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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 86 225 it is the complementary color RGB 185 169 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 86 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 86 225 shade: RGB 75 86 220, RGB 92 104 239, RGB 109 122 255, RGB 126 140 255 and RGB 143 158 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 86 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 86 225 shade: RGB 70 86 225, RGB 53 68 206, RGB 36 50 187, RGB 19 32 168 and RGB 2 14 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 86 225 shade: RGB 70 86 225, RGB 96 70 225, RGB 138 70 225, RGB 179 70 225 and RGB 221 70 225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 86 225 shade: RGB 70 86 225 and RGB 70 70 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 86 225 shade matches the following richer shades: RGB 70 86 225 and RGB 53 72 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 86 225 shade: RGB 70 86 225, RGB 88 100 207, RGB 105 114 190, RGB 122 127 173 and RGB 140 141 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 86 225 shade: RGB 70 171 225, RGB 70 129 225, RGB 70 88 225, RGB 93 70 225 and RGB 135 70 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 86 225 shade: RGB 29 45 183, RGB 35 54 218, RGB 70 86 225, RGB 106 119 230 and RGB 141 151 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 86 225 shade: RGB 70 86 225, RGB 225 70 212 and RGB 150 225 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 86 225 shade: RGB 70 86 225, RGB 225 70 88 and RGB 88 225 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 86 225 shade: RGB 70 86 225, RGB 225 70 212, RGB 225 207 70 and RGB 70 225 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 86 225 shade: RGB 70 86 225, RGB 225 70 165, RGB 225 207 70 and RGB 70 225 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 62 / 0 / 12

HEX #4656E1

RGB 70 86 225

HSL 233.81, 0.72%, 0.58%

LAB 43.35, 38.79, -72.55

 

Complementary color

CMYK 0 / 9 / 84 / 27

HEX #B9A91E

RGB 185 169 30

HSL 53.81, 0.72%, 0.42%

LAB 68.59, -8.21, 66.12

 

CMYK 66 / 61 / 0 / 14

HEX #4B56DC

RGB 75 86 220

HSL 235.45, 0.67%, 0.58%

LAB 43.24, 37.77, -69.88

 

CMYK 62 / 56 / 0 / 6

HEX #5C68EF

RGB 92 104 239

HSL 235.1, 0.82%, 0.65%

LAB 49.99, 35.69, -69.59

 

CMYK 57 / 52 / 0 / 0

HEX #6D7AFF

RGB 109 122 255

HSL 234.66, 1%, 0.71%

LAB 56.48, 32.94, -67.92

 

CMYK 51 / 45 / 0 / 0

HEX #7E8CFF

RGB 126 140 255

HSL 233.49, 1%, 0.75%

LAB 62.01, 25.63, -58.98

 

CMYK 44 / 38 / 0 / 0

HEX #8F9EFF

RGB 143 158 255

HSL 231.96, 1%, 0.78%

LAB 67.66, 19.03, -49.94

 

CMYK 69 / 62 / 0 / 12

HEX #4656E1

RGB 70 86 225

HSL 233.81, 0.72%, 0.58%

LAB 43.35, 38.79, -72.55

 

CMYK 74 / 67 / 0 / 19

HEX #3544CE

RGB 53 68 206

HSL 234.12, 0.61%, 0.51%

LAB 36.64, 41.32, -72.67

 

CMYK 81 / 73 / 0 / 27

HEX #2432BB

RGB 36 50 187

HSL 234.44, 0.68%, 0.44%

LAB 30.02, 44.1, -72.5

 

CMYK 89 / 81 / 0 / 34

HEX #1320A8

RGB 19 32 168

HSL 234.77, 0.8%, 0.37%

LAB 23.67, 46.79, -71.68

 

CMYK 99 / 91 / 0 / 42

HEX #020E95

RGB 2 14 149

HSL 235.1, 0.97%, 0.3%

LAB 17.9, 48.5, -69.66

 

CMYK 69 / 62 / 0 / 12

HEX #4656E1

RGB 70 86 225

HSL 233.81, 0.72%, 0.58%

LAB 43.35, 38.79, -72.55

 

CMYK 57 / 69 / 0 / 12

HEX #6046E1

RGB 96 70 225

HSL 250.06, 0.72%, 0.58%

LAB 41.69, 51.68, -75.19

 

CMYK 39 / 69 / 0 / 12

HEX #8A46E1

RGB 138 70 225

HSL 266.32, 0.72%, 0.58%

LAB 45.93, 58.71, -68.09

 

CMYK 20 / 69 / 0 / 12

HEX #B346E1

RGB 179 70 225

HSL 282.19, 0.72%, 0.58%

LAB 51.15, 66.77, -59.4

 

CMYK 2 / 69 / 0 / 12

HEX #DD46E1

RGB 221 70 225

HSL 298.45, 0.72%, 0.58%

LAB 57.26, 75.65, -49.29

 

CMYK 69 / 62 / 0 / 12

HEX #4656E1

RGB 70 86 225

HSL 233.81, 0.72%, 0.58%

LAB 43.35, 38.79, -72.55

 

CMYK 69 / 69 / 0 / 12

HEX #4646E1

RGB 70 70 225

HSL 240, 0.72%, 0.58%

LAB 39.78, 48.32, -78.41

 

CMYK 69 / 62 / 0 / 12

HEX #4656E1

RGB 70 86 225

HSL 233.81, 0.72%, 0.58%

LAB 43.35, 38.79, -72.55

 

CMYK 78 / 70 / 0 / 5

HEX #3548F2

RGB 53 72 242

HSL 233.97, 0.88%, 0.58%

LAB 40.9, 51.2, -86.22

 

