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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 6 202 189 it is the complementary color RGB 249 53 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 6 202 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 6 202 189 shade: RGB 11 202 184, RGB 28 220 203, RGB 45 238 222, RGB 62 255 241 and RGB 79 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 6 202 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 6 202 189 shade: RGB 6 202 189, RGB 0 184 170, RGB 0 166 151, RGB 0 148 132 and RGB 0 130 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 6 202 189 shade: RGB 6 202 189, RGB 6 202 136, RGB 6 202 83, RGB 6 202 30 and RGB 34 202 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 6 202 189 shade: RGB 6 202 189, RGB 6 162 202, RGB 6 109 202, RGB 6 56 202 and RGB 6 6 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 6 202 189 shade matches the following richer shades: RGB 6 202 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 6 202 189 shade: RGB 6 202 189, RGB 23 185 175, RGB 40 168 160, RGB 57 152 145 and RGB 73 135 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 6 202 189 shade: RGB 6 202 84, RGB 6 202 137, RGB 6 202 189, RGB 6 163 202 and RGB 6 111 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 6 202 189 shade: RGB 3 122 114, RGB 5 162 152, RGB 6 202 189, RGB 7 242 227 and RGB 43 248 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 6 202 189 shade: RGB 6 202 189, RGB 32 6 202 and RGB 202 111 6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 6 202 189 shade: RGB 6 202 189, RGB 189 6 202 and RGB 202 189 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 6 202 189 shade: RGB 6 202 189, RGB 32 6 202, RGB 202 6 19 and RGB 176 202 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 6 202 189 shade: RGB 6 202 189, RGB 91 6 202, RGB 202 6 19 and RGB 117 202 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

Complementary color

CMYK 0 / 79 / 73 / 2

HEX #F93542

RGB 249 53 66

HSL 356.02, 0.94%, 0.59%

LAB 55.15, 72.08, 40.95

 

CMYK 95 / 0 / 9 / 21

HEX #0BCAB8

RGB 11 202 184

HSL 174.35, 0.9%, 0.42%

LAB 73.4, -45.24, -2.8

 

CMYK 87 / 0 / 8 / 14

HEX #1CDCCB

RGB 28 220 203

HSL 174.69, 0.77%, 0.49%

LAB 79.47, -46.91, -4.08

 

CMYK 81 / 0 / 7 / 7

HEX #2DEEDE

RGB 45 238 222

HSL 175.03, 0.85%, 0.55%

LAB 85.49, -48.24, -5.23

 

CMYK 76 / 0 / 5 / 0

HEX #3EFFF1

RGB 62 255 241

HSL 175.65, 1%, 0.62%

LAB 91.19, -48.86, -6.72

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

CMYK 100 / 0 / 8 / 28

HEX #00B8AA

RGB 0 184 170

HSL 175.43, 1%, 0.36%

LAB 67.41, -41.79, -3.96

 

CMYK 100 / 0 / 9 / 35

HEX #00A697

RGB 0 166 151

HSL 174.58, 1%, 0.33%

LAB 61.23, -39.38, -2.48

 

CMYK 100 / 0 / 11 / 42

HEX #009484

RGB 0 148 132

HSL 173.51, 1%, 0.29%

LAB 54.91, -36.94, -0.95

 

CMYK 100 / 0 / 13 / 49

HEX #008271

RGB 0 130 113

HSL 172.15, 1%, 0.25%

LAB 48.46, -34.45, 0.65

 

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

CMYK 97 / 0 / 33 / 21

HEX #06CA88

RGB 6 202 136

HSL 159.8, 0.94%, 0.41%

LAB 72.27, -57.39, 21.4

 

CMYK 97 / 0 / 59 / 21

HEX #06CA53

RGB 6 202 83

HSL 143.57, 0.94%, 0.41%

LAB 71.49, -66.64, 46.95

 

CMYK 97 / 0 / 85 / 21

HEX #06CA1E

RGB 6 202 30

HSL 127.35, 0.94%, 0.41%

LAB 71.13, -71.23, 65.49

 

CMYK 83 / 0 / 97 / 21

HEX #22CA06

RGB 34 202 6

HSL 111.43, 0.94%, 0.41%

LAB 71.28, -70.08, 69.44

 

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

CMYK 97 / 20 / 0 / 21

HEX #06A2CA

RGB 6 162 202

HSL 192.24, 0.94%, 0.41%

LAB 61.78, -20.74, -30.28

 

CMYK 97 / 46 / 0 / 21

HEX #066DCA

RGB 6 109 202

HSL 208.47, 0.94%, 0.41%

LAB 45.96, 10.17, -55.26

 

CMYK 97 / 72 / 0 / 21

HEX #0638CA

RGB 6 56 202

HSL 224.69, 0.94%, 0.41%

LAB 32.1, 44.53, -77.89

 

