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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 6 163 248 it is the complementary color RGB 249 92 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 6 163 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 6 163 248 shade: RGB 11 163 243, RGB 28 181 255, RGB 45 199 255, RGB 62 217 255 and RGB 79 235 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 6 163 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 6 163 248 shade: RGB 6 163 248, RGB 0 145 229, RGB 0 127 210, RGB 0 109 191 and RGB 0 91 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 6 163 248 shade: RGB 6 163 248, RGB 6 98 248, RGB 6 32 248, RGB 45 6 248 and RGB 110 6 248

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 6 163 248 shade: RGB 6 163 248, RGB 6 98 248, RGB 6 32 248 and RGB 6 6 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 6 163 248 shade matches the following richer shades: RGB 6 163 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 6 163 248 shade: RGB 6 163 248, RGB 27 157 227, RGB 47 151 207, RGB 68 145 186 and RGB 88 138 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 6 163 248 shade: RGB 6 248 204, RGB 6 228 248, RGB 6 163 248, RGB 6 99 248 and RGB 6 34 248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 6 163 248 shade: RGB 4 110 168, RGB 5 137 208, RGB 6 163 248, RGB 46 178 249 and RGB 86 193 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 6 163 248 shade: RGB 6 163 248, RGB 139 6 248 and RGB 248 236 6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 6 163 248 shade: RGB 6 163 248, RGB 248 6 163 and RGB 163 248 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 6 163 248 shade: RGB 6 163 248, RGB 139 6 248, RGB 248 91 6 and RGB 115 248 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 6 163 248 shade: RGB 6 163 248, RGB 212 6 248, RGB 248 91 6 and RGB 42 248 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

Complementary color

CMYK 0 / 63 / 97 / 2

HEX #F95C07

RGB 249 92 7

HSL 21.07, 0.95%, 0.5%

LAB 59.72, 57.27, 68.15

 

CMYK 95 / 33 / 0 / 5

HEX #0BA3F3

RGB 11 163 243

HSL 200.69, 0.91%, 0.5%

LAB 63.95, -6.4, -49.55

 

CMYK 89 / 29 / 0 / 0

HEX #1CB5FF

RGB 28 181 255

HSL 199.56, 1%, 0.55%

LAB 69.83, -11.41, -46.79

 

CMYK 82 / 22 / 0 / 0

HEX #2DC7FF

RGB 45 199 255

HSL 196, 1%, 0.59%

LAB 75.22, -19.88, -38.36

 

CMYK 76 / 15 / 0 / 0

HEX #3ED9FF

RGB 62 217 255

HSL 191.81, 1%, 0.62%

LAB 80.67, -27.4, -29.93

 

CMYK 69 / 8 / 0 / 0

HEX #4FEBFF

RGB 79 235 255

HSL 186.82, 1%, 0.65%

LAB 86.16, -34.07, -21.53

 

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

CMYK 100 / 37 / 0 / 10

HEX #0091E5

RGB 0 145 229

HSL 202.01, 1%, 0.45%

LAB 57.95, -1.55, -51.34

 

CMYK 100 / 40 / 0 / 18

HEX #007FD2

RGB 0 127 210

HSL 203.71, 1%, 0.41%

LAB 51.65, 1.91, -50.72

 

CMYK 100 / 43 / 0 / 25

HEX #006DBF

RGB 0 109 191

HSL 205.76, 1%, 0.37%

LAB 45.22, 5.56, -50.12

 

CMYK 100 / 47 / 0 / 33

HEX #005BAC

RGB 0 91 172

HSL 208.26, 1%, 0.34%

LAB 38.66, 9.45, -49.55

 

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

CMYK 98 / 60 / 0 / 3

HEX #0662F8

RGB 6 98 248

HSL 217.19, 0.95%, 0.5%

LAB 46.38, 35.23, -80.62

 

CMYK 98 / 87 / 0 / 3

HEX #0620F8

RGB 6 32 248

HSL 233.55, 0.95%, 0.5%

LAB 33.67, 70.56, -101.65

 

CMYK 82 / 98 / 0 / 3

HEX #2D06F8

RGB 45 6 248

HSL 249.67, 0.95%, 0.5%

LAB 32.84, 77.08, -102.99

 

CMYK 56 / 98 / 0 / 3

HEX #6E06F8

RGB 110 6 248

HSL 265.79, 0.95%, 0.5%

LAB 38.24, 79.76, -93.86

 

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

CMYK 98 / 60 / 0 / 3

HEX #0662F8

RGB 6 98 248

HSL 217.19, 0.95%, 0.5%

LAB 46.38, 35.23, -80.62

 

CMYK 98 / 87 / 0 / 3

HEX #0620F8

RGB 6 32 248

HSL 233.55, 0.95%, 0.5%

LAB 33.67, 70.56, -101.65

 

