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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 174 104 it is the complementary color RGB 186 81 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 174 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 174 104 shade: RGB 74 174 99, RGB 91 192 118, RGB 108 210 137, RGB 125 228 156 and RGB 142 246 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 174 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 174 104 shade: RGB 69 174 104, RGB 52 156 85, RGB 35 138 66, RGB 18 120 47 and RGB 1 102 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 174 104 shade: RGB 69 175 104, RGB 69 175 76, RGB 91 175 69, RGB 119 175 69 and RGB 148 175 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 174 104 shade: RGB 69 175 104, RGB 69 175 133, RGB 69 175 161, RGB 69 160 175 and RGB 69 131 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 174 104 shade matches the following richer shades: RGB 69 175 104, RGB 49 194 98, RGB 30 214 91 and RGB 10 234 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 174 104 shade: RGB 69 175 104, RGB 89 155 111, RGB 109 135 118, RGB 129 115 124 and RGB 148 95 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 174 104 shade: RGB 90 175 69, RGB 69 175 76, RGB 69 175 104, RGB 69 175 132 and RGB 69 175 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 174 104 shade: RGB 46 116 69, RGB 58 145 87, RGB 69 175 104, RGB 94 191 126 and RGB 124 202 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 174 104 shade: RGB 69 174 104, RGB 69 118 175 and RGB 175 69 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 174 104 shade: RGB 69 174 104, RGB 104 69 175 and RGB 175 104 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 174 104 shade: RGB 69 174 104, RGB 69 118 175, RGB 175 69 139 and RGB 175 125 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 174 104 shade: RGB 69 174 104, RGB 69 87 175, RGB 175 69 139 and RGB 175 157 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 40 / 32

HEX #45AE68

RGB 69 174 104

HSL 140, 0.43%, 0.48%

LAB 63.78, -46.06, 27.15

 

Complementary color

CMYK 0 / 56 / 19 / 27

HEX #BA5197

RGB 186 81 151

HSL 320, 0.43%, 0.52%

LAB 50.17, 50.55, -17.98

 

CMYK 57 / 0 / 43 / 32

HEX #4AAE63

RGB 74 174 99

HSL 135, 0.4%, 0.49%

LAB 63.86, -45.78, 29.92

 

CMYK 53 / 0 / 39 / 25

HEX #5BC076

RGB 91 192 118

HSL 136.04, 0.44%, 0.55%

LAB 70.34, -45.77, 28.54

 

CMYK 49 / 0 / 35 / 18

HEX #6CD289

RGB 108 210 137

HSL 137.06, 0.53%, 0.62%

LAB 76.73, -45.66, 27.26

 

CMYK 45 / 0 / 32 / 11

HEX #7DE49C

RGB 125 228 156

HSL 138.06, 0.66%, 0.69%

LAB 83.04, -45.47, 26.06

 

CMYK 42 / 0 / 29 / 4

HEX #8EF6AF

RGB 142 246 175

HSL 139.04, 0.85%, 0.76%

LAB 89.28, -45.25, 24.93

 

CMYK 60 / 0 / 40 / 32

HEX #45AE68

RGB 69 174 104

HSL 140, 0.43%, 0.48%

LAB 63.78, -46.06, 27.15

 

CMYK 67 / 0 / 46 / 39

HEX #349C55

RGB 52 156 85

HSL 139.04, 0.5%, 0.41%

LAB 57.23, -45.8, 28.64

 

CMYK 75 / 0 / 52 / 46

HEX #238A42

RGB 35 138 66

HSL 138.06, 0.6%, 0.34%

LAB 50.6, -45.17, 30.23

 

CMYK 85 / 0 / 61 / 53

HEX #12782F

RGB 18 120 47

HSL 137.06, 0.74%, 0.27%

LAB 43.9, -43.92, 31.88

 

CMYK 99 / 0 / 73 / 60

HEX #01661C

RGB 1 102 28

HSL 136.04, 0.98%, 0.2%

LAB 37.1, -41.87, 33.32

 

CMYK 61 / 0 / 41 / 31

HEX #45AF68

RGB 69 175 104

HSL 139.81, 0.43%, 0.48%

LAB 64.1, -46.47, 27.56

 

