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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 161 245 it is the complementary color RGB 185 94 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 161 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 161 245 shade: RGB 75 161 240, RGB 92 179 255, RGB 109 197 255, RGB 126 215 255 and RGB 143 233 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 161 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 161 245 shade: RGB 70 161 245, RGB 53 143 226, RGB 36 125 207, RGB 19 107 188 and RGB 2 89 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 161 245 shade: RGB 70 161 245, RGB 70 114 245, RGB 74 70 245, RGB 121 70 245 and RGB 168 70 245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 161 245 shade: RGB 70 161 245, RGB 70 114 245 and RGB 70 70 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 161 245 shade matches the following richer shades: RGB 70 161 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 161 245 shade: RGB 70 161 245, RGB 86 160 229, RGB 102 160 213, RGB 117 159 198 and RGB 133 159 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 161 245 shade: RGB 70 245 233, RGB 70 210 245, RGB 70 163 245, RGB 70 117 245 and RGB 70 70 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 161 245 shade: RGB 11 121 221, RGB 31 141 243, RGB 70 161 245, RGB 110 181 247 and RGB 149 201 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 161 245 shade: RGB 70 161 245, RGB 187 70 245 and RGB 233 245 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 161 245 shade: RGB 70 161 245, RGB 245 70 163 and RGB 163 245 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 161 245 shade: RGB 70 161 245, RGB 187 70 245, RGB 245 152 70 and RGB 129 245 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 161 245 shade: RGB 70 161 245, RGB 239 70 245, RGB 245 152 70 and RGB 76 245 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 34 / 0 / 4

HEX #46A1F5

RGB 70 161 245

HSL 208.8, 0.9%, 0.62%

LAB 64.47, 0.08, -49.75

 

Complementary color

CMYK 0 / 49 / 95 / 27

HEX #B95E0A

RGB 185 94 10

HSL 28.8, 0.9%, 0.38%

LAB 49.91, 32.23, 56.35

 

CMYK 69 / 33 / 0 / 6

HEX #4BA1F0

RGB 75 161 240

HSL 208.73, 0.85%, 0.62%

LAB 64.38, -0.93, -47.14

 

CMYK 64 / 30 / 0 / 0

HEX #5CB3FF

RGB 92 179 255

HSL 207.98, 1%, 0.68%

LAB 70.69, -3.44, -45.35

 

CMYK 57 / 23 / 0 / 0

HEX #6DC5FF

RGB 109 197 255

HSL 203.84, 1%, 0.71%

LAB 76.32, -10.18, -36.53

 

CMYK 51 / 16 / 0 / 0

HEX #7ED7FF

RGB 126 215 255

HSL 198.6, 1%, 0.75%

LAB 81.98, -16.14, -27.76

 

CMYK 44 / 9 / 0 / 0

HEX #8FE9FF

RGB 143 233 255

HSL 191.79, 1%, 0.78%

LAB 87.65, -21.41, -19.07

 

CMYK 71 / 34 / 0 / 4

HEX #46A1F5

RGB 70 161 245

HSL 208.8, 0.9%, 0.62%

LAB 64.47, 0.08, -49.75

 

CMYK 77 / 37 / 0 / 11

HEX #358FE2

RGB 53 143 226

HSL 208.79, 0.75%, 0.55%

LAB 57.94, 1.75, -49.65

 

CMYK 83 / 40 / 0 / 19

HEX #247DCF

RGB 36 125 207

HSL 208.77, 0.7%, 0.48%

LAB 51.32, 3.83, -49.51

 

CMYK 90 / 43 / 0 / 26

HEX #136BBC

RGB 19 107 188

HSL 208.76, 0.82%, 0.41%

LAB 44.64, 6.43, -49.3

 

CMYK 99 / 47 / 0 / 34

HEX #0259A9

RGB 2 89 169

HSL 208.74, 0.98%, 0.34%

LAB 37.88, 9.62, -49.02

 

CMYK 71 / 34 / 0 / 4

HEX #46A1F5

RGB 70 161 245

HSL 208.8, 0.9%, 0.62%

LAB 64.47, 0.08, -49.75

 

CMYK 71 / 53 / 0 / 4

HEX #4672F5

RGB 70 114 245

HSL 224.91, 0.9%, 0.62%

LAB 51.76, 28.41, -70.12

 

CMYK 70 / 71 / 0 / 4

HEX #4A46F5

RGB 74 70 245

HSL 241.37, 0.9%, 0.62%

LAB 41.89, 55.11, -86.24

 

CMYK 51 / 71 / 0 / 4

HEX #7946F5

RGB 121 70 245

HSL 257.49, 0.9%, 0.62%

LAB 45.69, 60.99, -79.86

 

CMYK 31 / 71 / 0 / 4

HEX #A846F5

RGB 168 70 245

HSL 273.6, 0.9%, 0.62%

LAB 51.03, 68.83, -70.92

 

CMYK 71 / 34 / 0 / 4

HEX #46A1F5

RGB 70 161 245

HSL 208.8, 0.9%, 0.62%

LAB 64.47, 0.08, -49.75

 

CMYK 71 / 53 / 0 / 4

HEX #4672F5

RGB 70 114 245

HSL 224.91, 0.9%, 0.62%

LAB 51.76, 28.41, -70.12

 

CMYK 71 / 71 / 0 / 4

HEX #4646F5

RGB 70 70 245

HSL 240, 0.9%, 0.62%

LAB 41.65, 54.72, -86.64

 

CMYK 71 / 34 / 0 / 4

HEX #46A1F5

RGB 70 161 245

HSL 208.8, 0.9%, 0.62%

LAB 64.47, 0.08, -49.75

 

