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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 155 107 it is the complementary color RGB 186 100 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 155 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 155 107 shade: RGB 74 155 102, RGB 91 173 121, RGB 108 191 140, RGB 125 209 159 and RGB 142 227 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 155 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 155 107 shade: RGB 69 155 107, RGB 52 137 88, RGB 35 119 69, RGB 18 101 50 and RGB 1 83 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 155 107 shade: RGB 69 154 107, RGB 69 154 84, RGB 77 154 69, RGB 100 154 69 and RGB 123 154 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 155 107 shade: RGB 69 154 107, RGB 69 154 130, RGB 69 154 153, RGB 69 133 154 and RGB 69 110 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 155 107 shade matches the following richer shades: RGB 69 154 107, RGB 51 172 105, RGB 33 191 103 and RGB 15 209 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 155 107 shade: RGB 69 154 107, RGB 87 136 109, RGB 105 118 111, RGB 124 100 113 and RGB 142 82 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 155 107 shade: RGB 78 154 69, RGB 69 154 83, RGB 69 154 106, RGB 69 154 129 and RGB 69 154 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 155 107 shade: RGB 43 97 67, RGB 56 126 87, RGB 69 154 107, RGB 86 179 127 and RGB 114 192 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 155 107 shade: RGB 69 155 107, RGB 69 100 154 and RGB 154 72 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 155 107 shade: RGB 69 155 107, RGB 106 69 154 and RGB 154 106 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 155 107 shade: RGB 69 155 107, RGB 69 100 154, RGB 154 69 117 and RGB 154 123 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 155 107 shade: RGB 69 155 107, RGB 69 75 154, RGB 154 69 117 and RGB 154 149 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 31 / 39

HEX #459B6B

RGB 69 155 107

HSL 146.51, 0.38%, 0.44%

LAB 57.82, -37.41, 17.51

 

Complementary color

CMYK 0 / 46 / 20 / 27

HEX #BA6494

RGB 186 100 148

HSL 326.51, 0.38%, 0.56%

LAB 53.7, 40.58, -10.86

 

CMYK 52 / 0 / 34 / 39

HEX #4A9B66

RGB 74 155 102

HSL 140.74, 0.35%, 0.45%

LAB 57.9, -37.14, 20.43

 

CMYK 47 / 0 / 30 / 32

HEX #5BAD79

RGB 91 173 121

HSL 141.95, 0.33%, 0.52%

LAB 64.56, -36.97, 19.17

 

CMYK 43 / 0 / 27 / 25

HEX #6CBF8C

RGB 108 191 140

HSL 143.13, 0.39%, 0.59%

LAB 71.11, -36.74, 18.01

 

CMYK 40 / 0 / 24 / 18

HEX #7DD19F

RGB 125 209 159

HSL 144.29, 0.48%, 0.65%

LAB 77.56, -36.49, 16.94

 

CMYK 37 / 0 / 22 / 11

HEX #8EE3B2

RGB 142 227 178

HSL 145.41, 0.6%, 0.72%

LAB 83.92, -36.24, 15.94

 

CMYK 55 / 0 / 31 / 39

HEX #459B6B

RGB 69 155 107

HSL 146.51, 0.38%, 0.44%

LAB 57.82, -37.41, 17.51

 

CMYK 62 / 0 / 36 / 46

HEX #348958

RGB 52 137 88

HSL 145.41, 0.45%, 0.37%

LAB 51.07, -37.39, 18.89

 

CMYK 71 / 0 / 42 / 53

HEX #237745

RGB 35 119 69

HSL 144.29, 0.55%, 0.3%

LAB 44.21, -37.11, 20.43

 

CMYK 82 / 0 / 50 / 60

HEX #126532

RGB 18 101 50

HSL 143.13, 0.7%, 0.23%

LAB 37.24, -36.32, 22.16

 

CMYK 99 / 0 / 63 / 67

HEX #01531F

RGB 1 83 31

HSL 141.95, 0.98%, 0.16%

LAB 30.14, -34.88, 23.99

 

CMYK 55 / 0 / 31 / 40

HEX #459A6B

RGB 69 154 107

HSL 146.82, 0.38%, 0.44%

LAB 57.5, -36.97, 17.08

 

