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Color name
RGB 69 196 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 196 72 it is the complementary color RGB 186 59 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 196 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 196 72 shade: RGB 74 196 67, RGB 91 214 86, RGB 108 232 105, RGB 125 250 124 and RGB 142 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 196 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 196 72 shade: RGB 69 196 72, RGB 52 178 53, RGB 35 160 34, RGB 18 142 15 and RGB 1 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 196 72 shade: RGB 68 196 71, RGB 100 196 68, RGB 134 196 68, RGB 168 196 68 and RGB 196 189 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 196 72 shade: RGB 68 196 71, RGB 68 196 106, RGB 68 196 140, RGB 68 196 174 and RGB 68 183 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 196 72 shade matches the following richer shades: RGB 68 196 71, RGB 49 216 53 and RGB 29 235 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 196 72 shade: RGB 68 196 71, RGB 88 176 90, RGB 108 156 109, RGB 128 136 128 and RGB 148 117 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 196 72 shade: RGB 134 196 68, RGB 100 196 68, RGB 68 196 71, RGB 68 196 105 and RGB 68 196 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 196 72 shade: RGB 43 138 46, RGB 53 170 56, RGB 68 196 71, RGB 100 206 102 and RGB 131 216 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 196 72 shade: RGB 69 196 72, RGB 68 168 196 and RGB 196 68 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 196 72 shade: RGB 69 196 72, RGB 71 68 196 and RGB 196 71 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 196 72 shade: RGB 69 196 72, RGB 68 168 196, RGB 196 68 194 and RGB 196 96 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 196 72 shade: RGB 69 196 72, RGB 68 130 196, RGB 196 68 194 and RGB 196 134 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 63 / 23

HEX #45C448

RGB 69 196 72

HSL 121.42, 0.52%, 0.52%

LAB 70.32, -58.88, 50.72

 

Complementary color

CMYK 0 / 68 / 2 / 27

HEX #BA3BB7

RGB 186 59 183

HSL 301.42, 0.52%, 0.48%

LAB 48.24, 64.89, -39.83

 

CMYK 62 / 0 / 66 / 23

HEX #4AC443

RGB 74 196 67

HSL 116.74, 0.52%, 0.52%

LAB 70.41, -58.31, 52.98

 

CMYK 57 / 0 / 60 / 16

HEX #5BD656

RGB 91 214 86

HSL 117.66, 0.61%, 0.59%

LAB 76.67, -58.86, 51.95

 

CMYK 53 / 0 / 55 / 9

HEX #6CE869

RGB 108 232 105

HSL 118.58, 0.73%, 0.66%

LAB 82.87, -59.16, 50.78

 

CMYK 50 / 0 / 50 / 2

HEX #7DFA7C

RGB 125 250 124

HSL 119.52, 0.93%, 0.73%

LAB 89.01, -59.27, 49.55

 

CMYK 44 / 0 / 44 / 0

HEX #8EFF8F

RGB 142 255 143

HSL 120.53, 1%, 0.78%

LAB 91.35, -54.11, 43.6

 

CMYK 65 / 0 / 63 / 23

HEX #45C448

RGB 69 196 72

HSL 121.42, 0.52%, 0.52%

LAB 70.32, -58.88, 50.72

 

CMYK 71 / 0 / 70 / 30

HEX #34B235

RGB 52 178 53

HSL 120.48, 0.55%, 0.45%

LAB 64.02, -57.9, 51.64

 

CMYK 78 / 0 / 79 / 37

HEX #23A022

RGB 35 160 34

HSL 119.52, 0.65%, 0.38%

LAB 57.67, -56.32, 52.01

 

CMYK 87 / 0 / 89 / 44

HEX #128E0F

RGB 18 142 15

HSL 118.58, 0.81%, 0.31%

LAB 51.28, -53.88, 51.27

 

CMYK 99 / 0 / 100 / 51

HEX #017C00

RGB 1 124 0

HSL 119.52, 1%, 0.24%

LAB 44.83, -50.45, 48.78

 

CMYK 65 / 0 / 64 / 23

HEX #44C447

RGB 68 196 71

HSL 121.41, 0.52%, 0.52%

LAB 70.29, -59.19, 51.11

 

