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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 121 238 it is the complementary color RGB 182 134 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 121 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 121 238 shade: RGB 78 121 233, RGB 95 139 252, RGB 112 157 255, RGB 129 175 255 and RGB 146 193 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 121 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 121 238 shade: RGB 73 121 238, RGB 56 103 219, RGB 39 85 200, RGB 22 67 181 and RGB 5 49 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 121 238 shade: RGB 73 121 238, RGB 73 76 238, RGB 114 73 238, RGB 158 73 238 and RGB 203 73 238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 121 238 shade: RGB 73 121 238, RGB 73 76 238 and RGB 73 73 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 121 238 shade matches the following richer shades: RGB 73 121 238 and RGB 56 114 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 121 238 shade: RGB 73 121 238, RGB 89 127 222, RGB 105 134 205, RGB 121 141 189 and RGB 137 147 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 121 238 shade: RGB 73 210 238, RGB 73 166 238, RGB 73 122 238, RGB 73 78 238 and RGB 111 73 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 121 238 shade: RGB 19 74 209, RGB 35 93 234, RGB 73 121 238, RGB 110 148 241 and RGB 148 176 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 121 238 shade: RGB 73 121 238, RGB 221 73 238 and RGB 188 238 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 121 238 shade: RGB 73 121 238, RGB 238 73 122 and RGB 122 238 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 121 238 shade: RGB 73 121 238, RGB 221 73 238, RGB 238 188 73 and RGB 89 238 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 121 238 shade: RGB 73 121 238, RGB 238 73 205, RGB 238 188 73 and RGB 73 238 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 49 / 0 / 7

HEX #4979EE

RGB 73 121 238

HSL 222.55, 0.83%, 0.61%

LAB 53.24, 22, -63.82

 

Complementary color

CMYK 0 / 26 / 91 / 29

HEX #B68611

RGB 182 134 17

HSL 42.55, 0.83%, 0.39%

LAB 59.01, 9.06, 61.33

 

CMYK 67 / 48 / 0 / 9

HEX #4E79E9

RGB 78 121 233

HSL 223.35, 0.78%, 0.61%

LAB 53.14, 20.99, -61.17

 

CMYK 62 / 45 / 0 / 1

HEX #5F8BFC

RGB 95 139 252

HSL 223.18, 0.96%, 0.68%

LAB 59.82, 19.28, -60.93

 

CMYK 56 / 38 / 0 / 0

HEX #709DFF

RGB 112 157 255

HSL 221.12, 1%, 0.72%

LAB 65.58, 12.77, -53.36

 

CMYK 49 / 31 / 0 / 0

HEX #81AFFF

RGB 129 175 255

HSL 218.1, 1%, 0.75%

LAB 71.25, 6.08, -44.36

 

CMYK 43 / 24 / 0 / 0

HEX #92C1FF

RGB 146 193 255

HSL 214.13, 1%, 0.79%

LAB 76.96, 0.14, -35.39

 

CMYK 69 / 49 / 0 / 7

HEX #4979EE

RGB 73 121 238

HSL 222.55, 0.83%, 0.61%

LAB 53.24, 22, -63.82

 

CMYK 74 / 53 / 0 / 14

HEX #3867DB

RGB 56 103 219

HSL 222.7, 0.69%, 0.54%

LAB 46.52, 24.24, -64.02

 

CMYK 81 / 58 / 0 / 22

HEX #2755C8

RGB 39 85 200

HSL 222.86, 0.67%, 0.47%

LAB 39.75, 26.95, -64.15

 

CMYK 88 / 63 / 0 / 29

HEX #1643B5

RGB 22 67 181

HSL 223.02, 0.78%, 0.4%

LAB 32.96, 30.21, -64.12

 

CMYK 97 / 70 / 0 / 36

HEX #0531A2

RGB 5 49 162

HSL 223.18, 0.94%, 0.33%

LAB 26.27, 34, -63.75

 

CMYK 69 / 49 / 0 / 7

HEX #4979EE

RGB 73 121 238

HSL 222.55, 0.83%, 0.61%

LAB 53.24, 22, -63.82

 

CMYK 69 / 68 / 0 / 7

HEX #494CEE

RGB 73 76 238

HSL 238.91, 0.83%, 0.61%

LAB 42.4, 49.43, -81.47

 

CMYK 52 / 69 / 0 / 7

HEX #7249EE

RGB 114 73 238

HSL 254.91, 0.83%, 0.61%

LAB 44.96, 56.53, -77.14

 

CMYK 34 / 69 / 0 / 7

HEX #9E49EE

RGB 158 73 238

HSL 270.91, 0.83%, 0.61%

LAB 49.75, 64.14, -69.14

 

CMYK 15 / 69 / 0 / 7

HEX #CB49EE

RGB 203 73 238

HSL 287.27, 0.83%, 0.61%

LAB 55.72, 73.04, -59.2

 

CMYK 69 / 49 / 0 / 7

HEX #4979EE

RGB 73 121 238

HSL 222.55, 0.83%, 0.61%

LAB 53.24, 22, -63.82

 

CMYK 69 / 68 / 0 / 7

HEX #494CEE

RGB 73 76 238

HSL 238.91, 0.83%, 0.61%

LAB 42.4, 49.43, -81.47

 

CMYK 69 / 69 / 0 / 7

HEX #4949EE

RGB 73 73 238

HSL 240, 0.83%, 0.61%

LAB 41.77, 51.13, -82.49

 

CMYK 69 / 49 / 0 / 7

HEX #4979EE

RGB 73 121 238

HSL 222.55, 0.83%, 0.61%

LAB 53.24, 22, -63.82

 

