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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 153 216 it is the complementary color RGB 186 102 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 153 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 153 216 shade: RGB 74 153 211, RGB 91 171 230, RGB 108 189 249, RGB 125 207 255 and RGB 142 225 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 153 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 153 216 shade: RGB 69 153 216, RGB 52 135 197, RGB 35 117 178, RGB 18 99 159 and RGB 1 81 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 153 216 shade: RGB 69 153 215, RGB 69 113 215, RGB 69 74 215, RGB 104 69 215 and RGB 143 69 215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 153 216 shade: RGB 69 153 215, RGB 69 113 215, RGB 69 74 215 and RGB 69 69 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 153 216 shade matches the following richer shades: RGB 69 153 215, RGB 51 155 233 and RGB 33 158 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 153 216 shade: RGB 69 153 215, RGB 88 150 197, RGB 106 148 179, RGB 124 145 161 and RGB 142 142 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 153 216 shade: RGB 69 215 198, RGB 69 193 215, RGB 69 154 215, RGB 69 116 215 and RGB 69 77 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 153 216 shade: RGB 35 110 167, RGB 42 133 201, RGB 69 153 215, RGB 103 171 222 and RGB 137 190 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 153 216 shade: RGB 69 153 216, RGB 159 69 215 and RGB 213 215 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 153 216 shade: RGB 69 153 216, RGB 215 69 154 and RGB 154 215 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 153 216 shade: RGB 69 153 216, RGB 159 69 215, RGB 215 130 69 and RGB 125 215 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 153 216 shade: RGB 69 153 216, RGB 203 69 215, RGB 215 130 69 and RGB 82 215 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 29 / 0 / 15

HEX #4599D8

RGB 69 153 216

HSL 205.71, 0.65%, 0.56%

LAB 60.79, -5.41, -39.55

 

Complementary color

CMYK 0 / 45 / 79 / 27

HEX #BA6627

RGB 186 102 39

HSL 25.71, 0.65%, 0.44%

LAB 51.94, 29.09, 48.19

 

CMYK 65 / 27 / 0 / 17

HEX #4A99D3

RGB 74 153 211

HSL 205.4, 0.61%, 0.56%

LAB 60.73, -6.27, -36.84

 

CMYK 60 / 26 / 0 / 10

HEX #5BABE6

RGB 91 171 230

HSL 205.47, 0.74%, 0.63%

LAB 67.32, -7.17, -37.01

 

CMYK 57 / 24 / 0 / 2

HEX #6CBDF9

RGB 108 189 249

HSL 205.53, 0.92%, 0.7%

LAB 73.82, -7.89, -37.18

 

CMYK 51 / 19 / 0 / 0

HEX #7DCFFF

RGB 125 207 255

HSL 202.15, 1%, 0.75%

LAB 79.73, -12.2, -31.2

 

CMYK 44 / 12 / 0 / 0

HEX #8EE1FF

RGB 142 225 255

HSL 195.93, 1%, 0.78%

LAB 85.41, -17.64, -22.46

 

CMYK 68 / 29 / 0 / 15

HEX #4599D8

RGB 69 153 216

HSL 205.71, 0.65%, 0.56%

LAB 60.79, -5.41, -39.55

 

CMYK 74 / 31 / 0 / 23

HEX #3487C5

RGB 52 135 197

HSL 205.66, 0.58%, 0.49%

LAB 54.12, -4.07, -39.36

 

CMYK 80 / 34 / 0 / 30

HEX #2375B2

RGB 35 117 178

HSL 205.59, 0.67%, 0.42%

LAB 47.36, -2.35, -39.15

 

CMYK 89 / 38 / 0 / 38

HEX #12639F

RGB 18 99 159

HSL 205.53, 0.8%, 0.35%

LAB 40.5, -0.1, -38.87

 

CMYK 99 / 42 / 0 / 45

HEX #01518C

RGB 1 81 140

HSL 205.47, 0.99%, 0.28%

LAB 33.53, 2.75, -38.54

 

