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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 218 115 it is the complementary color RGB 182 37 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 218 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 218 115 shade: RGB 78 218 110, RGB 95 236 129, RGB 112 254 148, RGB 129 255 167 and RGB 146 255 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 218 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 218 115 shade: RGB 73 218 115, RGB 56 200 96, RGB 39 182 77, RGB 22 164 58 and RGB 5 146 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 218 115 shade: RGB 72 217 114, RGB 72 217 75, RGB 109 217 72, RGB 148 217 72 and RGB 187 217 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 218 115 shade: RGB 72 217 114, RGB 72 217 153, RGB 72 217 192, RGB 72 203 217 and RGB 72 164 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 218 115 shade matches the following richer shades: RGB 72 217 114, RGB 55 235 107 and RGB 37 253 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 218 115 shade: RGB 72 217 114, RGB 90 199 122, RGB 108 182 129, RGB 126 164 137 and RGB 143 146 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 218 115 shade: RGB 109 217 72, RGB 72 217 75, RGB 72 217 113, RGB 72 217 152 and RGB 72 217 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 218 115 shade: RGB 35 172 75, RGB 42 207 90, RGB 72 217 114, RGB 107 224 141 and RGB 141 231 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 218 115 shade: RGB 73 218 115, RGB 72 147 217 and RGB 217 72 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 218 115 shade: RGB 73 218 115, RGB 113 72 217 and RGB 217 113 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 218 115 shade: RGB 73 218 115, RGB 72 147 217, RGB 217 72 176 and RGB 217 142 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 218 115 shade: RGB 73 218 115, RGB 72 104 217, RGB 217 72 176 and RGB 217 186 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 47 / 15

HEX #49DA73

RGB 73 218 115

HSL 137.38, 0.66%, 0.57%

LAB 77.76, -60.26, 39.54

 

Complementary color

CMYK 0 / 80 / 23 / 29

HEX #B6258C

RGB 182 37 140

HSL 317.38, 0.66%, 0.43%

LAB 43.01, 64.68, -22.43

 

CMYK 64 / 0 / 50 / 15

HEX #4EDA6E

RGB 78 218 110

HSL 133.71, 0.65%, 0.58%

LAB 77.81, -60.07, 42.07

 

CMYK 60 / 0 / 45 / 7

HEX #5FEC81

RGB 95 236 129

HSL 134.47, 0.79%, 0.65%

LAB 83.97, -60.39, 40.67

 

CMYK 56 / 0 / 42 / 0

HEX #70FE94

RGB 112 254 148

HSL 135.21, 0.99%, 0.72%

LAB 90.08, -60.52, 39.32

 

CMYK 49 / 0 / 35 / 0

HEX #81FFA7

RGB 129 255 167

HSL 138.1, 1%, 0.75%

LAB 91.22, -53.79, 31.53

 

CMYK 43 / 0 / 27 / 0

HEX #92FFBA

RGB 146 255 186

HSL 142.02, 1%, 0.79%

LAB 92.21, -46.07, 23.38

 

CMYK 67 / 0 / 47 / 15

HEX #49DA73

RGB 73 218 115

HSL 137.38, 0.66%, 0.57%

LAB 77.76, -60.26, 39.54

 

CMYK 72 / 0 / 52 / 22

HEX #38C860

RGB 56 200 96

HSL 136.67, 0.57%, 0.5%

LAB 71.55, -59.61, 41.02

 

CMYK 79 / 0 / 58 / 29

HEX #27B64D

RGB 39 182 77

HSL 135.94, 0.65%, 0.43%

LAB 65.3, -58.56, 42.53

 

CMYK 87 / 0 / 65 / 36

HEX #16A43A

RGB 22 164 58

HSL 135.21, 0.76%, 0.36%

LAB 59, -56.91, 43.96

 

CMYK 97 / 0 / 73 / 43

HEX #059227

RGB 5 146 39

HSL 134.47, 0.93%, 0.3%

LAB 52.66, -54.46, 45.09

 

CMYK 67 / 0 / 47 / 15

HEX #48D972

RGB 72 217 114

HSL 137.38, 0.66%, 0.57%

LAB 77.41, -60.24, 39.59

 

