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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 143 145 it is the complementary color RGB 182 112 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 143 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 143 145 shade: RGB 78 143 140, RGB 95 161 159, RGB 112 179 178, RGB 129 197 197 and RGB 146 215 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 143 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 143 145 shade: RGB 73 143 145, RGB 56 125 126, RGB 39 107 107, RGB 22 89 88 and RGB 5 71 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 143 145 shade: RGB 73 143 145, RGB 73 124 145, RGB 73 104 145, RGB 73 85 145 and RGB 81 73 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 143 145 shade: RGB 73 143 145, RGB 73 124 145, RGB 73 104 145, RGB 73 85 145 and RGB 73 73 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 143 145 shade matches the following richer shades: RGB 73 143 145, RGB 55 160 163, RGB 37 177 181, RGB 20 194 199 and RGB 2 210 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 143 145 shade: RGB 73 143 145, RGB 91 127 128, RGB 108 110 110, RGB 126 93 92 and RGB 144 76 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 143 145 shade: RGB 73 145 108, RGB 73 145 127, RGB 73 144 145, RGB 73 125 145 and RGB 73 106 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 143 145 shade: RGB 45 89 90, RGB 59 116 118, RGB 73 143 145, RGB 89 169 171 and RGB 116 183 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 143 145 shade: RGB 73 143 145, RGB 89 73 145 and RGB 145 118 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 143 145 shade: RGB 73 143 145, RGB 145 73 144 and RGB 144 145 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 143 145 shade: RGB 73 143 145, RGB 89 73 145, RGB 145 74 73 and RGB 130 145 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 143 145 shade: RGB 73 143 145, RGB 110 73 145, RGB 145 74 73 and RGB 108 145 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 1 / 0 / 43

HEX #498F91

RGB 73 143 145

HSL 181.67, 0.33%, 0.43%

LAB 55.18, -21.39, -7.87

 

Complementary color

CMYK 0 / 38 / 40 / 29

HEX #B6706E

RGB 182 112 110

HSL 1.67, 0.33%, 0.57%

LAB 54.72, 27.47, 12.87

 

CMYK 45 / 0 / 2 / 44

HEX #4E8F8C

RGB 78 143 140

HSL 177.23, 0.29%, 0.43%

LAB 55.23, -21.53, -4.89

 

CMYK 41 / 0 / 1 / 37

HEX #5FA19F

RGB 95 161 159

HSL 178.18, 0.26%, 0.5%

LAB 62.02, -21.49, -5.58

 

CMYK 37 / 0 / 1 / 30

HEX #70B3B2

RGB 112 179 178

HSL 179.1, 0.31%, 0.57%

LAB 68.68, -21.42, -6.22

 

CMYK 35 / 0 / 0 / 23

HEX #81C5C5

RGB 129 197 197

HSL 180, 0.37%, 0.64%

LAB 75.22, -21.34, -6.83

 

CMYK 32 / 0 / 0 / 15

HEX #92D7D8

RGB 146 215 216

HSL 180.86, 0.47%, 0.71%

LAB 81.66, -21.26, -7.4

 

CMYK 50 / 1 / 0 / 43

HEX #498F91

RGB 73 143 145

HSL 181.67, 0.33%, 0.43%

LAB 55.18, -21.39, -7.87

 

CMYK 56 / 1 / 0 / 51

HEX #387D7E

RGB 56 125 126

HSL 180.86, 0.38%, 0.36%

LAB 48.28, -21.24, -7.16

 

CMYK 64 / 0 / 0 / 58

HEX #276B6B

RGB 39 107 107

HSL 180, 0.47%, 0.29%

LAB 41.23, -20.93, -6.35

 

CMYK 75 / 0 / 1 / 65

HEX #165958

RGB 22 89 88

HSL 179.1, 0.6%, 0.22%

LAB 34.02, -20.32, -5.41

 

CMYK 93 / 0 / 3 / 72

HEX #054745

RGB 5 71 69

HSL 178.18, 0.87%, 0.15%

LAB 26.64, -19.23, -4.28

 

CMYK 50 / 1 / 0 / 43

HEX #498F91

RGB 73 143 145

HSL 181.67, 0.33%, 0.43%

LAB 55.18, -21.39, -7.87

 

