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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 155 109 it is the complementary color RGB 186 100 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 155 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 155 109 shade: RGB 74 155 104, RGB 91 173 123, RGB 108 191 142, RGB 125 209 161 and RGB 142 227 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 155 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 155 109 shade: RGB 69 155 109, RGB 52 137 90, RGB 35 119 71, RGB 18 101 52 and RGB 1 83 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 155 109 shade: RGB 69 154 109, RGB 69 154 86, RGB 75 154 69, RGB 98 154 69 and RGB 121 154 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 155 109 shade: RGB 69 154 109, RGB 69 154 132, RGB 69 154 154, RGB 69 131 154 and RGB 69 108 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 155 109 shade matches the following richer shades: RGB 69 154 109, RGB 51 172 107, RGB 33 191 106 and RGB 15 209 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 155 109 shade: RGB 69 154 109, RGB 87 136 110, RGB 105 118 111, RGB 124 100 113 and RGB 142 82 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 155 109 shade: RGB 76 154 69, RGB 69 154 85, RGB 69 154 107, RGB 69 154 130 and RGB 69 154 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 155 109 shade: RGB 43 97 69, RGB 56 126 89, RGB 69 154 109, RGB 86 179 129 and RGB 114 192 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 155 109 shade: RGB 69 155 109, RGB 69 99 154 and RGB 154 73 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 155 109 shade: RGB 69 155 109, RGB 107 69 154 and RGB 154 107 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 155 109 shade: RGB 69 155 109, RGB 69 99 154, RGB 154 69 116 and RGB 154 124 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 155 109 shade: RGB 69 155 109, RGB 69 73 154, RGB 154 69 116 and RGB 154 150 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 30 / 39

HEX #459B6D

RGB 69 155 109

HSL 147.91, 0.38%, 0.44%

LAB 57.86, -37, 16.45

 

Complementary color

CMYK 0 / 46 / 22 / 27

HEX #BA6492

RGB 186 100 146

HSL 327.91, 0.38%, 0.56%

LAB 53.63, 40.28, -9.78

 

CMYK 52 / 0 / 33 / 39

HEX #4A9B68

RGB 74 155 104

HSL 142.22, 0.35%, 0.45%

LAB 57.94, -36.75, 19.37

 

CMYK 47 / 0 / 29 / 32

HEX #5BAD7B

RGB 91 173 123

HSL 143.41, 0.33%, 0.52%

LAB 64.6, -36.58, 18.13

 

CMYK 43 / 0 / 26 / 25

HEX #6CBF8E

RGB 108 191 142

HSL 144.58, 0.39%, 0.59%

LAB 71.15, -36.35, 16.99

 

CMYK 40 / 0 / 23 / 18

HEX #7DD1A1

RGB 125 209 161

HSL 145.71, 0.48%, 0.65%

LAB 77.6, -36.1, 15.94

 

CMYK 37 / 0 / 21 / 11

HEX #8EE3B4

RGB 142 227 180

HSL 146.82, 0.6%, 0.72%

LAB 83.96, -35.85, 14.95

 

CMYK 55 / 0 / 30 / 39

HEX #459B6D

RGB 69 155 109

HSL 147.91, 0.38%, 0.44%

LAB 57.86, -37, 16.45

 

CMYK 62 / 0 / 34 / 46

HEX #34895A

RGB 52 137 90

HSL 146.82, 0.45%, 0.37%

LAB 51.11, -36.98, 17.81

 

CMYK 71 / 0 / 40 / 53

HEX #237747

RGB 35 119 71

HSL 145.71, 0.55%, 0.3%

LAB 44.24, -36.7, 19.33

 

CMYK 82 / 0 / 49 / 60

HEX #126534

RGB 18 101 52

HSL 144.58, 0.7%, 0.23%

LAB 37.27, -35.94, 21.06

 

CMYK 99 / 0 / 60 / 67

HEX #015321

RGB 1 83 33

HSL 143.41, 0.98%, 0.16%

LAB 30.16, -34.55, 22.92

 

CMYK 55 / 0 / 29 / 40

HEX #459A6D

RGB 69 154 109

HSL 148.24, 0.38%, 0.44%

LAB 57.54, -36.55, 16.02

 

