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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 254 146 it is the complementary color RGB 187 1 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 254 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68 254 146 shade: RGB 73 254 141, RGB 90 255 160, RGB 107 255 179, RGB 124 255 198 and RGB 141 255 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 254 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68 254 146 shade: RGB 68 254 146, RGB 51 236 127, RGB 34 218 108, RGB 17 200 89 and RGB 0 182 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68 254 146 shade: RGB 67 254 145, RGB 67 254 95, RGB 89 254 67, RGB 140 254 67 and RGB 190 254 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68 254 146 shade: RGB 67 254 145, RGB 67 254 195, RGB 67 254 246, RGB 67 211 254 and RGB 67 161 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68 254 146 shade matches the following richer shades: RGB 67 254 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68 254 146 shade: RGB 67 254 145, RGB 82 238 148, RGB 97 223 150, RGB 113 208 152 and RGB 128 192 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68 254 146 shade: RGB 89 254 67, RGB 67 254 95, RGB 67 254 145, RGB 67 254 194 and RGB 67 254 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68 254 146 shade: RGB 1 237 100, RGB 26 253 121, RGB 67 254 145, RGB 108 254 169 and RGB 149 254 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68 254 146 shade: RGB 68 254 146, RGB 67 138 254 and RGB 254 70 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68 254 146 shade: RGB 68 254 146, RGB 145 67 254 and RGB 254 145 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68 254 146 shade: RGB 68 254 146, RGB 67 138 254, RGB 254 67 176 and RGB 254 182 67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68 254 146 shade: RGB 68 254 146, RGB 67 82 254, RGB 254 67 176 and RGB 254 238 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 43 / 0

HEX #44FE92

RGB 68 254 146

HSL 145.16, 0.99%, 0.63%

LAB 89.01, -68.76, 38.72

 

Complementary color

CMYK 0 / 99 / 42 / 27

HEX #BB016D

RGB 187 1 109

HSL 325.16, 0.99%, 0.37%

LAB 40.72, 68.29, -6.63

 

CMYK 71 / 0 / 44 / 0

HEX #49FE8D

RGB 73 254 141

HSL 142.54, 0.99%, 0.64%

LAB 89.03, -68.88, 41.19

 

CMYK 65 / 0 / 37 / 0

HEX #5AFFA0

RGB 90 255 160

HSL 145.45, 1%, 0.68%

LAB 89.97, -63.28, 33.14

 

CMYK 58 / 0 / 30 / 0

HEX #6BFFB3

RGB 107 255 179

HSL 149.19, 1%, 0.71%

LAB 90.73, -56.54, 24.69

 

CMYK 51 / 0 / 22 / 0

HEX #7CFFC6

RGB 124 255 198

HSL 153.89, 1%, 0.74%

LAB 91.63, -49.14, 16.32

 

CMYK 45 / 0 / 15 / 0

HEX #8DFFD9

RGB 141 255 217

HSL 160, 1%, 0.78%

LAB 92.66, -41.19, 8.1

 

CMYK 73 / 0 / 43 / 0

HEX #44FE92

RGB 68 254 146

HSL 145.16, 0.99%, 0.63%

LAB 89.01, -68.76, 38.72

 

CMYK 78 / 0 / 46 / 7

HEX #33EC7F

RGB 51 236 127

HSL 144.65, 0.83%, 0.56%

LAB 83.03, -67.84, 40.27

 

CMYK 84 / 0 / 50 / 15

HEX #22DA6C

RGB 34 218 108

HSL 144.13, 0.73%, 0.49%

LAB 77.02, -66.53, 41.89

 

CMYK 92 / 0 / 56 / 22

HEX #11C859

RGB 17 200 89

HSL 143.61, 0.84%, 0.43%

LAB 70.97, -64.72, 43.56

 

CMYK 100 / 0 / 62 / 29

HEX #00B646

RGB 0 182 70

HSL 143.08, 1%, 0.36%

LAB 64.88, -62.38, 45.19

 

