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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 156 190 it is the complementary color RGB 182 99 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 156 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 156 190 shade: RGB 78 156 185, RGB 95 174 204, RGB 112 192 223, RGB 129 210 242 and RGB 146 228 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 156 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 156 190 shade: RGB 73 156 190, RGB 56 138 171, RGB 39 120 152, RGB 22 102 133 and RGB 5 84 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 156 190 shade: RGB 75 156 190, RGB 75 125 190, RGB 75 94 190, RGB 86 75 190 and RGB 117 75 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 156 190 shade: RGB 75 156 190, RGB 75 125 190, RGB 75 94 190 and RGB 75 75 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 156 190 shade matches the following richer shades: RGB 75 156 190, RGB 55 164 209, RGB 35 173 229 and RGB 15 181 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 156 190 shade: RGB 75 156 190, RGB 94 148 170, RGB 114 140 150, RGB 134 131 130 and RGB 154 123 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 156 190 shade: RGB 75 190 161, RGB 75 188 190, RGB 75 157 190, RGB 75 126 190 and RGB 75 96 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 156 190 shade: RGB 48 109 134, RGB 59 134 164, RGB 75 156 190, RGB 105 173 201 and RGB 135 189 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 156 190 shade: RGB 73 156 190, RGB 130 75 190 and RGB 190 176 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 156 190 shade: RGB 73 156 190, RGB 190 75 157 and RGB 157 190 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 156 190 shade: RGB 73 156 190, RGB 130 75 190, RGB 190 107 75 and RGB 134 190 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 156 190 shade: RGB 73 156 190, RGB 165 75 190, RGB 190 107 75 and RGB 100 190 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 18 / 0 / 25

HEX #499CBE

RGB 73 156 190

HSL 197.44, 0.47%, 0.52%

LAB 60.7, -14.89, -25.11

 

Complementary color

CMYK 0 / 46 / 64 / 29

HEX #B66341

RGB 182 99 65

HSL 17.44, 0.47%, 0.48%

LAB 50.98, 30.4, 33.81

 

CMYK 58 / 16 / 0 / 27

HEX #4E9CB9

RGB 78 156 185

HSL 196.26, 0.43%, 0.52%

LAB 60.69, -15.48, -22.3

 

CMYK 53 / 15 / 0 / 20

HEX #5FAECC

RGB 95 174 204

HSL 196.51, 0.52%, 0.59%

LAB 67.33, -15.9, -22.69

 

CMYK 50 / 14 / 0 / 13

HEX #70C0DF

RGB 112 192 223

HSL 196.76, 0.63%, 0.66%

LAB 73.85, -16.22, -23.07

 

CMYK 47 / 13 / 0 / 5

HEX #81D2F2

RGB 129 210 242

HSL 196.99, 0.81%, 0.73%

LAB 80.28, -16.46, -23.43

 

CMYK 43 / 11 / 0 / 0

HEX #92E4FF

RGB 146 228 255

HSL 194.86, 1%, 0.79%

LAB 86.41, -18.2, -20.93

 

CMYK 62 / 18 / 0 / 25

HEX #499CBE

RGB 73 156 190

HSL 197.44, 0.47%, 0.52%

LAB 60.7, -14.89, -25.11

 

CMYK 67 / 19 / 0 / 33

HEX #388AAB

RGB 56 138 171

HSL 197.22, 0.51%, 0.45%

LAB 53.98, -14.14, -24.71

 

CMYK 74 / 21 / 0 / 40

HEX #277898

RGB 39 120 152

HSL 196.99, 0.59%, 0.37%

LAB 47.15, -13.12, -24.27

 

CMYK 83 / 23 / 0 / 48

HEX #166685

RGB 22 102 133

HSL 196.76, 0.72%, 0.3%

LAB 40.19, -11.67, -23.75

 

CMYK 96 / 26 / 0 / 55

HEX #055472

RGB 5 84 114

HSL 196.51, 0.92%, 0.23%

LAB 33.11, -9.65, -23.14

 

CMYK 61 / 18 / 0 / 25

HEX #4B9CBE

RGB 75 156 190

HSL 197.74, 0.47%, 0.52%

LAB 60.77, -14.52, -25

 

