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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 38 188 it is the complementary color RGB 182 217 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 38 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 38 188 shade: RGB 78 38 183, RGB 95 56 202, RGB 112 74 221, RGB 129 92 240 and RGB 146 110 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 38 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 38 188 shade: RGB 73 38 188, RGB 56 20 169, RGB 39 2 150, RGB 22 0 131 and RGB 5 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 38 188 shade: RGB 72 38 186, RGB 112 38 186, RGB 152 38 186, RGB 186 38 179 and RGB 186 38 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 38 188 shade: RGB 72 38 186 and RGB 38 38 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 38 188 shade matches the following richer shades: RGB 72 38 186, RGB 63 19 204 and RGB 53 1 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 38 188 shade: RGB 72 38 186, RGB 82 56 168, RGB 92 74 149, RGB 101 92 131 and RGB 111 110 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 38 188 shade: RGB 38 82 186, RGB 38 43 186, RGB 72 38 186, RGB 112 38 186 and RGB 151 38 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 38 188 shade: RGB 45 24 117, RGB 59 31 152, RGB 72 38 186, RGB 89 52 213 and RGB 117 86 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 38 188 shade: RGB 73 38 188, RGB 186 38 122 and RGB 62 186 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 38 188 shade: RGB 73 38 188, RGB 186 72 38 and RGB 38 186 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 38 188 shade: RGB 73 38 188, RGB 186 38 122, RGB 151 186 38 and RGB 38 186 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 38 188 shade: RGB 73 38 188, RGB 186 38 77, RGB 151 186 38 and RGB 38 186 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 80 / 0 / 26

HEX #4926BC

RGB 73 38 188

HSL 254, 0.66%, 0.44%

LAB 30.48, 54.04, -72.24

 

Complementary color

CMYK 16 / 0 / 69 / 15

HEX #B6D943

RGB 182 217 67

HSL 74, 0.66%, 0.56%

LAB 81.83, -31.62, 66.51

 

CMYK 57 / 79 / 0 / 28

HEX #4E26B7

RGB 78 38 183

HSL 256.55, 0.66%, 0.43%

LAB 30.46, 53.21, -69.3

 

CMYK 53 / 72 / 0 / 21

HEX #5F38CA

RGB 95 56 202

HSL 256.03, 0.58%, 0.51%

LAB 36.98, 52.22, -69.69

 

CMYK 49 / 67 / 0 / 13

HEX #704ADD

RGB 112 74 221

HSL 255.51, 0.68%, 0.58%

LAB 43.6, 50.95, -69.74

 

CMYK 46 / 62 / 0 / 6

HEX #815CF0

RGB 129 92 240

HSL 255, 0.83%, 0.65%

LAB 50.23, 49.61, -69.62

 

CMYK 43 / 57 / 0 / 0

HEX #926EFF

RGB 146 110 255

HSL 254.9, 1%, 0.72%

LAB 56.57, 47.22, -67.63

 

CMYK 61 / 80 / 0 / 26

HEX #4926BC

RGB 73 38 188

HSL 254, 0.66%, 0.44%

LAB 30.48, 54.04, -72.24

 

CMYK 67 / 88 / 0 / 34

HEX #3814A9

RGB 56 20 169

HSL 254.5, 0.79%, 0.37%

LAB 24.34, 54.38, -71.1

 

CMYK 74 / 99 / 0 / 41

HEX #270296

RGB 39 2 150

HSL 255, 0.97%, 0.3%

LAB 18.7, 53.46, -68.9

 

CMYK 83 / 100 / 0 / 49

HEX #160083

RGB 22 0 131

HSL 250.08, 1%, 0.26%

LAB 14.45, 48.65, -64.12

 

CMYK 96 / 100 / 0 / 56

HEX #050070

RGB 5 0 112

HSL 242.68, 1%, 0.22%

LAB 10.57, 43.25, -58.4

 

