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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 242 198 it is the complementary color RGB 186 13 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 242 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 242 198 shade: RGB 74 242 193, RGB 91 255 212, RGB 108 255 231, RGB 125 255 250 and RGB 142 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 242 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 242 198 shade: RGB 69 242 198, RGB 52 224 179, RGB 35 206 160, RGB 18 188 141 and RGB 1 170 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 242 198 shade: RGB 69 242 198, RGB 69 242 151, RGB 69 242 104, RGB 79 242 69 and RGB 126 242 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 242 198 shade: RGB 69 242 198, RGB 69 239 242, RGB 69 192 242, RGB 69 146 242 and RGB 69 99 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 242 198 shade matches the following richer shades: RGB 69 242 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 242 198 shade: RGB 69 242 198, RGB 85 225 190, RGB 101 209 182, RGB 117 193 174 and RGB 133 177 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 242 198 shade: RGB 69 242 103, RGB 69 242 149, RGB 69 242 195, RGB 69 242 242 and RGB 69 195 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 242 198 shade: RGB 14 213 163, RGB 30 239 186, RGB 69 242 198, RGB 107 244 209 and RGB 146 247 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 242 198 shade: RGB 69 242 198, RGB 69 80 242 and RGB 242 126 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 242 198 shade: RGB 69 242 198, RGB 195 69 242 and RGB 242 195 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 242 198 shade: RGB 69 242 198, RGB 69 80 242, RGB 242 69 115 and RGB 242 230 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 242 198 shade: RGB 69 242 198, RGB 109 69 242, RGB 242 69 115 and RGB 201 242 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 18 / 5

HEX #45F2C6

RGB 69 242 198

HSL 164.74, 0.87%, 0.61%

LAB 86.43, -53.54, 8.74

 

Complementary color

CMYK 0 / 93 / 69 / 27

HEX #BA0D39

RGB 186 13 57

HSL 344.74, 0.87%, 0.39%

LAB 39.62, 63.17, 24.83

 

CMYK 69 / 0 / 20 / 5

HEX #4AF2C1

RGB 74 242 193

HSL 162.5, 0.87%, 0.62%

LAB 86.41, -54.04, 11.33

 

CMYK 64 / 0 / 17 / 0

HEX #5BFFD4

RGB 91 255 212

HSL 164.27, 1%, 0.68%

LAB 91.01, -52.41, 8.1

 

CMYK 58 / 0 / 9 / 0

HEX #6CFFE7

RGB 108 255 231

HSL 170.2, 1%, 0.71%

LAB 91.9, -45, -0.38

 

CMYK 51 / 0 / 2 / 0

HEX #7DFFFA

RGB 125 255 250

HSL 177.69, 1%, 0.75%

LAB 92.92, -37.08, -8.65

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 71 / 0 / 18 / 5

HEX #45F2C6

RGB 69 242 198

HSL 164.74, 0.87%, 0.61%

LAB 86.43, -53.54, 8.74

 

CMYK 77 / 0 / 20 / 12

HEX #34E0B3

RGB 52 224 179

HSL 164.3, 0.74%, 0.54%

LAB 80.35, -52.82, 9.98

 

CMYK 83 / 0 / 22 / 19

HEX #23CEA0

RGB 35 206 160

HSL 163.86, 0.71%, 0.47%

LAB 74.21, -51.82, 11.35

 

CMYK 90 / 0 / 25 / 26

HEX #12BC8D

RGB 18 188 141

HSL 163.41, 0.83%, 0.4%

LAB 68.03, -50.46, 12.86

 

CMYK 99 / 0 / 28 / 33

HEX #01AA7A

RGB 1 170 122

HSL 162.96, 0.99%, 0.34%

LAB 61.79, -48.71, 14.52

 

CMYK 71 / 0 / 18 / 5

HEX #45F2C6

RGB 69 242 198

HSL 164.74, 0.87%, 0.61%

LAB 86.43, -53.54, 8.74

 