CMYK 97 / 97 / 0 / 21

HEX #0606CA

RGB 6 6 202

HSL 240, 0.94%, 0.41%

LAB 25.05, 65.22, -89.61

 

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

CMYK 88 / 0 / 5 / 27

HEX #17B9AF

RGB 23 185 175

HSL 176.3, 0.78%, 0.41%

LAB 68, -39.85, -5.83

 

CMYK 76 / 0 / 5 / 34

HEX #28A8A0

RGB 40 168 160

HSL 176.25, 0.62%, 0.41%

LAB 62.5, -35.04, -5.61

 

CMYK 63 / 0 / 5 / 40

HEX #399891

RGB 57 152 145

HSL 175.58, 0.45%, 0.41%

LAB 57.43, -29.26, -4.58

 

CMYK 46 / 0 / 3 / 47

HEX #498783

RGB 73 135 131

HSL 176.13, 0.3%, 0.41%

LAB 52.27, -21.04, -4.09

 

CMYK 97 / 0 / 58 / 21

HEX #06CA54

RGB 6 202 84

HSL 143.88, 0.94%, 0.41%

LAB 71.5, -66.5, 46.5

 

CMYK 97 / 0 / 32 / 21

HEX #06CA89

RGB 6 202 137

HSL 160.1, 0.94%, 0.41%

LAB 72.29, -57.17, 20.9

 

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

CMYK 97 / 19 / 0 / 21

HEX #06A3CA

RGB 6 163 202

HSL 191.94, 0.94%, 0.41%

LAB 62.08, -21.26, -29.81

 

CMYK 97 / 45 / 0 / 21

HEX #066FCA

RGB 6 111 202

HSL 207.86, 0.94%, 0.41%

LAB 46.54, 8.9, -54.33

 

CMYK 98 / 0 / 7 / 52

HEX #037A72

RGB 3 122 114

HSL 175.97, 0.95%, 0.25%

LAB 45.84, -30.25, -3.78

 

CMYK 97 / 0 / 6 / 36

HEX #05A298

RGB 5 162 152

HSL 176.18, 0.94%, 0.33%

LAB 60.01, -37.1, -4.83

 

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

CMYK 97 / 0 / 6 / 5

HEX #07F2E3

RGB 7 242 227

HSL 176.17, 0.94%, 0.49%

LAB 86.55, -50.31, -6.33

 

CMYK 83 / 0 / 6 / 3

HEX #2BF8EA

RGB 43 248 234

HSL 175.9, 0.94%, 0.57%

LAB 88.73, -49.37, -6.74

 

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

CMYK 84 / 97 / 0 / 21

HEX #2006CA

RGB 32 6 202

HSL 247.96, 0.94%, 0.41%

LAB 25.87, 65.55, -88.23

 

CMYK 0 / 45 / 97 / 21

HEX #CA6F06

RGB 202 111 6

HSL 32.14, 0.94%, 0.41%

LAB 56.03, 30.26, 62.41

 

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

CMYK 6 / 97 / 0 / 21

HEX #BD06CA

RGB 189 6 202

HSL 296.02, 0.94%, 0.41%

LAB 45.93, 79.87, -54.56

 

CMYK 0 / 6 / 97 / 21

HEX #CABD06

RGB 202 189 6

HSL 56.02, 0.94%, 0.41%

LAB 75.43, -11.49, 76.1

 

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

CMYK 84 / 97 / 0 / 21

HEX #2006CA

RGB 32 6 202

HSL 247.96, 0.94%, 0.41%

LAB 25.87, 65.55, -88.23

 

CMYK 0 / 97 / 91 / 21

HEX #CA0613

RGB 202 6 19

HSL 356.02, 0.94%, 0.41%

LAB 42.36, 66.83, 49.85

 

CMYK 13 / 0 / 97 / 21

HEX #B0CA06

RGB 176 202 6

HSL 67.96, 0.94%, 0.41%

LAB 76.97, -29.01, 76.35

 

CMYK 97 / 0 / 6 / 21

HEX #06CABD

RGB 6 202 189

HSL 176.02, 0.94%, 0.41%

LAB 73.52, -43.98, -5.34

 

CMYK 55 / 97 / 0 / 21

HEX #5B06CA

RGB 91 6 202

HSL 266.02, 0.94%, 0.41%

LAB 30.92, 68.19, -79.68

 

CMYK 0 / 97 / 91 / 21

HEX #CA0613

RGB 202 6 19

HSL 356.02, 0.94%, 0.41%

LAB 42.36, 66.83, 49.85

 

CMYK 42 / 0 / 97 / 21

HEX #75CA06

RGB 117 202 6

HSL 86.02, 0.94%, 0.41%

LAB 73.57, -51.45, 72.24

 

Description

Color code: RGB 6 202 189 | qconv.com Color code: RGB 6 202 189 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 202 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 202 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 6 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 6% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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