, 0.45%, 0.5%

LAB 66.33, -53.03, 42.49

 

CMYK 57 / 62 / 0 / 28

HEX #4F46B8

RGB 79 70 184

HSL 244.74, 0.45%, 0.5%

LAB 36.94, 36.3, -59.28

 

CMYK 0 / 57 / 62 / 28

HEX #B84F46

RGB 184 79 70

HSL 4.74, 0.45%, 0.5%

LAB 47.27, 41.86, 26.45

 

CMYK 62 / 0 / 56 / 28

HEX #46B750

RGB 70 183 80

HSL 125.31, 0.45%, 0.5%

LAB 66.33, -53.03, 42.49

 

CMYK 62 / 17 / 0 / 28

HEX #4698B8

RGB 70 152 184

HSL 196.84, 0.45%, 0.5%

LAB 59.18, -15.17, -24.09

 

CMYK 0 / 62 / 5 / 28

HEX #B846AF

RGB 184 70 175

HSL 304.74, 0.45%, 0.5%

LAB 49.09, 58.72, -33.83

 

CMYK 0 / 45 / 62 / 28

HEX #B86646

RGB 184 102 70

HSL 16.84, 0.45%, 0.5%

LAB 51.99, 29.94, 32.32

 

CMYK 62 / 0 / 56 / 28

HEX #46B750

RGB 70 183 80

HSL 125.31, 0.45%, 0.5%

LAB 66.33, -53.03, 42.49

 

CMYK 62 / 36 / 0 / 28

HEX #4675B8

RGB 70 117 184

HSL 215.26, 0.45%, 0.5%

LAB 48.87, 5.06, -40.16

 

CMYK 0 / 62 / 5 / 28

HEX #B846AF

RGB 184 70 175

HSL 304.74, 0.45%, 0.5%

LAB 49.09, 58.72, -33.83

 

CMYK 0 / 26 / 62 / 28

HEX #B88946

RGB 184 137 70

HSL 35.26, 0.45%, 0.5%

LAB 60.36, 10.61, 42.24

 

Description

Color code: RGB 70 183 80 | qconv.com Color code: RGB 70 183 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 183 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 183 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 56 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 56% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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