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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 6 138 63 it is the complementary color RGB 249 117 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 6 138 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 6 138 63 shade: RGB 11 138 58, RGB 28 156 77, RGB 45 174 96, RGB 62 192 115 and RGB 79 210 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 6 138 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 6 138 63 shade: RGB 6 138 63, RGB 0 120 44, RGB 0 102 25, RGB 0 84 6 and RGB 0 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 6 138 63 shade: RGB 5 137 62, RGB 5 137 27, RGB 19 137 5, RGB 55 137 5 and RGB 90 137 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 6 138 63 shade: RGB 5 137 62, RGB 5 137 97, RGB 5 137 133, RGB 5 105 137 and RGB 5 70 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 6 138 63 shade matches the following richer shades: RGB 5 137 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 6 138 63 shade: RGB 5 137 62, RGB 17 125 64, RGB 28 113 65, RGB 40 102 67 and RGB 51 90 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 6 138 63 shade: RGB 21 137 5, RGB 5 137 25, RGB 5 137 60, RGB 5 137 95 and RGB 5 137 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 6 138 63 shade: RGB 2 57 26, RGB 4 97 44, RGB 5 137 62, RGB 7 176 80 and RGB 9 216 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 6 138 63 shade: RGB 6 138 63, RGB 5 56 137 and RGB 137 7 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 6 138 63 shade: RGB 6 138 63, RGB 60 5 137 and RGB 137 60 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 6 138 63 shade: RGB 6 138 63, RGB 5 56 137, RGB 137 5 82 and RGB 137 86 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 6 138 63 shade: RGB 6 138 63, RGB 5 16 137, RGB 137 5 82 and RGB 137 126 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 54 / 46

HEX #068A3F

RGB 6 138 63

HSL 145.91, 0.92%, 0.28%

LAB 50.19, -48.76, 31.2

 

Complementary color

CMYK 0 / 53 / 23 / 2

HEX #F975C0

RGB 249 117 192

HSL 325.91, 0.92%, 0.72%

LAB 67.03, 58.64, -15.21

 

CMYK 92 / 0 / 58 / 46

HEX #0B8A3A

RGB 11 138 58

HSL 142.2, 0.85%, 0.29%

LAB 50.16, -49.21, 33.73

 

CMYK 82 / 0 / 51 / 39

HEX #1C9C4D

RGB 28 156 77

HSL 142.97, 0.7%, 0.36%

LAB 56.64, -50.92, 31.99

 

CMYK 74 / 0 / 45 / 32

HEX #2DAE60

RGB 45 174 96

HSL 143.72, 0.59%, 0.43%

LAB 63.07, -51.96, 30.32

 

CMYK 68 / 0 / 40 / 25

HEX #3EC073

RGB 62 192 115

HSL 144.46, 0.51%, 0.5%

LAB 69.44, -52.56, 28.77

 

CMYK 62 / 0 / 36 / 18

HEX #4FD286

RGB 79 210 134

HSL 145.19, 0.59%, 0.57%

LAB 75.75, -52.87, 27.33

 

CMYK 96 / 0 / 54 / 46

HEX #068A3F

RGB 6 138 63

HSL 145.91, 0.92%, 0.28%

LAB 50.19, -48.76, 31.2

 

CMYK 100 / 0 / 63 / 53

HEX #00782C

RGB 0 120 44

HSL 142, 1%, 0.24%

LAB 43.68, -45.94, 33.07

 

CMYK 100 / 0 / 75 / 60

HEX #006619

RGB 0 102 25

HSL 134.71, 1%, 0.2%

LAB 37.06, -42.3, 34.59

 

CMYK 100 / 0 / 93 / 67

HEX #005406

RGB 0 84 6

HSL 124.29, 1%, 0.16%

LAB 30.29, -38.01, 34.93

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 96 / 0 / 55 / 46

HEX #05893E

RGB 5 137 62

HSL 145.91, 0.93%, 0.28%

LAB 49.82, -48.65, 31.27

 

