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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 190 105 it is the complementary color RGB 186 65 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 190 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 190 105 shade: RGB 74 190 100, RGB 91 208 119, RGB 108 226 138, RGB 125 244 157 and RGB 142 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 190 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 190 105 shade: RGB 69 190 105, RGB 52 172 86, RGB 35 154 67, RGB 18 136 48 and RGB 1 118 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 190 105 shade: RGB 70 190 105, RGB 70 190 73, RGB 99 190 70, RGB 131 190 70 and RGB 163 190 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 190 105 shade: RGB 70 190 105, RGB 70 190 138, RGB 70 190 170, RGB 70 177 190 and RGB 70 144 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 190 105 shade matches the following richer shades: RGB 70 190 105, RGB 49 210 97, RGB 29 230 89 and RGB 9 250 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 190 105 shade: RGB 70 190 105, RGB 90 169 113, RGB 110 149 122, RGB 130 129 130 and RGB 150 109 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 190 105 shade: RGB 100 190 70, RGB 70 190 72, RGB 70 190 104, RGB 70 190 136 and RGB 70 190 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 190 105 shade: RGB 46 131 71, RGB 56 161 88, RGB 70 190 105, RGB 100 200 130 and RGB 131 211 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 190 105 shade: RGB 69 190 105, RGB 70 132 190 and RGB 190 70 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 190 105 shade: RGB 69 190 105, RGB 104 70 190 and RGB 190 104 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 190 105 shade: RGB 69 190 105, RGB 70 132 190, RGB 190 70 156 and RGB 190 128 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 190 105 shade: RGB 69 190 105, RGB 70 96 190, RGB 190 70 156 and RGB 190 164 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 45 / 25

HEX #45BE69

RGB 69 190 105

HSL 137.85, 0.48%, 0.51%

LAB 68.83, -52.2, 33.18

 

Complementary color

CMYK 0 / 65 / 19 / 27

HEX #BA4196

RGB 186 65 150

HSL 317.85, 0.48%, 0.49%

LAB 47.52, 57.47, -21.43

 

CMYK 61 / 0 / 47 / 25

HEX #4ABE64

RGB 74 190 100

HSL 133.45, 0.47%, 0.52%

LAB 68.9, -51.95, 35.84

 

CMYK 56 / 0 / 43 / 18

HEX #5BD077

RGB 91 208 119

HSL 134.36, 0.55%, 0.59%

LAB 75.24, -52.11, 34.43

 

CMYK 52 / 0 / 39 / 11

HEX #6CE28A

RGB 108 226 138

HSL 135.25, 0.67%, 0.65%

LAB 81.52, -52.1, 33.1

 

CMYK 49 / 0 / 36 / 4

HEX #7DF49D

RGB 125 244 157

HSL 136.13, 0.84%, 0.72%

LAB 87.73, -52, 31.84

 

CMYK 44 / 0 / 31 / 0

HEX #8EFFB0

RGB 142 255 176

HSL 138.05, 1%, 0.78%

LAB 91.87, -48.91, 27.95

 

CMYK 64 / 0 / 45 / 25

HEX #45BE69

RGB 69 190 105

HSL 137.85, 0.48%, 0.51%

LAB 68.83, -52.2, 33.18

 

CMYK 70 / 0 / 50 / 33

HEX #34AC56

RGB 52 172 86

HSL 137, 0.54%, 0.44%

LAB 62.43, -51.73, 34.69

 

CMYK 77 / 0 / 56 / 40

HEX #239A43

RGB 35 154 67

HSL 136.13, 0.63%, 0.37%

LAB 55.96, -50.84, 36.25

 

CMYK 87 / 0 / 65 / 47

HEX #128830

RGB 18 136 48

HSL 135.25, 0.77%, 0.3%

LAB 49.44, -49.3, 37.76

 

CMYK 99 / 0 / 75 / 54

HEX #01761D

RGB 1 118 29

HSL 134.36, 0.98%, 0.23%

LAB 42.84, -46.95, 38.92

 

CMYK 63 / 0 / 45 / 25

HEX #46BE69

RGB 70 190 105

HSL 137.5, 0.48%, 0.51%

LAB 68.86, -52, 33.22

 