CMYK 61 / 0 / 57 / 31

HEX #45AF4C

RGB 69 175 76

HSL 123.96, 0.43%, 0.48%

LAB 63.71, -50.77, 41.29

 

CMYK 48 / 0 / 61 / 31

HEX #5BAF45

RGB 91 175 69

HSL 107.55, 0.43%, 0.48%

LAB 64.41, -45.7, 45.59

 

CMYK 32 / 0 / 61 / 31

HEX #77AF45

RGB 119 175 69

HSL 91.7, 0.43%, 0.48%

LAB 65.76, -36.32, 47.47

 

CMYK 15 / 0 / 61 / 31

HEX #94AF45

RGB 148 175 69

HSL 75.28, 0.43%, 0.48%

LAB 67.57, -25.08, 49.99

 

CMYK 61 / 0 / 41 / 31

HEX #45AF68

RGB 69 175 104

HSL 139.81, 0.43%, 0.48%

LAB 64.1, -46.47, 27.56

 

CMYK 61 / 0 / 24 / 31

HEX #45AF85

RGB 69 175 133

HSL 156.23, 0.43%, 0.48%

LAB 64.66, -40.59, 12.62

 

CMYK 61 / 0 / 8 / 31

HEX #45AFA1

RGB 69 175 161

HSL 172.08, 0.43%, 0.48%

LAB 65.36, -33.69, -1.89

 

CMYK 61 / 9 / 0 / 31

HEX #45A0AF

RGB 69 160 175

HSL 188.49, 0.43%, 0.48%

LAB 61.22, -22.35, -15.89

 

CMYK 61 / 25 / 0 / 31

HEX #4583AF

RGB 69 131 175

HSL 204.91, 0.43%, 0.48%

LAB 52.5, -6.5, -29.27

 

CMYK 61 / 0 / 41 / 31

HEX #45AF68

RGB 69 175 104

HSL 139.81, 0.43%, 0.48%

LAB 64.1, -46.47, 27.56

 

CMYK 75 / 0 / 49 / 24

HEX #31C262

RGB 49 194 98

HSL 140.28, 0.6%, 0.48%

LAB 69.55, -58.26, 37.54

 

CMYK 86 / 0 / 57 / 16

HEX #1ED65B

RGB 30 214 91

HSL 139.89, 0.75%, 0.48%

LAB 75.53, -68, 48.07

 

CMYK 96 / 0 / 64 / 8

HEX #0AEA55

RGB 10 234 85

HSL 140.09, 0.92%, 0.48%

LAB 81.6, -75.83, 57.61

 

CMYK 61 / 0 / 41 / 31

HEX #45AF68

RGB 69 175 104

HSL 139.81, 0.43%, 0.48%

LAB 64.1, -46.47, 27.56

 

CMYK 43 / 0 / 28 / 39

HEX #599B6F

RGB 89 155 111

HSL 140, 0.27%, 0.48%

LAB 58.71, -31.16, 16.64

 

CMYK 19 / 0 / 13 / 47

HEX #6D8776

RGB 109 135 118

HSL 140.77, 0.11%, 0.48%

LAB 53.91, -12.92, 6.08

 

CMYK 0 / 11 / 4 / 49

HEX #81737C

RGB 129 115 124

HSL 321.43, 0.06%, 0.48%

LAB 49.96, 7.13, -2.97

 

CMYK 0 / 36 / 11 / 42

HEX #945F83

RGB 148 95 131

HSL 319.25, 0.22%, 0.48%

LAB 47.13, 27.26, -11.14

 

CMYK 49 / 0 / 61 / 31

HEX #5AAF45

RGB 90 175 69

HSL 108.11, 0.43%, 0.48%

LAB 64.37, -46, 45.53

 

CMYK 61 / 0 / 57 / 31

HEX #45AF4C

RGB 69 175 76

HSL 123.96, 0.43%, 0.48%

LAB 63.71, -50.77, 41.29

 

CMYK 61 / 0 / 41 / 31

HEX #45AF68

RGB 69 175 104

HSL 139.81, 0.43%, 0.48%

LAB 64.1, -46.47, 27.56

 