CMYK 49 / 0 / 65 / 23

HEX #64C444

RGB 100 196 68

HSL 105, 0.52%, 0.52%

LAB 71.29, -51.5, 53.76

 

CMYK 32 / 0 / 65 / 23

HEX #86C444

RGB 134 196 68

HSL 89.06, 0.52%, 0.52%

LAB 72.87, -40.31, 55.93

 

CMYK 14 / 0 / 65 / 23

HEX #A8C444

RGB 168 196 68

HSL 73.13, 0.52%, 0.52%

LAB 74.96, -27.23, 58.78

 

CMYK 0 / 4 / 65 / 23

HEX #C4BD44

RGB 196 189 68

HSL 56.72, 0.52%, 0.52%

LAB 75.17, -12.12, 59.66

 

CMYK 65 / 0 / 64 / 23

HEX #44C447

RGB 68 196 71

HSL 121.41, 0.52%, 0.52%

LAB 70.29, -59.19, 51.11

 

CMYK 65 / 0 / 46 / 23

HEX #44C46A

RGB 68 196 106

HSL 137.81, 0.52%, 0.52%

LAB 70.7, -54.52, 35.05

 

CMYK 65 / 0 / 29 / 23

HEX #44C48C

RGB 68 196 140

HSL 153.75, 0.52%, 0.52%

LAB 71.28, -48.12, 18.05

 

CMYK 65 / 0 / 11 / 23

HEX #44C4AE

RGB 68 196 174

HSL 169.69, 0.52%, 0.52%

LAB 72.07, -40.08, 0.78

 

CMYK 65 / 7 / 0 / 23

HEX #44B7C4

RGB 68 183 196

HSL 186.09, 0.52%, 0.52%

LAB 68.81, -27.87, -16.11

 

CMYK 65 / 0 / 64 / 23

HEX #44C447

RGB 68 196 71

HSL 121.41, 0.52%, 0.52%

LAB 70.29, -59.19, 51.11

 

CMYK 77 / 0 / 75 / 15

HEX #31D835

RGB 49 216 53

HSL 121.44, 0.68%, 0.52%

LAB 76.08, -70.41, 63.87

 

CMYK 88 / 0 / 86 / 8

HEX #1DEB22

RGB 29 235 34

HSL 121.46, 0.84%, 0.52%

LAB 81.73, -78.9, 74.1

 

CMYK 65 / 0 / 64 / 23

HEX #44C447

RGB 68 196 71

HSL 121.41, 0.52%, 0.52%

LAB 70.29, -59.19, 51.11

 

CMYK 50 / 0 / 49 / 31

HEX #58B05A

RGB 88 176 90

HSL 121.36, 0.36%, 0.52%

LAB 64.85, -44.35, 35.92

 

CMYK 31 / 0 / 30 / 39

HEX #6C9C6D

RGB 108 156 109

HSL 121.25, 0.2%, 0.52%

LAB 59.95, -25.91, 19.61

 

CMYK 6 / 0 / 6 / 47

HEX #808880

RGB 128 136 128

HSL 120, 0.03%, 0.52%

LAB 55.84, -4.53, 3.27

 

CMYK 0 / 21 / 1 / 42

HEX #947593

RGB 148 117 147

HSL 301.94, 0.13%, 0.52%

LAB 53.09, 17.54, -11.64

 

CMYK 32 / 0 / 65 / 23

HEX #86C444

RGB 134 196 68

HSL 89.06, 0.52%, 0.52%

LAB 72.87, -40.31, 55.93

 

CMYK 49 / 0 / 65 / 23

HEX #64C444

RGB 100 196 68

HSL 105, 0.52%, 0.52%

LAB 71.29, -51.5, 53.76

 

CMYK 65 / 0 / 64 / 23

HEX #44C447

RGB 68 196 71

HSL 121.41, 0.52%, 0.52%

LAB 70.29, -59.19, 51.11

 

CMYK 65 / 0 / 46 / 23

HEX #44C469

RGB 68 196 105

HSL 137.34, 0.52%, 0.52%

LAB 70.68, -54.68, 35.54

 