CMYK 61 / 34 / 0 / 25

HEX #4B7DBE

RGB 75 125 190

HSL 213.91, 0.47%, 0.52%

LAB 51.7, 3.23, -39.12

 

CMYK 61 / 51 / 0 / 25

HEX #4B5EBE

RGB 75 94 190

HSL 230.09, 0.47%, 0.52%

LAB 43.09, 22.51, -52.84

 

CMYK 55 / 61 / 0 / 25

HEX #564BBE

RGB 86 75 190

HSL 245.74, 0.47%, 0.52%

LAB 39.12, 36.46, -59.23

 

CMYK 38 / 61 / 0 / 25

HEX #754BBE

RGB 117 75 190

HSL 261.91, 0.47%, 0.52%

LAB 42.05, 42.89, -54.34

 

CMYK 61 / 18 / 0 / 25

HEX #4B9CBE

RGB 75 156 190

HSL 197.74, 0.47%, 0.52%

LAB 60.77, -14.52, -25

 

CMYK 61 / 34 / 0 / 25

HEX #4B7DBE

RGB 75 125 190

HSL 213.91, 0.47%, 0.52%

LAB 51.7, 3.23, -39.12

 

CMYK 61 / 51 / 0 / 25

HEX #4B5EBE

RGB 75 94 190

HSL 230.09, 0.47%, 0.52%

LAB 43.09, 22.51, -52.84

 

CMYK 61 / 61 / 0 / 25

HEX #4B4BBE

RGB 75 75 190

HSL 240, 0.47%, 0.52%

LAB 38.28, 34.5, -60.63

 

CMYK 61 / 18 / 0 / 25

HEX #4B9CBE

RGB 75 156 190

HSL 197.74, 0.47%, 0.52%

LAB 60.77, -14.52, -25

 

CMYK 74 / 22 / 0 / 18

HEX #37A4D1

RGB 55 164 209

HSL 197.53, 0.63%, 0.52%

LAB 63.32, -15.81, -31.74

 

CMYK 85 / 24 / 0 / 10

HEX #23ADE5

RGB 35 173 229

HSL 197.32, 0.79%, 0.52%

LAB 66.44, -15.77, -37.94

 

CMYK 94 / 27 / 0 / 2

HEX #0FB5F9

RGB 15 181 249

HSL 197.44, 0.95%, 0.52%

LAB 69.46, -14.06, -44.14

 

CMYK 61 / 18 / 0 / 25

HEX #4B9CBE

RGB 75 156 190

HSL 197.74, 0.47%, 0.52%

LAB 60.77, -14.52, -25

 

CMYK 45 / 13 / 0 / 33

HEX #5E94AA

RGB 94 148 170

HSL 197.37, 0.31%, 0.52%

LAB 58.47, -11.88, -17.13

 

CMYK 24 / 7 / 0 / 41

HEX #728C96

RGB 114 140 150

HSL 196.67, 0.15%, 0.52%

LAB 56.62, -6.85, -8.37

 

CMYK 0 / 2 / 3 / 47

HEX #868382

RGB 134 131 130

HSL 15, 0.02%, 0.52%

LAB 54.98, 0.93, 0.93

 

CMYK 0 / 20 / 29 / 40

HEX #9A7B6E

RGB 154 123 110

HSL 17.73, 0.18%, 0.52%

LAB 54.2, 10.01, 11.66

 

CMYK 61 / 0 / 15 / 25

HEX #4BBEA1

RGB 75 190 161

HSL 164.87, 0.47%, 0.52%

LAB 70.1, -39.44, 5.04

 

CMYK 61 / 1 / 0 / 25

HEX #4BBCBE

RGB 75 188 190

HSL 181.04, 0.47%, 0.52%

LAB 70.3, -30.88, -10.56

 

CMYK 61 / 17 / 0 / 25

HEX #4B9DBE

RGB 75 157 190

HSL 197.22, 0.47%, 0.52%

LAB 61.07, -15.06, -24.54

 

CMYK 61 / 34 / 0 / 25

HEX #4B7EBE

RGB 75 126 190

HSL 213.39, 0.47%, 0.52%

LAB 51.99, 2.62, -38.67

 

