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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 168 232 it is the complementary color RGB 186 87 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 168 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 168 232 shade: RGB 74 168 227, RGB 91 186 246, RGB 108 204 255, RGB 125 222 255 and RGB 142 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 168 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 168 232 shade: RGB 69 168 232, RGB 52 150 213, RGB 35 132 194, RGB 18 114 175 and RGB 1 96 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 168 232 shade: RGB 68 167 231, RGB 68 123 231, RGB 68 79 231, RGB 101 68 231 and RGB 145 68 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 168 232 shade: RGB 68 167 231, RGB 68 123 231, RGB 68 79 231 and RGB 68 68 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 168 232 shade matches the following richer shades: RGB 68 167 231 and RGB 51 171 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 168 232 shade: RGB 68 167 231, RGB 85 164 215, RGB 102 160 198, RGB 119 157 181 and RGB 136 153 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 168 232 shade: RGB 68 231 207, RGB 68 212 231, RGB 68 169 231, RGB 68 125 231 and RGB 68 82 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 168 232 shade: RGB 24 127 194, RGB 32 150 227, RGB 68 167 231, RGB 105 185 236 and RGB 142 202 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 168 232 shade: RGB 69 168 232, RGB 164 68 231 and RGB 231 229 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 168 232 shade: RGB 69 168 232, RGB 231 68 169 and RGB 169 231 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 168 232 shade: RGB 69 168 232, RGB 164 68 231, RGB 231 131 68 and RGB 136 231 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 168 232 shade: RGB 69 168 232, RGB 212 68 231, RGB 231 131 68 and RGB 87 231 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 28 / 0 / 9

HEX #45A8E8

RGB 69 168 232

HSL 203.56, 0.78%, 0.59%

LAB 65.82, -8.43, -40.5

 

Complementary color

CMYK 0 / 53 / 88 / 27

HEX #BA5717

RGB 186 87 23

HSL 23.56, 0.78%, 0.41%

LAB 48.66, 36.51, 51.76

 

CMYK 67 / 26 / 0 / 11

HEX #4AA8E3

RGB 74 168 227

HSL 203.14, 0.73%, 0.59%

LAB 65.75, -9.36, -37.85

 

CMYK 63 / 24 / 0 / 4

HEX #5BBAF6

RGB 91 186 246

HSL 203.23, 0.9%, 0.66%

LAB 72.23, -10.31, -38.09

 

CMYK 58 / 20 / 0 / 0

HEX #6CCCFF

RGB 108 204 255

HSL 200.82, 1%, 0.71%

LAB 78.22, -14.07, -33.58

 

CMYK 51 / 13 / 0 / 0

HEX #7DDEFF

RGB 125 222 255

HSL 195.23, 1%, 0.75%

LAB 83.87, -19.91, -24.87

 

CMYK 44 / 6 / 0 / 0

HEX #8EF0FF

RGB 142 240 255

HSL 187.96, 1%, 0.78%

LAB 89.53, -25.08, -16.25

 

CMYK 70 / 28 / 0 / 9

HEX #45A8E8

RGB 69 168 232

HSL 203.56, 0.78%, 0.59%

LAB 65.82, -8.43, -40.5

 

CMYK 76 / 30 / 0 / 16

HEX #3496D5

RGB 52 150 213

HSL 203.48, 0.66%, 0.52%

LAB 59.29, -7.06, -40.25

 

CMYK 82 / 32 / 0 / 24

HEX #2384C2

RGB 35 132 194

HSL 203.4, 0.69%, 0.45%

LAB 52.68, -5.32, -39.95

 

CMYK 90 / 35 / 0 / 31

HEX #1272AF

RGB 18 114 175

HSL 203.31, 0.81%, 0.38%

LAB 45.99, -3.09, -39.59

 

CMYK 99 / 38 / 0 / 39

HEX #01609C

RGB 1 96 156

HSL 203.23, 0.99%, 0.31%

LAB 39.19, -0.33, -39.17

 