CMYK 74 / 0 / 43 / 0

HEX #43FE91

RGB 67 254 145

HSL 145.03, 0.99%, 0.63%

LAB 88.98, -69.06, 39.16

 

CMYK 74 / 0 / 63 / 0

HEX #43FE5F

RGB 67 254 95

HSL 128.98, 0.99%, 0.63%

LAB 88.4, -75.87, 61.24

 

CMYK 65 / 0 / 74 / 0

HEX #59FE43

RGB 89 254 67

HSL 112.94, 0.99%, 0.63%

LAB 88.64, -74.57, 72.01

 

CMYK 45 / 0 / 74 / 0

HEX #8CFE43

RGB 140 254 67

HSL 96.58, 0.99%, 0.63%

LAB 90.26, -61.87, 74.15

 

CMYK 25 / 0 / 74 / 0

HEX #BEFE43

RGB 190 254 67

HSL 80.53, 0.99%, 0.63%

LAB 92.68, -45.1, 77.32

 

CMYK 74 / 0 / 43 / 0

HEX #43FE91

RGB 67 254 145

HSL 145.03, 0.99%, 0.63%

LAB 88.98, -69.06, 39.16

 

CMYK 74 / 0 / 23 / 0

HEX #43FEC3

RGB 67 254 195

HSL 161.07, 0.99%, 0.63%

LAB 89.87, -59.24, 15.18

 

CMYK 74 / 0 / 3 / 0

HEX #43FEF6

RGB 67 254 246

HSL 177.43, 0.99%, 0.63%

LAB 91.11, -46.58, -9.42

 

CMYK 74 / 17 / 0 / 0

HEX #43D3FE

RGB 67 211 254

HSL 193.8, 0.99%, 0.63%

LAB 79.01, -24.19, -31.94

 

CMYK 74 / 37 / 0 / 0

HEX #43A1FE

RGB 67 161 254

HSL 209.84, 0.99%, 0.63%

LAB 64.83, 2.82, -54.1

 

CMYK 74 / 0 / 43 / 0

HEX #43FE91

RGB 67 254 145

HSL 145.03, 0.99%, 0.63%

LAB 88.98, -69.06, 39.16

 

CMYK 74 / 0 / 43 / 0

HEX #43FE91

RGB 67 254 145

HSL 145.03, 0.99%, 0.63%

LAB 88.98, -69.06, 39.16

 

CMYK 66 / 0 / 38 / 7

HEX #52EE94

RGB 82 238 148

HSL 145.38, 0.82%, 0.63%

LAB 84.53, -60.49, 31.89

 

CMYK 57 / 0 / 33 / 13

HEX #61DF96

RGB 97 223 150

HSL 145.24, 0.66%, 0.63%

LAB 80.47, -51.32, 25.5

 

CMYK 46 / 0 / 27 / 18

HEX #71D098

RGB 113 208 152

HSL 144.63, 0.5%, 0.63%

LAB 76.61, -40.69, 19.26

 

CMYK 33 / 0 / 19 / 25

HEX #80C09B

RGB 128 192 155

HSL 145.31, 0.34%, 0.63%

LAB 72.66, -28.4, 12.24

 

CMYK 65 / 0 / 74 / 0

HEX #59FE43

RGB 89 254 67

HSL 112.94, 0.99%, 0.63%

LAB 88.64, -74.57, 72.01

 

CMYK 74 / 0 / 63 / 0

HEX #43FE5F

RGB 67 254 95

HSL 128.98, 0.99%, 0.63%

LAB 88.4, -75.87, 61.24

 

CMYK 74 / 0 / 43 / 0

HEX #43FE91

RGB 67 254 145

HSL 145.03, 0.99%, 0.63%

LAB 88.98, -69.06, 39.16

 

CMYK 74 / 0 / 24 / 0

HEX #43FEC2

RGB 67 254 194

HSL 160.75, 0.99%, 0.63%

LAB 89.85, -59.47, 15.66

 