CMYK 71 / 0 / 38 / 5

HEX #45F297

RGB 69 242 151

HSL 148.44, 0.87%, 0.61%

LAB 85.51, -63.48, 31.63

 

CMYK 71 / 0 / 57 / 5

HEX #45F268

RGB 69 242 104

HSL 132.14, 0.87%, 0.61%

LAB 84.88, -70.71, 53.36

 

CMYK 67 / 0 / 71 / 5

HEX #4FF245

RGB 79 242 69

HSL 116.53, 0.87%, 0.61%

LAB 84.79, -72.51, 67.38

 

CMYK 48 / 0 / 71 / 5

HEX #7EF245

RGB 126 242 69

HSL 100.23, 0.87%, 0.61%

LAB 86.19, -61.37, 69.26

 

CMYK 71 / 0 / 18 / 5

HEX #45F2C6

RGB 69 242 198

HSL 164.74, 0.87%, 0.61%

LAB 86.43, -53.54, 8.74

 

CMYK 71 / 1 / 0 / 5

HEX #45EFF2

RGB 69 239 242

HSL 181.04, 0.87%, 0.61%

LAB 86.71, -40.83, -13.9

 

CMYK 71 / 21 / 0 / 5

HEX #45C0F2

RGB 69 192 242

HSL 197.34, 0.87%, 0.61%

LAB 73.14, -18.05, -34.56

 

CMYK 71 / 40 / 0 / 5

HEX #4592F2

RGB 69 146 242

HSL 213.29, 0.87%, 0.61%

LAB 60.1, 7.66, -55.05

 

CMYK 71 / 59 / 0 / 5

HEX #4563F2

RGB 69 99 242

HSL 229.6, 0.87%, 0.61%

LAB 47.75, 36.53, -74.96

 

CMYK 71 / 0 / 18 / 5

HEX #45F2C6

RGB 69 242 198

HSL 164.74, 0.87%, 0.61%

LAB 86.43, -53.54, 8.74

 

CMYK 71 / 0 / 18 / 5

HEX #45F2C6

RGB 69 242 198

HSL 164.74, 0.87%, 0.61%

LAB 86.43, -53.54, 8.74

 

CMYK 62 / 0 / 16 / 12

HEX #55E1BE

RGB 85 225 190

HSL 165, 0.7%, 0.61%

LAB 81.57, -45.95, 6

 

CMYK 52 / 0 / 13 / 18

HEX #65D1B6

RGB 101 209 182

HSL 165, 0.54%, 0.61%

LAB 77.13, -37.62, 3.92

 

CMYK 39 / 0 / 10 / 24

HEX #75C1AE

RGB 117 193 174

HSL 165, 0.38%, 0.61%

LAB 72.88, -28, 2.16

 

CMYK 25 / 0 / 6 / 31

HEX #85B1A6

RGB 133 177 166

HSL 165, 0.22%, 0.61%

LAB 68.88, -17.04, 0.84

 

CMYK 71 / 0 / 57 / 5

HEX #45F267

RGB 69 242 103

HSL 131.79, 0.87%, 0.61%

LAB 84.87, -70.83, 53.79

 

CMYK 71 / 0 / 38 / 5

HEX #45F295

RGB 69 242 149

HSL 147.75, 0.87%, 0.61%

LAB 85.47, -63.85, 32.6

 

CMYK 71 / 0 / 19 / 5

HEX #45F2C3

RGB 69 242 195

HSL 163.7, 0.87%, 0.61%

LAB 86.36, -54.25, 10.21

 

CMYK 71 / 0 / 0 / 5

HEX #45F2F2

RGB 69 242 242

HSL 180, 0.87%, 0.61%

LAB 87.57, -42.18, -12.6

 

CMYK 71 / 19 / 0 / 5

HEX #45C3F2

RGB 69 195 242

HSL 196.3, 0.87%, 0.61%

LAB 74, -19.61, -33.23

 

