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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 155 94 it is the complementary color RGB 186 100 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 155 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 155 94 shade: RGB 74 155 89, RGB 91 173 108, RGB 108 191 127, RGB 125 209 146 and RGB 142 227 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 155 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 155 94 shade: RGB 69 155 94, RGB 52 137 75, RGB 35 119 56, RGB 18 101 37 and RGB 1 83 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 155 94 shade: RGB 69 154 94, RGB 69 154 71, RGB 90 154 69, RGB 113 154 69 and RGB 136 154 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 155 94 shade: RGB 69 154 94, RGB 69 154 117, RGB 69 154 140, RGB 69 146 154 and RGB 69 123 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 155 94 shade matches the following richer shades: RGB 69 154 94, RGB 51 172 86, RGB 33 191 79 and RGB 15 209 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 155 94 shade: RGB 69 154 94, RGB 87 136 101, RGB 105 118 109, RGB 124 100 117 and RGB 142 82 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 155 94 shade: RGB 90 154 69, RGB 69 154 70, RGB 69 154 93, RGB 69 154 116 and RGB 69 154 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 155 94 shade: RGB 43 97 59, RGB 56 126 77, RGB 69 154 94, RGB 86 179 113 and RGB 114 192 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 155 94 shade: RGB 69 155 94, RGB 69 113 154 and RGB 154 69 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 155 94 shade: RGB 69 155 94, RGB 93 69 154 and RGB 154 93 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 155 94 shade: RGB 69 155 94, RGB 69 113 154, RGB 154 69 130 and RGB 154 110 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 155 94 shade: RGB 69 155 94, RGB 69 88 154, RGB 154 69 130 and RGB 154 136 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 39 / 39

HEX #459B5E

RGB 69 155 94

HSL 137.44, 0.38%, 0.44%

LAB 57.57, -39.93, 24.34

 

Complementary color

CMYK 0 / 46 / 13 / 27

HEX #BA64A1

RGB 186 100 161

HSL 317.44, 0.38%, 0.56%

LAB 54.16, 42.64, -17.77

 

CMYK 52 / 0 / 43 / 39

HEX #4A9B59

RGB 74 155 89

HSL 131.11, 0.35%, 0.45%

LAB 57.67, -39.49, 27.21

 

CMYK 47 / 0 / 38 / 32

HEX #5BAD6C

RGB 91 173 108

HSL 132.44, 0.33%, 0.52%

LAB 64.32, -39.37, 25.87

 

CMYK 43 / 0 / 34 / 25

HEX #6CBF7F

RGB 108 191 127

HSL 133.73, 0.39%, 0.59%

LAB 70.86, -39.16, 24.62

 

CMYK 40 / 0 / 30 / 18

HEX #7DD192

RGB 125 209 146

HSL 135, 0.48%, 0.65%

LAB 77.3, -38.91, 23.45

 

CMYK 37 / 0 / 27 / 11

HEX #8EE3A5

RGB 142 227 165

HSL 136.24, 0.6%, 0.72%

LAB 83.66, -38.65, 22.36

 

CMYK 55 / 0 / 39 / 39

HEX #459B5E

RGB 69 155 94

HSL 137.44, 0.38%, 0.44%

LAB 57.57, -39.93, 24.34

 

CMYK 62 / 0 / 45 / 46

HEX #34894B

RGB 52 137 75

HSL 136.24, 0.45%, 0.37%

LAB 50.84, -39.85, 25.8

 

CMYK 71 / 0 / 53 / 53

HEX #237738

RGB 35 119 56

HSL 135, 0.55%, 0.3%

LAB 44, -39.45, 27.38

 

CMYK 82 / 0 / 63 / 60

HEX #126525

RGB 18 101 37

HSL 133.73, 0.7%, 0.23%

LAB 37.06, -38.44, 28.99

 

CMYK 99 / 0 / 78 / 67

HEX #015312

RGB 1 83 18

HSL 132.44, 0.98%, 0.16%

LAB 30, -36.58, 30.26

 

CMYK 55 / 0 / 39 / 40

HEX #459A5E

RGB 69 154 94

HSL 137.65, 0.38%, 0.44%

LAB 57.25, -39.5, 23.92

 