CMYK 96 / 0 / 80 / 46

HEX #05891B

RGB 5 137 27

HSL 130, 0.93%, 0.28%

LAB 49.5, -52.7, 46.3

 

CMYK 86 / 0 / 96 / 46

HEX #138905

RGB 19 137 5

HSL 113.64, 0.93%, 0.28%

LAB 49.55, -52.61, 51.69

 

CMYK 60 / 0 / 96 / 46

HEX #378905

RGB 55 137 5

HSL 97.27, 0.93%, 0.28%

LAB 50.35, -45.72, 52.68

 

CMYK 34 / 0 / 96 / 46

HEX #5A8905

RGB 90 137 5

HSL 81.36, 0.93%, 0.28%

LAB 51.92, -33.91, 54.6

 

CMYK 96 / 0 / 55 / 46

HEX #05893E

RGB 5 137 62

HSL 145.91, 0.93%, 0.28%

LAB 49.82, -48.65, 31.27

 

CMYK 96 / 0 / 29 / 46

HEX #058961

RGB 5 137 97

HSL 161.82, 0.93%, 0.28%

LAB 50.44, -41.48, 12.77

 

CMYK 96 / 0 / 3 / 46

HEX #058985

RGB 5 137 133

HSL 178.18, 0.93%, 0.28%

LAB 51.4, -31.32, -6.71

 

CMYK 96 / 23 / 0 / 46

HEX #056989

RGB 5 105 137

HSL 194.55, 0.93%, 0.28%

LAB 41.12, -13.13, -24.73

 

CMYK 96 / 49 / 0 / 46

HEX #054689

RGB 5 70 137

HSL 210.45, 0.93%, 0.28%

LAB 29.96, 9.15, -42.43

 

CMYK 96 / 0 / 55 / 46

HEX #05893E

RGB 5 137 62

HSL 145.91, 0.93%, 0.28%

LAB 49.82, -48.65, 31.27

 

CMYK 96 / 0 / 55 / 46

HEX #05893E

RGB 5 137 62

HSL 145.91, 0.93%, 0.28%

LAB 49.82, -48.65, 31.27

 

CMYK 86 / 0 / 49 / 51

HEX #117D40

RGB 17 125 64

HSL 146.11, 0.76%, 0.28%

LAB 45.85, -43.08, 25.28

 

CMYK 75 / 0 / 42 / 56

HEX #1C7141

RGB 28 113 65

HSL 146.12, 0.6%, 0.28%

LAB 41.91, -36.69, 19.66

 

CMYK 61 / 0 / 34 / 60

HEX #286643

RGB 40 102 67

HSL 146.13, 0.44%, 0.28%

LAB 38.48, -28.9, 13.96

 

CMYK 43 / 0 / 24 / 65

HEX #335A44

RGB 51 90 68

HSL 146.15, 0.28%, 0.28%

LAB 34.87, -19.47, 8.45

 

CMYK 85 / 0 / 96 / 46

HEX #158905

RGB 21 137 5

HSL 112.73, 0.93%, 0.28%

LAB 49.57, -52.38, 51.72

 

CMYK 96 / 0 / 82 / 46

HEX #058919

RGB 5 137 25

HSL 129.09, 0.93%, 0.28%

LAB 49.49, -52.84, 46.93

 

CMYK 96 / 0 / 56 / 46

HEX #05893C

RGB 5 137 60

HSL 145, 0.93%, 0.28%

LAB 49.8, -48.96, 32.27

 

CMYK 96 / 0 / 31 / 46

HEX #05895F

RGB 5 137 95

HSL 160.91, 0.93%, 0.28%

LAB 50.39, -41.97, 13.86

 

CMYK 96 / 0 / 5 / 46

HEX #058982

RGB 5 137 130

HSL 176.82, 0.93%, 0.28%

LAB 51.31, -32.26, -5.1

 