CMYK 67 / 0 / 65 / 15

HEX #48D94B

RGB 72 217 75

HSL 121.24, 0.66%, 0.57%

LAB 76.99, -65.15, 56.84

 

CMYK 50 / 0 / 67 / 15

HEX #6DD948

RGB 109 217 72

HSL 104.69, 0.66%, 0.57%

LAB 78.08, -56.63, 59.54

 

CMYK 32 / 0 / 67 / 15

HEX #94D948

RGB 148 217 72

HSL 88.55, 0.66%, 0.57%

LAB 79.83, -44.11, 61.93

 

CMYK 14 / 0 / 67 / 15

HEX #BBD948

RGB 187 217 72

HSL 72.41, 0.66%, 0.57%

LAB 82.19, -29.34, 65.12

 

CMYK 67 / 0 / 47 / 15

HEX #48D972

RGB 72 217 114

HSL 137.38, 0.66%, 0.57%

LAB 77.41, -60.24, 39.59

 

CMYK 67 / 0 / 29 / 15

HEX #48D999

RGB 72 217 153

HSL 153.52, 0.66%, 0.57%

LAB 78.05, -53.15, 20.52

 

CMYK 67 / 0 / 12 / 15

HEX #48D9C0

RGB 72 217 192

HSL 169.66, 0.66%, 0.57%

LAB 78.93, -44.1, 1.09

 

CMYK 67 / 6 / 0 / 15

HEX #48CBD9

RGB 72 203 217

HSL 185.79, 0.66%, 0.57%

LAB 75.51, -30.85, -17.42

 

CMYK 67 / 24 / 0 / 15

HEX #48A4D9

RGB 72 164 217

HSL 201.93, 0.66%, 0.57%

LAB 64.11, -10.75, -34.9

 

CMYK 67 / 0 / 47 / 15

HEX #48D972

RGB 72 217 114

HSL 137.38, 0.66%, 0.57%

LAB 77.41, -60.24, 39.59

 

CMYK 77 / 0 / 54 / 8

HEX #37EB6B

RGB 55 235 107

HSL 137.33, 0.82%, 0.57%

LAB 82.53, -70, 49.16

 

CMYK 85 / 0 / 61 / 1

HEX #25FD63

RGB 37 253 99

HSL 137.22, 0.98%, 0.57%

LAB 87.75, -78.4, 58.73

 

CMYK 67 / 0 / 47 / 15

HEX #48D972

RGB 72 217 114

HSL 137.38, 0.66%, 0.57%

LAB 77.41, -60.24, 39.59

 

CMYK 55 / 0 / 39 / 22

HEX #5AC77A

RGB 90 199 122

HSL 137.61, 0.49%, 0.57%

LAB 72.51, -48.22, 29.32

 

CMYK 41 / 0 / 29 / 29

HEX #6CB681

RGB 108 182 129

HSL 137.03, 0.34%, 0.57%

LAB 68.19, -34.71, 19.92

 

CMYK 23 / 0 / 16 / 36

HEX #7EA489

RGB 126 164 137

HSL 137.37, 0.17%, 0.57%

LAB 63.99, -18.59, 9.83

 

CMYK 2 / 0 / 1 / 43

HEX #8F9290

RGB 143 146 144

HSL 140, 0.01%, 0.57%

LAB 60.26, -1.48, 0.67

 

CMYK 50 / 0 / 67 / 15

HEX #6DD948

RGB 109 217 72

HSL 104.69, 0.66%, 0.57%

LAB 78.08, -56.63, 59.54

 

CMYK 67 / 0 / 65 / 15

HEX #48D94B

RGB 72 217 75

HSL 121.24, 0.66%, 0.57%

LAB 76.99, -65.15, 56.84

 

CMYK 67 / 0 / 48 / 15

HEX #48D971

RGB 72 217 113

HSL 136.97, 0.66%, 0.57%

LAB 77.4, -60.39, 40.06

 

CMYK 67 / 0 / 30 / 15

HEX #48D998

RGB 72 217 152

HSL 153.1, 0.66%, 0.57%

LAB 78.03, -53.36, 21.02

 