CMYK 55 / 0 / 54 / 40

HEX #459A47

RGB 69 154 71

HSL 121.41, 0.38%, 0.44%

LAB 56.91, -43.19, 35.61

 

CMYK 42 / 0 / 55 / 40

HEX #5A9A45

RGB 90 154 69

HSL 105.18, 0.38%, 0.44%

LAB 57.77, -37.09, 37.84

 

CMYK 27 / 0 / 55 / 40

HEX #719A45

RGB 113 154 69

HSL 88.94, 0.38%, 0.44%

LAB 59.02, -28.78, 39.64

 

CMYK 12 / 0 / 55 / 40

HEX #889A45

RGB 136 154 69

HSL 72.71, 0.38%, 0.44%

LAB 60.58, -19.5, 41.85

 

CMYK 55 / 0 / 39 / 40

HEX #459A5E

RGB 69 154 94

HSL 137.65, 0.38%, 0.44%

LAB 57.25, -39.5, 23.92

 

CMYK 55 / 0 / 24 / 40

HEX #459A75

RGB 69 154 117

HSL 153.88, 0.38%, 0.44%

LAB 57.71, -34.8, 11.77

 

CMYK 55 / 0 / 9 / 40

HEX #459A8C

RGB 69 154 140

HSL 170.12, 0.38%, 0.44%

LAB 58.29, -29.19, -0.43

 

CMYK 55 / 5 / 0 / 40

HEX #45929A

RGB 69 146 154

HSL 185.65, 0.38%, 0.44%

LAB 56.24, -21.29, -11.47

 

CMYK 55 / 20 / 0 / 40

HEX #457B9A

RGB 69 123 154

HSL 201.88, 0.38%, 0.44%

LAB 49.21, -8.67, -22.17

 

CMYK 55 / 0 / 39 / 40

HEX #459A5E

RGB 69 154 94

HSL 137.65, 0.38%, 0.44%

LAB 57.25, -39.5, 23.92

 

CMYK 70 / 0 / 50 / 33

HEX #33AC56

RGB 51 172 86

HSL 137.36, 0.54%, 0.44%

LAB 62.41, -51.91, 34.66

 

CMYK 83 / 0 / 59 / 25

HEX #21BF4F

RGB 33 191 79

HSL 137.47, 0.71%, 0.44%

LAB 68.13, -61.96, 44.9

 

CMYK 93 / 0 / 66 / 18

HEX #0FD147

RGB 15 209 71

HSL 137.32, 0.87%, 0.44%

LAB 73.65, -69.79, 54.59

 

CMYK 55 / 0 / 39 / 40

HEX #459A5E

RGB 69 154 94

HSL 137.65, 0.38%, 0.44%

LAB 57.25, -39.5, 23.92

 

CMYK 36 / 0 / 26 / 47

HEX #578865

RGB 87 136 101

HSL 137.14, 0.22%, 0.44%

LAB 52.48, -24.47, 13.67

 

CMYK 11 / 0 / 8 / 54

HEX #69766D

RGB 105 118 109

HSL 138.46, 0.06%, 0.44%

LAB 48.34, -6.74, 3.31

 

CMYK 0 / 19 / 6 / 51

HEX #7C6475

RGB 124 100 117

HSL 317.5, 0.11%, 0.44%

LAB 45.2, 12.75, -5.89

 

CMYK 0 / 42 / 13 / 44

HEX #8E527C

RGB 142 82 124

HSL 318, 0.27%, 0.44%

LAB 43.12, 31.28, -13.04

 

CMYK 42 / 0 / 55 / 40

HEX #5A9A45

RGB 90 154 69

HSL 105.18, 0.38%, 0.44%

LAB 57.77, -37.09, 37.84

 

CMYK 55 / 0 / 55 / 40

HEX #459A46

RGB 69 154 70

HSL 120.71, 0.38%, 0.44%

LAB 56.9, -43.32, 36.09

 

CMYK 55 / 0 / 40 / 40

HEX #459A5D

RGB 69 154 93

HSL 136.94, 0.38%, 0.44%

LAB 57.24, -39.68, 24.44

 