CMYK 63 / 0 / 62 / 25

HEX #46BE49

RGB 70 190 73

HSL 121.5, 0.48%, 0.51%

LAB 68.47, -56.43, 48.2

 

CMYK 48 / 0 / 63 / 25

HEX #63BE46

RGB 99 190 70

HSL 105.5, 0.48%, 0.51%

LAB 69.41, -49.24, 50.85

 

CMYK 31 / 0 / 63 / 25

HEX #83BE46

RGB 131 190 70

HSL 89.5, 0.48%, 0.51%

LAB 70.94, -38.59, 52.95

 

CMYK 14 / 0 / 63 / 25

HEX #A3BE46

RGB 163 190 70

HSL 73.5, 0.48%, 0.51%

LAB 72.93, -26.22, 55.69

 

CMYK 63 / 0 / 45 / 25

HEX #46BE69

RGB 70 190 105

HSL 137.5, 0.48%, 0.51%

LAB 68.86, -52, 33.22

 

CMYK 63 / 0 / 27 / 25

HEX #46BE8A

RGB 70 190 138

HSL 154, 0.48%, 0.51%

LAB 69.44, -45.7, 16.58

 

CMYK 63 / 0 / 11 / 25

HEX #46BEAA

RGB 70 190 170

HSL 170, 0.48%, 0.51%

LAB 70.2, -38.08, 0.24

 

CMYK 63 / 7 / 0 / 25

HEX #46B1BE

RGB 70 177 190

HSL 186.5, 0.48%, 0.51%

LAB 66.87, -26.34, -15.72

 

CMYK 63 / 24 / 0 / 25

HEX #4690BE

RGB 70 144 190

HSL 203, 0.48%, 0.51%

LAB 57.04, -8.81, -30.78

 

CMYK 63 / 0 / 45 / 25

HEX #46BE69

RGB 70 190 105

HSL 137.5, 0.48%, 0.51%

LAB 68.86, -52, 33.22

 

CMYK 77 / 0 / 54 / 18

HEX #31D261

RGB 49 210 97

HSL 137.89, 0.64%, 0.51%

LAB 74.58, -63.9, 44.2

 

CMYK 87 / 0 / 61 / 10

HEX #1DE659

RGB 29 230 89

HSL 137.91, 0.8%, 0.51%

LAB 80.5, -73.25, 54.72

 

CMYK 96 / 0 / 68 / 2

HEX #09FA51

RGB 9 250 81

HSL 137.93, 0.96%, 0.51%

LAB 86.52, -80.84, 64.56

 

CMYK 63 / 0 / 45 / 25

HEX #46BE69

RGB 70 190 105

HSL 137.5, 0.48%, 0.51%

LAB 68.86, -52, 33.22

 

CMYK 47 / 0 / 33 / 34

HEX #5AA971

RGB 90 169 113

HSL 137.47, 0.31%, 0.51%

LAB 63.13, -36.97, 21.57

 

CMYK 26 / 0 / 18 / 42

HEX #6E957A

RGB 110 149 122

HSL 138.46, 0.16%, 0.51%

LAB 58.24, -19.22, 9.97

 

CMYK 0 / 1 / 0 / 49

HEX #828182

RGB 130 129 130

HSL 300, 0%, 0.51%

LAB 54.09, 0.57, -0.41

 

CMYK 0 / 27 / 8 / 41

HEX #966D8A

RGB 150 109 138

HSL 317.56, 0.16%, 0.51%

LAB 50.99, 21.18, -9.49

 

CMYK 47 / 0 / 63 / 25

HEX #64BE46

RGB 100 190 70

HSL 105, 0.48%, 0.51%

LAB 69.45, -48.94, 50.9

 

CMYK 63 / 0 / 62 / 25

HEX #46BE48

RGB 70 190 72

HSL 121, 0.48%, 0.51%

LAB 68.46, -56.54, 48.63

 

CMYK 63 / 0 / 45 / 25

HEX #46BE68

RGB 70 190 104

HSL 137, 0.48%, 0.51%

LAB 68.84, -52.16, 33.72

 

