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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 77 169 it is the complementary color RGB 182 178 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 77 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 77 169 shade: RGB 78 77 164, RGB 95 95 183, RGB 112 113 202, RGB 129 131 221 and RGB 146 149 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 77 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 77 169 shade: RGB 73 77 169, RGB 56 59 150, RGB 39 41 131, RGB 22 23 112 and RGB 5 5 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 77 169 shade: RGB 71 75 167, RGB 93 71 167, RGB 119 71 167, RGB 145 71 167 and RGB 167 71 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 77 169 shade: RGB 71 75 167 and RGB 71 71 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 77 169 shade matches the following richer shades: RGB 71 75 167, RGB 52 58 187, RGB 33 40 206 and RGB 13 22 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 77 169 shade: RGB 71 75 167, RGB 91 93 148, RGB 110 111 129, RGB 130 129 109 and RGB 149 147 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 77 169 shade: RGB 71 127 167, RGB 71 102 167, RGB 71 76 167, RGB 92 71 167 and RGB 118 71 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 77 169 shade: RGB 47 49 110, RGB 59 62 138, RGB 71 75 167, RGB 94 98 186 and RGB 123 126 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 77 169 shade: RGB 73 77 169, RGB 167 71 153 and RGB 115 167 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 77 169 shade: RGB 73 77 169, RGB 167 71 76 and RGB 76 167 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 77 169 shade: RGB 73 77 169, RGB 167 71 153, RGB 167 162 71 and RGB 71 167 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 77 169 shade: RGB 73 77 169, RGB 167 71 124, RGB 167 162 71 and RGB 71 167 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 54 / 0 / 34

HEX #494DA9

RGB 73 77 169

HSL 237.5, 0.4%, 0.47%

LAB 37.09, 25.84, -50.16

 

Complementary color

CMYK 0 / 2 / 53 / 29

HEX #B6B256

RGB 182 178 86

HSL 57.5, 0.4%, 0.53%

LAB 71.19, -11.07, 46.9

 

CMYK 52 / 53 / 0 / 36

HEX #4E4DA4

RGB 78 77 164

HSL 240.69, 0.36%, 0.47%

LAB 37.13, 25.24, -47.1

 

CMYK 48 / 48 / 0 / 28

HEX #5F5FB7

RGB 95 95 183

HSL 240, 0.38%, 0.55%

LAB 44.28, 23.83, -46.77

 

CMYK 45 / 44 / 0 / 21

HEX #7071CA

RGB 112 113 202

HSL 239.33, 0.46%, 0.62%

LAB 51.29, 22.65, -46.5

 

CMYK 42 / 41 / 0 / 13

HEX #8183DD

RGB 129 131 221

HSL 238.7, 0.58%, 0.69%

LAB 58.15, 21.65, -46.28

 

CMYK 39 / 38 / 0 / 6

HEX #9295F0

RGB 146 149 240

HSL 238.09, 0.76%, 0.76%

LAB 64.88, 20.78, -46.11

 

CMYK 57 / 54 / 0 / 34

HEX #494DA9

RGB 73 77 169

HSL 237.5, 0.4%, 0.47%

LAB 37.09, 25.84, -50.16

 

CMYK 63 / 61 / 0 / 41

HEX #383B96

RGB 56 59 150

HSL 238.09, 0.46%, 0.4%

LAB 29.84, 27.75, -50.51

 

CMYK 70 / 69 / 0 / 49

HEX #272983

RGB 39 41 131

HSL 238.7, 0.54%, 0.33%

LAB 22.5, 30.07, -50.76

 

CMYK 80 / 79 / 0 / 56

HEX #161770

RGB 22 23 112

HSL 239.33, 0.67%, 0.26%

LAB 15.24, 32.67, -50.61

 

CMYK 95 / 95 / 0 / 64

HEX #05055D

RGB 5 5 93

HSL 240, 0.9%, 0.19%

LAB 8.4, 34.95, -49.42

 