CMYK 68 / 29 / 0 / 16

HEX #4599D7

RGB 69 153 215

HSL 205.48, 0.65%, 0.56%

LAB 60.74, -5.74, -39.06

 

CMYK 68 / 47 / 0 / 16

HEX #4571D7

RGB 69 113 215

HSL 221.92, 0.65%, 0.56%

LAB 49.47, 18.25, -56.95

 

CMYK 68 / 66 / 0 / 16

HEX #454AD7

RGB 69 74 215

HSL 237.95, 0.65%, 0.56%

LAB 39.7, 42.57, -72.82

 

CMYK 52 / 68 / 0 / 16

HEX #6845D7

RGB 104 69 215

HSL 254.38, 0.65%, 0.56%

LAB 41.38, 50.56, -69.95

 

CMYK 33 / 68 / 0 / 16

HEX #8F45D7

RGB 143 69 215

HSL 270.41, 0.65%, 0.56%

LAB 45.64, 57.73, -62.84

 

CMYK 68 / 29 / 0 / 16

HEX #4599D7

RGB 69 153 215

HSL 205.48, 0.65%, 0.56%

LAB 60.74, -5.74, -39.06

 

CMYK 68 / 47 / 0 / 16

HEX #4571D7

RGB 69 113 215

HSL 221.92, 0.65%, 0.56%

LAB 49.47, 18.25, -56.95

 

CMYK 68 / 66 / 0 / 16

HEX #454AD7

RGB 69 74 215

HSL 237.95, 0.65%, 0.56%

LAB 39.7, 42.57, -72.82

 

CMYK 68 / 68 / 0 / 16

HEX #4545D7

RGB 69 69 215

HSL 240, 0.65%, 0.56%

LAB 38.6, 45.53, -74.62

 

CMYK 68 / 29 / 0 / 16

HEX #4599D7

RGB 69 153 215

HSL 205.48, 0.65%, 0.56%

LAB 60.74, -5.74, -39.06

 

CMYK 78 / 33 / 0 / 9

HEX #339BE9

RGB 51 155 233

HSL 205.71, 0.81%, 0.56%

LAB 61.68, -2.95, -47.6

 

CMYK 87 / 37 / 0 / 1

HEX #219EFC

RGB 33 158 252

HSL 205.75, 0.97%, 0.56%

LAB 63.18, 0.73, -55.68

 

CMYK 68 / 29 / 0 / 16

HEX #4599D7

RGB 69 153 215

HSL 205.48, 0.65%, 0.56%

LAB 60.74, -5.74, -39.06

 

CMYK 55 / 24 / 0 / 23

HEX #5896C5

RGB 88 150 197

HSL 205.87, 0.48%, 0.56%

LAB 59.82, -6.39, -30.37

 

CMYK 41 / 17 / 0 / 30

HEX #6A94B3

RGB 106 148 179

HSL 205.48, 0.32%, 0.56%

LAB 59.43, -6.2, -20.72

 

CMYK 23 / 10 / 0 / 37

HEX #7C91A1

RGB 124 145 161

HSL 205.95, 0.16%, 0.56%

LAB 59.08, -3.79, -10.93

 

CMYK 1 / 1 / 0 / 44

HEX #8E8E8F

RGB 142 142 143

HSL 240, 0%, 0.56%

LAB 59.05, 0.2, -0.54

 

CMYK 68 / 0 / 8 / 16

HEX #45D7C6

RGB 69 215 198

HSL 173.01, 0.65%, 0.56%

LAB 78.43, -42.11, -2.87

 

CMYK 68 / 10 / 0 / 16

HEX #45C1D7

RGB 69 193 215

HSL 189.04, 0.65%, 0.56%

LAB 72.44, -26.99, -21.01

 

CMYK 68 / 28 / 0 / 16

HEX #459AD7

RGB 69 154 215

HSL 205.07, 0.65%, 0.56%

LAB 61.03, -6.31, -38.61

 

CMYK 68 / 46 / 0 / 16

HEX #4574D7

RGB 69 116 215

HSL 220.68, 0.65%, 0.56%

LAB 50.29, 16.37, -55.64

 