CMYK 71 / 28 / 0 / 9

HEX #44A7E7

RGB 68 167 231

HSL 203.56, 0.77%, 0.59%

LAB 65.46, -8.35, -40.52

 

CMYK 71 / 47 / 0 / 9

HEX #447BE7

RGB 68 123 231

HSL 219.75, 0.77%, 0.59%

LAB 53.13, 17.58, -60.09

 

CMYK 71 / 66 / 0 / 9

HEX #444FE7

RGB 68 79 231

HSL 235.95, 0.77%, 0.59%

LAB 42.14, 44.82, -77.94

 

CMYK 56 / 71 / 0 / 9

HEX #6544E7

RGB 101 68 231

HSL 252.15, 0.77%, 0.59%

LAB 42.26, 55.2, -77.65

 

CMYK 37 / 71 / 0 / 9

HEX #9144E7

RGB 145 68 231

HSL 268.34, 0.77%, 0.59%

LAB 46.87, 62.35, -69.93

 

CMYK 71 / 28 / 0 / 9

HEX #44A7E7

RGB 68 167 231

HSL 203.56, 0.77%, 0.59%

LAB 65.46, -8.35, -40.52

 

CMYK 71 / 47 / 0 / 9

HEX #447BE7

RGB 68 123 231

HSL 219.75, 0.77%, 0.59%

LAB 53.13, 17.58, -60.09

 

CMYK 71 / 66 / 0 / 9

HEX #444FE7

RGB 68 79 231

HSL 235.95, 0.77%, 0.59%

LAB 42.14, 44.82, -77.94

 

CMYK 71 / 71 / 0 / 9

HEX #4444E7

RGB 68 68 231

HSL 240, 0.77%, 0.59%

LAB 39.8, 51.18, -81.78

 

CMYK 71 / 28 / 0 / 9

HEX #44A7E7

RGB 68 167 231

HSL 203.56, 0.77%, 0.59%

LAB 65.46, -8.35, -40.52

 

CMYK 79 / 31 / 0 / 3

HEX #33ABF8

RGB 51 171 248

HSL 203.45, 0.93%, 0.59%

LAB 66.98, -6.71, -47.46

 

CMYK 71 / 28 / 0 / 9

HEX #44A7E7

RGB 68 167 231

HSL 203.56, 0.77%, 0.59%

LAB 65.46, -8.35, -40.52

 

CMYK 60 / 24 / 0 / 16

HEX #55A4D7

RGB 85 164 215

HSL 203.54, 0.62%, 0.59%

LAB 64.47, -9.16, -33.2

 

CMYK 48 / 19 / 0 / 22

HEX #66A0C6

RGB 102 160 198

HSL 203.75, 0.46%, 0.59%

LAB 63.38, -8.5, -25.38

 

CMYK 34 / 13 / 0 / 29

HEX #779DB5

RGB 119 157 181

HSL 203.23, 0.3%, 0.59%

LAB 62.82, -7.03, -16.63

 

CMYK 17 / 7 / 0 / 36

HEX #8899A4

RGB 136 153 164

HSL 203.57, 0.13%, 0.59%

LAB 62.25, -3.63, -7.79

 

CMYK 71 / 0 / 10 / 9

HEX #44E7CF

RGB 68 231 207

HSL 171.17, 0.77%, 0.59%

LAB 83.38, -46.86, -0.39

 

CMYK 71 / 8 / 0 / 9

HEX #44D4E7

RGB 68 212 231

HSL 186.99, 0.77%, 0.59%

LAB 78.51, -31.59, -20.42

 

CMYK 71 / 27 / 0 / 9

HEX #44A9E7

RGB 68 169 231

HSL 202.82, 0.77%, 0.59%

LAB 66.04, -9.46, -39.62

 

CMYK 71 / 46 / 0 / 9

HEX #447DE7

RGB 68 125 231

HSL 219.02, 0.77%, 0.59%

LAB 53.67, 16.34, -59.22

 