CMYK 65 / 0 / 30 / 23

HEX #44C48A

RGB 68 196 138

HSL 152.81, 0.52%, 0.52%

LAB 71.24, -48.54, 19.06

 

CMYK 69 / 0 / 67 / 46

HEX #2B8A2E

RGB 43 138 46

HSL 121.89, 0.52%, 0.35%

LAB 50.56, -46.37, 40.05

 

CMYK 69 / 0 / 67 / 33

HEX #35AA38

RGB 53 170 56

HSL 121.54, 0.52%, 0.44%

LAB 61.47, -54.7, 47.7

 

CMYK 65 / 0 / 64 / 23

HEX #44C447

RGB 68 196 71

HSL 121.41, 0.52%, 0.52%

LAB 70.29, -59.19, 51.11

 

CMYK 51 / 0 / 50 / 19

HEX #64CE66

RGB 100 206 102

HSL 121.13, 0.52%, 0.6%

LAB 74.71, -51.58, 42.26

 

CMYK 39 / 0 / 38 / 15

HEX #83D885

RGB 131 216 133

HSL 121.41, 0.52%, 0.68%

LAB 79.4, -42.39, 33.03

 

CMYK 65 / 0 / 63 / 23

HEX #45C448

RGB 69 196 72

HSL 121.42, 0.52%, 0.52%

LAB 70.32, -58.88, 50.72

 

CMYK 65 / 14 / 0 / 23

HEX #44A8C4

RGB 68 168 196

HSL 193.13, 0.52%, 0.52%

LAB 64.34, -20.26, -22.91

 

CMYK 0 / 65 / 40 / 23

HEX #C44475

RGB 196 68 117

HSL 337.03, 0.52%, 0.52%

LAB 48.45, 55.04, 0.03

 

CMYK 65 / 0 / 63 / 23

HEX #45C448

RGB 69 196 72

HSL 121.42, 0.52%, 0.52%

LAB 70.32, -58.88, 50.72

 

CMYK 64 / 65 / 0 / 23

HEX #4744C4

RGB 71 68 196

HSL 241.41, 0.52%, 0.52%

LAB 36.85, 40.14, -66.47

 

CMYK 0 / 64 / 65 / 23

HEX #C44744

RGB 196 71 68

HSL 1.41, 0.52%, 0.52%

LAB 47.83, 49.71, 28.76

 

CMYK 65 / 0 / 63 / 23

HEX #45C448

RGB 69 196 72

HSL 121.42, 0.52%, 0.52%

LAB 70.32, -58.88, 50.72

 

CMYK 65 / 14 / 0 / 23

HEX #44A8C4

RGB 68 168 196

HSL 193.13, 0.52%, 0.52%

LAB 64.34, -20.26, -22.91

 

CMYK 0 / 65 / 1 / 23

HEX #C444C2

RGB 196 68 194

HSL 300.94, 0.52%, 0.52%

LAB 51.57, 65.66, -40.86

 

CMYK 0 / 51 / 65 / 23

HEX #C46044

RGB 196 96 68

HSL 13.13, 0.52%, 0.52%

LAB 52.42, 37.75, 34.36

 

CMYK 65 / 0 / 63 / 23

HEX #45C448

RGB 69 196 72

HSL 121.42, 0.52%, 0.52%

LAB 70.32, -58.88, 50.72

 

CMYK 65 / 34 / 0 / 23

HEX #4482C4

RGB 68 130 196

HSL 210.94, 0.52%, 0.52%

LAB 53.15, 0.98, -40.3

 

CMYK 0 / 65 / 1 / 23

HEX #C444C2

RGB 196 68 194

HSL 300.94, 0.52%, 0.52%

LAB 51.57, 65.66, -40.86

 

CMYK 0 / 32 / 65 / 23

HEX #C48644

RGB 196 134 68

HSL 30.94, 0.52%, 0.52%

LAB 60.96, 17.31, 44.29

 

Description

Color code: RGB 69 196 72 | qconv.com Color code: RGB 69 196 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 196 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 196 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 63 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 63% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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