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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 172 174 it is the complementary color RGB 186 83 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 172 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 172 174 shade: RGB 74 172 169, RGB 91 190 188, RGB 108 208 207, RGB 125 226 226 and RGB 142 244 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 172 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 172 174 shade: RGB 69 172 174, RGB 52 154 155, RGB 35 136 136, RGB 18 118 117 and RGB 1 100 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 172 174 shade: RGB 69 173 175, RGB 69 144 175, RGB 69 116 175, RGB 69 87 175 and RGB 80 69 175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 172 174 shade: RGB 69 173 175, RGB 69 144 175, RGB 69 116 175, RGB 69 87 175 and RGB 69 69 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 172 174 shade matches the following richer shades: RGB 69 173 175, RGB 49 192 194, RGB 30 211 214 and RGB 10 230 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 172 174 shade: RGB 69 173 175, RGB 89 153 155, RGB 109 134 135, RGB 129 115 115 and RGB 148 96 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 172 174 shade: RGB 69 175 120, RGB 69 175 148, RGB 69 173 175, RGB 69 145 175 and RGB 69 117 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 172 174 shade: RGB 46 114 116, RGB 58 143 145, RGB 69 173 175, RGB 94 189 191 and RGB 124 201 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 172 174 shade: RGB 69 172 174, RGB 92 69 175 and RGB 175 134 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 172 174 shade: RGB 69 172 174, RGB 175 69 173 and RGB 173 175 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 172 174 shade: RGB 69 172 174, RGB 92 69 175, RGB 175 71 69 and RGB 152 175 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 172 174 shade: RGB 69 172 174, RGB 124 69 175, RGB 175 71 69 and RGB 120 175 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 1 / 0 / 32

HEX #45ACAE

RGB 69 172 174

HSL 181.14, 0.43%, 0.48%

LAB 64.82, -28.68, -9.91

 

Complementary color

CMYK 0 / 55 / 56 / 27

HEX #BA5351

RGB 186 83 81

HSL 1.14, 0.43%, 0.52%

LAB 48.54, 41.45, 21.64

 

CMYK 57 / 0 / 2 / 33

HEX #4AACA9

RGB 74 172 169

HSL 178.16, 0.4%, 0.48%

LAB 64.82, -29.14, -7.11

 

CMYK 52 / 0 / 1 / 25

HEX #5BBEBC

RGB 91 190 188

HSL 178.79, 0.43%, 0.55%

LAB 71.34, -29.33, -7.86

 

CMYK 48 / 0 / 0 / 18

HEX #6CD0CF

RGB 108 208 207

HSL 179.4, 0.52%, 0.62%

LAB 77.76, -29.43, -8.56

 

CMYK 45 / 0 / 0 / 11

HEX #7DE2E2

RGB 125 226 226

HSL 180, 0.64%, 0.69%

LAB 84.09, -29.48, -9.2

 

CMYK 42 / 0 / 0 / 4

HEX #8EF4F5

RGB 142 244 245

HSL 180.58, 0.84%, 0.76%

LAB 90.34, -29.48, -9.82

 

CMYK 60 / 1 / 0 / 32

HEX #45ACAE

RGB 69 172 174

HSL 181.14, 0.43%, 0.48%

LAB 64.82, -28.68, -9.91

 

CMYK 66 / 1 / 0 / 39

HEX #349A9B

RGB 52 154 155

HSL 180.58, 0.5%, 0.41%

LAB 58.23, -28.19, -9.11

 

CMYK 74 / 0 / 0 / 47

HEX #238888

RGB 35 136 136

HSL 180, 0.59%, 0.34%

LAB 51.55, -27.46, -8.21

 

CMYK 85 / 0 / 1 / 54

HEX #127675

RGB 18 118 117

HSL 179.4, 0.74%, 0.27%

LAB 44.76, -26.33, -7.16

 

CMYK 99 / 0 / 2 / 61

HEX #016462

RGB 1 100 98

HSL 178.79, 0.98%, 0.2%

LAB 37.85, -24.79, -5.97

 

CMYK 61 / 1 / 0 / 31

HEX #45ADAF

RGB 69 173 175

HSL 181.13, 0.43%, 0.48%

LAB 65.16, -28.88, -9.97

 

