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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 212 31 it is the complementary color RGB 187 43 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 212 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68 212 31 shade: RGB 73 212 26, RGB 90 230 45, RGB 107 248 64, RGB 124 255 83 and RGB 141 255 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 212 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68 212 31 shade: RGB 68 212 31, RGB 51 194 12, RGB 34 176 0, RGB 17 158 0 and RGB 0 140 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68 212 31 shade: RGB 68 212 31, RGB 117 212 31, RGB 166 212 31, RGB 212 210 31 and RGB 212 161 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68 212 31 shade: RGB 68 212 31, RGB 31 212 43, RGB 31 212 92, RGB 31 212 141 and RGB 31 212 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68 212 31 shade matches the following richer shades: RGB 68 212 31 and RGB 57 232 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68 212 31 shade: RGB 68 212 31, RGB 80 193 51, RGB 92 173 71, RGB 103 153 91 and RGB 115 133 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68 212 31 shade: RGB 167 212 31, RGB 119 212 31, RGB 71 212 31, RGB 31 212 40 and RGB 31 212 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68 212 31 shade: RGB 45 141 21, RGB 57 177 26, RGB 68 212 31, RGB 94 225 60 and RGB 123 231 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68 212 31 shade: RGB 68 212 31, RGB 31 212 209 and RGB 212 31 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68 212 31 shade: RGB 68 212 31, RGB 31 71 212 and RGB 212 31 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68 212 31 shade: RGB 68 212 31, RGB 31 212 209, RGB 173 31 212 and RGB 212 31 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68 212 31 shade: RGB 68 212 31, RGB 31 161 212, RGB 173 31 212 and RGB 212 83 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

Complementary color

CMYK 17 / 81 / 0 / 12

HEX #BB2BE0

RGB 187 43 224

HSL 287.73, 0.74%, 0.52%

LAB 49.1, 77.14, -62.08

 

CMYK 66 / 0 / 88 / 17

HEX #49D41A

RGB 73 212 26

HSL 104.84, 0.78%, 0.47%

LAB 75.19, -66.5, 70.23

 

CMYK 61 / 0 / 80 / 10

HEX #5AE62D

RGB 90 230 45

HSL 105.41, 0.79%, 0.54%

LAB 81.27, -67.88, 71.49

 

CMYK 57 / 0 / 74 / 3

HEX #6BF840

RGB 107 248 64

HSL 105.98, 0.93%, 0.61%

LAB 87.31, -68.86, 71.82

 

CMYK 51 / 0 / 67 / 0

HEX #7CFF53

RGB 124 255 83

HSL 105.7, 1%, 0.66%

LAB 90.06, -65.63, 68.17

 

CMYK 45 / 0 / 60 / 0

HEX #8DFF66

RGB 141 255 102

HSL 104.71, 1%, 0.7%

LAB 90.84, -59.23, 61.64

 

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

CMYK 74 / 0 / 94 / 24

HEX #33C20C

RGB 51 194 12

HSL 107.14, 0.88%, 0.4%

LAB 68.98, -65.35, 66.99

 

CMYK 81 / 0 / 100 / 31

HEX #22B000

RGB 34 176 0

HSL 108.41, 1%, 0.35%

LAB 62.84, -62.67, 63.33

 

CMYK 89 / 0 / 100 / 38

HEX #119E00

RGB 17 158 0

HSL 113.54, 1%, 0.31%

LAB 56.66, -59.19, 58.31

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

CMYK 45 / 0 / 85 / 17

HEX #75D41F

RGB 117 212 31

HSL 91.49, 0.74%, 0.48%

LAB 76.66, -54.75, 71.07

 

CMYK 22 / 0 / 85 / 17

HEX #A6D41F

RGB 166 212 31

HSL 75.25, 0.74%, 0.48%

LAB 79.21, -37.21, 74.26

 

CMYK 0 / 1 / 85 / 17

HEX #D4D21F

RGB 212 210 31

HSL 59.34, 0.74%, 0.48%

LAB 81.94, -17.34, 77.87

 

CMYK 0 / 24 / 85 / 17

HEX #D4A11F

RGB 212 161 31

HSL 43.09, 0.74%, 0.48%

LAB 69.17, 8.02, 67.42

 

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

CMYK 85 / 0 / 80 / 17

HEX #1FD42B

RGB 31 212 43

HSL 123.98, 0.74%, 0.48%

LAB 74.54, -71.86, 65.36

 

CMYK 85 / 0 / 57 / 17

HEX #1FD45C

RGB 31 212 92

HSL 140.22, 0.74%, 0.48%

LAB 74.92, -67.15, 46.9

 

CMYK 85 / 0 / 33 / 17

HEX #1FD48D

RGB 31 212 141

HSL 156.46, 0.74%, 0.48%

LAB 75.64, -58.71, 23.4

 

CMYK 85 / 0 / 10 / 17

HEX #1FD4BE

RGB 31 212 190

HSL 172.71, 0.74%, 0.48%

LAB 76.74, -46.88, -1.12

 