CMYK 63 / 0 / 28 / 25

HEX #46BE88

RGB 70 190 136

HSL 153, 0.48%, 0.51%

LAB 69.4, -46.13, 17.6

 

CMYK 63 / 0 / 12 / 25

HEX #46BEA8

RGB 70 190 168

HSL 169, 0.48%, 0.51%

LAB 70.15, -38.59, 1.25

 

CMYK 65 / 0 / 46 / 49

HEX #2E8347

RGB 46 131 71

HSL 137.65, 0.48%, 0.35%

LAB 48.6, -39.43, 25.08

 

CMYK 65 / 0 / 45 / 37

HEX #38A158

RGB 56 161 88

HSL 138.29, 0.48%, 0.43%

LAB 59.01, -46.44, 29.35

 

CMYK 63 / 0 / 45 / 25

HEX #46BE69

RGB 70 190 105

HSL 137.5, 0.48%, 0.51%

LAB 68.86, -52, 33.22

 

CMYK 50 / 0 / 35 / 22

HEX #64C882

RGB 100 200 130

HSL 138, 0.48%, 0.59%

LAB 73.3, -44.73, 26.26

 

CMYK 38 / 0 / 27 / 17

HEX #83D39B

RGB 131 211 155

HSL 138, 0.48%, 0.67%

LAB 78.33, -36.43, 20.17

 

CMYK 64 / 0 / 45 / 25

HEX #45BE69

RGB 69 190 105

HSL 137.85, 0.48%, 0.51%

LAB 68.83, -52.2, 33.18

 

CMYK 63 / 31 / 0 / 25

HEX #4684BE

RGB 70 132 190

HSL 209, 0.48%, 0.51%

LAB 53.52, -1.89, -36.29

 

CMYK 0 / 63 / 56 / 25

HEX #BE4654

RGB 190 70 84

HSL 353, 0.48%, 0.51%

LAB 46.93, 49.21, 17.82

 

CMYK 64 / 0 / 45 / 25

HEX #45BE69

RGB 69 190 105

HSL 137.85, 0.48%, 0.51%

LAB 68.83, -52.2, 33.18

 

CMYK 45 / 63 / 0 / 25

HEX #6846BE

RGB 104 70 190

HSL 257, 0.48%, 0.51%

LAB 39.65, 42.91, -58.29

 

CMYK 0 / 45 / 63 / 25

HEX #BE6846

RGB 190 104 70

HSL 17, 0.48%, 0.51%

LAB 53.27, 31.3, 34.06

 

CMYK 64 / 0 / 45 / 25

HEX #45BE69

RGB 69 190 105

HSL 137.85, 0.48%, 0.51%

LAB 68.83, -52.2, 33.18

 

CMYK 63 / 31 / 0 / 25

HEX #4684BE

RGB 70 132 190

HSL 209, 0.48%, 0.51%

LAB 53.52, -1.89, -36.29

 

CMYK 0 / 63 / 18 / 25

HEX #BE469C

RGB 190 70 156

HSL 317, 0.48%, 0.51%

LAB 49.16, 57.37, -22.43

 

CMYK 0 / 33 / 63 / 25

HEX #BE8046

RGB 190 128 70

HSL 29, 0.48%, 0.51%

LAB 58.81, 18.18, 40.63

 

CMYK 64 / 0 / 45 / 25

HEX #45BE69

RGB 69 190 105

HSL 137.85, 0.48%, 0.51%

LAB 68.83, -52.2, 33.18

 

CMYK 63 / 49 / 0 / 25

HEX #4660BE

RGB 70 96 190

HSL 227, 0.48%, 0.51%

LAB 43.34, 20.32, -52.46

 

CMYK 0 / 63 / 18 / 25

HEX #BE469C

RGB 190 70 156

HSL 317, 0.48%, 0.51%

LAB 49.16, 57.37, -22.43

 

CMYK 0 / 14 / 63 / 25

HEX #BEA446

RGB 190 164 70

HSL 47, 0.48%, 0.51%

LAB 67.98, -1.49, 50.97

 

Description

Color code: RGB 69 190 105 | qconv.com Color code: RGB 69 190 105 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 190 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 190 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 45 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 45% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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