CMYK 61 / 18 / 0 / 31

HEX #4590AF

RGB 69 144 175

HSL 197.55, 0.43%, 0.48%

LAB 56.39, -13.83, -23.26

 

CMYK 61 / 34 / 0 / 31

HEX #4574AF

RGB 69 116 175

HSL 213.4, 0.43%, 0.48%

LAB 48.07, 2.4, -36.2

 

CMYK 61 / 50 / 0 / 31

HEX #4557AF

RGB 69 87 175

HSL 229.81, 0.43%, 0.48%

LAB 39.88, 20.67, -49.25

 

CMYK 54 / 61 / 0 / 31

HEX #5045AF

RGB 80 69 175

HSL 246.23, 0.43%, 0.48%

LAB 36.09, 34.22, -55.32

 

CMYK 61 / 1 / 0 / 31

HEX #45ADAF

RGB 69 173 175

HSL 181.13, 0.43%, 0.48%

LAB 65.16, -28.88, -9.97

 

CMYK 61 / 18 / 0 / 31

HEX #4590AF

RGB 69 144 175

HSL 197.55, 0.43%, 0.48%

LAB 56.39, -13.83, -23.26

 

CMYK 61 / 34 / 0 / 31

HEX #4574AF

RGB 69 116 175

HSL 213.4, 0.43%, 0.48%

LAB 48.07, 2.4, -36.2

 

CMYK 61 / 50 / 0 / 31

HEX #4557AF

RGB 69 87 175

HSL 229.81, 0.43%, 0.48%

LAB 39.88, 20.67, -49.25

 

CMYK 61 / 61 / 0 / 31

HEX #4545AF

RGB 69 69 175

HSL 240, 0.43%, 0.48%

LAB 35.24, 32.2, -56.75

 

CMYK 61 / 1 / 0 / 31

HEX #45ADAF

RGB 69 173 175

HSL 181.13, 0.43%, 0.48%

LAB 65.16, -28.88, -9.97

 

CMYK 75 / 1 / 0 / 24

HEX #31C0C2

RGB 49 192 194

HSL 180.83, 0.6%, 0.48%

LAB 71.04, -35.3, -11.7

 

CMYK 86 / 1 / 0 / 16

HEX #1ED3D6

RGB 30 211 214

HSL 180.98, 0.75%, 0.48%

LAB 77.11, -39.69, -13.47

 

CMYK 96 / 2 / 0 / 8

HEX #0AE6EA

RGB 10 230 234

HSL 181.07, 0.92%, 0.48%

LAB 83.23, -43.07, -14.96

 

CMYK 61 / 1 / 0 / 31

HEX #45ADAF

RGB 69 173 175

HSL 181.13, 0.43%, 0.48%

LAB 65.16, -28.88, -9.97

 

CMYK 43 / 1 / 0 / 39

HEX #59999B

RGB 89 153 155

HSL 181.82, 0.27%, 0.48%

LAB 59.23, -19.94, -7.49

 

CMYK 19 / 1 / 0 / 47

HEX #6D8687

RGB 109 134 135

HSL 182.31, 0.11%, 0.48%

LAB 54.08, -8.67, -3.51

 

CMYK 0 / 11 / 11 / 49

HEX #817373

RGB 129 115 115

HSL 0, 0.06%, 0.48%

LAB 49.7, 5.43, 1.98

 

CMYK 0 / 35 / 36 / 42

HEX #94605F

RGB 148 96 95

HSL 1.13, 0.22%, 0.48%

LAB 46.3, 21.05, 9.32

 

CMYK 61 / 0 / 31 / 31

HEX #45AF78

RGB 69 175 120

HSL 148.87, 0.43%, 0.48%

LAB 64.39, -43.39, 19.36

 

CMYK 61 / 0 / 15 / 31

HEX #45AF94

RGB 69 175 148

HSL 164.72, 0.43%, 0.48%

LAB 65.01, -37.03, 4.83

 

CMYK 61 / 1 / 0 / 31

HEX #45ADAF

RGB 69 173 175

HSL 181.13, 0.43%, 0.48%

LAB 65.16, -28.88, -9.97

 

