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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 165 253 it is the complementary color RGB 185 90 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 165 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 165 253 shade: RGB 75 165 248, RGB 92 183 255, RGB 109 201 255, RGB 126 219 255 and RGB 143 237 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 165 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 165 253 shade: RGB 70 165 253, RGB 53 147 234, RGB 36 129 215, RGB 19 111 196 and RGB 2 93 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 165 253 shade: RGB 68 164 253, RGB 68 114 253, RGB 71 68 253, RGB 121 68 253 and RGB 171 68 253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 165 253 shade: RGB 68 164 253, RGB 68 114 253 and RGB 68 68 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 165 253 shade matches the following richer shades: RGB 68 164 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 165 253 shade: RGB 68 164 253, RGB 83 163 237, RGB 98 163 222, RGB 113 162 207 and RGB 129 161 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 165 253 shade: RGB 68 253 240, RGB 68 216 253, RGB 68 166 253, RGB 68 117 253 and RGB 68 68 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 165 253 shade: RGB 2 123 236, RGB 27 144 252, RGB 68 164 253, RGB 109 184 253 and RGB 149 203 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 165 253 shade: RGB 70 165 253, RGB 191 68 253 and RGB 240 253 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 165 253 shade: RGB 70 165 253, RGB 253 68 166 and RGB 166 253 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 165 253 shade: RGB 70 165 253, RGB 191 68 253, RGB 253 154 68 and RGB 129 253 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 165 253 shade: RGB 70 165 253, RGB 246 68 253, RGB 253 154 68 and RGB 74 253 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 35 / 0 / 1

HEX #46A5FD

RGB 70 165 253

HSL 208.85, 0.98%, 0.63%

LAB 65.98, 0.54, -51.73

 

Complementary color

CMYK 0 / 51 / 99 / 27

HEX #B95A02

RGB 185 90 2

HSL 28.85, 0.98%, 0.37%

LAB 49.05, 34.23, 57.57

 

CMYK 70 / 33 / 0 / 3

HEX #4BA5F8

RGB 75 165 248

HSL 208.79, 0.93%, 0.63%

LAB 65.89, -0.5, -49.14

 

CMYK 64 / 28 / 0 / 0

HEX #5CB7FF

RGB 92 183 255

HSL 206.5, 1%, 0.68%

LAB 71.8, -5.65, -43.61

 

CMYK 57 / 21 / 0 / 0

HEX #6DC9FF

RGB 109 201 255

HSL 202.19, 1%, 0.71%

LAB 77.43, -12.3, -34.81

 

CMYK 51 / 14 / 0 / 0

HEX #7EDBFF

RGB 126 219 255

HSL 196.74, 1%, 0.75%

LAB 83.08, -18.18, -26.07

 

CMYK 44 / 7 / 0 / 0

HEX #8FEDFF

RGB 143 237 255

HSL 189.64, 1%, 0.78%

LAB 88.75, -23.38, -17.42

 

CMYK 72 / 35 / 0 / 1

HEX #46A5FD

RGB 70 165 253

HSL 208.85, 0.98%, 0.63%

LAB 65.98, 0.54, -51.73

 

CMYK 77 / 37 / 0 / 8

HEX #3593EA

RGB 53 147 234

HSL 208.84, 0.81%, 0.56%

LAB 59.49, 2.28, -51.62

 

CMYK 83 / 40 / 0 / 16

HEX #2481D7

RGB 36 129 215

HSL 208.83, 0.71%, 0.49%

LAB 52.93, 4.41, -51.47

 

CMYK 90 / 43 / 0 / 23

HEX #136FC4

RGB 19 111 196

HSL 208.81, 0.82%, 0.42%

LAB 46.3, 7.05, -51.26

 

CMYK 99 / 47 / 0 / 31

HEX #025DB1

RGB 2 93 177

HSL 208.8, 0.98%, 0.35%

LAB 39.61, 10.27, -50.97

 

CMYK 73 / 35 / 0 / 1

HEX #44A4FD

RGB 68 164 253

HSL 208.86, 0.98%, 0.63%

LAB 65.65, 0.86, -52.26

 

CMYK 73 / 55 / 0 / 1

HEX #4472FD

RGB 68 114 253

HSL 225.08, 0.98%, 0.63%

LAB 52.24, 30.99, -73.78

 

CMYK 72 / 73 / 0 / 1

HEX #4744FD

RGB 71 68 253

HSL 240.97, 0.98%, 0.63%

LAB 42.1, 58.39, -90.38

 

CMYK 52 / 73 / 0 / 1

HEX #7944FD

RGB 121 68 253

HSL 257.19, 0.98%, 0.63%

LAB 46.03, 64.06, -83.77

 

CMYK 32 / 73 / 0 / 1

HEX #AB44FD

RGB 171 68 253

HSL 273.41, 0.98%, 0.63%

LAB 51.71, 71.9, -74.27

 

CMYK 73 / 35 / 0 / 1

HEX #44A4FD

RGB 68 164 253

HSL 208.86, 0.98%, 0.63%

LAB 65.65, 0.86, -52.26

 

CMYK 73 / 55 / 0 / 1

HEX #4472FD

RGB 68 114 253

HSL 225.08, 0.98%, 0.63%

LAB 52.24, 30.99, -73.78

 

CMYK 73 / 73 / 0 / 1

HEX #4444FD

RGB 68 68 253

HSL 240, 0.98%, 0.63%

LAB 41.93, 58.13, -90.67

 

CMYK 73 / 35 / 0 / 1

HEX #44A4FD

RGB 68 164 253

HSL 208.86, 0.98%, 0.63%

LAB 65.65, 0.86, -52.26

 