CMYK 55 / 0 / 45 / 40

HEX #459A54

RGB 69 154 84

HSL 130.59, 0.38%, 0.44%

LAB 57.09, -41.23, 29.09

 

CMYK 50 / 0 / 55 / 40

HEX #4D9A45

RGB 77 154 69

HSL 114.35, 0.38%, 0.44%

LAB 57.19, -41.19, 37.02

 

CMYK 35 / 0 / 55 / 40

HEX #649A45

RGB 100 154 69

HSL 98.12, 0.38%, 0.44%

LAB 58.27, -33.62, 38.57

 

CMYK 20 / 0 / 55 / 40

HEX #7B9A45

RGB 123 154 69

HSL 81.88, 0.38%, 0.44%

LAB 59.66, -24.84, 40.55

 

CMYK 55 / 0 / 31 / 40

HEX #459A6B

RGB 69 154 107

HSL 146.82, 0.38%, 0.44%

LAB 57.5, -36.97, 17.08

 

CMYK 55 / 0 / 16 / 40

HEX #459A82

RGB 69 154 130

HSL 163.06, 0.38%, 0.44%

LAB 58.03, -31.74, 4.86

 

CMYK 55 / 0 / 1 / 40

HEX #459A99

RGB 69 154 153

HSL 179.29, 0.38%, 0.44%

LAB 58.67, -25.67, -7.26

 

CMYK 55 / 14 / 0 / 40

HEX #45859A

RGB 69 133 154

HSL 194.82, 0.38%, 0.44%

LAB 52.26, -14.31, -17.5

 

CMYK 55 / 29 / 0 / 40

HEX #456E9A

RGB 69 110 154

HSL 211.06, 0.38%, 0.44%

LAB 45.29, -0.99, -28.25

 

CMYK 55 / 0 / 31 / 40

HEX #459A6B

RGB 69 154 107

HSL 146.82, 0.38%, 0.44%

LAB 57.5, -36.97, 17.08

 

CMYK 70 / 0 / 39 / 33

HEX #33AC69

RGB 51 172 105

HSL 146.78, 0.54%, 0.44%

LAB 62.7, -48.59, 25.1

 

CMYK 83 / 0 / 46 / 25

HEX #21BF67

RGB 33 191 103

HSL 146.58, 0.71%, 0.44%

LAB 68.43, -58.32, 33.56

 

CMYK 93 / 0 / 52 / 18

HEX #0FD164

RGB 15 209 100

HSL 146.29, 0.87%, 0.44%

LAB 73.95, -66.08, 41.92

 

CMYK 55 / 0 / 31 / 40

HEX #459A6B

RGB 69 154 107

HSL 146.82, 0.38%, 0.44%

LAB 57.5, -36.97, 17.08

 

CMYK 36 / 0 / 20 / 47

HEX #57886D

RGB 87 136 109

HSL 146.94, 0.22%, 0.44%

LAB 52.66, -22.82, 9.32

 

CMYK 11 / 0 / 6 / 54

HEX #69766F

RGB 105 118 111

HSL 147.69, 0.06%, 0.44%

LAB 48.4, -6.33, 2.2

 

CMYK 0 / 19 / 9 / 51

HEX #7C6471

RGB 124 100 113

HSL 327.5, 0.11%, 0.44%

LAB 45.07, 11.98, -3.66

 

CMYK 0 / 42 / 19 / 44

HEX #8E5273

RGB 142 82 115

HSL 327, 0.27%, 0.44%

LAB 42.8, 29.74, -8.03

 

CMYK 49 / 0 / 55 / 40

HEX #4E9A45

RGB 78 154 69

HSL 113.65, 0.38%, 0.44%

LAB 57.23, -40.9, 37.07

 

CMYK 55 / 0 / 46 / 40

HEX #459A53

RGB 69 154 83

HSL 129.88, 0.38%, 0.44%

LAB 57.08, -41.4, 29.6

 

CMYK 55 / 0 / 31 / 40

HEX #459A6A

RGB 69 154 106

HSL 146.12, 0.38%, 0.44%

LAB 57.48, -37.17, 17.61

 