CMYK 50 / 14 / 0 / 43

HEX #497C91

RGB 73 124 145

HSL 197.5, 0.33%, 0.43%

LAB 49.35, -11.06, -16.67

 

CMYK 50 / 28 / 0 / 43

HEX #496891

RGB 73 104 145

HSL 214.17, 0.33%, 0.43%

LAB 43.3, 0.73, -25.98

 

CMYK 50 / 41 / 0 / 43

HEX #495591

RGB 73 85 145

HSL 230, 0.33%, 0.43%

LAB 37.77, 12.7, -34.67

 

CMYK 44 / 50 / 0 / 43

HEX #514991

RGB 81 73 145

HSL 246.67, 0.33%, 0.43%

LAB 35.12, 22.48, -38.84

 

CMYK 50 / 1 / 0 / 43

HEX #498F91

RGB 73 143 145

HSL 181.67, 0.33%, 0.43%

LAB 55.18, -21.39, -7.87

 

CMYK 50 / 14 / 0 / 43

HEX #497C91

RGB 73 124 145

HSL 197.5, 0.33%, 0.43%

LAB 49.35, -11.06, -16.67

 

CMYK 50 / 28 / 0 / 43

HEX #496891

RGB 73 104 145

HSL 214.17, 0.33%, 0.43%

LAB 43.3, 0.73, -25.98

 

CMYK 50 / 41 / 0 / 43

HEX #495591

RGB 73 85 145

HSL 230, 0.33%, 0.43%

LAB 37.77, 12.7, -34.67

 

CMYK 50 / 50 / 0 / 43

HEX #494991

RGB 73 73 145

HSL 240, 0.33%, 0.43%

LAB 34.45, 20.47, -39.95

 

CMYK 50 / 1 / 0 / 43

HEX #498F91

RGB 73 143 145

HSL 181.67, 0.33%, 0.43%

LAB 55.18, -21.39, -7.87

 

CMYK 66 / 2 / 0 / 36

HEX #37A0A3

RGB 55 160 163

HSL 181.67, 0.5%, 0.43%

LAB 60.43, -28.32, -10.36

 

CMYK 80 / 2 / 0 / 29

HEX #25B1B5

RGB 37 177 181

HSL 181.67, 0.66%, 0.43%

LAB 65.88, -33.33, -12.29

 

CMYK 90 / 3 / 0 / 22

HEX #14C2C7

RGB 20 194 199

HSL 181.68, 0.82%, 0.43%

LAB 71.46, -36.96, -13.84

 

CMYK 99 / 3 / 0 / 15

HEX #02D2D8

RGB 2 210 216

HSL 181.68, 0.98%, 0.43%

LAB 76.72, -39.68, -15.15

 

CMYK 50 / 1 / 0 / 43

HEX #498F91

RGB 73 143 145

HSL 181.67, 0.33%, 0.43%

LAB 55.18, -21.39, -7.87

 

CMYK 29 / 1 / 0 / 50

HEX #5B7F80

RGB 91 127 128

HSL 181.62, 0.17%, 0.43%

LAB 50.64, -12.33, -4.64

 

CMYK 2 / 0 / 0 / 57

HEX #6C6E6E

RGB 108 110 110

HSL 180, 0.01%, 0.43%

LAB 46.27, -0.76, -0.27

 

CMYK 0 / 26 / 27 / 51

HEX #7E5D5C

RGB 126 93 92

HSL 1.76, 0.16%, 0.43%

LAB 42.82, 13.33, 5.84

 

CMYK 0 / 47 / 49 / 44

HEX #904C4A

RGB 144 76 74

HSL 1.71, 0.32%, 0.43%

LAB 40.56, 28.32, 14.07

 

CMYK 50 / 0 / 26 / 43

HEX #49916C

RGB 73 145 108

HSL 149.17, 0.33%, 0.43%

LAB 54.81, -31.59, 12.82

 

CMYK 50 / 0 / 12 / 43

HEX #49917F

RGB 73 145 127

HSL 165, 0.33%, 0.43%

LAB 55.28, -27.16, 2.62

 

CMYK 50 / 1 / 0 / 43

HEX #499091

RGB 73 144 145

HSL 180.83, 0.33%, 0.43%

LAB 55.49, -21.91, -7.41

 