CMYK 73 / 35 / 0 / 1

HEX #44A4FD

RGB 68 164 253

HSL 208.86, 0.98%, 0.63%

LAB 65.65, 0.86, -52.26

 

CMYK 65 / 31 / 0 / 7

HEX #53A3ED

RGB 83 163 237

HSL 208.83, 0.81%, 0.63%

LAB 65.08, -1.83, -44.38

 

CMYK 56 / 27 / 0 / 13

HEX #62A3DE

RGB 98 163 222

HSL 208.55, 0.65%, 0.63%

LAB 65.01, -3.85, -36.19

 

CMYK 45 / 22 / 0 / 19

HEX #71A2CF

RGB 113 162 207

HSL 208.72, 0.49%, 0.63%

LAB 64.85, -4.34, -28.08

 

CMYK 33 / 16 / 0 / 25

HEX #81A1C0

RGB 129 161 192

HSL 209.52, 0.33%, 0.63%

LAB 64.93, -3.52, -19.52

 

CMYK 73 / 0 / 5 / 1

HEX #44FDF0

RGB 68 253 240

HSL 175.78, 0.98%, 0.63%

LAB 90.68, -47.65, -6.95

 

CMYK 73 / 15 / 0 / 1

HEX #44D8FD

RGB 68 216 253

HSL 192, 0.98%, 0.63%

LAB 80.42, -26.87, -29.23

 

CMYK 73 / 34 / 0 / 1

HEX #44A6FD

RGB 68 166 253

HSL 208.22, 0.98%, 0.63%

LAB 66.21, -0.28, -51.38

 

CMYK 73 / 54 / 0 / 1

HEX #4475FD

RGB 68 117 253

HSL 224.11, 0.98%, 0.63%

LAB 53, 29.14, -72.55

 

CMYK 73 / 73 / 0 / 1

HEX #4444FD

RGB 68 68 253

HSL 240, 0.98%, 0.63%

LAB 41.93, 58.13, -90.67

 

CMYK 99 / 48 / 0 / 7

HEX #027BEC

RGB 2 123 236

HSL 208.97, 0.98%, 0.47%

LAB 52.1, 14.6, -64.61

 

CMYK 89 / 43 / 0 / 1

HEX #1B90FC

RGB 27 144 252

HSL 208.8, 0.97%, 0.55%

LAB 59.17, 8.68, -62.1

 

CMYK 73 / 35 / 0 / 1

HEX #44A4FD

RGB 68 164 253

HSL 208.86, 0.98%, 0.63%

LAB 65.65, 0.86, -52.26

 

CMYK 57 / 27 / 0 / 1

HEX #6DB8FD

RGB 109 184 253

HSL 208.75, 0.97%, 0.71%

LAB 72.64, -3.75, -41.16

 

CMYK 41 / 20 / 0 / 1

HEX #95CBFD

RGB 149 203 253

HSL 208.85, 0.96%, 0.79%

LAB 79.72, -5.03, -30.05

 

CMYK 72 / 35 / 0 / 1

HEX #46A5FD

RGB 70 165 253

HSL 208.85, 0.98%, 0.63%

LAB 65.98, 0.54, -51.73

 

CMYK 25 / 73 / 0 / 1

HEX #BF44FD

RGB 191 68 253

HSL 279.89, 0.98%, 0.63%

LAB 54.35, 75.44, -69.86

 

CMYK 5 / 0 / 73 / 1

HEX #F0FD44

RGB 240 253 68

HSL 64.22, 0.98%, 0.63%

LAB 95.66, -25.29, 80.98

 

CMYK 72 / 35 / 0 / 1

HEX #46A5FD

RGB 70 165 253

HSL 208.85, 0.98%, 0.63%

LAB 65.98, 0.54, -51.73

 

CMYK 0 / 73 / 34 / 1

HEX #FD44A6

RGB 253 68 166

HSL 328.22, 0.98%, 0.63%

LAB 59.68, 75.95, -11.35

 

CMYK 34 / 0 / 73 / 1

HEX #A6FD44

RGB 166 253 68

HSL 88.22, 0.98%, 0.63%

LAB 91.13, -53.12, 75.07

 

CMYK 72 / 35 / 0 / 1

HEX #46A5FD

RGB 70 165 253

HSL 208.85, 0.98%, 0.63%

LAB 65.98, 0.54, -51.73

 

CMYK 25 / 73 / 0 / 1

HEX #BF44FD

RGB 191 68 253

HSL 279.89, 0.98%, 0.63%

LAB 54.35, 75.44, -69.86

 

CMYK 0 / 39 / 73 / 1

HEX #FD9A44

RGB 253 154 68

HSL 27.89, 0.98%, 0.63%

LAB 72.5, 30.34, 58.76

 

CMYK 49 / 0 / 73 / 1

HEX #81FD44

RGB 129 253 68

HSL 100.22, 0.98%, 0.63%

LAB 89.55, -64.62, 72.98

 

CMYK 72 / 35 / 0 / 1

HEX #46A5FD

RGB 70 165 253

HSL 208.85, 0.98%, 0.63%

LAB 65.98, 0.54, -51.73

 

CMYK 3 / 73 / 0 / 1

HEX #F644FD

RGB 246 68 253

HSL 297.73, 0.98%, 0.63%

LAB 62.35, 85.88, -56.57

 

CMYK 0 / 39 / 73 / 1

HEX #FD9A44

RGB 253 154 68

HSL 27.89, 0.98%, 0.63%

LAB 72.5, 30.34, 58.76

 

CMYK 71 / 0 / 73 / 1

HEX #4AFD44

RGB 74 253 68

HSL 118.05, 0.98%, 0.63%

LAB 88.03, -76.87, 70.96

 

Description

Color code: RGB 70 165 253 | qconv.com Color code: RGB 70 165 253 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 165 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 165 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 35 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 35% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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