CMYK 61 / 17 / 0 / 31

HEX #4591AF

RGB 69 145 175

HSL 196.98, 0.43%, 0.48%

LAB 56.69, -14.38, -22.79

 

CMYK 61 / 33 / 0 / 31

HEX #4575AF

RGB 69 117 175

HSL 212.83, 0.43%, 0.48%

LAB 48.36, 1.79, -35.74

 

CMYK 60 / 2 / 0 / 55

HEX #2E7274

RGB 46 114 116

HSL 181.71, 0.43%, 0.32%

LAB 44.06, -20.51, -7.55

 

CMYK 60 / 1 / 0 / 43

HEX #3A8F91

RGB 58 143 145

HSL 181.38, 0.43%, 0.4%

LAB 54.65, -24.59, -8.73

 

CMYK 61 / 1 / 0 / 31

HEX #45ADAF

RGB 69 173 175

HSL 181.13, 0.43%, 0.48%

LAB 65.16, -28.88, -9.97

 

CMYK 51 / 1 / 0 / 25

HEX #5EBDBF

RGB 94 189 191

HSL 181.24, 0.43%, 0.56%

LAB 71.24, -27.41, -9.64

 

CMYK 39 / 0 / 0 / 21

HEX #7CC9CA

RGB 124 201 202

HSL 180.77, 0.42%, 0.64%

LAB 76.27, -23.45, -8.01

 

CMYK 60 / 1 / 0 / 32

HEX #45ACAE

RGB 69 172 174

HSL 181.14, 0.43%, 0.48%

LAB 64.82, -28.68, -9.91

 

CMYK 47 / 61 / 0 / 31

HEX #5C45AF

RGB 92 69 175

HSL 253.02, 0.43%, 0.48%

LAB 37.16, 36.65, -53.54

 

CMYK 0 / 23 / 61 / 31

HEX #AF8645

RGB 175 134 69

HSL 36.79, 0.43%, 0.48%

LAB 58.6, 8.27, 40.46

 

CMYK 60 / 1 / 0 / 32

HEX #45ACAE

RGB 69 172 174

HSL 181.14, 0.43%, 0.48%

LAB 64.82, -28.68, -9.91

 

CMYK 0 / 61 / 1 / 31

HEX #AF45AD

RGB 175 69 173

HSL 301.13, 0.43%, 0.48%

LAB 47.48, 56.48, -35.28

 

CMYK 1 / 0 / 61 / 31

HEX #ADAF45

RGB 173 175 69

HSL 61.13, 0.43%, 0.48%

LAB 69.45, -14.65, 52.59

 

CMYK 60 / 1 / 0 / 32

HEX #45ACAE

RGB 69 172 174

HSL 181.14, 0.43%, 0.48%

LAB 64.82, -28.68, -9.91

 

CMYK 47 / 61 / 0 / 31

HEX #5C45AF

RGB 92 69 175

HSL 253.02, 0.43%, 0.48%

LAB 37.16, 36.65, -53.54

 

CMYK 0 / 59 / 61 / 31

HEX #AF4745

RGB 175 71 69

HSL 1.13, 0.43%, 0.48%

LAB 44.3, 42.37, 22.97

 

CMYK 13 / 0 / 61 / 31

HEX #98AF45

RGB 152 175 69

HSL 73.02, 0.43%, 0.48%

LAB 67.85, -23.44, 50.38

 

CMYK 60 / 1 / 0 / 32

HEX #45ACAE

RGB 69 172 174

HSL 181.14, 0.43%, 0.48%

LAB 64.82, -28.68, -9.91

 

CMYK 29 / 61 / 0 / 31

HEX #7C45AF

RGB 124 69 175

HSL 271.13, 0.43%, 0.48%

LAB 40.63, 43.97, -47.77

 

CMYK 0 / 59 / 61 / 31

HEX #AF4745

RGB 175 71 69

HSL 1.13, 0.43%, 0.48%

LAB 44.3, 42.37, 22.97

 

CMYK 31 / 0 / 61 / 31

HEX #78AF45

RGB 120 175 69

HSL 91.13, 0.43%, 0.48%

LAB 65.81, -35.96, 47.55

 

Description

Color code: RGB 69 172 174 | qconv.com Color code: RGB 69 172 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 172 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 172 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 1 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 1% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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