CMYK 96 / 0 / 54 / 78

HEX #02391A

RGB 2 57 26

HSL 146.18, 0.93%, 0.12%

LAB 20.1, -25.49, 14.61

 

CMYK 96 / 0 / 55 / 62

HEX #04612C

RGB 4 97 44

HSL 145.81, 0.92%, 0.2%

LAB 35.51, -37.49, 23.33

 

CMYK 96 / 0 / 55 / 46

HEX #05893E

RGB 5 137 62

HSL 145.91, 0.93%, 0.28%

LAB 49.82, -48.65, 31.27

 

CMYK 96 / 0 / 55 / 31

HEX #07B050

RGB 7 176 80

HSL 145.92, 0.92%, 0.36%

LAB 63.07, -58.78, 38.35

 

CMYK 96 / 0 / 55 / 15

HEX #09D862

RGB 9 216 98

HSL 145.8, 0.92%, 0.44%

LAB 76.1, -68.82, 45.49

 

CMYK 96 / 0 / 54 / 46

HEX #068A3F

RGB 6 138 63

HSL 145.91, 0.92%, 0.28%

LAB 50.19, -48.76, 31.2

 

CMYK 96 / 59 / 0 / 46

HEX #053889

RGB 5 56 137

HSL 216.82, 0.93%, 0.28%

LAB 25.76, 18.98, -49.23

 

CMYK 0 / 95 / 96 / 46

HEX #890705

RGB 137 7 5

HSL 0.91, 0.93%, 0.28%

LAB 28.06, 49.37, 39.06

 

CMYK 96 / 0 / 54 / 46

HEX #068A3F

RGB 6 138 63

HSL 145.91, 0.92%, 0.28%

LAB 50.19, -48.76, 31.2

 

CMYK 56 / 96 / 0 / 46

HEX #3C0589

RGB 60 5 137

HSL 265, 0.93%, 0.28%

LAB 19.54, 50.59, -59.34

 

CMYK 0 / 56 / 96 / 46

HEX #893C05

RGB 137 60 5

HSL 25, 0.93%, 0.28%

LAB 35.13, 30.19, 44.07

 

CMYK 96 / 0 / 54 / 46

HEX #068A3F

RGB 6 138 63

HSL 145.91, 0.92%, 0.28%

LAB 50.19, -48.76, 31.2

 

CMYK 96 / 59 / 0 / 46

HEX #053889

RGB 5 56 137

HSL 216.82, 0.93%, 0.28%

LAB 25.76, 18.98, -49.23

 

CMYK 0 / 96 / 40 / 46

HEX #890552

RGB 137 5 82

HSL 325, 0.93%, 0.28%

LAB 29.5, 53.96, -7.09

 

CMYK 0 / 37 / 96 / 46

HEX #895605

RGB 137 86 5

HSL 36.82, 0.93%, 0.28%

LAB 41.19, 15.46, 48.27

 

CMYK 96 / 0 / 54 / 46

HEX #068A3F

RGB 6 138 63

HSL 145.91, 0.92%, 0.28%

LAB 50.19, -48.76, 31.2

 

CMYK 96 / 88 / 0 / 46

HEX #051089

RGB 5 16 137

HSL 235, 0.93%, 0.28%

LAB 16.55, 44.05, -64.43

 

CMYK 0 / 96 / 40 / 46

HEX #890552

RGB 137 5 82

HSL 325, 0.93%, 0.28%

LAB 29.5, 53.96, -7.09

 

CMYK 0 / 8 / 96 / 46

HEX #897E05

RGB 137 126 5

HSL 55, 0.93%, 0.28%

LAB 52.12, -7.53, 56.29

 

Description

Color code: RGB 6 138 63 | qconv.com Color code: RGB 6 138 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 138 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 138 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 54 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 54% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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