CMYK 55 / 0 / 44 / 40

HEX #459A56

RGB 69 154 86

HSL 132, 0.38%, 0.44%

LAB 57.12, -40.9, 28.07

 

CMYK 51 / 0 / 55 / 40

HEX #4B9A45

RGB 75 154 69

HSL 115.76, 0.38%, 0.44%

LAB 57.11, -41.78, 36.9

 

CMYK 36 / 0 / 55 / 40

HEX #629A45

RGB 98 154 69

HSL 99.53, 0.38%, 0.44%

LAB 58.17, -34.34, 38.42

 

CMYK 21 / 0 / 55 / 40

HEX #799A45

RGB 121 154 69

HSL 83.29, 0.38%, 0.44%

LAB 59.53, -25.64, 40.36

 

CMYK 55 / 0 / 29 / 40

HEX #459A6D

RGB 69 154 109

HSL 148.24, 0.38%, 0.44%

LAB 57.54, -36.55, 16.02

 

CMYK 55 / 0 / 14 / 40

HEX #459A84

RGB 69 154 132

HSL 164.47, 0.38%, 0.44%

LAB 58.08, -31.24, 3.8

 

CMYK 55 / 0 / 0 / 40

HEX #459A9A

RGB 69 154 154

HSL 180, 0.38%, 0.44%

LAB 58.7, -25.39, -7.79

 

CMYK 55 / 15 / 0 / 40

HEX #45839A

RGB 69 131 154

HSL 196.24, 0.38%, 0.44%

LAB 51.65, -13.2, -18.43

 

CMYK 55 / 30 / 0 / 40

HEX #456C9A

RGB 69 108 154

HSL 212.47, 0.38%, 0.44%

LAB 44.69, 0.23, -29.18

 

CMYK 55 / 0 / 29 / 40

HEX #459A6D

RGB 69 154 109

HSL 148.24, 0.38%, 0.44%

LAB 57.54, -36.55, 16.02

 

CMYK 70 / 0 / 38 / 33

HEX #33AC6B

RGB 51 172 107

HSL 147.77, 0.54%, 0.44%

LAB 62.74, -48.2, 24.07

 

CMYK 83 / 0 / 45 / 25

HEX #21BF6A

RGB 33 191 106

HSL 147.72, 0.71%, 0.44%

LAB 68.48, -57.79, 32.08

 

CMYK 93 / 0 / 50 / 18

HEX #0FD169

RGB 15 209 105

HSL 147.84, 0.87%, 0.44%

LAB 74.01, -65.3, 39.57

 

CMYK 55 / 0 / 29 / 40

HEX #459A6D

RGB 69 154 109

HSL 148.24, 0.38%, 0.44%

LAB 57.54, -36.55, 16.02

 

CMYK 36 / 0 / 19 / 47

HEX #57886E

RGB 87 136 110

HSL 148.16, 0.22%, 0.44%

LAB 52.69, -22.6, 8.78

 

CMYK 11 / 0 / 6 / 54

HEX #69766F

RGB 105 118 111

HSL 147.69, 0.06%, 0.44%

LAB 48.4, -6.33, 2.2

 

CMYK 0 / 19 / 9 / 51

HEX #7C6471

RGB 124 100 113

HSL 327.5, 0.11%, 0.44%

LAB 45.07, 11.98, -3.66

 

CMYK 0 / 42 / 20 / 44

HEX #8E5272

RGB 142 82 114

HSL 328, 0.27%, 0.44%

LAB 42.76, 29.58, -7.47

 

CMYK 51 / 0 / 55 / 40

HEX #4C9A45

RGB 76 154 69

HSL 115.06, 0.38%, 0.44%

LAB 57.15, -41.49, 36.96

 

CMYK 55 / 0 / 45 / 40

HEX #459A55

RGB 69 154 85

HSL 131.29, 0.38%, 0.44%

LAB 57.11, -41.07, 28.58

 

CMYK 55 / 0 / 31 / 40

HEX #459A6B

RGB 69 154 107

HSL 146.82, 0.38%, 0.44%

LAB 57.5, -36.97, 17.08

 