CMYK 55 / 0 / 16 / 40

HEX #459A81

RGB 69 154 129

HSL 162.35, 0.38%, 0.44%

LAB 58, -31.98, 5.39

 

CMYK 55 / 0 / 2 / 40

HEX #459A97

RGB 69 154 151

HSL 177.88, 0.38%, 0.44%

LAB 58.61, -26.23, -6.22

 

CMYK 56 / 0 / 31 / 62

HEX #2B6143

RGB 43 97 67

HSL 146.67, 0.39%, 0.27%

LAB 36.87, -25.71, 11.78

 

CMYK 56 / 0 / 31 / 51

HEX #387E57

RGB 56 126 87

HSL 146.57, 0.38%, 0.36%

LAB 47.56, -31.7, 14.71

 

CMYK 55 / 0 / 31 / 40

HEX #459A6B

RGB 69 154 107

HSL 146.82, 0.38%, 0.44%

LAB 57.5, -36.97, 17.08

 

CMYK 52 / 0 / 29 / 30

HEX #56B37F

RGB 86 179 127

HSL 146.45, 0.38%, 0.52%

LAB 66.33, -39.77, 18.31

 

CMYK 41 / 0 / 23 / 25

HEX #72C094

RGB 114 192 148

HSL 146.15, 0.38%, 0.6%

LAB 71.84, -33.93, 14.76

 

CMYK 55 / 0 / 31 / 39

HEX #459B6B

RGB 69 155 107

HSL 146.51, 0.38%, 0.44%

LAB 57.82, -37.41, 17.51

 

CMYK 55 / 35 / 0 / 40

HEX #45649A

RGB 69 100 154

HSL 218.12, 0.38%, 0.44%

LAB 42.33, 5.17, -32.89

 

CMYK 0 / 53 / 55 / 40

HEX #9A4845

RGB 154 72 69

HSL 2.12, 0.38%, 0.44%

LAB 41.11, 33.98, 18.15

 

CMYK 55 / 0 / 31 / 39

HEX #459B6B

RGB 69 155 107

HSL 146.51, 0.38%, 0.44%

LAB 57.82, -37.41, 17.51

 

CMYK 31 / 55 / 0 / 40

HEX #6A459A

RGB 106 69 154

HSL 266.12, 0.38%, 0.44%

LAB 37.21, 34.09, -40.81

 

CMYK 0 / 31 / 55 / 40

HEX #9A6A45

RGB 154 106 69

HSL 26.12, 0.38%, 0.44%

LAB 49.02, 14.93, 28.34

 

CMYK 55 / 0 / 31 / 39

HEX #459B6B

RGB 69 155 107

HSL 146.51, 0.38%, 0.44%

LAB 57.82, -37.41, 17.51

 

CMYK 55 / 35 / 0 / 40

HEX #45649A

RGB 69 100 154

HSL 218.12, 0.38%, 0.44%

LAB 42.33, 5.17, -32.89

 

CMYK 0 / 55 / 24 / 40

HEX #9A4575

RGB 154 69 117

HSL 326.12, 0.38%, 0.44%

LAB 41.86, 41.22, -10.49

 

CMYK 0 / 20 / 55 / 40

HEX #9A7B45

RGB 154 123 69

HSL 38.12, 0.38%, 0.44%

LAB 53.46, 5.2, 33.8

 

CMYK 55 / 0 / 31 / 39

HEX #459B6B

RGB 69 155 107

HSL 146.51, 0.38%, 0.44%

LAB 57.82, -37.41, 17.51

 

CMYK 55 / 51 / 0 / 40

HEX #454B9A

RGB 69 75 154

HSL 235.76, 0.38%, 0.44%

LAB 35.26, 21.24, -44.13

 

CMYK 0 / 55 / 24 / 40

HEX #9A4575

RGB 154 69 117

HSL 326.12, 0.38%, 0.44%

LAB 41.86, 41.22, -10.49

 

CMYK 0 / 3 / 55 / 40

HEX #9A9545

RGB 154 149 69

HSL 56.47, 0.38%, 0.44%

LAB 60.6, -9.18, 42.25

 

Description

Color code: RGB 69 155 107 | qconv.com Color code: RGB 69 155 107 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 155 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 155 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 31 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 31% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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