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Color name
RGB 69 20 148

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 20 148 it is the complementary color RGB 186 235 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 20 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 20 148 shade: RGB 74 20 143, RGB 91 38 162, RGB 108 56 181, RGB 125 74 200 and RGB 142 92 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 20 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 20 148 shade: RGB 69 20 148, RGB 52 2 129, RGB 35 0 110, RGB 18 0 91 and RGB 1 0 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 20 148 shade: RGB 69 20 148, RGB 103 20 148, RGB 138 20 148, RGB 148 20 123 and RGB 148 20 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 20 148 shade: RGB 69 20 148, RGB 34 20 148 and RGB 20 20 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 20 148 shade matches the following richer shades: RGB 69 20 148 and RGB 65 6 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 20 148 shade: RGB 69 20 148, RGB 72 33 134, RGB 75 47 120, RGB 78 61 107 and RGB 81 74 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 20 148 shade: RGB 20 41 148, RGB 32 20 148, RGB 67 20 148, RGB 101 20 148 and RGB 135 20 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 20 148 shade: RGB 35 10 75, RGB 52 15 111, RGB 69 20 148, RGB 86 25 184 and RGB 103 30 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 20 148 shade: RGB 69 20 148, RGB 148 20 75 and RGB 24 148 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 20 148 shade: RGB 69 20 148, RGB 148 67 20 and RGB 20 148 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 20 148 shade: RGB 69 20 148, RGB 148 20 75, RGB 101 148 20 and RGB 20 148 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 20 148 shade: RGB 69 20 148, RGB 148 20 37, RGB 101 148 20 and RGB 20 148 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 86 / 0 / 42

HEX #451494

RGB 69 20 148

HSL 262.97, 0.76%, 0.33%

LAB 23.35, 49.96, -59.86

 

Complementary color

CMYK 21 / 0 / 54 / 8

HEX #BAEB6B

RGB 186 235 107

HSL 82.97, 0.76%, 0.67%

LAB 87.44, -35.35, 56.17

 

CMYK 48 / 86 / 0 / 44

HEX #4A148F

RGB 74 20 143

HSL 266.34, 0.75%, 0.32%

LAB 23.47, 49.29, -56.54

 

CMYK 44 / 77 / 0 / 36

HEX #5B26A2

RGB 91 38 162

HSL 265.65, 0.62%, 0.39%

LAB 29.96, 49.41, -57.47

 

CMYK 40 / 69 / 0 / 29

HEX #6C38B5

RGB 108 56 181

HSL 264.96, 0.53%, 0.46%

LAB 36.65, 48.77, -57.84

 

CMYK 38 / 63 / 0 / 22

HEX #7D4AC8

RGB 125 74 200

HSL 264.29, 0.53%, 0.54%

LAB 43.4, 47.82, -57.93

 

CMYK 35 / 58 / 0 / 14

HEX #8E5CDB

RGB 142 92 219

HSL 263.62, 0.64%, 0.61%

LAB 50.12, 46.77, -57.89

 

CMYK 53 / 86 / 0 / 42

HEX #451494

RGB 69 20 148

HSL 262.97, 0.76%, 0.33%

LAB 23.35, 49.96, -59.86

 

CMYK 60 / 98 / 0 / 49

HEX #340281

RGB 52 2 129

HSL 263.62, 0.97%, 0.26%

LAB 17.27, 48.83, -58.09

 

CMYK 68 / 100 / 0 / 57

HEX #23006E

RGB 35 0 110

HSL 259.09, 1%, 0.22%

LAB 12.5, 43.62, -53.82

 

CMYK 80 / 100 / 0 / 64

HEX #12005B

RGB 18 0 91

HSL 251.87, 1%, 0.18%

LAB 7.98, 37.76, -48.75

 

CMYK 99 / 100 / 0 / 72

HEX #010048

RGB 1 0 72

HSL 240.83, 1%, 0.14%

LAB 4.28, 28.41, -41.81

 

CMYK 53 / 86 / 0 / 42

HEX #451494

RGB 69 20 148

HSL 262.97, 0.76%, 0.33%

LAB 23.35, 49.96, -59.86

 

CMYK 30 / 86 / 0 / 42

HEX #671494

RGB 103 20 148

HSL 278.91, 0.76%, 0.33%

LAB 28.17, 54.65, -51.77

 

CMYK 7 / 86 / 0 / 42

HEX #8A1494

RGB 138 20 148

HSL 295.31, 0.76%, 0.33%

LAB 34.07, 60.7, -41.94

 

CMYK 0 / 86 / 17 / 42

HEX #94147B

RGB 148 20 123

HSL 311.72, 0.76%, 0.33%

LAB 34.45, 58.84, -25.72

 

CMYK 0 / 86 / 40 / 42

HEX #941459

RGB 148 20 89

HSL 327.66, 0.76%, 0.33%

LAB 32.96, 54.7, -6.28

 

CMYK 53 / 86 / 0 / 42

HEX #451494

RGB 69 20 148

HSL 262.97, 0.76%, 0.33%

LAB 23.35, 49.96, -59.86

 

CMYK 77 / 86 / 0 / 42

HEX #221494

RGB 34 20 148

HSL 246.56, 0.76%, 0.33%

LAB 19.96, 46.88, -65.58

 

CMYK 86 / 86 / 0 / 42

HEX #141494

RGB 20 20 148

HSL 240, 0.76%, 0.33%

LAB 19.17, 46.2, -66.91

 

CMYK 53 / 86 / 0 / 42

HEX #451494

RGB 69 20 148

HSL 262.97, 0.76%, 0.33%

LAB 23.35, 49.96, -59.86

 

CMYK 60 / 96 / 0 / 37

HEX #4106A1

RGB 65 6 161

HSL 262.84, 0.93%, 0.33%

LAB 23.09, 56.65, -68.29

 