CMYK 50 / 14 / 0 / 43

HEX #497D91

RGB 73 125 145

HSL 196.67, 0.33%, 0.43%

LAB 49.65, -11.63, -16.2

 

CMYK 50 / 27 / 0 / 43

HEX #496A91

RGB 73 106 145

HSL 212.5, 0.33%, 0.43%

LAB 43.9, -0.49, -25.05

 

CMYK 50 / 1 / 0 / 65

HEX #2D595A

RGB 45 89 90

HSL 181.33, 0.33%, 0.26%

LAB 34.88, -14.86, -5.3

 

CMYK 50 / 2 / 0 / 54

HEX #3B7476

RGB 59 116 118

HSL 182.03, 0.33%, 0.35%

LAB 45.26, -18.06, -6.89

 

CMYK 50 / 1 / 0 / 43

HEX #498F91

RGB 73 143 145

HSL 181.67, 0.33%, 0.43%

LAB 55.18, -21.39, -7.87

 

CMYK 48 / 1 / 0 / 33

HEX #59A9AB

RGB 89 169 171

HSL 181.46, 0.33%, 0.51%

LAB 64.52, -23.9, -8.63

 

CMYK 37 / 1 / 0 / 27

HEX #74B7B9

RGB 116 183 185

HSL 181.74, 0.33%, 0.59%

LAB 70.23, -20.66, -7.75

 

CMYK 50 / 1 / 0 / 43

HEX #498F91

RGB 73 143 145

HSL 181.67, 0.33%, 0.43%

LAB 55.18, -21.39, -7.87

 

CMYK 39 / 50 / 0 / 43

HEX #594991

RGB 89 73 145

HSL 253.33, 0.33%, 0.43%

LAB 35.86, 24.59, -37.63

 

CMYK 0 / 19 / 50 / 43

HEX #917649

RGB 145 118 73

HSL 37.5, 0.33%, 0.43%

LAB 51.22, 4.44, 28.65

 

CMYK 50 / 1 / 0 / 43

HEX #498F91

RGB 73 143 145

HSL 181.67, 0.33%, 0.43%

LAB 55.18, -21.39, -7.87

 

CMYK 0 / 50 / 1 / 43

HEX #914990

RGB 145 73 144

HSL 300.83, 0.33%, 0.43%

LAB 42.46, 40.86, -26.17

 

CMYK 1 / 0 / 50 / 43

HEX #909149

RGB 144 145 73

HSL 60.83, 0.33%, 0.43%

LAB 58.66, -11, 37.75

 

CMYK 50 / 1 / 0 / 43

HEX #498F91

RGB 73 143 145

HSL 181.67, 0.33%, 0.43%

LAB 55.18, -21.39, -7.87

 

CMYK 39 / 50 / 0 / 43

HEX #594991

RGB 89 73 145

HSL 253.33, 0.33%, 0.43%

LAB 35.86, 24.59, -37.63

 

CMYK 0 / 49 / 50 / 43

HEX #914A49

RGB 145 74 73

HSL 0.83, 0.33%, 0.43%

LAB 40.24, 29.73, 14.28

 

CMYK 10 / 0 / 50 / 43

HEX #829149

RGB 130 145 73

HSL 72.5, 0.33%, 0.43%

LAB 57.54, -16.96, 36.14

 

CMYK 50 / 1 / 0 / 43

HEX #498F91

RGB 73 143 145

HSL 181.67, 0.33%, 0.43%

LAB 55.18, -21.39, -7.87

 

CMYK 24 / 50 / 0 / 43

HEX #6E4991

RGB 110 73 145

HSL 270.83, 0.33%, 0.43%

LAB 38.06, 30.54, -33.98

 

CMYK 0 / 49 / 50 / 43

HEX #914A49

RGB 145 74 73

HSL 0.83, 0.33%, 0.43%

LAB 40.24, 29.73, 14.28

 

CMYK 26 / 0 / 50 / 43

HEX #6C9149

RGB 108 145 73

HSL 90.83, 0.33%, 0.43%

LAB 56.01, -25.86, 33.92

 

Description

Color code: RGB 73 143 145 | qconv.com Color code: RGB 73 143 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 143 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 143 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 1 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 1% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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