CMYK 71 / 65 / 0 / 9

HEX #4452E7

RGB 68 82 231

HSL 234.85, 0.77%, 0.59%

LAB 42.81, 43.02, -76.84

 

CMYK 88 / 35 / 0 / 24

HEX #187FC2

RGB 24 127 194

HSL 203.65, 0.78%, 0.43%

LAB 51, -3.24, -42.62

 

CMYK 86 / 34 / 0 / 11

HEX #2096E3

RGB 32 150 227

HSL 203.69, 0.78%, 0.51%

LAB 59.59, -3.88, -47.62

 

CMYK 71 / 28 / 0 / 9

HEX #44A7E7

RGB 68 167 231

HSL 203.56, 0.77%, 0.59%

LAB 65.46, -8.35, -40.52

 

CMYK 56 / 22 / 0 / 7

HEX #69B9EC

RGB 105 185 236

HSL 203.36, 0.78%, 0.67%

LAB 72.07, -10.24, -32.88

 

CMYK 41 / 16 / 0 / 5

HEX #8ECAF1

RGB 142 202 241

HSL 203.64, 0.78%, 0.75%

LAB 78.66, -9.43, -25.3

 

CMYK 70 / 28 / 0 / 9

HEX #45A8E8

RGB 69 168 232

HSL 203.56, 0.78%, 0.59%

LAB 65.82, -8.43, -40.5

 

CMYK 29 / 71 / 0 / 9

HEX #A444E7

RGB 164 68 231

HSL 275.34, 0.77%, 0.59%

LAB 49.25, 65.87, -65.97

 

CMYK 0 / 1 / 71 / 9

HEX #E7E544

RGB 231 229 68

HSL 59.26, 0.77%, 0.59%

LAB 88.66, -17.45, 74.09

 

CMYK 70 / 28 / 0 / 9

HEX #45A8E8

RGB 69 168 232

HSL 203.56, 0.78%, 0.59%

LAB 65.82, -8.43, -40.5

 

CMYK 0 / 71 / 27 / 9

HEX #E744A9

RGB 231 68 169

HSL 322.82, 0.77%, 0.59%

LAB 56.08, 70.72, -18.9

 

CMYK 27 / 0 / 71 / 9

HEX #A9E744

RGB 169 231 68

HSL 82.82, 0.77%, 0.59%

LAB 85, -42.83, 69.07

 

CMYK 70 / 28 / 0 / 9

HEX #45A8E8

RGB 69 168 232

HSL 203.56, 0.78%, 0.59%

LAB 65.82, -8.43, -40.5

 

CMYK 29 / 71 / 0 / 9

HEX #A444E7

RGB 164 68 231

HSL 275.34, 0.77%, 0.59%

LAB 49.25, 65.87, -65.97

 

CMYK 0 / 43 / 71 / 9

HEX #E78344

RGB 231 131 68

HSL 23.19, 0.77%, 0.59%

LAB 64.67, 33.45, 49.64

 

CMYK 41 / 0 / 71 / 9

HEX #88E744

RGB 136 231 68

HSL 94.97, 0.77%, 0.59%

LAB 83.34, -54.2, 66.86

 

CMYK 70 / 28 / 0 / 9

HEX #45A8E8

RGB 69 168 232

HSL 203.56, 0.78%, 0.59%

LAB 65.82, -8.43, -40.5

 

CMYK 8 / 71 / 0 / 9

HEX #D444E7

RGB 212 68 231

HSL 293.01, 0.77%, 0.59%

LAB 55.99, 75.44, -54.77

 

CMYK 0 / 43 / 71 / 9

HEX #E78344

RGB 231 131 68

HSL 23.19, 0.77%, 0.59%

LAB 64.67, 33.45, 49.64

 

CMYK 62 / 0 / 71 / 9

HEX #57E744

RGB 87 231 68

HSL 113.01, 0.77%, 0.59%

LAB 81.62, -67.4, 64.55

 

Description

Color code: RGB 69 168 232 | qconv.com Color code: RGB 69 168 232 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 168 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 168 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 28 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 28% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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