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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 123 150 it is the complementary color RGB 186 132 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 123 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 123 150 shade: RGB 74 123 145, RGB 91 141 164, RGB 108 159 183, RGB 125 177 202 and RGB 142 195 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 123 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 123 150 shade: RGB 69 123 150, RGB 52 105 131, RGB 35 87 112, RGB 18 69 93 and RGB 1 51 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 123 150 shade: RGB 69 123 150, RGB 69 101 150, RGB 69 79 150, RGB 80 69 150 and RGB 102 69 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 123 150 shade: RGB 69 123 150, RGB 69 101 150, RGB 69 79 150 and RGB 69 69 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 123 150 shade matches the following richer shades: RGB 69 123 150, RGB 51 129 167, RGB 33 135 185 and RGB 15 140 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 123 150 shade: RGB 69 123 150, RGB 86 117 132, RGB 104 111 114, RGB 122 105 96 and RGB 140 99 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 123 150 shade: RGB 69 150 133, RGB 69 144 150, RGB 69 123 150, RGB 69 101 150 and RGB 69 79 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 123 150 shade: RGB 43 76 93, RGB 56 99 121, RGB 69 123 150, RGB 84 145 176 and RGB 112 163 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 123 150 shade: RGB 69 123 150, RGB 112 69 150 and RGB 150 144 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 123 150 shade: RGB 69 123 150, RGB 150 69 123 and RGB 123 150 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 123 150 shade: RGB 69 123 150, RGB 112 69 150, RGB 150 96 69 and RGB 106 150 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 123 150 shade: RGB 69 123 150, RGB 136 69 150, RGB 150 96 69 and RGB 82 150 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

Complementary color

CMYK 0 / 29 / 44 / 27

HEX #BA8469

RGB 186 132 105

HSL 20, 0.37%, 0.57%

LAB 59.85, 17.4, 22.82

 

CMYK 49 / 15 / 0 / 43

HEX #4A7B91

RGB 74 123 145

HSL 198.59, 0.32%, 0.43%

LAB 49.09, -10.25, -17.06

 

CMYK 45 / 14 / 0 / 36

HEX #5B8DA4

RGB 91 141 164

HSL 198.9, 0.29%, 0.5%

LAB 56.04, -10.48, -17.42

 

CMYK 41 / 13 / 0 / 28

HEX #6C9FB7

RGB 108 159 183

HSL 199.2, 0.34%, 0.57%

LAB 62.85, -10.65, -17.77

 

CMYK 38 / 12 / 0 / 21

HEX #7DB1CA

RGB 125 177 202

HSL 199.48, 0.42%, 0.64%

LAB 69.52, -10.78, -18.12

 

CMYK 36 / 12 / 0 / 13

HEX #8EC3DD

RGB 142 195 221

HSL 199.75, 0.54%, 0.71%

LAB 76.07, -10.88, -18.48

 

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

CMYK 60 / 20 / 0 / 49

HEX #346983

RGB 52 105 131

HSL 199.75, 0.43%, 0.36%

LAB 41.96, -9.41, -19.74

 

CMYK 69 / 22 / 0 / 56

HEX #235770

RGB 35 87 112

HSL 199.48, 0.52%, 0.29%

LAB 34.69, -8.64, -19.38

 

CMYK 81 / 26 / 0 / 64

HEX #12455D

RGB 18 69 93

HSL 199.2, 0.68%, 0.22%

LAB 27.23, -7.43, -18.97

 

CMYK 99 / 31 / 0 / 71

HEX #01334A

RGB 1 51 74

HSL 198.9, 0.97%, 0.15%

LAB 19.51, -5.71, -18.53

 

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

CMYK 54 / 33 / 0 / 41

HEX #456596

RGB 69 101 150

HSL 216.3, 0.37%, 0.43%

LAB 42.42, 3.22, -30.36

 

CMYK 54 / 47 / 0 / 41

HEX #454F96

RGB 69 79 150

HSL 232.59, 0.37%, 0.43%

LAB 36.1, 17.28, -40.37

 

CMYK 47 / 54 / 0 / 41

HEX #504596

RGB 80 69 150

HSL 248.15, 0.37%, 0.43%

LAB 34.32, 26.33, -43.17

 

CMYK 32 / 54 / 0 / 41

HEX #664596

RGB 102 69 150

HSL 264.44, 0.37%, 0.43%

LAB 36.52, 31.96, -39.52

 

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

CMYK 54 / 33 / 0 / 41

HEX #456596

RGB 69 101 150

HSL 216.3, 0.37%, 0.43%

LAB 42.42, 3.22, -30.36

 

CMYK 54 / 47 / 0 / 41

HEX #454F96

RGB 69 79 150

HSL 232.59, 0.37%, 0.43%

LAB 36.1, 17.28, -40.37

 

CMYK 54 / 54 / 0 / 41

HEX #454596

RGB 69 69 150

HSL 240, 0.37%, 0.43%

LAB 33.4, 23.8, -44.7

 

