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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 6 243 132 it is the complementary color RGB 249 12 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 6 243 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 6 243 132 shade: RGB 11 243 127, RGB 28 255 146, RGB 45 255 165, RGB 62 255 184 and RGB 79 255 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 6 243 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 6 243 132 shade: RGB 6 243 132, RGB 0 225 113, RGB 0 207 94, RGB 0 189 75 and RGB 0 171 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 6 243 132 shade: RGB 6 243 132, RGB 6 243 68, RGB 8 243 6, RGB 72 243 6 and RGB 136 243 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 6 243 132 shade: RGB 6 243 132, RGB 6 243 196, RGB 6 226 243, RGB 6 162 243 and RGB 6 98 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 6 243 132 shade matches the following richer shades: RGB 6 243 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 6 243 132 shade: RGB 6 243 132, RGB 26 223 131, RGB 46 203 129, RGB 66 183 128 and RGB 87 162 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 6 243 132 shade: RGB 10 243 6, RGB 6 243 65, RGB 6 243 128, RGB 6 243 192 and RGB 6 231 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 6 243 132 shade: RGB 4 163 88, RGB 5 203 110, RGB 6 243 132, RGB 41 249 152 and RGB 81 250 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 6 243 132 shade: RGB 6 243 132, RGB 6 73 243 and RGB 243 33 6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 6 243 132 shade: RGB 6 243 132, RGB 128 6 243 and RGB 243 128 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 6 243 132 shade: RGB 6 243 132, RGB 6 73 243, RGB 243 6 120 and RGB 243 176 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 6 243 132 shade: RGB 6 243 132, RGB 10 6 243, RGB 243 6 120 and RGB 239 243 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 46 / 5

HEX #06F384

RGB 6 243 132

HSL 151.9, 0.95%, 0.49%

LAB 84.9, -72.17, 40.14

 

Complementary color

CMYK 0 / 95 / 51 / 2

HEX #F90C7B

RGB 249 12 123

HSL 331.9, 0.95%, 0.51%

LAB 53.85, 82.09, 5.43

 

CMYK 95 / 0 / 48 / 5

HEX #0BF37F

RGB 11 243 127

HSL 150, 0.91%, 0.5%

LAB 84.85, -72.85, 42.49

 

CMYK 89 / 0 / 43 / 0

HEX #1CFF92

RGB 28 255 146

HSL 151.19, 1%, 0.55%

LAB 88.85, -72.83, 38.42

 

CMYK 82 / 0 / 35 / 0

HEX #2DFFA5

RGB 45 255 165

HSL 154.29, 1%, 0.59%

LAB 89.3, -68.15, 29.61

 

CMYK 76 / 0 / 28 / 0

HEX #3EFFB8

RGB 62 255 184

HSL 157.93, 1%, 0.62%

LAB 89.86, -62.61, 20.79

 

CMYK 69 / 0 / 20 / 0

HEX #4FFFCB

RGB 79 255 203

HSL 162.27, 1%, 0.65%

LAB 90.55, -56.27, 12.05

 

CMYK 98 / 0 / 46 / 5

HEX #06F384

RGB 6 243 132

HSL 151.9, 0.95%, 0.49%

LAB 84.9, -72.17, 40.14

 

CMYK 100 / 0 / 50 / 12

HEX #00E171

RGB 0 225 113

HSL 150.13, 1%, 0.44%

LAB 79.07, -69.69, 41.98

 

CMYK 100 / 0 / 55 / 19

HEX #00CF5E

RGB 0 207 94

HSL 147.25, 1%, 0.41%

LAB 73.18, -66.9, 43.83

 

CMYK 100 / 0 / 60 / 26

HEX #00BD4B

RGB 0 189 75

HSL 143.81, 1%, 0.37%

LAB 67.2, -63.91, 45.6

 

CMYK 100 / 0 / 67 / 33

HEX #00AB38

RGB 0 171 56

HSL 139.65, 1%, 0.34%

LAB 61.14, -60.66, 47.15

 

