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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 6 156 14 it is the complementary color RGB 249 99 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 6 156 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 6 156 14 shade: RGB 11 156 9, RGB 28 174 28, RGB 45 192 47, RGB 62 210 66 and RGB 79 228 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 6 156 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 6 156 14 shade: RGB 6 156 14, RGB 0 138 0, RGB 0 120 0, RGB 0 102 0 and RGB 0 84 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 6 156 14 shade: RGB 5 157 13, RGB 38 157 5, RGB 79 157 5, RGB 120 157 5 and RGB 157 153 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 6 156 14 shade: RGB 5 157 13, RGB 5 157 54, RGB 5 157 95, RGB 5 157 136 and RGB 5 137 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 6 156 14 shade matches the following richer shades: RGB 5 157 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 6 156 14 shade: RGB 5 157 13, RGB 18 144 25, RGB 32 131 37, RGB 45 117 49 and RGB 58 104 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 6 156 14 shade: RGB 79 157 5, RGB 38 157 5, RGB 5 157 13, RGB 5 157 53 and RGB 5 157 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 6 156 14 shade: RGB 2 77 6, RGB 4 117 10, RGB 5 157 13, RGB 7 197 17 and RGB 8 237 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 6 156 14 shade: RGB 6 156 14, RGB 5 119 157 and RGB 157 5 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 6 156 14 shade: RGB 6 156 14, RGB 13 5 157 and RGB 157 13 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 6 156 14 shade: RGB 6 156 14, RGB 5 119 157, RGB 157 5 149 and RGB 157 43 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 6 156 14 shade: RGB 6 156 14, RGB 5 74 157, RGB 157 5 149 and RGB 157 89 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 91 / 39

HEX #069C0E

RGB 6 156 14

HSL 123.2, 0.93%, 0.32%

LAB 55.93, -58.93, 55.48

 

Complementary color

CMYK 0 / 60 / 3 / 2

HEX #F963F1

RGB 249 99 241

HSL 303.2, 0.93%, 0.68%

LAB 66.07, 73.75, -44.03

 

CMYK 93 / 0 / 94 / 39

HEX #0B9C09

RGB 11 156 9

HSL 119.18, 0.89%, 0.32%

LAB 55.96, -58.79, 56.33

 

CMYK 84 / 0 / 84 / 32

HEX #1CAE1C

RGB 28 174 28

HSL 120, 0.72%, 0.4%

LAB 62.17, -61.88, 57.95

 

CMYK 77 / 0 / 76 / 25

HEX #2DC02F

RGB 45 192 47

HSL 120.82, 0.62%, 0.46%

LAB 68.36, -64.04, 58.21

 

CMYK 70 / 0 / 69 / 18

HEX #3ED242

RGB 62 210 66

HSL 121.62, 0.62%, 0.53%

LAB 74.52, -65.51, 57.7

 

CMYK 65 / 0 / 63 / 11

HEX #4FE455

RGB 79 228 85

HSL 122.42, 0.73%, 0.6%

LAB 80.63, -66.49, 56.77

 

CMYK 96 / 0 / 91 / 39

HEX #069C0E

RGB 6 156 14

HSL 123.2, 0.93%, 0.32%

LAB 55.93, -58.93, 55.48

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 97 / 0 / 92 / 38

HEX #059D0D

RGB 5 157 13

HSL 123.16, 0.94%, 0.32%

LAB 56.26, -59.31, 55.94

 

CMYK 76 / 0 / 97 / 38

HEX #269D05

RGB 38 157 5

HSL 106.97, 0.94%, 0.32%

LAB 56.62, -56.18, 57.63

 

CMYK 50 / 0 / 97 / 38

HEX #4F9D05

RGB 79 157 5

HSL 90.79, 0.94%, 0.32%

LAB 57.83, -46.21, 59.12

 

CMYK 24 / 0 / 97 / 38

HEX #789D05

RGB 120 157 5

HSL 74.61, 0.94%, 0.32%

LAB 60, -31.01, 61.75

 

CMYK 0 / 3 / 97 / 38

HEX #9D9905

RGB 157 153 5

HSL 58.42, 0.94%, 0.32%

LAB 61.62, -12.84, 64.21

 

CMYK 97 / 0 / 92 / 38

HEX #059D0D

RGB 5 157 13

HSL 123.16, 0.94%, 0.32%

LAB 56.26, -59.31, 55.94

 

CMYK 97 / 0 / 66 / 38

HEX #059D36

RGB 5 157 54

HSL 139.34, 0.94%, 0.32%

LAB 56.5, -56.3, 42.91

 

CMYK 97 / 0 / 39 / 38

HEX #059D5F

RGB 5 157 95

HSL 155.53, 0.94%, 0.32%

LAB 57.05, -49.65, 22.88

 

CMYK 97 / 0 / 13 / 38

HEX #059D88

RGB 5 157 136

HSL 171.71, 0.94%, 0.32%

LAB 57.96, -39.53, 1.22

 

CMYK 97 / 13 / 0 / 38

HEX #05899D

RGB 5 137 157

HSL 187.89, 0.94%, 0.32%

LAB 52.24, -23.37, -19.39

 

CMYK 97 / 0 / 92 / 38

HEX #059D0D

RGB 5 157 13

HSL 123.16, 0.94%, 0.32%

LAB 56.26, -59.31, 55.94

 

CMYK 97 / 0 / 92 / 38

HEX #059D0D

RGB 5 157 13

HSL 123.16, 0.94%, 0.32%

LAB 56.26, -59.31, 55.94

 