CMYK 69 / 62 / 0 / 12

HEX #4656E1

RGB 70 86 225

HSL 233.81, 0.72%, 0.58%

LAB 43.35, 38.79, -72.55

 

CMYK 57 / 52 / 0 / 19

HEX #5864CF

RGB 88 100 207

HSL 233.95, 0.55%, 0.58%

LAB 46.57, 26.92, -57.01

 

CMYK 45 / 40 / 0 / 25

HEX #6972BE

RGB 105 114 190

HSL 233.65, 0.4%, 0.58%

LAB 50.4, 16.72, -41.06

 

CMYK 29 / 27 / 0 / 32

HEX #7A7FAD

RGB 122 127 173

HSL 234.12, 0.24%, 0.58%

LAB 54.38, 8.93, -24.96

 

CMYK 10 / 9 / 0 / 39

HEX #8C8D9B

RGB 140 141 155

HSL 236, 0.07%, 0.58%

LAB 58.97, 2.51, -7.54

 

CMYK 69 / 24 / 0 / 12

HEX #46ABE1

RGB 70 171 225

HSL 200.9, 0.72%, 0.58%

LAB 66.42, -12.26, -35.73

 

CMYK 69 / 43 / 0 / 12

HEX #4681E1

RGB 70 129 225

HSL 217.16, 0.72%, 0.58%

LAB 54.49, 12.05, -54.55

 

CMYK 69 / 61 / 0 / 12

HEX #4658E1

RGB 70 88 225

HSL 233.03, 0.72%, 0.58%

LAB 43.83, 37.56, -71.78

 

CMYK 59 / 69 / 0 / 12

HEX #5D46E1

RGB 93 70 225

HSL 248.9, 0.72%, 0.58%

LAB 41.44, 51.25, -75.61

 

CMYK 40 / 69 / 0 / 12

HEX #8746E1

RGB 135 70 225

HSL 265.16, 0.72%, 0.58%

LAB 45.59, 58.15, -68.67

 

CMYK 84 / 75 / 0 / 28

HEX #1D2DB7

RGB 29 45 183

HSL 233.77, 0.73%, 0.42%

LAB 28.27, 45.18, -73.04

 

CMYK 84 / 75 / 0 / 15

HEX #2336DA

RGB 35 54 218

HSL 233.77, 0.72%, 0.5%

LAB 34.1, 52.23, -83.82

 

CMYK 69 / 62 / 0 / 12

HEX #4656E1

RGB 70 86 225

HSL 233.81, 0.72%, 0.58%

LAB 43.35, 38.79, -72.55

 

CMYK 54 / 48 / 0 / 10

HEX #6A77E6

RGB 106 119 230

HSL 233.71, 0.71%, 0.66%

LAB 54, 26.26, -58.03

 

CMYK 40 / 36 / 0 / 7

HEX #8D97EC

RGB 141 151 236

HSL 233.68, 0.71%, 0.74%

LAB 64.84, 17.24, -43.99

 

CMYK 69 / 62 / 0 / 12

HEX #4656E1

RGB 70 86 225

HSL 233.81, 0.72%, 0.58%

LAB 43.35, 38.79, -72.55

 

CMYK 0 / 69 / 6 / 12

HEX #E146D4

RGB 225 70 212

HSL 305.03, 0.72%, 0.58%

LAB 57.21, 74.49, -41.97

 

CMYK 33 / 0 / 69 / 12

HEX #96E146

RGB 150 225 70

HSL 89.03, 0.72%, 0.58%

LAB 82.26, -46.94, 65.24

 

CMYK 69 / 62 / 0 / 12

HEX #4656E1

RGB 70 86 225

HSL 233.81, 0.72%, 0.58%

LAB 43.35, 38.79, -72.55

 

CMYK 0 / 69 / 61 / 12

HEX #E14658

RGB 225 70 88

HSL 353.03, 0.72%, 0.58%

LAB 53.05, 60.76, 24.63

 

CMYK 61 / 0 / 69 / 12

HEX #58E146

RGB 88 225 70

HSL 113.03, 0.72%, 0.58%

LAB 79.82, -64.99, 61.95

 

CMYK 69 / 62 / 0 / 12

HEX #4656E1

RGB 70 86 225

HSL 233.81, 0.72%, 0.58%

LAB 43.35, 38.79, -72.55

 

CMYK 0 / 69 / 6 / 12

HEX #E146D4

RGB 225 70 212

HSL 305.03, 0.72%, 0.58%

LAB 57.21, 74.49, -41.97

 

CMYK 0 / 8 / 69 / 12

HEX #E1CF46

RGB 225 207 70

HSL 53.03, 0.72%, 0.58%

LAB 82.42, -8.91, 67.06

 

CMYK 69 / 0 / 63 / 12

HEX #46E153

RGB 70 225 83

HSL 125.03, 0.72%, 0.58%

LAB 79.49, -67.36, 56.28

 

CMYK 69 / 62 / 0 / 12

HEX #4656E1

RGB 70 86 225

HSL 233.81, 0.72%, 0.58%

LAB 43.35, 38.79, -72.55

 

CMYK 0 / 69 / 27 / 12

HEX #E146A5

RGB 225 70 165

HSL 323.23, 0.72%, 0.58%

LAB 55.18, 67.99, -18.02

 

CMYK 0 / 8 / 69 / 12

HEX #E1CF46

RGB 225 207 70

HSL 53.03, 0.72%, 0.58%

LAB 82.42, -8.91, 67.06

 

CMYK 69 / 0 / 43 / 12

HEX #46E181

RGB 70 225 129

HSL 142.84, 0.72%, 0.58%

LAB 80.03, -61.05, 35.49

 

Description

Color code: RGB 70 86 225 | qconv.com Color code: RGB 70 86 225 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 86 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 86 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 62 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 62% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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