CMYK 57 / 55 / 0 / 35

HEX #474BA7

RGB 71 75 167

HSL 237.5, 0.4%, 0.47%

LAB 36.29, 26.05, -50.27

 

CMYK 44 / 57 / 0 / 35

HEX #5D47A7

RGB 93 71 167

HSL 253.75, 0.4%, 0.47%

LAB 37.16, 33.3, -48.78

 

CMYK 29 / 57 / 0 / 35

HEX #7747A7

RGB 119 71 167

HSL 270, 0.4%, 0.47%

LAB 39.95, 39.66, -44.15

 

CMYK 13 / 57 / 0 / 35

HEX #9147A7

RGB 145 71 167

HSL 286.25, 0.4%, 0.47%

LAB 43.24, 46.49, -38.71

 

CMYK 0 / 57 / 2 / 35

HEX #A747A4

RGB 167 71 164

HSL 301.88, 0.4%, 0.47%

LAB 46.18, 51.87, -32.08

 

CMYK 57 / 55 / 0 / 35

HEX #474BA7

RGB 71 75 167

HSL 237.5, 0.4%, 0.47%

LAB 36.29, 26.05, -50.27

 

CMYK 57 / 57 / 0 / 35

HEX #4747A7

RGB 71 71 167

HSL 240, 0.4%, 0.47%

LAB 35.27, 28.61, -51.92

 

CMYK 57 / 55 / 0 / 35

HEX #474BA7

RGB 71 75 167

HSL 237.5, 0.4%, 0.47%

LAB 36.29, 26.05, -50.27

 

CMYK 72 / 69 / 0 / 27

HEX #343ABB

RGB 52 58 187

HSL 237.33, 0.56%, 0.47%

LAB 32.58, 40.74, -68.25

 

CMYK 84 / 81 / 0 / 19

HEX #2128CE

RGB 33 40 206

HSL 237.57, 0.72%, 0.47%

LAB 30.15, 55.53, -83.44

 

CMYK 94 / 90 / 0 / 12

HEX #0D16E1

RGB 13 22 225

HSL 237.45, 0.89%, 0.47%

LAB 29.65, 67.55, -95.27

 

CMYK 57 / 55 / 0 / 35

HEX #474BA7

RGB 71 75 167

HSL 237.5, 0.4%, 0.47%

LAB 36.29, 26.05, -50.27

 

CMYK 39 / 37 / 0 / 42

HEX #5B5D94

RGB 91 93 148

HSL 237.89, 0.24%, 0.47%

LAB 41.52, 13.43, -30.47

 

CMYK 15 / 14 / 0 / 49

HEX #6E6F81

RGB 110 111 129

HSL 236.84, 0.08%, 0.47%

LAB 47.33, 3.57, -10.04

 

CMYK 0 / 1 / 16 / 49

HEX #82816D

RGB 130 129 109

HSL 57.14, 0.09%, 0.47%

LAB 53.55, -3.29, 11

 

CMYK 0 / 1 / 40 / 42

HEX #95935A

RGB 149 147 90

HSL 57.97, 0.25%, 0.47%

LAB 59.88, -8.13, 30.43

 

CMYK 57 / 24 / 0 / 35

HEX #477FA7

RGB 71 127 167

HSL 205, 0.4%, 0.47%

LAB 51.05, -6.38, -26.9

 

CMYK 57 / 39 / 0 / 35

HEX #4766A7

RGB 71 102 167

HSL 220.63, 0.4%, 0.47%

LAB 43.7, 8.75, -38.41

 

CMYK 57 / 54 / 0 / 35

HEX #474CA7

RGB 71 76 167

HSL 236.88, 0.4%, 0.47%

LAB 36.55, 25.41, -49.85

 

CMYK 45 / 57 / 0 / 35

HEX #5C47A7

RGB 92 71 167

HSL 253.13, 0.4%, 0.47%

LAB 37.06, 33.07, -48.94

 