CMYK 71 / 34 / 0 / 4

HEX #46A1F5

RGB 70 161 245

HSL 208.8, 0.9%, 0.62%

LAB 64.47, 0.08, -49.75

 

CMYK 62 / 30 / 0 / 10

HEX #56A0E5

RGB 86 160 229

HSL 208.95, 0.73%, 0.62%

LAB 63.98, -2.24, -41.7

 

CMYK 52 / 25 / 0 / 16

HEX #66A0D5

RGB 102 160 213

HSL 208.65, 0.57%, 0.62%

LAB 63.97, -4.06, -32.81

 

CMYK 41 / 20 / 0 / 22

HEX #759FC6

RGB 117 159 198

HSL 208.89, 0.42%, 0.62%

LAB 63.88, -4.16, -24.54

 

CMYK 27 / 13 / 0 / 29

HEX #859FB6

RGB 133 159 182

HSL 208.16, 0.25%, 0.62%

LAB 64.29, -3.71, -14.88

 

CMYK 71 / 0 / 5 / 4

HEX #46F5E9

RGB 70 245 233

HSL 175.89, 0.9%, 0.62%

LAB 88.2, -45.83, -6.95

 

CMYK 71 / 14 / 0 / 4

HEX #46D2F5

RGB 70 210 245

HSL 192, 0.9%, 0.62%

LAB 78.45, -26.13, -27.98

 

CMYK 71 / 33 / 0 / 4

HEX #46A3F5

RGB 70 163 245

HSL 208.11, 0.9%, 0.62%

LAB 65.03, -1.07, -48.87

 

CMYK 71 / 52 / 0 / 4

HEX #4675F5

RGB 70 117 245

HSL 223.89, 0.9%, 0.62%

LAB 52.53, 26.55, -68.87

 

CMYK 71 / 71 / 0 / 4

HEX #4646F5

RGB 70 70 245

HSL 240, 0.9%, 0.62%

LAB 41.65, 54.72, -86.64

 

CMYK 95 / 45 / 0 / 13

HEX #0B79DD

RGB 11 121 221

HSL 208.57, 0.91%, 0.45%

LAB 50.65, 10.25, -58.53

 

CMYK 87 / 42 / 0 / 5

HEX #1F8DF3

RGB 31 141 243

HSL 208.87, 0.9%, 0.54%

LAB 57.86, 7.33, -59.23

 

CMYK 71 / 34 / 0 / 4

HEX #46A1F5

RGB 70 161 245

HSL 208.8, 0.9%, 0.62%

LAB 64.47, 0.08, -49.75

 

CMYK 55 / 27 / 0 / 3

HEX #6EB5F7

RGB 110 181 247

HSL 208.91, 0.9%, 0.7%

LAB 71.61, -3.73, -39.54

 

CMYK 40 / 19 / 0 / 2

HEX #95C9F9

RGB 149 201 249

HSL 208.8, 0.89%, 0.78%

LAB 79.04, -5.02, -28.96

 

CMYK 71 / 34 / 0 / 4

HEX #46A1F5

RGB 70 161 245

HSL 208.8, 0.9%, 0.62%

LAB 64.47, 0.08, -49.75

 

CMYK 24 / 71 / 0 / 4

HEX #BB46F5

RGB 187 70 245

HSL 280.11, 0.9%, 0.62%

LAB 53.53, 72.36, -66.75

 

CMYK 5 / 0 / 71 / 4

HEX #E9F546

RGB 233 245 70

HSL 64.11, 0.9%, 0.62%

LAB 93.05, -24.23, 77.68

 

CMYK 71 / 34 / 0 / 4

HEX #46A1F5

RGB 70 161 245

HSL 208.8, 0.9%, 0.62%

LAB 64.47, 0.08, -49.75

 

CMYK 0 / 71 / 33 / 4

HEX #F546A3

RGB 245 70 163

HSL 328.11, 0.9%, 0.62%

LAB 58.45, 72.96, -11.59

 

CMYK 33 / 0 / 71 / 4

HEX #A3F546

RGB 163 245 70

HSL 88.11, 0.9%, 0.62%

LAB 88.7, -50.76, 71.96

 

CMYK 71 / 34 / 0 / 4

HEX #46A1F5

RGB 70 161 245

HSL 208.8, 0.9%, 0.62%

LAB 64.47, 0.08, -49.75

 

CMYK 24 / 71 / 0 / 4

HEX #BB46F5

RGB 187 70 245

HSL 280.11, 0.9%, 0.62%

LAB 53.53, 72.36, -66.75

 

CMYK 0 / 38 / 71 / 4

HEX #F59846

RGB 245 152 70

HSL 28.11, 0.9%, 0.62%

LAB 71.08, 28.23, 56.09

 

CMYK 47 / 0 / 71 / 4

HEX #81F546

RGB 129 245 70

HSL 99.77, 0.9%, 0.62%

LAB 87.2, -61.55, 69.96

 

CMYK 71 / 34 / 0 / 4

HEX #46A1F5

RGB 70 161 245

HSL 208.8, 0.9%, 0.62%

LAB 64.47, 0.08, -49.75

 

CMYK 2 / 71 / 0 / 4

HEX #EF46F5

RGB 239 70 245

HSL 297.94, 0.9%, 0.62%

LAB 61.07, 82.62, -54.26

 

CMYK 0 / 38 / 71 / 4

HEX #F59846

RGB 245 152 70

HSL 28.11, 0.9%, 0.62%

LAB 71.08, 28.23, 56.09

 

CMYK 69 / 0 / 71 / 4

HEX #4CF546

RGB 76 245 70

HSL 117.94, 0.9%, 0.62%

LAB 85.65, -73.91, 67.89

 

Description

Color code: RGB 70 161 245 | qconv.com Color code: RGB 70 161 245 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 161 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 161 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 34 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 34% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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