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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 142 251 it is the complementary color RGB 185 113 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 142 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 142 251 shade: RGB 75 142 246, RGB 92 160 255, RGB 109 178 255, RGB 126 196 255 and RGB 143 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 142 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 142 251 shade: RGB 70 142 251, RGB 53 124 232, RGB 36 106 213, RGB 19 88 194 and RGB 2 70 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 142 251 shade: RGB 70 142 251, RGB 70 93 251, RGB 95 70 251, RGB 144 70 251 and RGB 193 70 251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 142 251 shade: RGB 70 142 251, RGB 70 93 251 and RGB 70 70 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 142 251 shade matches the following richer shades: RGB 70 142 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 142 251 shade: RGB 70 142 251, RGB 85 145 235, RGB 100 148 220, RGB 115 151 205 and RGB 131 154 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 142 251 shade: RGB 70 239 251, RGB 70 190 251, RGB 70 142 251, RGB 70 94 251 and RGB 94 70 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 142 251 shade: RGB 4 95 234, RGB 29 117 250, RGB 70 142 251, RGB 110 166 252 and RGB 150 191 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 142 251 shade: RGB 70 142 251, RGB 214 70 251 and RGB 214 251 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 142 251 shade: RGB 70 142 251, RGB 251 70 142 and RGB 142 251 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 142 251 shade: RGB 70 142 251, RGB 214 70 251, RGB 251 178 70 and RGB 106 251 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 142 251 shade: RGB 70 142 251, RGB 251 70 233, RGB 251 178 70 and RGB 70 251 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

Complementary color

CMYK 0 / 39 / 98 / 27

HEX #B97104

RGB 185 113 4

HSL 36.13, 0.96%, 0.37%

LAB 54.17, 21.85, 60.44

 

CMYK 70 / 42 / 0 / 4

HEX #4B8EF6

RGB 75 142 246

HSL 216.49, 0.9%, 0.63%

LAB 59.43, 12.28, -58.31

 

CMYK 64 / 37 / 0 / 0

HEX #5CA0FF

RGB 92 160 255

HSL 214.97, 1%, 0.68%

LAB 65.47, 7.36, -53.59

 

CMYK 57 / 30 / 0 / 0

HEX #6DB2FF

RGB 109 178 255

HSL 211.64, 1%, 0.71%

LAB 71.09, 0.19, -44.68

 

CMYK 51 / 23 / 0 / 0

HEX #7EC4FF

RGB 126 196 255

HSL 207.44, 1%, 0.75%

LAB 76.76, -6.15, -35.78

 

CMYK 44 / 16 / 0 / 0

HEX #8FD6FF

RGB 143 214 255

HSL 201.96, 1%, 0.78%

LAB 82.46, -11.76, -26.95

 

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

CMYK 77 / 47 / 0 / 9

HEX #357CE8

RGB 53 124 232

HSL 216.2, 0.8%, 0.56%

LAB 52.95, 15.48, -60.97

 

CMYK 83 / 50 / 0 / 16

HEX #246AD5

RGB 36 106 213

HSL 216.27, 0.71%, 0.49%

LAB 46.29, 18.05, -61

 

CMYK 90 / 55 / 0 / 24

HEX #1358C2

RGB 19 88 194

HSL 216.34, 0.82%, 0.42%

LAB 39.6, 21.19, -60.92

 

CMYK 99 / 60 / 0 / 31

HEX #0246AF

RGB 2 70 175

HSL 216.42, 0.98%, 0.35%

LAB 32.89, 24.92, -60.68

 

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

CMYK 72 / 63 / 0 / 2

HEX #465DFB

RGB 70 93 251

HSL 232.38, 0.96%, 0.63%

LAB 47.1, 43.4, -81.05

 

CMYK 62 / 72 / 0 / 2

HEX #5F46FB

RGB 95 70 251

HSL 248.29, 0.96%, 0.63%

LAB 43.91, 59.19, -86.22

 

CMYK 43 / 72 / 0 / 2

HEX #9046FB

RGB 144 70 251

HSL 264.53, 0.96%, 0.63%

LAB 48.6, 66.09, -78.35

 

CMYK 23 / 72 / 0 / 2

HEX #C146FB

RGB 193 70 251

HSL 280.77, 0.96%, 0.63%

LAB 54.74, 74.68, -68.09

 

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

CMYK 72 / 63 / 0 / 2

HEX #465DFB

RGB 70 93 251

HSL 232.38, 0.96%, 0.63%

LAB 47.1, 43.4, -81.05

 

CMYK 72 / 72 / 0 / 2

HEX #4646FB

RGB 70 70 251

HSL 240, 0.96%, 0.63%

LAB 42.23, 56.61, -89.06

 