CMYK 61 / 80 / 0 / 27

HEX #4826BA

RGB 72 38 186

HSL 253.78, 0.66%, 0.44%

LAB 30.18, 53.37, -71.56

 

CMYK 40 / 80 / 0 / 27

HEX #7026BA

RGB 112 38 186

HSL 270, 0.66%, 0.44%

LAB 34.75, 58.67, -63.87

 

CMYK 18 / 80 / 0 / 27

HEX #9826BA

RGB 152 38 186

HSL 286.22, 0.66%, 0.44%

LAB 40.58, 65.43, -54.13

 

CMYK 0 / 80 / 4 / 27

HEX #BA26B3

RGB 186 38 179

HSL 302.84, 0.66%, 0.44%

LAB 45.74, 70.78, -41.44

 

CMYK 0 / 80 / 25 / 27

HEX #BA268C

RGB 186 38 140

HSL 318.65, 0.66%, 0.44%

LAB 43.83, 65.35, -21.1

 

CMYK 61 / 80 / 0 / 27

HEX #4826BA

RGB 72 38 186

HSL 253.78, 0.66%, 0.44%

LAB 30.18, 53.37, -71.56

 

CMYK 80 / 80 / 0 / 27

HEX #2626BA

RGB 38 38 186

HSL 240, 0.66%, 0.44%

LAB 27.69, 50.48, -75.76

 

CMYK 61 / 80 / 0 / 27

HEX #4826BA

RGB 72 38 186

HSL 253.78, 0.66%, 0.44%

LAB 30.18, 53.37, -71.56

 

CMYK 69 / 91 / 0 / 20

HEX #3F13CC

RGB 63 19 204

HSL 254.27, 0.83%, 0.44%

LAB 29.11, 64.36, -83.94

 

CMYK 76 / 100 / 0 / 13

HEX #3501DE

RGB 53 1 222

HSL 254.12, 0.99%, 0.44%

LAB 29.54, 71.86, -93.68

 

CMYK 61 / 80 / 0 / 27

HEX #4826BA

RGB 72 38 186

HSL 253.78, 0.66%, 0.44%

LAB 30.18, 53.37, -71.56

 

CMYK 51 / 67 / 0 / 34

HEX #5238A8

RGB 82 56 168

HSL 253.93, 0.5%, 0.44%

LAB 32.81, 40.18, -56.48

 

CMYK 38 / 50 / 0 / 42

HEX #5C4A95

RGB 92 74 149

HSL 254.4, 0.34%, 0.44%

LAB 36.64, 25.94, -38.79

 

CMYK 23 / 30 / 0 / 49

HEX #655C83

RGB 101 92 131

HSL 253.85, 0.17%, 0.44%

LAB 41.31, 12.49, -20.47

 

CMYK 2 / 3 / 0 / 56

HEX #6F6E71

RGB 111 110 113

HSL 260, 0.01%, 0.44%

LAB 46.61, 1, -1.54

 

CMYK 80 / 56 / 0 / 27

HEX #2652BA

RGB 38 82 186

HSL 222.16, 0.66%, 0.44%

LAB 37.83, 23.46, -59.11

 

CMYK 80 / 77 / 0 / 27

HEX #262BBA

RGB 38 43 186

HSL 237.97, 0.66%, 0.44%

LAB 28.6, 47.86, -74.24

 

CMYK 61 / 80 / 0 / 27

HEX #4826BA

RGB 72 38 186

HSL 253.78, 0.66%, 0.44%

LAB 30.18, 53.37, -71.56

 

CMYK 40 / 80 / 0 / 27

HEX #7026BA

RGB 112 38 186

HSL 270, 0.66%, 0.44%

LAB 34.75, 58.67, -63.87

 

CMYK 19 / 80 / 0 / 27

HEX #9726BA

RGB 151 38 186

HSL 285.81, 0.66%, 0.44%

LAB 40.43, 65.25, -54.4

 