CMYK 98 / 0 / 46 / 5

HEX #06F384

RGB 6 243 132

HSL 151.9, 0.95%, 0.49%

LAB 84.9, -72.17, 40.14

 

CMYK 98 / 0 / 72 / 5

HEX #06F344

RGB 6 243 68

HSL 135.7, 0.95%, 0.49%

LAB 84.26, -80.11, 66.92

 

CMYK 97 / 0 / 98 / 5

HEX #08F306

RGB 8 243 6

HSL 119.49, 0.95%, 0.49%

LAB 84.05, -82.76, 79.75

 

CMYK 70 / 0 / 98 / 5

HEX #48F306

RGB 72 243 6

HSL 103.29, 0.95%, 0.49%

LAB 84.74, -76.66, 80.59

 

CMYK 44 / 0 / 98 / 5

HEX #88F306

RGB 136 243 6

HSL 87.09, 0.95%, 0.49%

LAB 86.68, -61.02, 82.95

 

CMYK 98 / 0 / 46 / 5

HEX #06F384

RGB 6 243 132

HSL 151.9, 0.95%, 0.49%

LAB 84.9, -72.17, 40.14

 

CMYK 98 / 0 / 19 / 5

HEX #06F3C4

RGB 6 243 196

HSL 168.1, 0.95%, 0.49%

LAB 86.07, -58.84, 9.19

 

CMYK 98 / 7 / 0 / 5

HEX #06E2F3

RGB 6 226 243

HSL 184.3, 0.95%, 0.49%

LAB 82.33, -38.65, -21.08

 

CMYK 98 / 33 / 0 / 5

HEX #06A2F3

RGB 6 162 243

HSL 200.51, 0.95%, 0.49%

LAB 63.63, -5.96, -50.05

 

CMYK 98 / 60 / 0 / 5

HEX #0662F3

RGB 6 98 243

HSL 216.71, 0.95%, 0.49%

LAB 45.97, 33.34, -78.5

 

CMYK 98 / 0 / 46 / 5

HEX #06F384

RGB 6 243 132

HSL 151.9, 0.95%, 0.49%

LAB 84.9, -72.17, 40.14

 

CMYK 98 / 0 / 46 / 5

HEX #06F384

RGB 6 243 132

HSL 151.9, 0.95%, 0.49%

LAB 84.9, -72.17, 40.14

 

CMYK 88 / 0 / 41 / 13

HEX #1ADF83

RGB 26 223 131

HSL 151.98, 0.79%, 0.49%

LAB 78.83, -64.91, 32.8

 

CMYK 77 / 0 / 36 / 20

HEX #2ECB81

RGB 46 203 129

HSL 151.72, 0.63%, 0.49%

LAB 72.81, -56.39, 25.88

 

CMYK 64 / 0 / 30 / 28

HEX #42B780

RGB 66 183 128

HSL 151.79, 0.47%, 0.49%

LAB 66.96, -45.68, 18.54

 

CMYK 46 / 0 / 22 / 36

HEX #57A27F

RGB 87 162 127

HSL 152, 0.3%, 0.49%

LAB 61.13, -31.73, 11.07

 

CMYK 96 / 0 / 98 / 5

HEX #0AF306

RGB 10 243 6

HSL 118.99, 0.95%, 0.49%

LAB 84.06, -82.7, 79.76

 

CMYK 98 / 0 / 73 / 5

HEX #06F341

RGB 6 243 65

HSL 134.94, 0.95%, 0.49%

LAB 84.24, -80.35, 67.92

 

CMYK 98 / 0 / 47 / 5

HEX #06F380

RGB 6 243 128

HSL 150.89, 0.95%, 0.49%

LAB 84.84, -72.83, 42.01

 

CMYK 98 / 0 / 21 / 5

HEX #06F3C0

RGB 6 243 192

HSL 167.09, 0.95%, 0.49%

LAB 85.98, -59.82, 11.14

 