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

CMYK 69 / 23 / 0 / 35

HEX #3381A7

RGB 51 129 167

HSL 199.66, 0.53%, 0.43%

LAB 50.91, -11.25, -27.16

 

CMYK 82 / 27 / 0 / 27

HEX #2187B9

RGB 33 135 185

HSL 199.74, 0.7%, 0.43%

LAB 53.12, -10.53, -34.13

 

CMYK 93 / 31 / 0 / 20

HEX #0F8CCB

RGB 15 140 203

HSL 200.11, 0.86%, 0.43%

LAB 55.25, -7.95, -41.04

 

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

CMYK 35 / 11 / 0 / 48

HEX #567584

RGB 86 117 132

HSL 199.57, 0.21%, 0.43%

LAB 47.45, -7.17, -11.8

 

CMYK 9 / 3 / 0 / 55

HEX #686F72

RGB 104 111 114

HSL 198, 0.05%, 0.43%

LAB 46.35, -2, -2.59

 

CMYK 0 / 14 / 21 / 52

HEX #7A6960

RGB 122 105 96

HSL 20.77, 0.12%, 0.43%

LAB 45.75, 5.16, 7.54

 

CMYK 0 / 29 / 44 / 45

HEX #8C634F

RGB 140 99 79

HSL 19.67, 0.28%, 0.43%

LAB 45.72, 13.94, 17.94

 

CMYK 54 / 0 / 11 / 41

HEX #459685

RGB 69 150 133

HSL 167.41, 0.37%, 0.43%

LAB 56.85, -29.06, 1.46

 

CMYK 54 / 4 / 0 / 41

HEX #459096

RGB 69 144 150

HSL 184.44, 0.37%, 0.43%

LAB 55.5, -21.4, -10.29

 

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

CMYK 54 / 33 / 0 / 41

HEX #456596

RGB 69 101 150

HSL 216.3, 0.37%, 0.43%

LAB 42.42, 3.22, -30.36

 

CMYK 54 / 47 / 0 / 41

HEX #454F96

RGB 69 79 150

HSL 232.59, 0.37%, 0.43%

LAB 36.1, 17.28, -40.37

 

CMYK 54 / 18 / 0 / 64

HEX #2B4C5D

RGB 43 76 93

HSL 200.4, 0.37%, 0.27%

LAB 30.58, -6.7, -13.72

 

CMYK 54 / 18 / 0 / 53

HEX #386379

RGB 56 99 121

HSL 200.31, 0.37%, 0.35%

LAB 39.82, -8.22, -16.94

 

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

CMYK 52 / 18 / 0 / 31

HEX #5491B0

RGB 84 145 176

HSL 200.22, 0.37%, 0.51%

LAB 57.34, -10.9, -22.32

 

CMYK 41 / 14 / 0 / 26

HEX #70A3BD

RGB 112 163 189

HSL 200.26, 0.37%, 0.59%

LAB 64.41, -10.14, -18.73

 

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

CMYK 25 / 54 / 0 / 41

HEX #704596

RGB 112 69 150

HSL 271.85, 0.37%, 0.43%

LAB 37.67, 34.7, -37.63

 

CMYK 0 / 4 / 54 / 41

HEX #969045

RGB 150 144 69

HSL 55.56, 0.37%, 0.43%

LAB 58.84, -8.23, 40.12

 

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

CMYK 0 / 54 / 18 / 41

HEX #96457B

RGB 150 69 123

HSL 320, 0.37%, 0.43%

LAB 41.49, 40.84, -14.81

 

CMYK 18 / 0 / 54 / 41

HEX #7B9645

RGB 123 150 69

HSL 80, 0.37%, 0.43%

LAB 58.46, -22.84, 39.14

 

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

CMYK 25 / 54 / 0 / 41

HEX #704596

RGB 112 69 150

HSL 271.85, 0.37%, 0.43%

LAB 37.67, 34.7, -37.63

 

CMYK 0 / 36 / 54 / 41

HEX #966045

RGB 150 96 69

HSL 20, 0.37%, 0.43%

LAB 46.01, 18.95, 24.43

 

CMYK 29 / 0 / 54 / 41

HEX #6A9645

RGB 106 150 69

HSL 92.59, 0.37%, 0.43%

LAB 57.37, -29.53, 37.58

 

CMYK 54 / 18 / 0 / 41

HEX #457B96

RGB 69 123 150

HSL 200, 0.37%, 0.43%

LAB 49.05, -9.92, -20.07

 

CMYK 9 / 54 / 0 / 41

HEX #884596

RGB 136 69 150

HSL 289.63, 0.37%, 0.43%

LAB 40.72, 41.5, -32.59

 

CMYK 0 / 36 / 54 / 41

HEX #966045

RGB 150 96 69

HSL 20, 0.37%, 0.43%

LAB 46.01, 18.95, 24.43

 

CMYK 45 / 0 / 54 / 41

HEX #529645

RGB 82 150 69

HSL 110.37, 0.37%, 0.43%

LAB 56.12, -37.94, 35.79

 

Description

Color code: RGB 69 123 150 | qconv.com Color code: RGB 69 123 150 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 123 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 123 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 18 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 18% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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