CMYK 53 / 86 / 0 / 42

HEX #451494

RGB 69 20 148

HSL 262.97, 0.76%, 0.33%

LAB 23.35, 49.96, -59.86

 

CMYK 46 / 75 / 0 / 47

HEX #482186

RGB 72 33 134

HSL 263.17, 0.6%, 0.33%

LAB 24.28, 41.03, -49.61

 

CMYK 38 / 61 / 0 / 53

HEX #4B2F78

RGB 75 47 120

HSL 263.01, 0.44%, 0.33%

LAB 26.4, 29.84, -37.32

 

CMYK 27 / 43 / 0 / 58

HEX #4E3D6B

RGB 78 61 107

HSL 262.17, 0.27%, 0.33%

LAB 29.46, 18.17, -24.17

 

CMYK 13 / 20 / 0 / 64

HEX #514A5D

RGB 81 74 93

HSL 262.11, 0.11%, 0.33%

LAB 32.78, 7.18, -10.1

 

CMYK 86 / 72 / 0 / 42

HEX #142994

RGB 20 41 148

HSL 230.16, 0.76%, 0.33%

LAB 23.25, 34.53, -60.16

 

CMYK 78 / 86 / 0 / 42

HEX #201494

RGB 32 20 148

HSL 245.63, 0.76%, 0.33%

LAB 19.82, 46.76, -65.81

 

CMYK 55 / 86 / 0 / 42

HEX #431494

RGB 67 20 148

HSL 262.03, 0.76%, 0.33%

LAB 23.11, 49.73, -60.27

 

CMYK 32 / 86 / 0 / 42

HEX #651494

RGB 101 20 148

HSL 277.97, 0.76%, 0.33%

LAB 27.86, 54.34, -52.29

 

CMYK 9 / 86 / 0 / 42

HEX #871494

RGB 135 20 148

HSL 293.91, 0.76%, 0.33%

LAB 33.54, 60.15, -42.82

 

CMYK 53 / 87 / 0 / 71

HEX #230A4B

RGB 35 10 75

HSL 263.08, 0.76%, 0.17%

LAB 9.66, 29.07, -34.94

 

CMYK 53 / 86 / 0 / 56

HEX #340F6F

RGB 52 15 111

HSL 263.13, 0.76%, 0.25%

LAB 16.6, 39.78, -47.62

 

CMYK 53 / 86 / 0 / 42

HEX #451494

RGB 69 20 148

HSL 262.97, 0.76%, 0.33%

LAB 23.35, 49.96, -59.86

 

CMYK 53 / 86 / 0 / 28

HEX #5619B8

RGB 86 25 184

HSL 263.02, 0.76%, 0.41%

LAB 29.75, 59.34, -71.04

 

CMYK 53 / 86 / 0 / 14

HEX #671EDC

RGB 103 30 220

HSL 263.05, 0.76%, 0.49%

LAB 35.94, 68.33, -81.77

 

CMYK 53 / 86 / 0 / 42

HEX #451494

RGB 69 20 148

HSL 262.97, 0.76%, 0.33%

LAB 23.35, 49.96, -59.86

 

CMYK 0 / 86 / 49 / 42

HEX #94144B

RGB 148 20 75

HSL 334.22, 0.76%, 0.33%

LAB 32.49, 53.36, 2.2

 

CMYK 84 / 0 / 86 / 42

HEX #189414

RGB 24 148 20

HSL 118.13, 0.76%, 0.33%

LAB 53.41, -54.84, 52.03

 

CMYK 53 / 86 / 0 / 42

HEX #451494

RGB 69 20 148

HSL 262.97, 0.76%, 0.33%

LAB 23.35, 49.96, -59.86

 

CMYK 0 / 55 / 86 / 42

HEX #944314

RGB 148 67 20

HSL 22.03, 0.76%, 0.33%

LAB 38.48, 31.38, 42.01

 

CMYK 86 / 0 / 55 / 42

HEX #149443

RGB 20 148 67

HSL 142.03, 0.76%, 0.33%

LAB 53.74, -50.54, 33.52

 

CMYK 53 / 86 / 0 / 42

HEX #451494

RGB 69 20 148

HSL 262.97, 0.76%, 0.33%

LAB 23.35, 49.96, -59.86

 

CMYK 0 / 86 / 49 / 42

HEX #94144B

RGB 148 20 75

HSL 334.22, 0.76%, 0.33%

LAB 32.49, 53.36, 2.2

 

CMYK 32 / 0 / 86 / 42

HEX #659414

RGB 101 148 20

HSL 82.03, 0.76%, 0.33%

LAB 56.08, -34.16, 55.41

 

CMYK 86 / 0 / 38 / 42

HEX #14945C

RGB 20 148 92

HSL 153.75, 0.76%, 0.33%

LAB 54.13, -45.95, 20.66

 

CMYK 53 / 86 / 0 / 42

HEX #451494

RGB 69 20 148

HSL 262.97, 0.76%, 0.33%

LAB 23.35, 49.96, -59.86

 

CMYK 0 / 86 / 75 / 42

HEX #941425

RGB 148 20 37

HSL 352.03, 0.76%, 0.33%

LAB 31.65, 50.89, 25.97

 

CMYK 32 / 0 / 86 / 42

HEX #659414

RGB 101 148 20

HSL 82.03, 0.76%, 0.33%

LAB 56.08, -34.16, 55.41

 

CMYK 86 / 0 / 11 / 42

HEX #149483

RGB 20 148 131

HSL 172.03, 0.76%, 0.33%

LAB 55.04, -36.15, -0.18

 

Description

Color code: RGB 69 20 148 | qconv.com Color code: RGB 69 20 148 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 20 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 20 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 86 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 86% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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