CMYK 62 / 79 / 0 / 54

HEX #2D1875

RGB 45 24 117

HSL 253.55, 0.66%, 0.28%

LAB 17.9, 36.36, -49.39

 

CMYK 61 / 80 / 0 / 40

HEX #3B1F98

RGB 59 31 152

HSL 253.88, 0.66%, 0.36%

LAB 24.25, 45.29, -60.88

 

CMYK 61 / 80 / 0 / 27

HEX #4826BA

RGB 72 38 186

HSL 253.78, 0.66%, 0.44%

LAB 30.18, 53.37, -71.56

 

CMYK 58 / 76 / 0 / 16

HEX #5934D5

RGB 89 52 213

HSL 253.79, 0.66%, 0.52%

LAB 36.71, 56.46, -76.52

 

CMYK 47 / 61 / 0 / 14

HEX #7556DC

RGB 117 86 220

HSL 253.88, 0.66%, 0.6%

LAB 46.45, 45, -64.51

 

CMYK 61 / 80 / 0 / 26

HEX #4926BC

RGB 73 38 188

HSL 254, 0.66%, 0.44%

LAB 30.48, 54.04, -72.24

 

CMYK 0 / 80 / 34 / 27

HEX #BA267A

RGB 186 38 122

HSL 325.95, 0.66%, 0.44%

LAB 43.11, 63.24, -11.16

 

CMYK 67 / 0 / 80 / 27

HEX #3EBA26

RGB 62 186 38

HSL 110.27, 0.66%, 0.44%

LAB 66.73, -59.74, 59.62

 

CMYK 61 / 80 / 0 / 26

HEX #4926BC

RGB 73 38 188

HSL 254, 0.66%, 0.44%

LAB 30.48, 54.04, -72.24

 

CMYK 0 / 61 / 80 / 27

HEX #BA4826

RGB 186 72 38

HSL 13.78, 0.66%, 0.44%

LAB 45.93, 44.28, 42.8

 

CMYK 80 / 0 / 61 / 27

HEX #26BA48

RGB 38 186 72

HSL 133.78, 0.66%, 0.44%

LAB 66.52, -60.65, 46.25

 

CMYK 61 / 80 / 0 / 26

HEX #4926BC

RGB 73 38 188

HSL 254, 0.66%, 0.44%

LAB 30.48, 54.04, -72.24

 

CMYK 0 / 80 / 34 / 27

HEX #BA267A

RGB 186 38 122

HSL 325.95, 0.66%, 0.44%

LAB 43.11, 63.24, -11.16

 

CMYK 19 / 0 / 80 / 27

HEX #97BA26

RGB 151 186 38

HSL 74.19, 0.66%, 0.44%

LAB 70.76, -31.01, 64.81

 

CMYK 80 / 0 / 45 / 27

HEX #26BA66

RGB 38 186 102

HSL 145.95, 0.66%, 0.44%

LAB 66.89, -56.19, 32.11

 

CMYK 61 / 80 / 0 / 26

HEX #4926BC

RGB 73 38 188

HSL 254, 0.66%, 0.44%

LAB 30.48, 54.04, -72.24

 

CMYK 0 / 80 / 59 / 27

HEX #BA264D

RGB 186 38 77

HSL 344.19, 0.66%, 0.44%

LAB 41.78, 59.23, 15.06

 

CMYK 19 / 0 / 80 / 27

HEX #97BA26

RGB 151 186 38

HSL 74.19, 0.66%, 0.44%

LAB 70.76, -31.01, 64.81

 

CMYK 80 / 0 / 22 / 27

HEX #26BA92

RGB 38 186 146

HSL 163.78, 0.66%, 0.44%

LAB 67.73, -46.87, 9.73

 

Description

Color code: RGB 73 38 188 | qconv.com Color code: RGB 73 38 188 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 38 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 38 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 80 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 80% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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