CMYK 55 / 0 / 16 / 40

HEX #459A82

RGB 69 154 130

HSL 163.06, 0.38%, 0.44%

LAB 58.03, -31.74, 4.86

 

CMYK 55 / 0 / 1 / 40

HEX #459A99

RGB 69 154 153

HSL 179.29, 0.38%, 0.44%

LAB 58.67, -25.67, -7.26

 

CMYK 56 / 0 / 29 / 62

HEX #2B6145

RGB 43 97 69

HSL 148.89, 0.39%, 0.27%

LAB 36.92, -25.25, 10.63

 

CMYK 56 / 0 / 29 / 51

HEX #387E59

RGB 56 126 89

HSL 148.29, 0.38%, 0.36%

LAB 47.6, -31.27, 13.61

 

CMYK 55 / 0 / 29 / 40

HEX #459A6D

RGB 69 154 109

HSL 148.24, 0.38%, 0.44%

LAB 57.54, -36.55, 16.02

 

CMYK 52 / 0 / 28 / 30

HEX #56B381

RGB 86 179 129

HSL 147.74, 0.38%, 0.52%

LAB 66.37, -39.36, 17.27

 

CMYK 41 / 0 / 22 / 25

HEX #72C096

RGB 114 192 150

HSL 147.69, 0.38%, 0.6%

LAB 71.88, -33.53, 13.74

 

CMYK 55 / 0 / 30 / 39

HEX #459B6D

RGB 69 155 109

HSL 147.91, 0.38%, 0.44%

LAB 57.86, -37, 16.45

 

CMYK 55 / 36 / 0 / 40

HEX #45639A

RGB 69 99 154

HSL 218.82, 0.38%, 0.44%

LAB 42.03, 5.8, -33.35

 

CMYK 0 / 53 / 55 / 40

HEX #9A4945

RGB 154 73 69

HSL 2.82, 0.38%, 0.44%

LAB 41.32, 33.45, 18.42

 

CMYK 55 / 0 / 30 / 39

HEX #459B6D

RGB 69 155 109

HSL 147.91, 0.38%, 0.44%

LAB 57.86, -37, 16.45

 

CMYK 31 / 55 / 0 / 40

HEX #6B459A

RGB 107 69 154

HSL 266.82, 0.38%, 0.44%

LAB 37.33, 34.36, -40.62

 

CMYK 0 / 31 / 55 / 40

HEX #9A6B45

RGB 154 107 69

HSL 26.82, 0.38%, 0.44%

LAB 49.27, 14.35, 28.65

 

CMYK 55 / 0 / 30 / 39

HEX #459B6D

RGB 69 155 109

HSL 147.91, 0.38%, 0.44%

LAB 57.86, -37, 16.45

 

CMYK 55 / 36 / 0 / 40

HEX #45639A

RGB 69 99 154

HSL 218.82, 0.38%, 0.44%

LAB 42.03, 5.8, -33.35

 

CMYK 0 / 55 / 25 / 40

HEX #9A4574

RGB 154 69 116

HSL 326.82, 0.38%, 0.44%

LAB 41.83, 41.08, -9.93

 

CMYK 0 / 19 / 55 / 40

HEX #9A7C45

RGB 154 124 69

HSL 38.82, 0.38%, 0.44%

LAB 53.72, 4.63, 34.13

 

CMYK 55 / 0 / 30 / 39

HEX #459B6D

RGB 69 155 109

HSL 147.91, 0.38%, 0.44%

LAB 57.86, -37, 16.45

 

CMYK 55 / 53 / 0 / 40

HEX #45499A

RGB 69 73 154

HSL 237.18, 0.38%, 0.44%

LAB 34.73, 22.54, -44.99

 

CMYK 0 / 55 / 25 / 40

HEX #9A4574

RGB 154 69 116

HSL 326.82, 0.38%, 0.44%

LAB 41.83, 41.08, -9.93

 

CMYK 0 / 3 / 55 / 40

HEX #9A9645

RGB 154 150 69

HSL 57.18, 0.38%, 0.44%

LAB 60.88, -9.72, 42.57

 

Description

Color code: RGB 69 155 109 | qconv.com Color code: RGB 69 155 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 155 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 155 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 30 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 30% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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