CMYK 61 / 49 / 0 / 25

HEX #4B60BE

RGB 75 96 190

HSL 229.04, 0.47%, 0.52%

LAB 43.62, 21.24, -51.99

 

CMYK 64 / 19 / 0 / 47

HEX #306D86

RGB 48 109 134

HSL 197.44, 0.47%, 0.36%

LAB 43.19, -11.55, -19.66

 

CMYK 64 / 18 / 0 / 36

HEX #3B86A4

RGB 59 134 164

HSL 197.14, 0.47%, 0.44%

LAB 52.58, -13.71, -22.84

 

CMYK 61 / 18 / 0 / 25

HEX #4B9CBE

RGB 75 156 190

HSL 197.74, 0.47%, 0.52%

LAB 60.77, -14.52, -25

 

CMYK 48 / 14 / 0 / 21

HEX #69ADC9

RGB 105 173 201

HSL 197.5, 0.47%, 0.6%

LAB 67.36, -13.98, -20.95

 

CMYK 36 / 10 / 0 / 17

HEX #87BDD3

RGB 135 189 211

HSL 197.37, 0.46%, 0.68%

LAB 73.71, -12.14, -16.66

 

CMYK 62 / 18 / 0 / 25

HEX #499CBE

RGB 73 156 190

HSL 197.44, 0.47%, 0.52%

LAB 60.7, -14.89, -25.11

 

CMYK 32 / 61 / 0 / 25

HEX #824BBE

RGB 130 75 190

HSL 268.7, 0.47%, 0.52%

LAB 43.5, 45.88, -51.93

 

CMYK 0 / 7 / 61 / 25

HEX #BEB04B

RGB 190 176 75

HSL 52.7, 0.47%, 0.52%

LAB 71.22, -7.5, 52.26

 

CMYK 62 / 18 / 0 / 25

HEX #499CBE

RGB 73 156 190

HSL 197.44, 0.47%, 0.52%

LAB 60.7, -14.89, -25.11

 

CMYK 0 / 61 / 17 / 25

HEX #BE4B9D

RGB 190 75 157

HSL 317.22, 0.47%, 0.52%

LAB 49.99, 55.36, -21.74

 

CMYK 17 / 0 / 61 / 25

HEX #9DBE4B

RGB 157 190 75

HSL 77.22, 0.47%, 0.52%

LAB 72.56, -28.24, 53.03

 

CMYK 62 / 18 / 0 / 25

HEX #499CBE

RGB 73 156 190

HSL 197.44, 0.47%, 0.52%

LAB 60.7, -14.89, -25.11

 

CMYK 32 / 61 / 0 / 25

HEX #824BBE

RGB 130 75 190

HSL 268.7, 0.47%, 0.52%

LAB 43.5, 45.88, -51.93

 

CMYK 0 / 44 / 61 / 25

HEX #BE6B4B

RGB 190 107 75

HSL 16.7, 0.47%, 0.52%

LAB 54, 30.05, 32.18

 

CMYK 29 / 0 / 61 / 25

HEX #86BE4B

RGB 134 190 75

HSL 89.22, 0.47%, 0.52%

LAB 71.15, -37.05, 51.06

 

CMYK 62 / 18 / 0 / 25

HEX #499CBE

RGB 73 156 190

HSL 197.44, 0.47%, 0.52%

LAB 60.7, -14.89, -25.11

 

CMYK 13 / 61 / 0 / 25

HEX #A54BBE

RGB 165 75 190

HSL 286.96, 0.47%, 0.52%

LAB 47.94, 54.39, -44.58

 

CMYK 0 / 44 / 61 / 25

HEX #BE6B4B

RGB 190 107 75

HSL 16.7, 0.47%, 0.52%

LAB 54, 30.05, 32.18

 

CMYK 47 / 0 / 61 / 25

HEX #64BE4B

RGB 100 190 75

HSL 106.96, 0.47%, 0.52%

LAB 69.5, -48.44, 48.75

 

Description

Color code: RGB 73 156 190 | qconv.com Color code: RGB 73 156 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 156 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 156 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 18 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 18% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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