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

CMYK 64 / 38 / 0 / 8

HEX #5591EB

RGB 85 145 235

HSL 216, 0.79%, 0.63%

LAB 60.05, 8.29, -51.22

 

CMYK 55 / 33 / 0 / 14

HEX #6494DC

RGB 100 148 220

HSL 216, 0.63%, 0.63%

LAB 60.83, 4.52, -41.62

 

CMYK 44 / 26 / 0 / 20

HEX #7397CD

RGB 115 151 205

HSL 216, 0.47%, 0.63%

LAB 61.81, 1.8, -31.65

 

CMYK 31 / 19 / 0 / 25

HEX #839ABE

RGB 131 154 190

HSL 216.61, 0.31%, 0.63%

LAB 63.06, 0.47, -21.25

 

CMYK 72 / 5 / 0 / 2

HEX #46EFFB

RGB 70 239 251

HSL 183.98, 0.96%, 0.63%

LAB 87, -38.17, -18.18

 

CMYK 72 / 24 / 0 / 2

HEX #46BEFB

RGB 70 190 251

HSL 200.22, 0.96%, 0.63%

LAB 72.95, -13.95, -39.7

 

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

CMYK 72 / 63 / 0 / 2

HEX #465EFB

RGB 70 94 251

HSL 232.04, 0.96%, 0.63%

LAB 47.33, 42.8, -80.67

 

CMYK 63 / 72 / 0 / 2

HEX #5E46FB

RGB 94 70 251

HSL 247.96, 0.96%, 0.63%

LAB 43.84, 59.07, -86.35

 

CMYK 98 / 59 / 0 / 8

HEX #045FEA

RGB 4 95 234

HSL 216.26, 0.97%, 0.47%

LAB 44.45, 31.77, -75.93

 

CMYK 88 / 53 / 0 / 2

HEX #1D75FA

RGB 29 117 250

HSL 216.11, 0.96%, 0.55%

LAB 51.71, 24.73, -73.03

 

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

CMYK 56 / 34 / 0 / 1

HEX #6EA6FC

RGB 110 166 252

HSL 216.34, 0.96%, 0.71%

LAB 67.74, 6.23, -48.32

 

CMYK 40 / 24 / 0 / 1

HEX #96BFFC

RGB 150 191 252

HSL 215.88, 0.94%, 0.79%

LAB 76.54, 1.43, -34.41

 

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

CMYK 15 / 72 / 0 / 2

HEX #D646FB

RGB 214 70 251

HSL 287.73, 0.96%, 0.63%

LAB 57.7, 78.67, -63.19

 

CMYK 15 / 0 / 72 / 2

HEX #D6FB46

RGB 214 251 70

HSL 72.27, 0.96%, 0.63%

LAB 93.33, -34.55, 77.5

 

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

CMYK 0 / 72 / 43 / 2

HEX #FB468E

RGB 251 70 142

HSL 336.13, 0.96%, 0.63%

LAB 58.83, 72.45, 1.37

 

CMYK 43 / 0 / 72 / 2

HEX #8EFB46

RGB 142 251 70

HSL 96.13, 0.96%, 0.63%

LAB 89.48, -59.95, 72.42

 

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

CMYK 15 / 72 / 0 / 2

HEX #D646FB

RGB 214 70 251

HSL 287.73, 0.96%, 0.63%

LAB 57.7, 78.67, -63.19

 

CMYK 0 / 29 / 72 / 2

HEX #FBB246

RGB 251 178 70

HSL 35.8, 0.96%, 0.63%

LAB 77.75, 17.07, 63.18

 

CMYK 58 / 0 / 72 / 2

HEX #6AFB46

RGB 106 251 70

HSL 108.07, 0.96%, 0.63%

LAB 88.21, -69.71, 70.73

 

CMYK 72 / 43 / 0 / 2

HEX #468EFB

RGB 70 142 251

HSL 216.13, 0.96%, 0.63%

LAB 59.54, 13.36, -60.9

 

CMYK 0 / 72 / 7 / 2

HEX #FB46E9

RGB 251 70 233

HSL 305.97, 0.96%, 0.63%

LAB 62.32, 83.29, -45.48

 

CMYK 0 / 29 / 72 / 2

HEX #FBB246

RGB 251 178 70

HSL 35.8, 0.96%, 0.63%

LAB 77.75, 17.07, 63.18

 

CMYK 72 / 0 / 65 / 2

HEX #46FB58

RGB 70 251 88

HSL 125.97, 0.96%, 0.63%

LAB 87.49, -75.2, 63.07

 

Description

Color code: RGB 70 142 251 | qconv.com Color code: RGB 70 142 251 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 142 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 142 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 43 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 43% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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