CMYK 67 / 0 / 12 / 15

HEX #48D9BF

RGB 72 217 191

HSL 169.24, 0.66%, 0.57%

LAB 78.91, -44.36, 1.58

 

CMYK 80 / 0 / 56 / 33

HEX #23AC4B

RGB 35 172 75

HSL 137.52, 0.66%, 0.41%

LAB 61.97, -55.95, 39.52

 

CMYK 80 / 0 / 57 / 19

HEX #2ACF5A

RGB 42 207 90

HSL 137.45, 0.66%, 0.49%

LAB 73.45, -64.73, 46.11

 

CMYK 67 / 0 / 47 / 15

HEX #48D972

RGB 72 217 114

HSL 137.38, 0.66%, 0.57%

LAB 77.41, -60.24, 39.59

 

CMYK 52 / 0 / 37 / 12

HEX #6BE08D

RGB 107 224 141

HSL 137.44, 0.65%, 0.65%

LAB 80.94, -51.03, 30.81

 

CMYK 39 / 0 / 28 / 9

HEX #8DE7A7

RGB 141 231 167

HSL 137.33, 0.65%, 0.73%

LAB 84.79, -40.38, 22.88

 

CMYK 67 / 0 / 47 / 15

HEX #49DA73

RGB 73 218 115

HSL 137.38, 0.66%, 0.57%

LAB 77.76, -60.26, 39.54

 

CMYK 67 / 32 / 0 / 15

HEX #4893D9

RGB 72 147 217

HSL 208.97, 0.66%, 0.57%

LAB 59.21, -1.15, -42.58

 

CMYK 0 / 67 / 59 / 15

HEX #D94859

RGB 217 72 89

HSL 352.97, 0.66%, 0.57%

LAB 51.96, 57.56, 22.34

 

CMYK 67 / 0 / 47 / 15

HEX #49DA73

RGB 73 218 115

HSL 137.38, 0.66%, 0.57%

LAB 77.76, -60.26, 39.54

 

CMYK 48 / 67 / 0 / 15

HEX #7148D9

RGB 113 72 217

HSL 256.97, 0.66%, 0.57%

LAB 43, 51.07, -68.43

 

CMYK 0 / 48 / 67 / 15

HEX #D97148

RGB 217 113 72

HSL 16.97, 0.66%, 0.57%

LAB 59, 37.44, 40.71

 

CMYK 67 / 0 / 47 / 15

HEX #49DA73

RGB 73 218 115

HSL 137.38, 0.66%, 0.57%

LAB 77.76, -60.26, 39.54

 

CMYK 67 / 32 / 0 / 15

HEX #4893D9

RGB 72 147 217

HSL 208.97, 0.66%, 0.57%

LAB 59.21, -1.15, -42.58

 

CMYK 0 / 67 / 19 / 15

HEX #D948B0

RGB 217 72 176

HSL 316.97, 0.66%, 0.57%

LAB 54.58, 66.61, -25.48

 

CMYK 0 / 35 / 67 / 15

HEX #D98E48

RGB 217 142 72

HSL 28.97, 0.66%, 0.57%

LAB 65.41, 22.09, 48

 

CMYK 67 / 0 / 47 / 15

HEX #49DA73

RGB 73 218 115

HSL 137.38, 0.66%, 0.57%

LAB 77.76, -60.26, 39.54

 

CMYK 67 / 52 / 0 / 15

HEX #4868D9

RGB 72 104 217

HSL 226.76, 0.66%, 0.57%

LAB 47.35, 25.06, -61.5

 

CMYK 0 / 67 / 19 / 15

HEX #D948B0

RGB 217 72 176

HSL 316.97, 0.66%, 0.57%

LAB 54.58, 66.61, -25.48

 

CMYK 0 / 14 / 67 / 15

HEX #D9BA48

RGB 217 186 72

HSL 47.17, 0.66%, 0.57%

LAB 76.28, -1.39, 59.73

 

Description

Color code: RGB 73 218 115 | qconv.com Color code: RGB 73 218 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 218 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 218 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 47 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 47% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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