CMYK 68 / 64 / 0 / 16

HEX #454DD7

RGB 69 77 215

HSL 236.71, 0.65%, 0.56%

LAB 40.38, 40.76, -71.71

 

CMYK 79 / 34 / 0 / 35

HEX #236EA7

RGB 35 110 167

HSL 205.91, 0.65%, 0.4%

LAB 44.66, -2.24, -36.99

 

CMYK 79 / 34 / 0 / 21

HEX #2A85C9

RGB 42 133 201

HSL 205.66, 0.65%, 0.48%

LAB 53.48, -2.64, -42.67

 

CMYK 68 / 29 / 0 / 16

HEX #4599D7

RGB 69 153 215

HSL 205.48, 0.65%, 0.56%

LAB 60.74, -5.74, -39.06

 

CMYK 54 / 23 / 0 / 13

HEX #67ABDE

RGB 103 171 222

HSL 205.71, 0.64%, 0.64%

LAB 67.49, -7.24, -32.33

 

CMYK 40 / 17 / 0 / 10

HEX #89BEE6

RGB 137 190 230

HSL 205.81, 0.65%, 0.72%

LAB 74.74, -7.23, -25.4

 

CMYK 68 / 29 / 0 / 15

HEX #4599D8

RGB 69 153 216

HSL 205.71, 0.65%, 0.56%

LAB 60.79, -5.41, -39.55

 

CMYK 26 / 68 / 0 / 16

HEX #9F45D7

RGB 159 69 215

HSL 276.99, 0.65%, 0.56%

LAB 47.67, 60.99, -59.46

 

CMYK 1 / 0 / 68 / 16

HEX #D5D745

RGB 213 215 69

HSL 60.82, 0.65%, 0.56%

LAB 83.54, -17.97, 68.23

 

CMYK 68 / 29 / 0 / 15

HEX #4599D8

RGB 69 153 216

HSL 205.71, 0.65%, 0.56%

LAB 60.79, -5.41, -39.55

 

CMYK 0 / 68 / 28 / 16

HEX #D7459A

RGB 215 69 154

HSL 325.07, 0.65%, 0.56%

LAB 52.99, 64.35, -15.04

 

CMYK 28 / 0 / 68 / 16

HEX #9AD745

RGB 154 215 69

HSL 85.07, 0.65%, 0.56%

LAB 79.56, -41.29, 62.9

 

CMYK 68 / 29 / 0 / 15

HEX #4599D8

RGB 69 153 216

HSL 205.71, 0.65%, 0.56%

LAB 60.79, -5.41, -39.55

 

CMYK 26 / 68 / 0 / 16

HEX #9F45D7

RGB 159 69 215

HSL 276.99, 0.65%, 0.56%

LAB 47.67, 60.99, -59.46

 

CMYK 0 / 40 / 68 / 16

HEX #D78245

RGB 215 130 69

HSL 25.07, 0.65%, 0.56%

LAB 62.37, 27.53, 46.02

 

CMYK 42 / 0 / 68 / 16

HEX #7DD745

RGB 125 215 69

HSL 96.99, 0.65%, 0.56%

LAB 78.11, -51.27, 60.94

 

CMYK 68 / 29 / 0 / 15

HEX #4599D8

RGB 69 153 216

HSL 205.71, 0.65%, 0.56%

LAB 60.79, -5.41, -39.55

 

CMYK 6 / 68 / 0 / 16

HEX #CB45D7

RGB 203 69 215

HSL 295.07, 0.65%, 0.56%

LAB 53.88, 70.42, -49.17

 

CMYK 0 / 40 / 68 / 16

HEX #D78245

RGB 215 130 69

HSL 25.07, 0.65%, 0.56%

LAB 62.37, 27.53, 46.02

 

CMYK 62 / 0 / 68 / 16

HEX #52D745

RGB 82 215 69

HSL 114.66, 0.65%, 0.56%

LAB 76.57, -62.98, 58.86

 

Description

Color code: RGB 69 153 216 | qconv.com Color code: RGB 69 153 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 153 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 153 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 29 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 29% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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