CMYK 88 / 0 / 83 / 44

HEX #129019

RGB 18 144 25

HSL 123.33, 0.78%, 0.32%

LAB 52, -53.97, 49.35

 

CMYK 76 / 0 / 72 / 49

HEX #208325

RGB 32 131 37

HSL 123.03, 0.61%, 0.32%

LAB 47.85, -46.91, 40.97

 

CMYK 62 / 0 / 58 / 54

HEX #2D7531

RGB 45 117 49

HSL 123.33, 0.44%, 0.32%

LAB 43.51, -37.41, 30.56

 

CMYK 44 / 0 / 42 / 59

HEX #3A683C

RGB 58 104 60

HSL 122.61, 0.28%, 0.32%

LAB 39.79, -25.92, 19.97

 

CMYK 50 / 0 / 97 / 38

HEX #4F9D05

RGB 79 157 5

HSL 90.79, 0.94%, 0.32%

LAB 57.83, -46.21, 59.12

 

CMYK 76 / 0 / 97 / 38

HEX #269D05

RGB 38 157 5

HSL 106.97, 0.94%, 0.32%

LAB 56.62, -56.18, 57.63

 

CMYK 97 / 0 / 92 / 38

HEX #059D0D

RGB 5 157 13

HSL 123.16, 0.94%, 0.32%

LAB 56.26, -59.31, 55.94

 

CMYK 97 / 0 / 66 / 38

HEX #059D35

RGB 5 157 53

HSL 138.95, 0.94%, 0.32%

LAB 56.49, -56.42, 43.34

 

CMYK 97 / 0 / 40 / 38

HEX #059D5E

RGB 5 157 94

HSL 155.13, 0.94%, 0.32%

LAB 57.03, -49.85, 23.41

 

CMYK 97 / 0 / 92 / 70

HEX #024D06

RGB 2 77 6

HSL 123.2, 0.95%, 0.15%

LAB 27.67, -35.43, 32.59

 

CMYK 97 / 0 / 91 / 54

HEX #04750A

RGB 4 117 10

HSL 123.19, 0.93%, 0.24%

LAB 42.42, -47.68, 44.55

 

CMYK 97 / 0 / 92 / 38

HEX #059D0D

RGB 5 157 13

HSL 123.16, 0.94%, 0.32%

LAB 56.26, -59.31, 55.94

 

CMYK 96 / 0 / 91 / 23

HEX #07C511

RGB 7 197 17

HSL 123.16, 0.93%, 0.4%

LAB 69.48, -70.3, 66.54

 

CMYK 97 / 0 / 92 / 7

HEX #08ED14

RGB 8 237 20

HSL 123.14, 0.93%, 0.48%

LAB 82.2, -80.93, 76.83

 

CMYK 96 / 0 / 91 / 39

HEX #069C0E

RGB 6 156 14

HSL 123.2, 0.93%, 0.32%

LAB 55.93, -58.93, 55.48

 

CMYK 97 / 24 / 0 / 38

HEX #05779D

RGB 5 119 157

HSL 195, 0.94%, 0.32%

LAB 46.53, -13.59, -28.21

 

CMYK 0 / 97 / 63 / 38

HEX #9D053A

RGB 157 5 58

HSL 339.08, 0.94%, 0.32%

LAB 33.1, 56.9, 14.54

 

CMYK 96 / 0 / 91 / 39

HEX #069C0E

RGB 6 156 14

HSL 123.2, 0.93%, 0.32%

LAB 55.93, -58.93, 55.48

 

CMYK 92 / 97 / 0 / 38

HEX #0D059D

RGB 13 5 157

HSL 243.16, 0.94%, 0.32%

LAB 18.49, 53.75, -73.61

 

CMYK 0 / 92 / 97 / 38

HEX #9D0D05

RGB 157 13 5

HSL 3.16, 0.94%, 0.32%

LAB 32.85, 53.99, 44.58

 

CMYK 96 / 0 / 91 / 39

HEX #069C0E

RGB 6 156 14

HSL 123.2, 0.93%, 0.32%

LAB 55.93, -58.93, 55.48

 

CMYK 97 / 24 / 0 / 38

HEX #05779D

RGB 5 119 157

HSL 195, 0.94%, 0.32%

LAB 46.53, -13.59, -28.21

 

CMYK 0 / 97 / 5 / 38

HEX #9D0595

RGB 157 5 149

HSL 303.16, 0.94%, 0.32%

LAB 36.83, 66.59, -37.94

 

CMYK 0 / 73 / 97 / 38

HEX #9D2B05

RGB 157 43 5

HSL 15, 0.94%, 0.32%

LAB 35.8, 45.68, 46.31

 

CMYK 96 / 0 / 91 / 39

HEX #069C0E

RGB 6 156 14

HSL 123.2, 0.93%, 0.32%

LAB 55.93, -58.93, 55.48

 

CMYK 97 / 53 / 0 / 38

HEX #054A9D

RGB 5 74 157

HSL 212.76, 0.94%, 0.32%

LAB 32.62, 14.87, -50.33

 

CMYK 0 / 97 / 5 / 38

HEX #9D0595

RGB 157 5 149

HSL 303.16, 0.94%, 0.32%

LAB 36.83, 66.59, -37.94

 

CMYK 0 / 43 / 97 / 38

HEX #9D5905

RGB 157 89 5

HSL 33.16, 0.94%, 0.32%

LAB 44.69, 22.86, 52

 

Description

Color code: RGB 6 156 14 | qconv.com Color code: RGB 6 156 14 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 156 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 156 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 91 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 91% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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