CMYK 98 / 5 / 0 / 5

HEX #06E7F3

RGB 6 231 243

HSL 183.04, 0.95%, 0.49%

LAB 83.79, -40.92, -18.87

 

CMYK 98 / 0 / 46 / 36

HEX #04A358

RGB 4 163 88

HSL 151.7, 0.95%, 0.33%

LAB 58.9, -53.21, 29.06

 

CMYK 98 / 0 / 46 / 20

HEX #05CB6E

RGB 5 203 110

HSL 151.82, 0.95%, 0.41%

LAB 72.14, -62.87, 34.71

 

CMYK 98 / 0 / 46 / 5

HEX #06F384

RGB 6 243 132

HSL 151.9, 0.95%, 0.49%

LAB 84.9, -72.17, 40.14

 

CMYK 84 / 0 / 39 / 2

HEX #29F998

RGB 41 249 152

HSL 152.02, 0.95%, 0.57%

LAB 87.24, -68.87, 33.36

 

CMYK 68 / 0 / 32 / 2

HEX #51FAAB

RGB 81 250 171

HSL 151.95, 0.94%, 0.65%

LAB 88.48, -60.84, 25.56

 

CMYK 98 / 0 / 46 / 5

HEX #06F384

RGB 6 243 132

HSL 151.9, 0.95%, 0.49%

LAB 84.9, -72.17, 40.14

 

CMYK 98 / 70 / 0 / 5

HEX #0649F3

RGB 6 73 243

HSL 223.04, 0.95%, 0.49%

LAB 40.04, 48.92, -88.25

 

CMYK 0 / 86 / 98 / 5

HEX #F32106

RGB 243 33 6

HSL 6.84, 0.95%, 0.49%

LAB 52.01, 73.69, 63.76

 

CMYK 98 / 0 / 46 / 5

HEX #06F384

RGB 6 243 132

HSL 151.9, 0.95%, 0.49%

LAB 84.9, -72.17, 40.14

 

CMYK 47 / 98 / 0 / 5

HEX #8006F3

RGB 128 6 243

HSL 270.89, 0.95%, 0.49%

LAB 39.9, 80.03, -88.23

 

CMYK 0 / 47 / 98 / 5

HEX #F38006

RGB 243 128 6

HSL 30.89, 0.95%, 0.49%

LAB 65.36, 38.17, 71.26

 

CMYK 98 / 0 / 46 / 5

HEX #06F384

RGB 6 243 132

HSL 151.9, 0.95%, 0.49%

LAB 84.9, -72.17, 40.14

 

CMYK 98 / 70 / 0 / 5

HEX #0649F3

RGB 6 73 243

HSL 223.04, 0.95%, 0.49%

LAB 40.04, 48.92, -88.25

 

CMYK 0 / 98 / 51 / 5

HEX #F30678

RGB 243 6 120

HSL 331.14, 0.95%, 0.49%

LAB 52.44, 80.98, 5.07

 

CMYK 0 / 28 / 98 / 5

HEX #F3B006

RGB 243 176 6

HSL 43.04, 0.95%, 0.49%

LAB 76.14, 13.13, 78.45

 

CMYK 98 / 0 / 46 / 5

HEX #06F384

RGB 6 243 132

HSL 151.9, 0.95%, 0.49%

LAB 84.9, -72.17, 40.14

 

CMYK 96 / 98 / 0 / 5

HEX #0A06F3

RGB 10 6 243

HSL 241.01, 0.95%, 0.49%

LAB 31.03, 75.45, -103.22

 

CMYK 0 / 98 / 51 / 5

HEX #F30678

RGB 243 6 120

HSL 331.14, 0.95%, 0.49%

LAB 52.44, 80.98, 5.07

 

CMYK 2 / 0 / 98 / 5

HEX #EFF306

RGB 239 243 6

HSL 61.01, 0.95%, 0.49%

LAB 92.78, -22.39, 90.29

 

Description

Color code: RGB 6 243 132 | qconv.com Color code: RGB 6 243 132 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 243 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 243 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 46 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 46% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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