CMYK 55 / 0 / 25 / 40

HEX #459A74

RGB 69 154 116

HSL 153.18, 0.38%, 0.44%

LAB 57.69, -35.03, 12.3

 

CMYK 55 / 0 / 10 / 40

HEX #459A8B

RGB 69 154 139

HSL 169.41, 0.38%, 0.44%

LAB 58.26, -29.45, 0.1

 

CMYK 56 / 0 / 39 / 62

HEX #2B613B

RGB 43 97 59

HSL 137.78, 0.39%, 0.27%

LAB 36.7, -27.42, 16.36

 

CMYK 56 / 0 / 39 / 51

HEX #387E4D

RGB 56 126 77

HSL 138, 0.38%, 0.36%

LAB 47.36, -33.73, 20.18

 

CMYK 55 / 0 / 39 / 40

HEX #459A5E

RGB 69 154 94

HSL 137.65, 0.38%, 0.44%

LAB 57.25, -39.5, 23.92

 

CMYK 52 / 0 / 37 / 30

HEX #56B371

RGB 86 179 113

HSL 137.42, 0.38%, 0.52%

LAB 66.07, -42.44, 25.49

 

CMYK 41 / 0 / 29 / 25

HEX #72C089

RGB 114 192 137

HSL 137.69, 0.38%, 0.6%

LAB 71.61, -36.05, 20.36

 

CMYK 55 / 0 / 39 / 39

HEX #459B5E

RGB 69 155 94

HSL 137.44, 0.38%, 0.44%

LAB 57.57, -39.93, 24.34

 

CMYK 55 / 27 / 0 / 40

HEX #45719A

RGB 69 113 154

HSL 208.94, 0.38%, 0.44%

LAB 46.19, -2.79, -26.85

 

CMYK 0 / 55 / 49 / 40

HEX #9A454F

RGB 154 69 79

HSL 352.94, 0.38%, 0.44%

LAB 40.72, 36.49, 11.44

 

CMYK 55 / 0 / 39 / 39

HEX #459B5E

RGB 69 155 94

HSL 137.44, 0.38%, 0.44%

LAB 57.57, -39.93, 24.34

 

CMYK 40 / 55 / 0 / 40

HEX #5D459A

RGB 93 69 154

HSL 256.94, 0.38%, 0.44%

LAB 35.82, 30.72, -43.11

 

CMYK 0 / 40 / 55 / 40

HEX #9A5D45

RGB 154 93 69

HSL 16.94, 0.38%, 0.44%

LAB 45.81, 22.38, 24.28

 

CMYK 55 / 0 / 39 / 39

HEX #459B5E

RGB 69 155 94

HSL 137.44, 0.38%, 0.44%

LAB 57.57, -39.93, 24.34

 

CMYK 55 / 27 / 0 / 40

HEX #45719A

RGB 69 113 154

HSL 208.94, 0.38%, 0.44%

LAB 46.19, -2.79, -26.85

 

CMYK 0 / 55 / 16 / 40

HEX #9A4582

RGB 154 69 130

HSL 316.94, 0.38%, 0.44%

LAB 42.37, 43.24, -17.7

 

CMYK 0 / 29 / 55 / 40

HEX #9A6E45

RGB 154 110 69

HSL 28.94, 0.38%, 0.44%

LAB 50.04, 12.63, 29.61

 

CMYK 55 / 0 / 39 / 39

HEX #459B5E

RGB 69 155 94

HSL 137.44, 0.38%, 0.44%

LAB 57.57, -39.93, 24.34

 

CMYK 55 / 43 / 0 / 40

HEX #45589A

RGB 69 88 154

HSL 226.59, 0.38%, 0.44%

LAB 38.86, 12.8, -38.38

 

CMYK 0 / 55 / 16 / 40

HEX #9A4582

RGB 154 69 130

HSL 316.94, 0.38%, 0.44%

LAB 42.37, 43.24, -17.7

 

CMYK 0 / 12 / 55 / 40

HEX #9A8845

RGB 154 136 69

HSL 47.29, 0.38%, 0.44%

LAB 56.99, -2.09, 38.03

 

Description

Color code: RGB 69 155 94 | qconv.com Color code: RGB 69 155 94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 155 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 155 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 39 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 39% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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