CMYK 98 / 98 / 0 / 3

HEX #0606F8

RGB 6 6 248

HSL 240, 0.95%, 0.5%

LAB 31.68, 76.64, -104.96

 

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

CMYK 88 / 31 / 0 / 11

HEX #1B9DE3

RGB 27 157 227

HSL 201, 0.79%, 0.5%

LAB 61.56, -8.19, -44.5

 

CMYK 77 / 27 / 0 / 19

HEX #2F97CF

RGB 47 151 207

HSL 201, 0.63%, 0.5%

LAB 59.2, -10.3, -37.05

 

CMYK 63 / 22 / 0 / 27

HEX #4491BA

RGB 68 145 186

HSL 200.85, 0.46%, 0.5%

LAB 57.1, -11.04, -28.43

 

CMYK 47 / 17 / 0 / 35

HEX #588AA6

RGB 88 138 166

HSL 201.54, 0.31%, 0.5%

LAB 55.08, -8.99, -20.05

 

CMYK 98 / 0 / 18 / 3

HEX #06F8CC

RGB 6 248 204

HSL 169.09, 0.95%, 0.5%

LAB 87.74, -58.8, 7.42

 

CMYK 98 / 8 / 0 / 3

HEX #06E4F8

RGB 6 228 248

HSL 184.96, 0.95%, 0.5%

LAB 83.07, -38.03, -22.59

 

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

CMYK 98 / 60 / 0 / 3

HEX #0663F8

RGB 6 99 248

HSL 216.94, 0.95%, 0.5%

LAB 46.63, 34.6, -80.21

 

CMYK 98 / 86 / 0 / 3

HEX #0622F8

RGB 6 34 248

HSL 233.06, 0.95%, 0.5%

LAB 33.9, 69.85, -101.26

 

CMYK 98 / 35 / 0 / 34

HEX #046EA8

RGB 4 110 168

HSL 201.22, 0.95%, 0.34%

LAB 44.24, -4.08, -38.27

 

CMYK 98 / 34 / 0 / 18

HEX #0589D0

RGB 5 137 208

HSL 200.99, 0.95%, 0.42%

LAB 54.53, -4.68, -45

 

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

CMYK 82 / 29 / 0 / 2

HEX #2EB2F9

RGB 46 178 249

HSL 200.99, 0.94%, 0.58%

LAB 68.94, -10.68, -44.93

 

CMYK 66 / 23 / 0 / 2

HEX #56C1FA

RGB 86 193 250

HSL 200.85, 0.94%, 0.66%

LAB 74.2, -13.6, -37.19

 

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

CMYK 44 / 98 / 0 / 3

HEX #8B06F8

RGB 139 6 248

HSL 272.98, 0.95%, 0.5%

LAB 41.84, 82.02, -87.79

 

CMYK 0 / 5 / 98 / 3

HEX #F8EC06

RGB 248 236 6

HSL 57.02, 0.95%, 0.5%

LAB 91.67, -15.28, 89.79

 

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

CMYK 0 / 98 / 34 / 3

HEX #F806A3

RGB 248 6 163

HSL 321.07, 0.95%, 0.5%

LAB 54.79, 85.67, -17.06

 

CMYK 34 / 0 / 98 / 3

HEX #A3F806

RGB 163 248 6

HSL 81.07, 0.95%, 0.5%

LAB 89.36, -54.04, 85.59

 

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

CMYK 44 / 98 / 0 / 3

HEX #8B06F8

RGB 139 6 248

HSL 272.98, 0.95%, 0.5%

LAB 41.84, 82.02, -87.79

 

CMYK 0 / 63 / 98 / 3

HEX #F85B06

RGB 248 91 6

HSL 21.07, 0.95%, 0.5%

LAB 59.39, 57.34, 68.06

 

CMYK 54 / 0 / 98 / 3

HEX #73F806

RGB 115 248 6

HSL 92.98, 0.95%, 0.5%

LAB 87.38, -68.85, 83.18

 

CMYK 98 / 34 / 0 / 3

HEX #06A3F8

RGB 6 163 248

HSL 201.07, 0.95%, 0.5%

LAB 64.17, -4.69, -51.94

 

CMYK 15 / 98 / 0 / 3

HEX #D406F8

RGB 212 6 248

HSL 291.07, 0.95%, 0.5%

LAB 52.84, 90.51, -69.36

 

CMYK 0 / 63 / 98 / 3

HEX #F85B06

RGB 248 91 6

HSL 21.07, 0.95%, 0.5%

LAB 59.39, 57.34, 68.06

 

CMYK 83 / 0 / 98 / 3

HEX #2AF806

RGB 42 248 6

HSL 111.07, 0.95%, 0.5%

LAB 85.83, -82.05, 81.28

 

Description

Color code: RGB 6 163 248 | qconv.com Color code: RGB 6 163 248 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 163 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 163 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 34 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 34% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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