CMYK 61 / 0 / 25 / 31

HEX #45AF84

RGB 69 175 132

HSL 155.66, 0.43%, 0.48%

LAB 64.64, -40.81, 13.14

 

CMYK 61 / 0 / 9 / 31

HEX #45AFA0

RGB 69 175 160

HSL 171.51, 0.43%, 0.48%

LAB 65.33, -33.96, -1.37

 

CMYK 60 / 0 / 41 / 55

HEX #2E7445

RGB 46 116 69

HSL 139.71, 0.43%, 0.32%

LAB 43.51, -33.38, 19.57

 

CMYK 60 / 0 / 40 / 43

HEX #3A9157

RGB 58 145 87

HSL 140, 0.43%, 0.4%

LAB 53.86, -39.64, 23.2

 

CMYK 61 / 0 / 41 / 31

HEX #45AF68

RGB 69 175 104

HSL 139.81, 0.43%, 0.48%

LAB 64.1, -46.47, 27.56

 

CMYK 51 / 0 / 34 / 25

HEX #5EBF7E

RGB 94 191 126

HSL 139.79, 0.43%, 0.56%

LAB 70.28, -43.16, 24.27

 

CMYK 39 / 0 / 26 / 21

HEX #7CCA96

RGB 124 202 150

HSL 140, 0.42%, 0.64%

LAB 75.28, -35.29, 18.55

 

CMYK 60 / 0 / 40 / 32

HEX #45AE68

RGB 69 174 104

HSL 140, 0.43%, 0.48%

LAB 63.78, -46.06, 27.15

 

CMYK 61 / 33 / 0 / 31

HEX #4576AF

RGB 69 118 175

HSL 212.26, 0.43%, 0.48%

LAB 48.66, 1.19, -35.28

 

CMYK 0 / 61 / 57 / 31

HEX #AF454C

RGB 175 69 76

HSL 356.04, 0.43%, 0.48%

LAB 44.08, 43.85, 18.42

 

CMYK 60 / 0 / 40 / 32

HEX #45AE68

RGB 69 174 104

HSL 140, 0.43%, 0.48%

LAB 63.78, -46.06, 27.15

 

CMYK 41 / 61 / 0 / 31

HEX #6845AF

RGB 104 69 175

HSL 259.81, 0.43%, 0.48%

LAB 38.37, 39.27, -51.53

 

CMYK 0 / 41 / 61 / 31

HEX #AF6845

RGB 175 104 69

HSL 19.81, 0.43%, 0.48%

LAB 51.2, 25.06, 31.63

 

CMYK 60 / 0 / 40 / 32

HEX #45AE68

RGB 69 174 104

HSL 140, 0.43%, 0.48%

LAB 63.78, -46.06, 27.15

 

CMYK 61 / 33 / 0 / 31

HEX #4576AF

RGB 69 118 175

HSL 212.26, 0.43%, 0.48%

LAB 48.66, 1.19, -35.28

 

CMYK 0 / 61 / 21 / 31

HEX #AF458B

RGB 175 69 139

HSL 320.38, 0.43%, 0.48%

LAB 45.95, 51.03, -17.39

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 60 / 0 / 40 / 32

HEX #45AE68

RGB 69 174 104

HSL 140, 0.43%, 0.48%

LAB 63.78, -46.06, 27.15

 

CMYK 61 / 50 / 0 / 31

HEX #4557AF

RGB 69 87 175

HSL 229.81, 0.43%, 0.48%

LAB 39.88, 20.67, -49.25

 

CMYK 0 / 61 / 21 / 31

HEX #AF458B

RGB 175 69 139

HSL 320.38, 0.43%, 0.48%

LAB 45.95, 51.03, -17.39

 

CMYK 0 / 10 / 61 / 31

HEX #AF9D45

RGB 175 157 69

HSL 49.81, 0.43%, 0.48%

LAB 64.69, -4.33, 47.4

 

Description

Color code: RGB 69 174 104 | qconv.com Color code: RGB 69 174 104 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 174 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 174 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 40 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 40% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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