CMYK 74 / 0 / 4 / 0

HEX #43FEF4

RGB 67 254 244

HSL 176.79, 0.99%, 0.63%

LAB 91.06, -47.12, -8.46

 

CMYK 100 / 0 / 58 / 7

HEX #01ED64

RGB 1 237 100

HSL 145.17, 0.99%, 0.47%

LAB 82.64, -75.2, 52.35

 

CMYK 90 / 0 / 52 / 1

HEX #1AFD79

RGB 26 253 121

HSL 145.11, 0.98%, 0.55%

LAB 87.9, -76.28, 49.13

 

CMYK 74 / 0 / 43 / 0

HEX #43FE91

RGB 67 254 145

HSL 145.03, 0.99%, 0.63%

LAB 88.98, -69.06, 39.16

 

CMYK 57 / 0 / 33 / 0

HEX #6CFEA9

RGB 108 254 169

HSL 145.07, 0.99%, 0.71%

LAB 90.29, -57.82, 29.15

 

CMYK 41 / 0 / 24 / 0

HEX #95FEC1

RGB 149 254 193

HSL 145.14, 0.98%, 0.79%

LAB 92.19, -43.54, 19.8

 

CMYK 73 / 0 / 43 / 0

HEX #44FE92

RGB 68 254 146

HSL 145.16, 0.99%, 0.63%

LAB 89.01, -68.76, 38.72

 

CMYK 74 / 46 / 0 / 0

HEX #438AFE

RGB 67 138 254

HSL 217.22, 0.99%, 0.63%

LAB 58.53, 16.47, -64.16

 

CMYK 0 / 72 / 74 / 0

HEX #FE4643

RGB 254 70 67

HSL 0.96, 0.99%, 0.63%

LAB 57.9, 68.48, 43.72

 

CMYK 73 / 0 / 43 / 0

HEX #44FE92

RGB 68 254 146

HSL 145.16, 0.99%, 0.63%

LAB 89.01, -68.76, 38.72

 

CMYK 43 / 74 / 0 / 0

HEX #9143FE

RGB 145 67 254

HSL 265.03, 0.99%, 0.63%

LAB 48.5, 68.27, -80.19

 

CMYK 0 / 43 / 74 / 0

HEX #FE9143

RGB 254 145 67

HSL 25.03, 0.99%, 0.63%

LAB 70.68, 35.34, 57.38

 

CMYK 73 / 0 / 43 / 0

HEX #44FE92

RGB 68 254 146

HSL 145.16, 0.99%, 0.63%

LAB 89.01, -68.76, 38.72

 

CMYK 74 / 46 / 0 / 0

HEX #438AFE

RGB 67 138 254

HSL 217.22, 0.99%, 0.63%

LAB 58.53, 16.47, -64.16

 

CMYK 0 / 74 / 31 / 0

HEX #FE43B0

RGB 254 67 176

HSL 325.03, 0.99%, 0.63%

LAB 60.09, 77.59, -16.51

 

CMYK 0 / 28 / 74 / 0

HEX #FEB643

RGB 254 182 67

HSL 36.9, 0.99%, 0.63%

LAB 79, 16.1, 65.76

 

CMYK 73 / 0 / 43 / 0

HEX #44FE92

RGB 68 254 146

HSL 145.16, 0.99%, 0.63%

LAB 89.01, -68.76, 38.72

 

CMYK 74 / 68 / 0 / 0

HEX #4352FE

RGB 67 82 254

HSL 235.19, 0.99%, 0.63%

LAB 44.78, 50.6, -86.53

 

CMYK 0 / 74 / 31 / 0

HEX #FE43B0

RGB 254 67 176

HSL 325.03, 0.99%, 0.63%

LAB 60.09, 77.59, -16.51

 

CMYK 0 / 6 / 74 / 0

HEX #FEEE43

RGB 254 238 67

HSL 54.87, 0.99%, 0.63%

LAB 92.85, -12.42, 79.06

 

Description

Color code: RGB 68 254 146 | qconv.com Color code: RGB 68 254 146 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 254 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 254 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 43 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 43% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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