CMYK 78 / 55 / 0 / 0

HEX #3872FE

RGB 56 114 254

HSL 222.42, 0.99%, 0.61%

LAB 51.87, 30.09, -74.95

 

CMYK 69 / 49 / 0 / 7

HEX #4979EE

RGB 73 121 238

HSL 222.55, 0.83%, 0.61%

LAB 53.24, 22, -63.82

 

CMYK 60 / 43 / 0 / 13

HEX #597FDE

RGB 89 127 222

HSL 222.86, 0.67%, 0.61%

LAB 54.63, 15.45, -52.58

 

CMYK 49 / 35 / 0 / 20

HEX #6986CD

RGB 105 134 205

HSL 222.6, 0.5%, 0.61%

LAB 56.55, 9.23, -39.92

 

CMYK 36 / 25 / 0 / 26

HEX #798DBD

RGB 121 141 189

HSL 222.35, 0.34%, 0.61%

LAB 58.78, 4.71, -27.32

 

CMYK 21 / 15 / 0 / 32

HEX #8993AD

RGB 137 147 173

HSL 223.33, 0.18%, 0.61%

LAB 60.96, 2.12, -14.81

 

CMYK 69 / 12 / 0 / 7

HEX #49D2EE

RGB 73 210 238

HSL 190.18, 0.83%, 0.61%

LAB 78.28, -27.88, -24.51

 

CMYK 69 / 30 / 0 / 7

HEX #49A6EE

RGB 73 166 238

HSL 206.18, 0.83%, 0.61%

LAB 65.64, -4.73, -44.07

 

CMYK 69 / 49 / 0 / 7

HEX #497AEE

RGB 73 122 238

HSL 222.18, 0.83%, 0.61%

LAB 53.5, 21.38, -63.39

 

CMYK 69 / 67 / 0 / 7

HEX #494EEE

RGB 73 78 238

HSL 238.18, 0.83%, 0.61%

LAB 42.82, 48.27, -80.77

 

CMYK 53 / 69 / 0 / 7

HEX #6F49EE

RGB 111 73 238

HSL 253.82, 0.83%, 0.61%

LAB 44.69, 56.07, -77.6

 

CMYK 91 / 65 / 0 / 18

HEX #134AD1

RGB 19 74 209

HSL 222.63, 0.83%, 0.45%

LAB 37.19, 36.22, -73.56

 

CMYK 85 / 60 / 0 / 8

HEX #235DEA

RGB 35 93 234

HSL 222.51, 0.83%, 0.53%

LAB 44.41, 34.28, -75.96

 

CMYK 69 / 49 / 0 / 7

HEX #4979EE

RGB 73 121 238

HSL 222.55, 0.83%, 0.61%

LAB 53.24, 22, -63.82

 

CMYK 54 / 39 / 0 / 5

HEX #6E94F1

RGB 110 148 241

HSL 222.6, 0.82%, 0.69%

LAB 62.38, 13.22, -50.77

 

CMYK 40 / 28 / 0 / 4

HEX #94B0F5

RGB 148 176 245

HSL 222.68, 0.83%, 0.77%

LAB 72.19, 7.31, -37.4

 

CMYK 69 / 49 / 0 / 7

HEX #4979EE

RGB 73 121 238

HSL 222.55, 0.83%, 0.61%

LAB 53.24, 22, -63.82

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 21 / 0 / 69 / 7

HEX #BCEE49

RGB 188 238 73

HSL 78.18, 0.83%, 0.61%

LAB 88.12, -38.52, 70.79

 

CMYK 69 / 49 / 0 / 7

HEX #4979EE

RGB 73 121 238

HSL 222.55, 0.83%, 0.61%

LAB 53.24, 22, -63.82

 

CMYK 0 / 69 / 49 / 7

HEX #EE497A

RGB 238 73 122

HSL 342.18, 0.83%, 0.61%

LAB 56.43, 66.05, 9.44

 

CMYK 49 / 0 / 69 / 7

HEX #7AEE49

RGB 122 238 73

HSL 102.18, 0.83%, 0.61%

LAB 84.88, -60.74, 66.44

 

CMYK 69 / 49 / 0 / 7

HEX #4979EE

RGB 73 121 238

HSL 222.55, 0.83%, 0.61%

LAB 53.24, 22, -63.82

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 0 / 21 / 69 / 7

HEX #EEBC49

RGB 238 188 73

HSL 41.82, 0.83%, 0.61%

LAB 78.82, 6.53, 62.6

 

CMYK 63 / 0 / 69 / 7

HEX #59EE49

RGB 89 238 73

HSL 114.18, 0.83%, 0.61%

LAB 83.84, -68.92, 65.04

 

CMYK 69 / 49 / 0 / 7

HEX #4979EE

RGB 73 121 238

HSL 222.55, 0.83%, 0.61%

LAB 53.24, 22, -63.82

 

CMYK 0 / 69 / 14 / 7

HEX #EE49CD

RGB 238 73 205

HSL 312, 0.83%, 0.61%

LAB 59.3, 75.44, -34.57

 

CMYK 0 / 21 / 69 / 7

HEX #EEBC49

RGB 238 188 73

HSL 41.82, 0.83%, 0.61%

LAB 78.82, 6.53, 62.6

 

CMYK 69 / 0 / 55 / 7

HEX #49EE6A

RGB 73 238 106

HSL 132, 0.83%, 0.61%

LAB 83.76, -68.49, 51.15

 

Description

Color code: RGB 73 121 238 | qconv.com Color code: RGB 73 121 238 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 121 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 121 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 49 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 49% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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