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

CMYK 75 / 0 / 95 / 9

HEX #39E80C

RGB 57 232 12

HSL 107.73, 0.9%, 0.48%

LAB 81.08, -75.71, 77

 

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

CMYK 59 / 0 / 74 / 24

HEX #50C133

RGB 80 193 51

HSL 107.75, 0.58%, 0.48%

LAB 69.53, -57.19, 58.27

 

CMYK 47 / 0 / 59 / 32

HEX #5CAD47

RGB 92 173 71

HSL 107.65, 0.42%, 0.48%

LAB 63.85, -44.35, 44.03

 

CMYK 33 / 0 / 41 / 40

HEX #67995B

RGB 103 153 91

HSL 108.39, 0.25%, 0.48%

LAB 58.43, -29.14, 27.38

 

CMYK 14 / 0 / 17 / 48

HEX #73856F

RGB 115 133 111

HSL 109.09, 0.09%, 0.48%

LAB 53.57, -10.99, 9.7

 

CMYK 21 / 0 / 85 / 17

HEX #A7D41F

RGB 167 212 31

HSL 74.92, 0.74%, 0.48%

LAB 79.27, -36.81, 74.34

 

CMYK 44 / 0 / 85 / 17

HEX #77D41F

RGB 119 212 31

HSL 90.83, 0.74%, 0.48%

LAB 76.74, -54.12, 71.18

 

CMYK 67 / 0 / 85 / 17

HEX #47D41F

RGB 71 212 31

HSL 106.74, 0.74%, 0.48%

LAB 75.16, -66.72, 69.17

 

CMYK 85 / 0 / 81 / 17

HEX #1FD428

RGB 31 212 40

HSL 122.98, 0.74%, 0.48%

LAB 74.53, -72.04, 66.18

 

CMYK 85 / 0 / 58 / 17

HEX #1FD459

RGB 31 212 89

HSL 139.23, 0.74%, 0.48%

LAB 74.89, -67.55, 48.23

 

CMYK 68 / 0 / 85 / 45

HEX #2D8D15

RGB 45 141 21

HSL 108, 0.74%, 0.32%

LAB 51.45, -49, 50.15

 

CMYK 68 / 0 / 85 / 31

HEX #39B11A

RGB 57 177 26

HSL 107.68, 0.74%, 0.4%

LAB 63.66, -58.41, 59.99

 

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

CMYK 58 / 0 / 73 / 12

HEX #5EE13C

RGB 94 225 60

HSL 107.64, 0.73%, 0.56%

LAB 79.93, -64.36, 65.7

 

CMYK 47 / 0 / 58 / 9

HEX #7BE760

RGB 123 231 96

HSL 108, 0.74%, 0.64%

LAB 83.02, -55.74, 55.13

 

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

CMYK 85 / 0 / 1 / 17

HEX #1FD4D1

RGB 31 212 209

HSL 179.01, 0.74%, 0.48%

LAB 77.27, -41.55, -10.54

 

CMYK 0 / 85 / 33 / 17

HEX #D41F8F

RGB 212 31 143

HSL 322.87, 0.74%, 0.48%

LAB 48.21, 73.23, -15.78

 

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

CMYK 85 / 67 / 0 / 17

HEX #1F47D4

RGB 31 71 212

HSL 226.74, 0.74%, 0.48%

LAB 37.02, 39.85, -75.55

 

CMYK 0 / 85 / 67 / 17

HEX #D41F47

RGB 212 31 71

HSL 346.74, 0.74%, 0.48%

LAB 46.22, 67.56, 25.57

 

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

CMYK 85 / 0 / 1 / 17

HEX #1FD4D1

RGB 31 212 209

HSL 179.01, 0.74%, 0.48%

LAB 77.27, -41.55, -10.54

 

CMYK 18 / 85 / 0 / 17

HEX #AD1FD4

RGB 173 31 212

HSL 287.07, 0.74%, 0.48%

LAB 45.11, 75.55, -61.78

 

CMYK 0 / 85 / 84 / 17

HEX #D41F22

RGB 212 31 34

HSL 359.01, 0.74%, 0.48%

LAB 45.76, 66.21, 46.38

 

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

CMYK 85 / 24 / 0 / 17

HEX #1FA1D4

RGB 31 161 212

HSL 196.91, 0.74%, 0.48%

LAB 62.11, -15.51, -35.31

 

CMYK 18 / 85 / 0 / 17

HEX #AD1FD4

RGB 173 31 212

HSL 287.07, 0.74%, 0.48%

LAB 45.11, 75.55, -61.78

 

CMYK 0 / 61 / 85 / 17

HEX #D4531F

RGB 212 83 31

HSL 17.24, 0.74%, 0.48%

LAB 52.16, 48.51, 53.29

 

Description

Color code: RGB 68 212 31 | qconv.com Color code: RGB 68 212 31 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 212 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 212 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 85 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 85% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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