CMYK 29 / 57 / 0 / 35

HEX #7647A7

RGB 118 71 167

HSL 269.38, 0.4%, 0.47%

LAB 39.83, 39.4, -44.35

 

CMYK 57 / 55 / 0 / 57

HEX #2F316E

RGB 47 49 110

HSL 238.1, 0.4%, 0.31%

LAB 23.43, 18.46, -35.87

 

CMYK 57 / 55 / 0 / 46

HEX #3B3E8A

RGB 59 62 138

HSL 237.72, 0.4%, 0.39%

LAB 29.94, 22.15, -42.97

 

CMYK 57 / 55 / 0 / 35

HEX #474BA7

RGB 71 75 167

HSL 237.5, 0.4%, 0.47%

LAB 36.29, 26.05, -50.27

 

CMYK 49 / 47 / 0 / 27

HEX #5E62BA

RGB 94 98 186

HSL 237.39, 0.4%, 0.55%

LAB 45.17, 22.67, -47.12

 

CMYK 38 / 36 / 0 / 22

HEX #7B7EC6

RGB 123 126 198

HSL 237.6, 0.4%, 0.63%

LAB 55.29, 16.56, -37.85

 

CMYK 57 / 54 / 0 / 34

HEX #494DA9

RGB 73 77 169

HSL 237.5, 0.4%, 0.47%

LAB 37.09, 25.84, -50.16

 

CMYK 0 / 57 / 8 / 35

HEX #A74799

RGB 167 71 153

HSL 308.75, 0.4%, 0.47%

LAB 45.66, 49.97, -26.34

 

CMYK 31 / 0 / 57 / 35

HEX #73A747

RGB 115 167 71

HSL 92.5, 0.4%, 0.47%

LAB 63.13, -33.94, 43.48

 

CMYK 57 / 54 / 0 / 34

HEX #494DA9

RGB 73 77 169

HSL 237.5, 0.4%, 0.47%

LAB 37.09, 25.84, -50.16

 

CMYK 0 / 57 / 54 / 35

HEX #A7474C

RGB 167 71 76

HSL 356.88, 0.4%, 0.47%

LAB 43.13, 40, 16.92

 

CMYK 54 / 0 / 57 / 35

HEX #4CA747

RGB 76 167 71

HSL 116.88, 0.4%, 0.47%

LAB 61.33, -46.54, 40.94

 

CMYK 57 / 54 / 0 / 34

HEX #494DA9

RGB 73 77 169

HSL 237.5, 0.4%, 0.47%

LAB 37.09, 25.84, -50.16

 

CMYK 0 / 57 / 8 / 35

HEX #A74799

RGB 167 71 153

HSL 308.75, 0.4%, 0.47%

LAB 45.66, 49.97, -26.34

 

CMYK 0 / 3 / 57 / 35

HEX #A7A247

RGB 167 162 71

HSL 56.88, 0.4%, 0.47%

LAB 65.37, -10.31, 47.02

 

CMYK 57 / 0 / 49 / 35

HEX #47A756

RGB 71 167 86

HSL 129.38, 0.4%, 0.47%

LAB 61.35, -45.76, 33.45

 

CMYK 57 / 54 / 0 / 34

HEX #494DA9

RGB 73 77 169

HSL 237.5, 0.4%, 0.47%

LAB 37.09, 25.84, -50.16

 

CMYK 0 / 57 / 26 / 35

HEX #A7477C

RGB 167 71 124

HSL 326.88, 0.4%, 0.47%

LAB 44.49, 45.48, -10.63

 

CMYK 0 / 3 / 57 / 35

HEX #A7A247

RGB 167 162 71

HSL 56.88, 0.4%, 0.47%

LAB 65.37, -10.31, 47.02

 

CMYK 57 / 0 / 31 / 35

HEX #47A773

RGB 71 167 115

HSL 147.5, 0.4%, 0.47%

LAB 61.84, -40.56, 18.61

 

Description

Color code: RGB 73 77 169 | qconv.com Color code: RGB 73 77 169 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 77 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 77 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 54 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 54% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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