CMYK 93 / 0 / 23 / 16

HEX #0ED5A3

RGB 14 213 163

HSL 164.92, 0.88%, 0.45%

LAB 76.27, -55.08, 12.63

 

CMYK 87 / 0 / 22 / 6

HEX #1EEFBA

RGB 30 239 186

HSL 164.78, 0.87%, 0.53%

LAB 84.77, -58.83, 12.56

 

CMYK 71 / 0 / 18 / 5

HEX #45F2C6

RGB 69 242 198

HSL 164.74, 0.87%, 0.61%

LAB 86.43, -53.54, 8.74

 

CMYK 56 / 0 / 14 / 4

HEX #6BF4D1

RGB 107 244 209

HSL 164.67, 0.86%, 0.69%

LAB 88.18, -45.61, 5.64

 

CMYK 41 / 0 / 11 / 3

HEX #92F7DD

RGB 146 247 221

HSL 164.55, 0.86%, 0.77%

LAB 90.71, -35.47, 3.24

 

CMYK 71 / 0 / 18 / 5

HEX #45F2C6

RGB 69 242 198

HSL 164.74, 0.87%, 0.61%

LAB 86.43, -53.54, 8.74

 

CMYK 71 / 67 / 0 / 5

HEX #4550F2

RGB 69 80 242

HSL 236.18, 0.87%, 0.61%

LAB 43.38, 47.99, -82.11

 

CMYK 0 / 48 / 71 / 5

HEX #F27E45

RGB 242 126 69

HSL 19.77, 0.87%, 0.61%

LAB 65.14, 40.38, 50.1

 

CMYK 71 / 0 / 18 / 5

HEX #45F2C6

RGB 69 242 198

HSL 164.74, 0.87%, 0.61%

LAB 86.43, -53.54, 8.74

 

CMYK 19 / 71 / 0 / 5

HEX #C345F2

RGB 195 69 242

HSL 283.7, 0.87%, 0.61%

LAB 54.31, 73.68, -63.76

 

CMYK 0 / 19 / 71 / 5

HEX #F2C345

RGB 242 195 69

HSL 43.7, 0.87%, 0.61%

LAB 80.93, 4.37, 66.47

 

CMYK 71 / 0 / 18 / 5

HEX #45F2C6

RGB 69 242 198

HSL 164.74, 0.87%, 0.61%

LAB 86.43, -53.54, 8.74

 

CMYK 71 / 67 / 0 / 5

HEX #4550F2

RGB 69 80 242

HSL 236.18, 0.87%, 0.61%

LAB 43.38, 47.99, -82.11

 

CMYK 0 / 71 / 52 / 5

HEX #F24573

RGB 242 69 115

HSL 344.05, 0.87%, 0.61%

LAB 56.46, 68.04, 13.72

 

CMYK 0 / 5 / 71 / 5

HEX #F2E645

RGB 242 230 69

HSL 55.84, 0.87%, 0.61%

LAB 89.81, -13.35, 75.16

 

CMYK 71 / 0 / 18 / 5

HEX #45F2C6

RGB 69 242 198

HSL 164.74, 0.87%, 0.61%

LAB 86.43, -53.54, 8.74

 

CMYK 55 / 71 / 0 / 5

HEX #6D45F2

RGB 109 69 242

HSL 253.87, 0.87%, 0.61%

LAB 44.12, 58.93, -80.8

 

CMYK 0 / 71 / 52 / 5

HEX #F24573

RGB 242 69 115

HSL 344.05, 0.87%, 0.61%

LAB 56.46, 68.04, 13.72

 

CMYK 17 / 0 / 71 / 5

HEX #C9F245

RGB 201 242 69

HSL 74.22, 0.87%, 0.61%

LAB 90.02, -35.56, 74.33

 

Description

Color code: RGB 69 242 198 | qconv.com Color code: RGB 69 242 198 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 242 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 242 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 18 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 18% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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